seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Yearly Archives: 2019


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Birth of Irish American Actor Gregory Peck

gregory-peck

Actor Gregory Peck is born in La Jolla, California on April 5, 1916, to Bernice Mary (Ayres) and Gregory Pearl Peck, a chemist and pharmacist in San Diego. Through his Irish-born paternal grandmother, Catherine Ashe, Peck is related to Thomas Ashe, who takes part in the Easter Rising fewer than three weeks after Peck’s birth and dies while on hunger strike in 1917.

Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.

At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).

Peck studies pre-med at the University of California, Berkeley and while there is bitten by the acting bug and decides to change the focus of his studies. He enrolls in the Neighborhood Playhouse School of the Theatre in New York City and debuts on Broadway after graduation. His debut is in Emlyn Williams‘ play The Morning Star (1942). By 1943, he is in Hollywood, where he debuts in the RKO Pictures film Days of Glory (1944).

Stardom comes with Peck’s next film, The Keys of the Kingdom (1944), for which he is nominated for an Academy Award. Peck’s screen presence displays the qualities for which he becomes well known. He is tall, rugged and heroic, with a basic decency that transcends his roles. He appears in Alfred Hitchcock‘s Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he is again nominated for an Academy Award and wins the Golden Globe Award. He is especially effective in westerns and appears in such varied fare as David O. Selznick‘s critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He is nominated again for the Academy Award for his roles in Gentleman’s Agreement (1947), which deals with antisemitism, and Twelve O’Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.

With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).

Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.

In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).

In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.

Gregory Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.


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Barry’s Tea Centennial

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On April 4, 2001, former employees and staff join three generations of the Barry family in a celebration of 100 years in business for Barry’s Tea which has become an Irish institution.

Barry’s Tea is an Irish tea company founded in 1901 by James J. Barry in Cork, County Cork. In 1934, Anthony Barry, son of the founder, is awarded the Empire Cup for Tea Blending, confirming his expertise in the tea trade. Until the 1960s, the tea is only sold from a shop in Prince’s Street, but thereafter the company expands its wholesaling and distribution operations.

In 1960, Peter Barry, Anthony’s son, pioneers the concept of wholesaling tea and begins sourcing tea from East Africa. There is an incredible reaction to these new blends, and they become something of a Barry’s Tea signature.

By the mid-1980s Barry’s Tea has become a national brand. According to their website, www.barrystea.ie, they are currently responsible for 38% of all tea sales in the Irish market, which is worth an estimated €85 million annually. Today, Barry’s Tea is also available in the United Kingdom, Spain, and in some areas of Canada, Australia, France, Luxembourg and the United States where there are significant Irish immigrant communities.

Members of the Barry family have been elected representatives for Fine Gael: the founder’s son Anthony Barry (TD 1954–1957 and 1961–1965), Anthony’s son Peter Barry (TD 1969–1997) and Peter’s daughter Deirdre Clune (TD 1997–2001 and 2007–2011, and MEP since 2014).

In May 2018, it was revealed that many of Barry’s Tea teabags are made with polypropylene and are not compostable.


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The Bloody Sunday Inquiry

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The Bloody Sunday Inquiry, also known as the Saville Inquiry or the Saville Report after its chairman, Mark Saville, Baron Saville of Newdigate, is launched on April 3, 1998, by British Prime Minister Tony Blair. The inquiry follows campaigns for a second inquiry by families of those killed and injured in Derry on Bloody Sunday during the peak of ethno-political violence known as The Troubles. The inquiry is set up to establish a definitive version of the events of Sunday, January 30, 1972, superseding the tribunal set up under John Widgery, Baron Widgery that had reported on April 19, 1972, eleven weeks after the events, and to resolve the accusations of a whitewash that had surrounded it.

The inquiry takes the form of a tribunal established under the Tribunals of Inquiry (Evidence) Act 1921, and consists of Lord Saville, the former Chief Justice of New Brunswick William L. Hoyt and John L. Toohey, a former Justice of the High Court of Australia.

The judges finish hearing evidence on November 23, 2004, and reconvene once again on December 16 to listen to testimony from another witness, known as Witness X, who had been unavailable earlier.

The report is published on June 15, 2010. That morning thousands of people walk the path that the civil rights marchers had taken on Bloody Sunday before fourteen were killed, holding photos of those who had been shot. The families of the victims receive advance copies of the report inside the Guildhall.

Then British prime minister David Cameron addresses the House of Commons that afternoon where he describes what British soldiers had done as “both unjustified and unjustifiable, it was wrong.” He acknowledges, among other things, that the paratroopers had fired the first shot, had fired on fleeing unarmed civilians, and shot and killed one man who was already wounded. He then apologises on behalf of the British Government by saying he is “deeply sorry.”

(Pictured: Lord Saville and his colleagues visit the Bogside during their first day in the city on April 3, 1998. Credit: Derry Journal)


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Premiere of “Cathleen ni Houlihan”

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Cathleen ni Houlihan, a one-act play written by William Butler Yeats and Lady Gregory, is first performed in Dublin on April 2, 1902, with Maud Gonne in the leading role. It is first published in the October 1902 number of Samhain magazine.

The play centers on the Irish Rebellion of 1798. The play is startlingly nationalistic, in its last pages encouraging young men to sacrifice their lives for the heroine Cathleen ni Houlihan, who represents an independent and separate Irish state. The title character first appears as an old woman at the door of a family celebrating their son’s wedding. She describes her four “beautiful green fields,” representing the four provinces of Ireland, that have been unjustly taken from her. With little subtlety, she requests a blood sacrifice, declaring that “many a child will be born and there will be no father at the christening” and that “they that have red cheeks will have pale cheeks for my sake, and for all that, they will think they are well paid.” She convinces the future groom, Michael, to give up the wedding and go fight.

After the youth leaves the safety of his home to fight for her, she appears as an image of youth with “the walk of a queen,” professing of those who fight for her: “They shall be remembered forever, They shall be alive forever, They shall be speaking forever, The people shall hear them forever.”

Death is common during the time around the rising, but becoming a martyr is somethings that is admirable, so oftentimes people welcome death so they can create themselves a heroic memory. The martyrs will be remembered forever, which is why this theme is so ingrained into this play.

Cathleen ni Houlihan is such a simple play that contains many symbols and has the goal of convincing men to fight for Ireland. While the play is written about the rising of 1798, it is meant to inspire people for the 1916 Easter Rising. Throughout the whole play, there is constant reference to memory and its influence on the public. The men that die while fighting for Ireland are considered heroes, which is why memory and martyrdom are such important themes that are incorporated into works about revolution.

Cathleen ni Houlihan is about Irish Independence, but there are themes of martyrdom in other works, like the musicals about American Independence, Hamilton and 1776.

(Pictured: Scene from a production of “Cathleen ni Houlihan,” circa 1912)


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Birth of St. Clair Mulholland, Union Army Colonel

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St. Clair Augustine Mulholland, colonel in the Union Army in the American Civil War and Medal of Honor winner, is born in Lisburn, County Antrim on April 1, 1839.

Mulholland emigrates to Philadelphia with his parents while a boy. His youthful tastes incline him to military affairs, and he becomes active in the ranks of the militia. At the outbreak of the Civil War, he is commissioned lieutenant colonel of the 116th Pennsylvania Infantry Regiment, which is attached to Thomas Francis Meagher‘s Irish Brigade. When the regiment‘s size is reduced to a battalion, he accepts a reduction in rank to major.

Mulholland is wounded during the famous charge of the Irish Brigade up Marye’s Heights at the Battle of Fredericksburg on December 13, 1862. At the Battle of Chancellorsville on May 3 and 4, 1863, he leads his regiment and distinguishes himself by saving the guns of the 5th Maine Battery that had been abandoned to the enemy. For this he is complimented in general orders and later receives the Medal of Honor from the United States Congress. In this campaign he is given the command of the picket line by Major General Winfield Scott Hancock and covers the retreat of the Army of the Potomac across the Rappahannock River.

Although Mulholland later claims that at the Battle of Gettysburg on July 2, 1863, he personally took command of the 140th Pennsylvania Infantry and led it into action, this fact is mentioned in neither his own official report of the battle, nor that of the lieutenant colonel commanding the 140th. When the 116th is returned to full strength in early 1864, he is promoted to colonel. He is wounded a second time at the Battle of the Wilderness on May 5, 1864. At the Battle of Spotsylvania Court House, he is wounded a third time but remains in the hospital only ten days. Resuming his command, he is dangerously wounded again at the Battle of Totopotomoy Creek. He recovers rapidly and commands his brigade in all the actions around the Siege of Petersburg, particularly distinguishing himself by storming a fort on the Boydton Plank Road. He is mustered out of the volunteer service on June 3, 1865.

On May 4, 1866, President Andrew Johnson nominates Mulholland for the brevet grade of brigadier general of volunteers to rank from March 13, 1865, for his conduct at the Battle of the Wilderness and the U.S. Senate confirms the appointment on May 18, 1866. On January 13, 1869, President Johnson nominates Mulholland for appointment to the brevet grade of major general of volunteers, to rank from March 13, 1865, for his actions on the Boydton Plank Road and the Senate confirms the appointment on February 16, 1869. The brevet is issued February 20, 1869. It is the last brevet of major general issued for service during the Civil War.

Returning to civilian life after the war, Mulholland is appointed Chief of Police in Philadelphia in 1868 and signalizes his administration by the good order in which he keeps both the force and the city. President Grover Cleveland appoints him United States Pension Agent, in which office he is continued by Presidents William McKinley and Theodore Roosevelt. He is considered an authority on the science of penology and also devotes much of his leisure time to art studies, and as a lecturer and writer on the Civil War and its records. He compiles a history of the 116th Regiment, and another of those to whom Congress voted the Medal of Honor. In the Catholic affairs of Philadelphia, he is always active and a leader among the best-known laymen.

St. Clair Augustin Mulholland dies on February 17, 1910, in Philadelphia, Pennsylvania. He is buried at Old Cathedral Cemetery, Philadelphia.


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Birth of Arthur Griffith, Founder of Sinn Féin

arthur-griffith

Arthur Joseph Griffith, writer, newspaper editor and politician who founded the political party Sinn Féin, is born in Dublin on March 31, 1871. He leads the Irish delegation at the negotiations that produce the 1921 Anglo-Irish Treaty and serves as President of Dáil Éireann from January 1922 until his death in August 1922.

Griffith, a Roman Catholic, is educated by the Irish Christian Brothers. He works for a time as a printer before joining the Gaelic League, which is aimed at promoting the restoration of the Irish language.

After a short spell in South Africa, Griffith founds and edits the Irish nationalist newspaper The United Irishman in 1899. In 1904, he writes The Resurrection of Hungary: A Parallel for Ireland, which advocates the withdrawal of Irish members from the Parliament of the United Kingdom and the setting up of the institutions of government at home, a policy that becomes known as Sinn Féin (ourselves). On November 28, 1905, he presents “The Sinn Féin Policy” at the first annual Convention of the National Council. The occasion is marked as the founding date of the Sinn Féin party. Although the organization is still small at the time, Griffith takes over as president of Sinn Féin in 1911.

Griffith is arrested following the Easter Rising of 1916, despite not having taken any part in it. On his release, he works to build up Sinn Féin, which wins a string of by-election victories. At the party’s Ardfheis (annual convention) in October 1917, Sinn Féin becomes an unambiguously republican party, and Griffith resigns the presidency in favour of the 1916 leader Éamon de Valera, becoming vice-president instead. Griffith is elected as a member of parliament (MP) in June 1918, and is re-elected in the 1918 general election, when Sinn Féin wins a huge electoral victory over the Irish Parliamentary Party and refusing to take their seats at Westminster, set up their own constituent assembly, Dáil Éireann.

In the Dáil, Griffith serves as Minister for Home Affairs from 1919 to 1921, and Minister for Foreign Affairs from 1921 to 1922. In September 1921, he is appointed chairman of the Irish delegation to negotiate a treaty with the British government. After months of negotiations, he and the other four delegates sign the Anglo-Irish Treaty, which creates the Irish Free State, but not as a republic. This leads to a split in the Dáil. After the Treaty is narrowly approved by the Dáil, de Valera resigns as president and Griffith is elected in his place. The split leads to the Irish Civil War.

Griffith enters St. Vincent’s Nursing Home, Leeson Street, Dublin, during the first week of August 1922, following an acute attack of tonsillitis. He is confined to his room by his doctors, who had observed signs of what they thought might be a subarachnoid hemorrhage. It is difficult to keep him quiet and he resumes his daily work in the government building. When about to leave for his office shortly before 10:00 AM on August 12, 1922, he pauses to retie his shoelace and falls down unconscious. He regains consciousness but collapses again with blood coming from his mouth. Three doctors render assistance, but to no avail. Father John Lee of the Marist Fathers administers extreme unction, and Griffith expires as the priest recites the concluding prayer. The cause of death, cerebral hemorrhage, is also reported as being due to heart failure. He dies at the age of 51, ten days before Michael Collins‘ assassination in County Cork and two months after the outbreak of the Irish Civil War. He is buried in Glasnevin Cemetery four days later.


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Death of Writer John McGahern

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John McGahern, regarded as one of the most important Irish writers of the latter half of the twentieth century, dies in Dublin on March 30, 2006. Known for the detailed dissection of Irish life found in works such as The Barracks, The Dark and Amongst Women, The Observer hails him as “the greatest living Irish novelist” before his death and in its obituary The Guardian describes him as “arguably the most important Irish novelist since Samuel Beckett.”

Born in Knockanroe about half a mile from Ballinamore, County Leitrim, McGahern is the eldest child of seven. Raised alongside his six young siblings on a small farm in Knockanroe, his mother runs the farm (with some local help) while maintaining a job as a primary school teacher in the local school. His father, a Garda sergeant, lives in the Garda barracks at Cootehall in County Roscommon, a somewhat sizeable distant away from his family at the time. His mother subsequently dies of cancer in 1944, when the young McGahern is ten years old resulting in the unrooting of the McGahern children to their new home with their father in the aforementioned Garda barracks, Cootehall.

In the years following his mother’s death, McGahern completes his primary schooling in the local primary school, and ultimately wins a scholarship to the Presentation Brothers secondary school in Carrick-on-Shannon. Having traveled daily to complete his second level education, he continues to accumulate academic accolades by winning the county scholarship in his Leaving Certificate enabling him to continue his education to third level.

Following on from his second level success, McGahern is offered a place at St. Patrick’s College of Education in Drumcondra where he trains to be a teacher. Upon graduation from third level education, he begins his career as a primary schoolteacher at Scoil Eoin Báiste (Belgrove) primary school in Clontarf where, for a period, he teaches the eminent academic Declan Kiberd. He is dismissed from Scoil Eoin Báiste on the order of the Archbishop of Dublin, John Charles McQuaid. He is first published by the London literary and arts review, X magazine, which publishes in 1961 an extract from his abandoned first novel, The End or Beginning of Love.

McGahern marries his first wife, Finnish-born Annikki Laaksi, in 1965 and in the same year publishes his second novel, The Dark, which is banned by the Censorship of Publications Board for its alleged pornographic content along with its implied sexual abuse by the protagonist’s father. Due to the controversy which is stirred by the book’s publication McGahern is dismissed from his teaching post and forced to move to England where he works in a variety of jobs before returning to Ireland to live and work on a small farm near Fenagh in County Leitrim.

John McGahern dies from cancer in the Mater Misericordiae University Hospital in Dublin on March 30, 2006, at the age of 71. He is buried in St. Patrick’s Church, Aughawillan alongside his mother.


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Launch of “The Irish Times”

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The Irish Times, an Irish daily broadsheet newspaper, is launched at 4 Lower Abbey Street in Dublin on March 29, 1859. The first appearance of a newspaper using the name The Irish Times occurs in 1823 but it closes in 1825. The title is revived as a thrice weekly publication by Major Lawrence E. Knox. It is originally founded as a moderate Protestant Irish nationalist newspaper, reflecting the politics of Knox, who stands unsuccessfully as a parliamentary candidate for Isaac Butt’s Home Rule League. In its early days, its main competitor is the Dublin Daily Express.

Though formed as a Protestant nationalist paper, within two decades and under new owners it becomes the voice of British unionism in Ireland. It is no longer marketed as a unionist paper, but rather presents itself politically as “liberal and progressive,” as well as promoting neoliberalism on economic issues. The editorship of the newspaper from 1859 until 1986 is controlled by the Anglo-Irish Protestant minority, only gaining its first nominal Irish Catholic editor 127 years into its existence.

The paper’s most prominent columnists include writer and arts commentator Fintan O’Toole and satirist Miriam Lord. The late Taoiseach Garret FitzGerald is once a columnist. Senior international figures, including Tony Blair and Bill Clinton, have written for its op-ed page. Its most prominent columns have included the political column Backbencher, by John Healy, Drapier, an anonymous piece produced weekly by a politician giving the ‘insider’ view of politics, Rite and Reason, a weekly religious column edited by ‘religious affairs’ editor Patsy McGarry, and the long running An Irishman’s Diary. An Irishman’s Diary is written by Patrick Campbell in the forties (under the pseudonym ‘Quidnunc’), by Seamus Kelly from 1949 to 1979 (also writing as ‘Quidnunc’) and more recently by Kevin Myers. After Myers’ move to the rival Irish Independent, An Irishman’s Diary has usually been the work of Frank McNally. On the sports pages, Philip Reid is the paper’s golf correspondent.

One of its most popular columns is the biting and humorous Cruiskeen Lawn satire column written, originally in Irish, later in English, by Myles na gCopaleen, the pen name of Brian O’Nolan who also writes books using the name Flann O’Brien. Cruiskeen Lawn is an anglicised spelling of the Irish words crúiscín lán, meaning “full little jug.” Cruiskeen Lawn makes its debut in October 1940, and appears with varying regularity until O’Nolan’s death in 1966.

The editor is Paul O’Neill who succeeds Kevin O’Sullivan on April 5, 2017. The deputy editor is Deirdre Veldon. The Irish Times is published every day except Sundays and employs 420 people.


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Death of Artist Jack Butler Yeats

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John “Jack” Butler Yeats, artist, Olympic medalist and brother of William Butler Yeats, dies in Dublin on March 28, 1957.

Butler’s early style is that of an illustrator. He only begins to work regularly in oils in 1906. His early pictures are simple lyrical depictions of landscapes and figures, predominantly from the west of Ireland, especially of his boyhood home of Sligo. His work contains elements of Romanticism.

Yeats is born in London on August 29, 1871. He is the youngest son of Irish portraitist John Butler Yeats. He grows up in Sligo with his maternal grandparents, before returning to his parents’ home in London in 1887. Early in his career he works as an illustrator for magazines like The Boy’s Own Paper and Judy, draws comic strips, including the Sherlock Holmes parody “Chubb-Lock Homes” for Comic Cuts, and writes articles for Punch under the pseudonym “W. Bird.” In 1894 he marries Mary Cottenham, also a native of England and two years his senior and resides in Wicklow according to the Census of Ireland, 1911.

From around 1920, Yeats develops into an intensely Expressionist artist, moving from illustration to Symbolism. He is sympathetic to the Irish Republican cause, but not politically active. However, he believes that “a painter must be part of the land and of the life he paints,” and his own artistic development, as a Modernist and Expressionist, helps articulate a modern Dublin of the 20th century, partly by depicting specifically Irish subjects, but also by doing so in the light of universal themes such as the loneliness of the individual, and the universality of the plight of man. Samuel Beckett writes that “Yeats is with the great of our time… because he brings light, as only the great dare to bring light, to the issueless predicament of existence.” The Marxist art critic and author John Berger also pays tribute to Yeats from a very different perspective, praising the artist as a “great painter” with a “sense of the future, an awareness of the possibility of a world other than the one we know.”

Yeats’s favourite subjects include the Irish landscape, horses, circus and travelling players. His early paintings and drawings are distinguished by an energetic simplicity of line and colour, his later paintings by an extremely vigorous and experimental treatment of often thickly applied paint. He frequently abandons the brush altogether, applying paint in a variety of different ways, and is deeply interested in the expressive power of colour. Despite his position as the most important Irish artist of the 20th century, he takes no pupils and allows no one to watch him work, so he remains a unique figure. The artist closest to him in style is his friend, the Austrian painter, Oskar Kokoschka.

Besides painting, Yeats has a significant interest in theatre and in literature. He is a close friend of Samuel Beckett. He designs sets for the Abbey Theatre, and three of his own plays are also produced there. He writes novels in a stream of consciousness style that James Joyce acknowledges, and also many essays. His literary works include The Careless Flower, The Amaranthers, Ah Well, A Romance in Perpetuity, And To You Also, and The Charmed Life. His paintings usually bear poetic and evocative titles. He is elected a member of the Royal Hibernian Academy in 1916.

Yeats holds the distinction of being Ireland’s first medalist at the Olympic Games in the wake of creation of the Irish Free State. At the 1924 Summer Olympics in Paris, his painting The Liffey Swim wins a silver medal in the arts and culture segment of the Games. In the competition records the painting is simply entitled Swimming.

Yeats dies in Dublin on March 28, 1957, and is buried in Mount Jerome Cemetery.


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Publication of Oliver Goldsmith’s “The Vicar of Wakefield”

the-vicar-of-wakefieldThe Vicar of Wakefield, a novel written from 1761 to 1762 by Irish writer Oliver Goldsmith is first published on March 27, 1766. It is one of the most popular and widely read 18th-century novels among Victorians.

Soon after Goldsmith had completed the novel, his landlady arrests him for being delinquent on his rent. He summons one of his closest friends, Dr. Samuel Johnson, who takes the novel and sells it to bookseller and publisher Francis Newbery for sixty pounds. Johnson returns and gives Goldsmith the money which he uses to pay his landlady. Newbery holds the novel for two years before releasing it for publication. It is later illustrated by English illustrator Arthur Rackham for the 1929 edition.

In literary history books, The Vicar of Wakefield is often described as a sentimental novel, which displays the belief in the innate goodness of human beings. But it can also be read as a satire on the sentimental novel and its values, as the vicar’s values are apparently not compatible with the real “sinful” world. It is only with Sir William Thornhill’s help that he can get out of his calamities. Moreover, an analogy can be drawn between Mr. Primrose’s suffering and the Book of Job. This is particularly relevant to the question of why evil exists.

The novel is mentioned in George Eliot‘s Middlemarch, Stendhal‘s The Life of Henry Brulard, Arthur Schopenhauer‘s The Art of Controversy, Jane Austen‘s Emma, Charles Dickens‘ A Tale of Two Cities and David Copperfield, Mary Shelley‘s Frankenstein, Sarah Grand‘s The Heavenly Twins, Charlotte Brontë‘s The Professor and Villette, Louisa May Alcott‘s Little Women and in Johann Wolfgang von Goethe‘s The Sorrows of Young Werther, as well as his Dichtung und Wahrheit.

Silent film adaptations of the novel are produced in 1910, in 1913, and in 1916.