Devlin and his family return to live in Dublin in 1918. He studies at Belvedere College and, from 1926, as a seminarian for the Roman Catholicpriesthood at Clonliffe College. As part of his studies he attends a degree course in modern languages at University College Dublin (UCD), where he meets and befriends Brian Coffey. Together they publish a joint collection, Poems, in 1930.
In 1927, Devlin abandons the priesthood and leaves Clonliffe. He graduates with his BA from UCD in 1930 and spends that summer on the Blasket Islands to improve his spoken Irish. Between 1930 and 1933, he studies literature at the University of Munich and the Sorbonne in Paris, meeting, amongst others, Beckett and Thomas MacGreevy. He then returns to UCD to complete his MAthesis on Michel de Montaigne.
Devlin joins the Irish Diplomatic Service in 1935 and spends a number of years in Rome, New York and Washington, D.C.. During this time he meets the French poet Saint-John Perse, and the Americans Allen Tate and Robert Penn Warren. He goes on to publish a translation of Exile and Other Poems by Saint-John Perse, and Tate and Warren edit his posthumous Selected Poems.
Since his death on August 21, 1959, there have been two Collected Poems published; the first in 1964 is edited by Coffey and the second in 1989 by J.C.C. Mays.
In 1962 Jordan re-founds and edits the literary magazine Poetry Ireland in hopes of contributing towards the recreation of Dublin as a literary centre. In this journal, he introduces a number of poets who are to become quite famous later, including Paul Durcan, Michael Hartnett and Seamus Heaney. This series of Poetry Ireland lasts until 1968–69.
In 1981 Jordan becomes the first editor of the new magazine published by the Poetry Ireland Society, called Poetry Ireland Review. He serves as a reviewer of novels for The Irish Times, writes a column for Hibernia, contributes to Envoy, A Review of Literature and Art and The Irish Press among others, and serves as a TV presenter and arts interviewer. He is a defender of Gaelic literature, translates Pádraic Ó Conaire, edits The Pleasures of Gaelic Literature (Mercier Press, 1977), and champions the later plays of Seán O’Casey. His translation of one of Aogán Ó Rathaille‘s essays is published in The Pleasures of Gaelic Poetry (London: Allen Lane, 1982).
Jordan’s Collected Poems (Dedalus Press) and Collected Stories (Poolbeg Press) are edited by his literary executor, Hugh McFadden, and published in Dublin in 1991. His Selected Prose, Crystal Clear, also edited by McFadden, is published by The Lilliput Press in Dublin in 2006. His Selected Poems, edited with an introduction by McFadden, is published in February 2008 by Dedalus Press. Uncollected stories appear in Penguin Book of Irish Short Stories, Cyphers, and The Irish Press, among other places.
Jordan’s literary papers and letters are held in the National Library of Ireland. In 1953 the young Irish artist Reginald Gray is commissioned by University College Dublin to design the decor and costumes for their production of “The Kings Threshold” by William Butler Yeats. The leading role is given to Jordan. During the preparations for the production, Gray starts a portrait of Jordan, which he never finishes. This work now hangs in the Dublin Writers Museum.
(Pictured: John Jordan, by Patrick Swift, c. 1950)
De Valera knows of O’Neill’s reputation as a historian and asks him to undertake the project. A contract is signed with the publishers in 1963, and O’Neill moves to Áras an Uachtaráin to work on the book. He is later joined by Lord Longford as co-author.
O’Neill’s other works include a biography in Irish of James Fintan Lalor and a major study of the Great Famine, which establishes his reputation as a historian.
After the completion of the de Valera work, O’Neill is appointed lecturer and later professor of history in University College, Galway. On his retirement, he returns to live in Dublin, where he renews his association with the National Library, becoming a strong supporter of its expansion.
O’Neill is survived by his wife, Marie, and six children. His funeral Mass takes place at St. Joseph’s Church on March 5, followed by his interment at Shanganagh Cemetery.
(From: “Biographer of de Valera dies at 74,” The Irish Times, Monday, March 4, 1996)
Jordan is educated at St. Paul’s College, Raheny. Later, Jordan attends University College Dublin, where he studies Irish history and English literature. He is raised a Catholic and is quite religious during the early stages of his life. Regarding his current beliefs, he states that “God is the greatest imaginary being of all time. Along with Einstein‘s General Theory of Relativity, the invention of God is probably the greatest creation of human thought.”
When John Boorman is filming Excalibur in Ireland, he recruits Jordan as a “creative associate.” A year later Boorman is executive producer on Jordan’s first feature, Angel, a tale of a musician caught up in the Troubles, starring Stephen Rea who subsequently appears in almost all of Jordan’s films to date. During the 1980s, he directs films that win him acclaim, including The Company of Wolves and Mona Lisa, both made in England. The Company of Wolves becomes a cult favorite.
As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We’re No Angels to a variety of more personal, low-budget arthouse pictures. He is also the driving force behind the cable TV series The Borgias.
Unconventional sexual relationships are a recurring theme in Jordan’s work, and he often finds a sympathetic side to characters that audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, follows two characters who struggle to resist a strong, incestuous attraction, while The Crying Game makes complicated, likable characters out of an IRA volunteer and a transgender woman. Interview with the Vampire, like the Anne Rice book it is based on, focuses on the intense, intimate interpersonal relationship of two undead men who murder humans nightly, accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience’s sympathy despite their predatory nature.
In addition to the unusual sexuality of Jordan’s films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character, both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with The Crying Game being a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such as The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits, Interview with the Vampire, and In Dreams.
The critical success of Jordan’s early pictures leads him to Hollywood, where he directs High Spirits and We’re No Angels. Both are critical and financial disasters. He later returns home to make the more personal The Crying Game, which is nominated for six Academy Awards. Jordan wins the Academy Award for Best Original Screenplay for the film. Its unexpected success leads him back to American studio filmmaking, where he directs Interview with the Vampire. He also directs the crime drama The Brave One starring Jodie Foster.
Desmond Connell is created Cardinal-Priest by Pope John Paul II at the Consistory in Rome on February 21, 2001. He becomes the first Archbishop of Dublin in over 100 years to be installed as a Cardinal. A large Irish contingent from Church and State, along with family and friends of the Cardinal, attend the installation which for the first time takes place at the front of the entrance to St. Peter’s Basilica.
Connell is ordained priest by Archbishop John Charles McQuaid on May 19, 1951. He takes up a teaching post at the Department of Metaphysics at the University College Dublin. He is appointed Professor of General Metaphysics in 1972 and in 1983 becomes the Dean of the Faculty of Philosophy and Sociology. The College’s Department of Metaphysics is abolished after his departure.
Connell is appointed Archbishop of Dublin by the Holy See in early 1988. He is consecrated at St. Mary’s Pro-Cathedral, Dublin on March 6, 1988. He is created Cardinal-Priest by Pope John Paul II at the Consistory in Rome on February 21, 2001, with the TitulusS. Silvestri in Capite. Archbishops of Armagh, who hold the higher title of Primate of All Ireland, are more frequently appointed Cardinal than Archbishops of Dublin. The last Archbishop of Dublin to have been a cardinal is Cardinal Edward MacCabe, who was appointed in 1882.
On April 26, 2004, Connell retires as archbishop, handing the diocese to the coadjutor bishop, Diarmuid Martin. All bishops submit their resignation to the Pope on their 75th birthday. Connell’s is accepted shortly after his 78th birthday.
It is Connell’s failure, when Archbishop of Dublin in 1988–2004, to address adequately the abuse scandals in Dublin that lead the Vatican to assign Archbishop Martin as his replacement in the country’s largest diocese. The Murphy Report finds that Connell had handled the affair “badly” as he was “slow to recognise the seriousness of the situation.” It does praise him for making the archdiocesan records available to the authorities in 2002 and for his 1995 actions in giving the authorities the names of 17 priests who had been accused of abuse, although it says the list is incomplete as complaints were made against at least 28 priests in the archdiocese.
From 1988 Connell also continues to insure his archdiocese against liability from complainants, while claiming to the Murphy Commission that the archdiocese is “on a learning curve” in regard to child abuse. He arranges for compensation payments to be made from a “Stewardship Trust” that is kept secret from the archdiocese’s parishioners until 2003. In 1996 he refuses to help a victim of Paul McGennis and does not pass on what he knows about McGennis to her, or to the police. He apologises for this in 2002.
Desmond Connell dies in Dublin at the age of 90 on February 21, 2017, exactly sixteen years after his creation as Cardinal.
Joyce is one of the ten children of Mary Jane “May” Murray and John Stanislaus Joyce, a professional singer and later rate-collector from a bourgeois Catholic family. He attends Clongowes Wood College, a Jesuit boarding school, until 1891, when his father’s financial worries mean they can no longer afford to send him there. He is temporarily home-schooled and spends a short time at a Christian Brothers school, before starting at Belvedere College, a Jesuit day school run by his old Clongowes headmaster, Father John Conmee.
Much of Joyce’s childhood is influenced by his charismatic, but increasingly alcohol-dependent and difficult father, whose ongoing financial troubles led to regular domestic upheaval. However, John Joyce’s passions, eccentricities, as well as his gift as a singer are celebrated in his son’s work. The death of the Irish Home Rule movement leader Charles Stewart Parnell in 1891 is a watershed moment in Joyce’s life and is the subject of an inflammatory argument during a Christmas dinner, in which John Joyce and his friend John Kelly passionately defend Parnell from the accusations of the pious Elizabeth Conway. Joyce recreates the scene in A Portrait of the Artist as a Young Man, portraying Kelly’s character, Mr. Casey, crying loudly with a “sob of pain,” “Poor Parnell! … My dead king!”
Joyce attends University College Dublin in 1899-1902, where he studies modern languages, with Latin and logic. In 1902 he goes to Paris with an intent of studying medicine but discovers, on arrival, that he does not have the necessary qualifications. He constantly struggles for money, relying on irregular work as a teacher, bank employee, cinema-owner and tweed-importer, and on patrons and supporters such as Harriet Shaw Weaver and Ezra Pound.
Joyce returns to Ireland in 1903 after his mother falls ill. She dies in August 1903. He refuses to take the sacraments or kneel at her deathbed, and the guilt he later feels is depicted in Ulysses when the ghost of Stephen’s mother returns to haunt him. On June 16, 1904, he meets Nora Barnacle, the woman with whom he spends the rest of his life. By autumn, he is convinced of the impossibility of remaining in Ireland and persuades Nora to travel with him. They arrive in Paris on October 9, 1904. He would not return to Ireland to live. He cultivates a sense of himself as an exile, living in Trieste, Zürich, Rome and Paris.
Joyce’s first publication in 1907 is the poetry collection Chamber Music. When he sends Pound a revised first chapter of Portrait of an Artist as a Young Man, along with the manuscript of his short story collection Dubliners, Pound arranges for Portrait to be published serially in the modernist magazine The Egoist between 1914 and 1915. His short story collection, Dubliners, had been delayed by years of arguments with printers over its contents, but is also published in 1914.
Joyce then begins work on Ulysses, an experimental account of a single day in Dublin. The novel is serialised between 1918 and 1920, but full publication is delayed due to problems with American obscenity laws. The work is finally published in book form by his friend Sylvia Beach in Paris in 1922. His play Exiles is first performed in German in 1919, and English in 1926. His last novel, Finnegans Wake (1939), is an innovative language experiment that contains over 40 languages and a huge variety of popular and arcane references.
On January 11, 1941, Joyce undergoes surgery in Zürich for a perforated duodenal ulcer. He falls into a coma the following day. He awakes at 2:00 AM on January 13, 1941, and asks a nurse to call his wife and son, before losing consciousness again. They are en-route when he dies 15 minutes later, less than a month short of his 59th birthday. He is buried in the Fluntern Cemetery, Zürich.
Hogan’s works include Distinguished Irishmen of the 16th Century (1894), the Irish Phrase Book (1899) and Onomasticon Goedelicum: An Index to Irish Names of Places and Tribes (1910), a standard reference based on the research of John O’Donovan, The Irish Wolfhound, A Description of Ireland in 1598 and Chronological list of the Irish members of the Society of Jesus, 1550-1814. He also contributes to the editing and compilation of other works in his field.
Deevy is born on January 21, 1894, in Waterford. She is the youngest of 13 siblings, all girls. Her mother is Mary Feehan Deevy and her father is Edward Deevy who passes away when she is two years old.
Deevy attends the Ursuline Convent in Waterford and in 1913, at the age of 19, she enrolls in University College Dublin, to become a teacher. However, that same year, she becomes deaf through Ménière’s disease and has to relocate to University College Cork so she can receive treatment in the Cork Ear, Eye, and Throat Hospital, while also being closer to the family home. In 1914 she goes to London to learn lip reading and returns to Ireland in 1919. She starts writing plays and contributing articles and stories to the press around 1919.
In 1930 Deevy has her first production at the Abbey Theatre, Reapers. Many more follow in rapid succession, such as In Search of Valour, Temporal Powers, The King of Spain’s Daughter and Katie Roche, the play she is perhaps best known for. Her works are generally very well received with some of them winning competitions, becoming headline performances, or being revived numerous times. After a number of plays staged in the Abbey, her relationship with the theater sours over the rejection of her play, Wife to James Whelan in 1937.
After Deevy stops writing plays for the Abbey, she mainly concentrates on radio, a remarkable feat considering she had already become deaf before radio had become a popular medium in Ireland in the mid-to-late 1920s. She has a prolific output for twenty years on Raidio Éireann and on the BBC.
Deevy is elected to the prestigious Irish Academy of Letters in 1954, as a recognition to her contribution to the Irish theater. Her sister, Nell, with whom she had lived in Dublin, dies in the same year, so she returns to Waterford. She becomes a familiar figure in Waterford as she cycles around the city on her “High Nelly” bike.
When Deevy’s health begins to fail she is eventually admitted to the Maypark Nursing Home in Waterford. She dies there on January 19, 1963, at the age of 68, two days before her birthday.
The Irish Management Institute, an educational institute in Dublin that offers Postgraduate Diplomas, Master’s Degrees, executive education programs and short courses in Business and Management, holds its inaugural meeting on December 9, 1952. In its role as a membership organisation it connects businesses around its mission of improving the practice of management in Ireland.
The idea for the institute originates from a committee set up by Michael Dargan, T.P. Hogan and other businessmen. The motivation is to establish an organisation that will further the science and practice of business management in Ireland. Those involved are inspired primarily by the American Management Association and The Conference Board. At the same time the then Minister for Industry and Commerce, Seán Lemass, has prompted a separate group of leading semi-state and private bosses into investigating a similar idea. Both groups merge and the inaugural meeting of the Irish Management Institute is held on December 9, 1952, in the Gresham Hotel. The founding chairman is Sir Charles Harvey.
The objective of the institute is to raise the standard of management in Ireland. Originally it does this through corporate and personal memberships, regular lectures and conferences, a journal called Irish Management, research and the establishment of a member’s library. After its first decade the institute becomes involved in management training courses.
Part of IMI’s original brief has been to encourage the universities to develop management education. In the early 1960s both University College Dublin (UCD) and Trinity College Dublin introduce master’s degrees in management. This is an indication of management’s growing stature as an academic discipline. In turn IMI creates the Sir Charles Harvey Award for exceptional graduates of these courses. The first recipient is Patrick J. Murphy.
IMI later goes on to become a provider of education. Its popular Certificate in Supervisory Management (CISM) is the first academic course run by IMI and is the institute’s first progression into all-island distance learning. In 1973 IMI partners with Trinity for the Master of Science in Management (MSc). The MSc epitomises IMI’s teaching philosophy and is notable for being the first management degree in the world to be based on action learning. Related courses follow over the next three decades. Other affiliations with Irish universities include a master’s in information technology development with NUI Galway and a research alliance with the University of Limerick. In 2003 IMI launches their support and delivery of the Flexible Executive Henley MBA programme.
An alliance between University College Cork and the Irish Management Institute is announced in June 2011 by TaoiseachEnda Kenny. The IMI and UCC had been collaborating since 2009. As of 2014, the majority of the degrees offered by the IMI are accredited by UCC. UCC controversially purchases the IMI and it is merged into UCC.
During the subsequent Irish War of Independence (1919-1921) O’Connor is made Director of Engineering of the Irish Republican Army (IRA) – a military organisation descended from the Irish Volunteers.
O’Connor does not accept the Anglo-Irish Treaty of 1921, which establishes the Irish Free State and abolishes the Irish Republic declared in 1916, which he and his comrades had sworn to uphold. On March 26, 1922, the anti-treaty officers of the IRA hold a convention in Dublin in which they reject the Treaty compromise and repudiate the authority of the Dáil, the elected Irish Parliament. Asked by a journalist if this means they are proposing a military dictatorship in Ireland, O’Connor replies, “you can take it that way if you want.”
On April 14, 1922, O’Connor, with 200 other hardline anti-treaty IRA men under his command, takes over the Four Courts building in the centre of Dublin in defiance of the new Irish government. They want to provoke the British troops, who are still in the country, into attacking them, which they believe will restart the war with Britain and re-unite the IRA against their common enemy. Michael Collins tries desperately to persuade O’Connor and his men to leave the building before fighting breaks out.
On June 28, 1922, after the Four Courts garrison has kidnapped JJ “Ginger” O’Connell, a general in the new Free State Army, Collins shells the Four Courts with borrowed British artillery. O’Connor surrenders after two days of fighting and is arrested and held in Mountjoy Prison. This incident sparks the Irish Civil War as fighting breaks out around the country between pro and anti-treaty factions.
On December 8, 1922, along with Liam Mellows, Richard Barrett and Joe McKelvey, three other republicans captured with the fall of the Four Courts, Rory O’Connor is executed by firing squad in reprisal for the anti-treaty IRA’s killing of Free State member of parliament Sean Hales. The execution order is given by Kevin O’Higgins, who less than a year earlier had appointed O’Connor to be best man at his wedding, symbolising the bitterness of the division that the Treaty has caused. O’Connor, one of 77 republicans executed by the Cumann na nGaedheal government of the Irish Free State, is seen as a martyr by the Republican movement in Ireland.
seamus dubhghaill 