Hogan’s works include Distinguished Irishmen of the 16th Century (1894), the Irish Phrase Book (1899) and Onomasticon Goedelicum: An Index to Irish Names of Places and Tribes (1910), a standard reference based on the research of John O’Donovan, The Irish Wolfhound, A Description of Ireland in 1598 and Chronological list of the Irish members of the Society of Jesus, 1550-1814. He also contributes to the editing and compilation of other works in his field.
Deevy is born on January 21, 1894, in Waterford. She is the youngest of 13 siblings, all girls. Her mother is Mary Feehan Deevy and her father is Edward Deevy who passes away when she is two years old.
Deevy attends the Ursuline Convent in Waterford and in 1913, at the age of 19, she enrolls in University College Dublin, to become a teacher. However, that same year, she becomes deaf through Ménière’s disease and has to relocate to University College Cork so she can receive treatment in the Cork Ear, Eye, and Throat Hospital, while also being closer to the family home. In 1914 she goes to London to learn lip reading and returns to Ireland in 1919. She starts writing plays and contributing articles and stories to the press around 1919.
In 1930 Deevy has her first production at the Abbey Theatre, Reapers. Many more follow in rapid succession, such as In Search of Valour, Temporal Powers, The King of Spain’s Daughter and Katie Roche, the play she is perhaps best known for. Her works are generally very well received with some of them winning competitions, becoming headline performances, or being revived numerous times. After a number of plays staged in the Abbey, her relationship with the theater sours over the rejection of her play, Wife to James Whelan in 1937.
After Deevy stops writing plays for the Abbey, she mainly concentrates on radio, a remarkable feat considering she had already become deaf before radio had become a popular medium in Ireland in the mid-to-late 1920s. She has a prolific output for twenty years on Raidio Éireann and on the BBC.
Deevy is elected to the prestigious Irish Academy of Letters in 1954, as a recognition to her contribution to the Irish theater. Her sister, Nell, with whom she had lived in Dublin, dies in the same year, so she returns to Waterford. She becomes a familiar figure in Waterford as she cycles around the city on her “High Nelly” bike.
When Deevy’s health begins to fail she is eventually admitted to the Maypark Nursing Home in Waterford. She dies there on January 19, 1963, at the age of 68, two days before her birthday.
The Irish Management Institute, an educational institute in Dublin that offers Postgraduate Diplomas, Master’s Degrees, executive education programs and short courses in Business and Management, holds its inaugural meeting on December 9, 1952. In its role as a membership organisation it connects businesses around its mission of improving the practice of management in Ireland.
The idea for the institute originates from a committee set up by Michael Dargan, T.P. Hogan and other businessmen. The motivation is to establish an organisation that will further the science and practice of business management in Ireland. Those involved are inspired primarily by the American Management Association and The Conference Board. At the same time the then Minister for Industry and Commerce, Seán Lemass, has prompted a separate group of leading semi-state and private bosses into investigating a similar idea. Both groups merge and the inaugural meeting of the Irish Management Institute is held on December 9, 1952, in the Gresham Hotel. The founding chairman is Sir Charles Harvey.
The objective of the institute is to raise the standard of management in Ireland. Originally it does this through corporate and personal memberships, regular lectures and conferences, a journal called Irish Management, research and the establishment of a member’s library. After its first decade the institute becomes involved in management training courses.
Part of IMI’s original brief has been to encourage the universities to develop management education. In the early 1960s both University College Dublin (UCD) and Trinity College Dublin introduce master’s degrees in management. This is an indication of management’s growing stature as an academic discipline. In turn IMI creates the Sir Charles Harvey Award for exceptional graduates of these courses. The first recipient is Patrick J. Murphy.
IMI later goes on to become a provider of education. Its popular Certificate in Supervisory Management (CISM) is the first academic course run by IMI and is the institute’s first progression into all-island distance learning. In 1973 IMI partners with Trinity for the Master of Science in Management (MSc). The MSc epitomises IMI’s teaching philosophy and is notable for being the first management degree in the world to be based on action learning. Related courses follow over the next three decades. Other affiliations with Irish universities include a master’s in information technology development with NUI Galway and a research alliance with the University of Limerick. In 2003 IMI launches their support and delivery of the Flexible Executive Henley MBA programme.
An alliance between University College Cork and the Irish Management Institute is announced in June 2011 by TaoiseachEnda Kenny. The IMI and UCC had been collaborating since 2009. As of 2014, the majority of the degrees offered by the IMI are accredited by UCC. UCC controversially purchases the IMI and it is merged into UCC.
During the subsequent Irish War of Independence (1919-1921) O’Connor is made Director of Engineering of the Irish Republican Army (IRA) – a military organisation descended from the Irish Volunteers.
O’Connor does not accept the Anglo-Irish Treaty of 1921, which establishes the Irish Free State and abolishes the Irish Republic declared in 1916, which he and his comrades had sworn to uphold. On March 26, 1922, the anti-treaty officers of the IRA hold a convention in Dublin in which they reject the Treaty compromise and repudiate the authority of the Dáil, the elected Irish Parliament. Asked by a journalist if this means they are proposing a military dictatorship in Ireland, O’Connor replies, “you can take it that way if you want.”
On April 14, 1922, O’Connor, with 200 other hardline anti-treaty IRA men under his command, takes over the Four Courts building in the centre of Dublin in defiance of the new Irish government. They want to provoke the British troops, who are still in the country, into attacking them, which they believe will restart the war with Britain and re-unite the IRA against their common enemy. Michael Collins tries desperately to persuade O’Connor and his men to leave the building before fighting breaks out.
On June 28, 1922, after the Four Courts garrison has kidnapped JJ “Ginger” O’Connell, a general in the new Free State Army, Collins shells the Four Courts with borrowed British artillery. O’Connor surrenders after two days of fighting and is arrested and held in Mountjoy Prison. This incident sparks the Irish Civil War as fighting breaks out around the country between pro and anti-treaty factions.
On December 8, 1922, along with Liam Mellows, Richard Barrett and Joe McKelvey, three other republicans captured with the fall of the Four Courts, Rory O’Connor is executed by firing squad in reprisal for the anti-treaty IRA’s killing of Free State member of parliament Sean Hales. The execution order is given by Kevin O’Higgins, who less than a year earlier had appointed O’Connor to be best man at his wedding, symbolising the bitterness of the division that the Treaty has caused. O’Connor, one of 77 republicans executed by the Cumann na nGaedheal government of the Irish Free State, is seen as a martyr by the Republican movement in Ireland.
MacDonagh is still a young child when his father is executed in 1916 for his part in the Easter Rising. Tragedy strikes again when his mother dies of a heart attack a year afterwards while swimming at Skerries to Lambay Island, County Dublin on July 9, 1917. He and his sister are then cared for by their maternal aunts, in particular Catherine Wilson.
His parents’ families then engage in a series of child custody lawsuits as the MacDonaghs are Roman Catholic and the Giffords are Protestant. In the climate of Ne Temere, the MacDonaghs are successful.
He and his sister Barbara, who later marries actor Liam Redmond, live briefly with their paternal aunt Eleanor Bingham in County Clare before being put into the custody of strangers until their late teens when they are taken in by Jack MacDonagh.
MacDonagh publishes three volumes of poetry: Veterans and Other Poems (1941), The Hungry Grass (1947) and A Warning to Conquerors (1968). He also edits the Oxford Book of Irish Verse (1958) with Lennox Robinson. He also writes poetic dramas and ballad operas. One play, Happy As Larry, is translated into a number of languages. He has three other plays produced: God’s Gentry (1951), Lady Spider (1959) and Step in the Hollow, a piece of situation comedy nonsense.
MacDonagh also writes short stories. He publishes Twenty Poems with Niall Sheridan, stages the first Irish production of “Murder in the Cathedral” with Liam Redmond, later his brother-in-law, and is a popular broadcaster on Radio Éireann.
MacDonagh is married twice, to Maura Smyth and, following her death after she drowns in a bath whilst having an epileptic seizure, to her sister, Nuala Smyth. He has four children, Iseult and Breifne by Maura and Niall and Barbara by Nuala.
Donagh MacDonagh dies in Dublin on January 1, 1968, and is buried at Deans Grange Cemetery.
O’Nolan writes prodigiously during his years as a student at University College, Dublin (UCD), where he is an active, and controversial, member of the well-known Literary and Historical Society. He contributes to the student magazine Comhthrom Féinne (Fair Play) under various guises, in particular the pseudonym Brother Barnabas. Significantly, he composes a story during this same period titled “Scenes in a Novel (probably posthumous) by Brother Barnabas”, which anticipates many of the ideas and themes later to be found in his novel At Swim-Two-Birds.
In 1934 O’Nolan and his student friends found a short-lived magazine called Blather. The writing here, though clearly bearing the marks of youthful bravado, again somewhat anticipates O’Nolan’s later work, in this case his Cruiskeen Lawn column as Myles na gCopaleen. Having studied the German language in Dublin, he may have spent at least parts of 1933 and 1934 in Germany, namely in Cologne and Bonn, although details are uncertain and contested.
A key feature of O’Nolan’s personal situation is his status as an Irish government civil servant, who, as a result of his father’s relatively early death, is obliged to support ten siblings, including an elder brother who is an unsuccessful writer. Given the desperate poverty of Ireland in the 1930s to 1960s, a job as a civil servant is considered prestigious, being both secure and pensionable with a reliable cash income in a largely agrarian economy. The Irish civil service is fairly strictly apolitical, prohibiting Civil Servants above the level of clerical officer from publicly expressing political views. This fact alone contributes to his use of pseudonyms, though he had started to create character-authors even in his pre-civil service writings. He rises to be quite senior, serving as private secretary to Seán T. O’Kelly and Seán McEntee.
Although O’Nolan is a well-known character in Dublin during his lifetime, relatively little is known about his personal life. On December 2, 1948, he marries Evelyn McDonnell, a typist in the Department of Local Government. On his marriage he moves from his parental home in Blackrock to nearby Merrion Street, living at several further locations in South Dublin before his death. The couple has no children.
O’Nolan is an alcoholic for much of his life and suffers from ill health in his later years. He suffers from throat cancer and dies from a heart attack in Dublin on the morning of April 1, 1966.
Originally built for the Dublin International Exhibition of Arts and Manufactures of 1865, the structure is converted into the central building of University College Dublin (UCD) at the foundation of the National University of Ireland in 1908. When UCD begins to relocate to a new campus at Belfield in the 1960s, part of the building is converted, and reopened as the National Concert Hall in 1981. Since then, the structure has been shared with UCD. In 2005 it is announced that UCD is to relocate all of its faculties to Belfield in the near term, allowing the NCH to develop a major expansion plan on the entire site, bringing it in line with international peers.
Today the National Concert Hall is one of Ireland’s National Cultural Institutions, under the aegis of the Irish Government‘s Department of Culture, Heritage and the Gaeltacht and, as such, is grant-aided by the Irish Government. The National Concert Hall is a statutory corporate body, with a management team, and a Government-appointed Board.
Although its facade is quite impressive, the venue’s architectural acoustics have been criticized. It is also unsuitable for large-scale opera stagings, lacking full stage facilities. Consequently, calls for a purpose-built venue are made from time to time.
Due to its central location, lunchtime concerts and recitals are common and attended by many workers from nearby office buildings. During the summer, outdoor recitals are given in the adjacent Iveagh Gardens. The resident orchestra is the RTÉ National Symphony Orchestra. Other regular performances are made from the rest of the RTÉ Performing Groups.
The National Concert Hall generally makes a small surplus, unlike most of Ireland’s National Cultural Institutions. This is despite the fact that although it has a high level of attendance, it has only a small public funding element, especially compared to the Abbey Theatre.
Maureen Toal, stage and television actress whose professional career lasts for more than sixty years, dies on August 24, 2012.
Toal is born in Fairview, Dublin on September 7, 1930. She begins performing at the Abbey Theatre in Dublin in 1946, when she is just sixteen years old. She becomes a fixture at the theater, portraying some of the strongest roles on the stage including Bessie Burgess in The Plough and the Stars and the Widow Quinn in The Playboy of the Western World. She also appears in several one woman shows, including Baglady, which is written by Irish playwrightFrank McGuinness.
In 1952, Toal marries fellow Irish actor Milo O’Shea. They divorce in 1974.
Playwright John B. Keane writes the role of Mame Fadden in his play The Change in Mame Fadden specifically for Toal. Hugh Leonard also pens characters in his plays A Life and Great Big Blonde with the intention of casting Toal in the roles. Toal is best known to Irish television audiences for her role as Teasy McDaid on RTÉ One‘s Glenroe during the 1990s.
In 2010, Toal is awarded an honorary doctorate in literature at University College Dublin for which McGuinness delivers the citation, describing her as “our greatest actress.” He also praises her performances including Maggie in Arthur Miller‘s After the Fall and particularly her lead roles in his own plays, The Factory Girls and Baglady, where, he says, she tells the toughest of stories with devastating honesty. “Hers is the look out of which were fashioned the masks of comedy and tragedy.”
Maureen Toal dies in her sleep at her home in Sandycove, Dublin, on August 24, 2012, two weeks before her 82nd birthday. She is survived by her son, Colm O’Shea, two sisters, one brother, and three grandchildren.
Denis Devlin, one of the major figures and influences of modern and modernist Irish poetry, dies in Dublin on August 21, 1959. Along with Samuel Beckett and Brian Coffey, he is one of the generation of Irish modernist poets to emerge at the end of the 1920s. He is also a career diplomat.
Devlin is born in Greenock, Scotland of Irish parents on April 15, 1908. His family returns to live in Dublin in 1918. He studies at Belvedere College and, from 1926, as a seminarian for the Roman Catholicpriesthood at Clonliffe College. As part of his studies, he attends a degree course in modern languages at University College Dublin (UCD), where he meets and befriends Brian Coffey. Together they publish a joint collection, Poems, in 1930.
Devlin joins the Irish Diplomatic Service in 1935 and spends a number of years in Rome, New York and Washington, D.C. During this time, he meets the French poet Saint-John Perse, and the Americans Allen Tate and Robert Penn Warren. He goes on to publish a translation of Exile and Other Poems by Saint-John Perse, and Tate and Warren edit his posthumous Selected Poems.
Denis Devlin dies suddenly at the age of 51 in Dublin on August 21, 1959. Since his death, there have been two Collected Poems published; the first in 1964 is edited by Coffey and the second in 1989 by J.C.C. Mays.
The Annals of the Kingdom of Ireland or the Annals of the Four Masters, chronicles of medieval Irish history, are completed on August 10, 1636. The entries span from the Deluge, dated as 2,242 years after creation to 1616 AD.
The annals are mainly a compilation of earlier annals, although there is some original work, and are one of the principal Irish language sources for Irish history up to 1616. They are compiled between 1632 and 1636 at a Franciscan friary near the Drowes River in County Leitrim, on the border with County Donegal and County Sligo. The patron of the project is Fearghal Ó Gadhra, MP, a Gaelic lord in Coolavin, County Sligo. While many of the early chapters are essentially lists of names and dates, the later chapters, dealing with events of which the authors have first-hand accounts, are much more detailed.
The chief compiler of the annals is BrotherMícheál Ó Cléirigh from Ballyshannon, who is assisted by, among others, Cú Choigcríche Ó Cléirigh, Fearfeasa Ó Maol Chonaire and Peregrine Ó Duibhgeannain. Although only one of the authors, Mícheál Ó Cléirigh, is a Franciscan friar, they become known as “The Four Friars” or in the original Irish, Na Ceithre Máistrí. The Anglicized version of this is “The Four Masters,” the name that has become associated with the annals themselves.
Due to the criticisms by Irish historian Tuileagna Ó Maol Chonaire, the text is not published during the lifetime of any of the participants. The first substantial English translation (starting at 1171 AD) is published by Owen Connellan in 1846. The Connellan translation includes the annals from the eleventh to the seventeenth centuries. The only version to have a four-colour frontispiece, it includes a large folding map showing the location of families in Ireland. This edition, neglected for over 150 years, is republished in the early twenty-first century. The original Connellan translation is followed several years later by a full translation by the historian John O’Donovan. The translation is funded by a government grant of £1,000 obtained by the notable mathematician Sir William Rowan Hamilton while he is president of the Royal Irish Academy.
The reliability and usefulness of the Annals as a historical source has sometimes been questioned on the grounds that they are limited to accounts of the births, deaths and activities of the Gaelic nobility of Ireland and often ignore wider social trends or events. On the other hand, the Annals, as one of the few prose sources in Irish from this period, also provide a valuable insight into events such as the Desmond Rebellions and the Nine Years’ War from a Gaelic Irish perspective.
The early part of this work is based upon the Lebor Gabála Érenn. Today, most scholars regard the Lebor Gabála Érenn as primarily myth rather than history. It appears to be mostly based on medieval Christian pseudo-histories, but it also incorporates some of Ireland’s native pagan mythology. Scholars believe the goal of its writers was to provide an epic history for Ireland that could compare to that of the Israelites or the Romans, and which reconciled native myth with the Christian view of history.
seamus dubhghaill 