seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Author Archives: Jim Doyle


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Birth of Brian O’Nolan, Novelist & Playwright

brian-o-nolan

Brian O’Nolan, Irish novelist, playwright and satirist considered a major figure in twentieth century Irish literature, is born in Strabane, County Tyrone on October 5, 1911.

O’Nolan attends Blackrock College where he is taught English by President of the College, and future Archbishop, John Charles McQuaid. He also spends part of his schooling years in Synge Street Christian Brothers School. His novel The Hard Life is a semi-autobiographical depiction of his experience with the Christian Brothers.

O’Nolan writes prodigiously during his years as a student at University College, Dublin (UCD), where he is an active, and controversial, member of the well-known Literary and Historical Society. He contributes to the student magazine Comhthrom Féinne (Fair Play) under various guises, in particular the pseudonym Brother Barnabas. Significantly, he composes a story during this same period titled “Scenes in a Novel (probably posthumous) by Brother Barnabas”, which anticipates many of the ideas and themes later to be found in his novel At Swim-Two-Birds.

In 1934 O’Nolan and his student friends found a short-lived magazine called Blather. The writing here, though clearly bearing the marks of youthful bravado, again somewhat anticipates O’Nolan’s later work, in this case his Cruiskeen Lawn column as Myles na gCopaleen. Having studied the German language in Dublin, he may have spent at least parts of 1933 and 1934 in Germany, namely in Cologne and Bonn, although details are uncertain and contested.

A key feature of O’Nolan’s personal situation is his status as an Irish government civil servant, who, as a result of his father’s relatively early death, is obliged to support ten siblings, including an elder brother who is an unsuccessful writer. Given the desperate poverty of Ireland in the 1930s to 1960s, a job as a civil servant is considered prestigious, being both secure and pensionable with a reliable cash income in a largely agrarian economy. The Irish civil service is fairly strictly apolitical, prohibiting Civil Servants above the level of clerical officer from publicly expressing political views. This fact alone contributes to his use of pseudonyms, though he had started to create character-authors even in his pre-civil service writings. He rises to be quite senior, serving as private secretary to Seán T. O’Kelly and Seán McEntee.

Although O’Nolan is a well-known character in Dublin during his lifetime, relatively little is known about his personal life. On December 2, 1948, he marries Evelyn McDonnell, a typist in the Department of Local Government. On his marriage he moves from his parental home in Blackrock to nearby Merrion Street, living at several further locations in South Dublin before his death. The couple has no children.

O’Nolan is an alcoholic for much of his life and suffers from ill health in his later years. He suffers from throat cancer and dies from a heart attack in Dublin on the morning of April 1, 1966.


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Birth of James Butler, 2nd Earl of Ormond

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James Butler, 2nd Earl of Ormond, a noble in the Peerage of Ireland, is born in Kilkenny Castle, Kilkenny on October 4, 1331. He is Lord Justice of Ireland in 1359, 1364, and 1376, and a dominant political leader in Ireland in the 1360s and 1370s. He is usually called The Noble Earl, being a great-grandson, through his mother, of King Edward I of England.

Butler is the son of James Butler, 1st Earl of Ormond and Lady Eleanor de Bohun. He is given in ward on September 1, 1344 to Maurice FitzGerald, 1st Earl of Desmond for the fine of 2306 marks and afterward to John Darcy, 1st Baron Darcy de Knayth.

On May 15, 1346, Butler marries Elizabeth Darcy, daughter of Sir John Darcy and Joan de Burgh. They have five children: James Butler, 3rd Earl of Ormond (1362-1405), Thomas Butler (1359-1396), Justice of Cork, Eleanor Butler (1350-1392), Joan Butler (1360-1393), and Ralph Butler (1356-1367).

In 1362, Butler slays six hundred of Art Óg Mac Murchadha Caomhánach‘s followers at Tiscoffin in what is now County Kilkenny. On April 22, 1364, he is appointed Lord Deputy of Ireland to Lionel of Antwerp, 1st Duke of Clarence. Clarence, from his first arrival in Ireland, places great trust in him, and for a few years it seems that as Deputy he is almost all-powerful.

In the 1360s Butler clashes with Maurice FitzGerald, 4th Earl of Kildare. In 1364 the Irish House of Commons sends a delegation to England, headed by Kildare, to complain of misgovernment, and to ask for the removal of “corrupt” officials, some of whom have links to Butler. A number of these officials are removed, but Butler’s position is not seriously threatened.

Butler is Lord Justice by July 24, 1376, with a salary of £500 per year, in which office he is continued by King Richard II of England. On April 2, 1372, he is made constable of Dublin Castle, with the fee of £18 5s per year. He is summoned to the Parliaments held by Richard II.

James Butler dies October 18, 1382 at Knocktopher Castle in Kilkenny, Leinster, near which he had founded a priory for Carmelite friars in 1356. He is buried in St. Canice’s Cathedral, Kilkenny.


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The Treaty of Limerick

treaty-stone-limerick

The Treaty of Limerick, which actually consists of two treaties, is signed on October 3, 1691, ending the Williamite War in Ireland between the Jacobites and the supporters of William III of England, widely known as William of Orange. Reputedly they are signed on the Treaty Stone, an irregular block of limestone which once served as a mounting block for horses. This stone is now displayed on a pedestal in Limerick, put there to prevent souvenir hunters from taking pieces of it. Because of the treaty, Limerick is sometimes known as the Treaty City.

After his victory at the Battle of the Boyne in July 1690, William III issues the Declaration of Finglas which offers a pardon to Jacobite soldiers but excludes their senior officers from its provisions. This encourages the Jacobite leaders to continue fighting and they win a major victory during the 1691 Siege of Limerick. However, defeats the following year at the Battle of Aughrim and the second siege of Limerick leave the Williamites victorious. Nonetheless the terms they offer to Jacobite leaders at Limerick are considerably more generous than those a year earlier at Finglas.

One treaty, the Military Articles, deals with the treatment of the disbanded Jacobite army. This treaty contains twenty-nine articles. Under the treaty, Jacobite soldiers in formed regiments have the option to leave with their arms and flags for France to continue serving under James II of England in the Irish Brigade. Some 14,000 Jacobites choose this option. Individual soldiers wanting to join the French, Spanish or Austrian armies also emigrate in what becomes known as the Flight of the Wild Geese. The Jacobite soldiers also have the option of joining the Williamite army. One thousand soldiers chose this option. The Jacobite soldiers thirdly have the option of returning home which some 2,000 soldiers choose.

The second treaty, the Civil Articles, which contains thirteen articles, protects the rights of the defeated Jacobite landed gentry who choose to remain in Ireland, most of whom are Catholics. Their property is not to be confiscated so long as they swear allegiance to William III and Mary II, and Catholic noblemen are to be allowed to bear arms. William requires peace in Ireland and is allied to the Papacy in 1691 within the League of Augsburg.

It is often thought that the Treaty of Limerick is the only treaty between Jacobites and Williamites. A similar treaty had been signed on the surrender of Galway on July 22, 1691, but without the strict loyalty oath required under the Treaty of Limerick. The Galway garrison had been organised by the mostly Catholic landed gentry of counties Galway and Mayo, who benefited from their property guarantees in the following century.

(Pictured: The Treaty Stone on which the Treaty of Limerick may have been signed)


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Death of Dan Keating, Last Survivor of the Irish War of Independence

dan-keating

Daniel “Dan” Keating, lifelong Irish republican and patron of Republican Sinn Féin, dies in Knockbrack, County Kerry on October 2, 2007. At the time of his death, he is Ireland’s oldest man and the last surviving veteran of the Irish War of Independence.

Keating is born on January 2, 1902, in Castlemaine, County Kerry. He receives his education in local schools, including the Christian Brothers’ School in Tralee. Tralee is also the place where Keating does his apprenticeship. During this time, he becomes a skillful Gaelic football player in his native Kerry.

Keating joins Fianna Éireann in 1918. In 1920, during the Irish War of Independence, he joins the Boherbee B Company, 3rd Battalion, 1st Kerry Brigade, Irish Republican Army (IRA). He first brings a firearm of a Liverpool Irish soldier of the British Army into a public house in which he works. On April 21, 1921, Royal Irish Constabulary (RIC) Constable Denis O’Loughlin is shot dead in Knightly’s public house in Tralee. Keating, Jimmy O’Connor and Percy Hanafin are suspected of the killing and are forced to go on the run. On June 1, Keating is involved in an ambush between Castlemaine and Milltown which claims the lives of five RIC men. On July 10, a day before the truce between the IRA and British forces, his unit is involved in a gun battle with the British Army near Castleisland. This confrontation results in the deaths of four British soldiers and five IRA volunteers.

Keating opposes the 1921 Anglo-Irish Treaty and fights on the anti-treaty side in the Irish Civil War. He is involved in operations in counties Kerry, Limerick, and Tipperary, before his flying column is arrested by Free State Forces. Keating spends seven months in Portlaoise Prison and the Curragh prison before being released in March 1923.

Keating remains an IRA member for a long time after the Civil War. He is arrested several times during the 1930s on various charges. He is active in London during the 1939/1940 IRA bombing campaign.

In 1933, Keating is involved in an attempt to assassinate the leader of the Irish Blueshirts, Eoin O’Duffy, during a visit to County Kerry. The attack is to happen at Ballyseedy, where Free State forces had carried out the Ballyseedy Massacre during the Irish Civil War. However, the plot fails when the person travelling with O’Duffy refuses to divulge in which car O’Duffy would be riding.

Keating subsequently returns to Dublin and works as a barman in several public houses. He retires and returns to his native Kerry in 1978, living out the rest of his life with relatives in Knockbrack. Until his death he refuses to accept a state pension because he considers the 26-county Republic of Ireland an illegitimate state which usurps the 1916 Irish Republic.

“All the talk you hear these days is of peace. But there will never be peace until the people of the 32 counties elect one parliament without British interference.”

In 2002, Keating refuses the state’s standard €2,500 award to centenarians from President Mary McAleese. After former IRA volunteer George Harrison dies in November 2004, Keating becomes patron of Republican Sinn Féin until his own death. At the time of his death at the age of 105 on October 2, 2007, he is the oldest man in Ireland. He is buried in Kiltallagh Cemetery, Castlemaine.


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The Whiteboys

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The Whiteboys, a secret Irish agrarian organisation in 18th-century Ireland which uses violent tactics to defend tenant farmer land rights for subsistence farming, is created on October 1, 1761. Their name derives from the white smocks the members wear in their nightly raids. They seek to address rack-rents, tithe collection, excessive priests’ dues, evictions and other oppressive acts. As a result they target landlords and tithe collectors. Over time, Whiteboyism becomes a general term for rural violence connected to secret societies. Because of this generalisation, the historical record for the Whiteboys as a specific organisation is unclear. There are three major outbreaks of Whiteboyism: 1761–64, 1770–76 and 1784–86.

Between 1735 and 1760 there is an increase in land used for grazing and beef cattle, in part because pasture land is exempt from tithes. The landlords, having let their lands far above their value, on condition of allowing the tenants the use of certain commons, now enclose the commons, but do not lessen the rent. As more landlords and farmers switch to raising cattle, labourers and small tenant farmers are forced off the land. The Whiteboys develop as a secret oath-bound society among the peasantry. Whiteboy disturbances had occurred prior to 1761 but were largely restricted to isolated areas and local grievances, so that the response of local authorities had been limited.

Their operations are chiefly in the counties of Waterford, Cork, Limerick, and Tipperary. This combination is not political. It is not directed against the government, but against the local landlords. Members of different religious affiliations take part.

The first major outbreak occurs in County Limerick in November 1761 and quickly spreads to counties Tipperary, Cork, and Waterford. A great deal of organisation and planning seems to have gone into the outbreak, including the holding of regular assemblies. Initial activities are limited to specific grievances and the tactics used non-violent, such as the levelling of ditches that closed off common grazing land, although cattle hamstringing is often practised as the demand for beef prompts large landowners to initiate the process of enclosure. As their numbers increase, the scope of Whiteboy activities begins to widen, and proclamations are clandestinely posted stipulating demands such as that rent not be paid, that land with expired leases not be rented until it has lain fallow for three years, and that no one pay or collect tithes demanded by the Anglican Church. Threatening letters are also sent to debt collectors, landlords, and occupants of land gained from eviction, demanding that they give up their farms.

March 1762 sees a further escalation of Whiteboy activities, with marches in military array preceded by the music of bagpipes or the sounding of horns. At Cappoquin they fire guns and march by the military barracks playing the Jacobite tune “The lad with the white cockade.” These processions are often preceded by notices saying that Queen Sive and her children will make a procession through part of her domain and demand that the townspeople illuminate their houses and provide their horses, ready saddled, for their use. More militant activities often follow such processions with unlit houses in Lismore attacked, prisoners released in an attack on Tallow jail and similar shows of strength in Youghal.

The events of March 1762, however, prompt a more determined response, and a considerable military force under Charles Moore, 1st Marquess of Drogheda is sent to Munster to crush the Whiteboys.

On April 2, 1762 a force of 50 militia men and 40 soldiers set out for Tallow. By mid-April at least 150 suspected Whiteboys have been arrested. Clogheen in County Tipperary bears the initial brunt of this assault as the local parish priest, Fr. Nicholas Sheehy, had earlier spoken out against tithes and collected funds for the defence of parishioners charged with rioting. An unknown number of “insurgents” are reported killed in the “pacification exercise” and Fr. Sheehy is unsuccessfully indicted for sedition several times before eventually being found guilty of a charge of accessory to murder, and hanged, drawn and quartered in Clonmel in March 1766.

In the cities, suspected Whiteboy sympathisers are arrested and in Cork, citizens form an association of about 2,000 strong which offer rewards of £300 for capture of the chief Whiteboy and £50 for the first five sub-chiefs arrested. They often accompany the military on their rampages. The leading Catholics in Cork also offer similar rewards of £200 and £40 respectively.

Acts passed by the Parliament of Ireland (to 1800) and Parliament of the United Kingdom of Great Britain and Ireland (from 1801) to empower the authorities to combat Whiteboyism are commonly called “Whiteboy Acts.”


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Birth of Charles Villiers Stanford, Composer & Conductor

charles-villiers-stanford

Sir Charles Villiers Stanford, composer, music teacher, and conductor, is born in Dublin on September 30, 1852.

Stanford is born into a well-off and highly musical family, the only son of John James Stanford, a prominent Dublin lawyer, Examiner to the Court of Chancery in Ireland and Clerk of the Crown for County Meath, and his second wife, Mary, née Henn. He is educated at the University of Cambridge before studying music in Leipzig and Berlin. He is instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it.

While still an undergraduate, Stanford is appointed organist of Trinity College, Cambridge. In 1882, at the age of 29, he is one of the founding professors at the Royal College of Music, where he teaches composition for the rest of his life. From 1887 he is also Professor of Music at Cambridge. As a teacher, he is skeptical about modernism and bases his instruction chiefly on classical principles as exemplified in the music of Johannes Brahms. Among his pupils are rising composers whose fame go on to surpass his own, such as Gustav Holst and Ralph Vaughan Williams. As a conductor, he holds posts with the Bach Choir and the Leeds Triennial Music Festival.

Stanford composes a substantial number of concert works, including seven symphonies, but his best-remembered pieces are his choral works for church performance, chiefly composed in the Anglican tradition. He is a dedicated composer of opera, but none of his nine completed operas has endured in the general repertory. Some critics regard him, together with Hubert Parry and Alexander Mackenzie, as responsible for a renaissance in music from the British Isles. However, after his conspicuous success as a composer in the last two decades of the 19th century, his music is eclipsed in the 20th century by that of Edward Elgar as well as former pupils.

In September 1922, Stanford completes the sixth Irish Rhapsody, his final work. Two weeks later he celebrates his 70th birthday and thereafter his health declines. On March 17, 1924, he suffers a stroke and dies on March 29 at his home in London, survived by his wife and children. He is cremated at Golders Green Crematorium on April 2 and his ashes are buried in Westminster Abbey the following day.

Stanford’s last opera, The Travelling Companion, composed during World War I, is premiered by amateur performers at the David Lewis Theatre, Liverpool in 1925 with a reduced orchestra. The work is given complete at Bristol in 1928 and at Sadler’s Wells Theatre, London, in 1935.

Stanford receives many honours, including honorary doctorates from University of Oxford (1883), University of Cambridge (1888), Durham University (1894), University of Leeds (1904), and Trinity College, Dublin (1921). He is knighted in 1902 and in 1904 is elected a member of the Prussian Academy of Arts, Berlin.


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Death of Kathleen Clarke, Founder of Cumann na mBan

kathleen-clarke

Kathleen Clarke (née Daly), a founder member of Cumann na mBan, and one of very few privy to the plans of the Easter Rising in 1916, dies in Dublin on September 29, 1972. She is the wife of Tom Clarke and sister of Edward “Ned” Daly, both of whom are executed for their part in the Rising. She is subsequently a Teachta Dála (TD) and senator with both Sinn Féin and Fianna Fáil, and the first female Lord Mayor of Dublin (1939–41).

Kathleen Daly is born into a prominent Fenian family in Limerick on April 11, 1878, the third daughter of Edward and Catherine Daly. Her paternal uncle, John Daly, is at the time imprisoned for his political activities in Chatham and Portland Prisons in England. He is released in 1896 and returns home to Limerick. When Tom Clarke, who had been imprisoned with her uncle, is released in 1898 he travels to Limerick to receive the Freedom of the City and stays with the Daly family.

In 1901 Daly decides to emigrate to the United States to join Tom, who had been there since 1900, having secured work through his Fenian contacts. They marry on July 16, 1901, in New York City. Through his contacts in the Clan na Gael and the Irish Republican Brotherhood (IRB), Tom Clarke continues to be involved in nationalist activity. Kathleen joins the Gaelic League while in the United States and they return to Ireland in November 1907.

In 1914 Clarke becomes a founder member of Cumann na mBan. Her husband forbids her permission to take an active part in the 1916 Easter Rising as she has orders regardless of how the events pan out. As Tom Clarke is the first signatory of the Proclamation of the Irish Republic, he is chosen to be executed for his part in the Easter Rising. Her younger brother, Ned Daly, is also executed for taking part in the rising. She visits both of them before they are executed. After the Rising, Michael Collins establishes contact with her while in prison in his attempts to re-build the IRB network. She also sets up the Irish National Aid Fund to aid those who had family members killed or imprisoned as a result of the Easter Rising, closely aided by Sorcha MacMahon.

Clarke becomes a member of Sinn Féin and in 1917 is elected a member of the party’s Executive. During the German Plot she is arrested and imprisoned in Holloway Prison for eleven months. During the Irish War of Independence, she serves as a District Judge on the Republican Courts in Dublin. In 1919 she is elected as an Alderman for the Wood Quay and Mountjoy Wards of Dublin Corporation and serves until the Corporation is abolished in 1925.

Clarke is elected unopposed as a Sinn Féin TD to the Second Dáil at the 1921 elections for the Dublin Mid constituency. She is not re-elected at the 1922 Irish general election, however, and supports the Anti-Treaty forces during the Irish Civil War. In 1926 she becomes a founder member of Fianna Fáil and has to resign from Cumann na mBan. She is re-elected to the short-lived 5th Dáil at the June 1927 Irish general election as a Fianna Fáil member for the Dublin Mid constituency but loses her seat at the September 1927 Irish general election and does not regain it. She is elected as one of six Fianna Fáil Senators to the Free State Seanad for nine years at the 1928 Seanad election under the leadership of Joseph Connolly. She remains a member of the Seanad until it is abolished in 1936.

In 1930 Clarke is elected to the re-constituted Dublin Corporation for Fianna Fáil along with Robert Briscoe, Seán T. O’Kelly, Thomas Kelly and Oscar Traynor. She serves as the first Fianna Fáil Lord Mayor of Dublin as well as the first female Lord Mayor, from 1939 to 1941. She opposes the Constitution of Ireland as she feels that several of its sections would place women in a lower position that they had been afforded in the Proclamation of the Irish Republic. She is criticised by many in the Fianna Fáil organisation as a result and, while she resigns from the Thomas Clarke Cumann, she remains a member of the Fianna Fáil Ard Chomhairle.

While Clarke does not support the Irish Republican Army (IRA) bombing in England during World War II, she appeals for those sentenced to death by the Irish Government to be given clemency. Ultimately this leads to her breaking with the party completely after her term as Lord Mayor finishes in 1941. She declines to stand as a Fianna Fáil candidate at the 1943 Irish general election.

In 1966, as part of the celebrations of the Easter Rising, Clarke and other surviving relatives are awarded honorary Doctor of Law by the National University of Ireland. Following her death on September 29, 1972, she receives the rare honour of a state funeral. She is buried at Deans Grange Cemetery, Dublin.


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Birth of Seán Keating, Romantic-Realist Painter

sean-keating-an-allegory

Seán Keating, Irish romantic-realist painter who painted some iconic images of the Irish War of Independence and of the early industrialization of Ireland, is born in Limerick, County Limerick on September 28, 1889.

Keating studies drawing at the Limerick Technical School before a scholarship arranged by William Orpen allows him to go study at the Metropolitan School of Art in Dublin at the age of twenty. Over the next few years, he spends two weeks or so during the late summer on the Aran Islands and his many portraits of island people depict them as rugged heroic figures.

In 1914 he wins the RDS Taylor award with a painting titled The Reconciliation. The prize includes £50.00 which allows him to go to London to work as Orpen’s studio assistant in 1915. In late 1915 or early 1916, he returns to Ireland where he documents the Irish War of Independence and the subsequent Irish Civil War. Examples include Men of the South (1921–22) which shows a group of Irish Republican Army (IRA) men ready to ambush a military vehicle and An Allegory (first exhibited in 1924), in which the two opposing sides in the Irish Civil War are seen to bury the tri-colour covered coffin amid the roots of an ancient tree. The painting includes a self-portrait of the artist.

Keating is elected an Associate of the Royal Hibernian Academy (RHA) in 1918, and a full member in 1923. One of the cardinal achievements of the Irish Free State in the 1920s is the building, in partnership with Siemens, of a hydro-electric power generator at Ardnacrusha, near Limerick. Between 1926 and 1927, at his own volition, he produces a considerable number of paintings related to this scheme. He exhibits several examples of the paintings in the RHA exhibitions in 1927 and 1928. Most of the paintings are now in the collection of ESB Group.

In 1936 group of prominent Limerick politicians, artists and patrons establish the first Limerick City Collection of Art from various donations and bequests. Keating is part of this artist-led initiative to form a municipal art gallery in Limerick similar to those already in Dublin and Cork. The collection is formed primarily out of donations and bequests. As a pivotal member of the committee, Keating himself donates many works to the collection which is first exhibited as a municipal collection in the Savoy Cinema, Limerick City on November 23, 1937. It is not until 1948 that an extension to the rear of Limerick Free Library and Museum becomes the home to the City Collection as the Limerick Free Art Gallery. In 1985 the Library and Museum are transferred to larger buildings.

In 1939 Keating is commissioned to paint a mural for the Irish pavilion at the New York World’s Fair. He is President of the RHA from 1950 to 1962, and shows at the annual exhibition for 61 years from 1914. Although he is an intellectual painter in the sense that he consciously sets out to explore the visual identity of the Irish nation, and his paintings show a very idealised realism, he fears that the modern movement will bring back a decline in artistic standards. Throughout his career, he exhibits nearly 300 works at the RHA and also shows at the Oireachtas.

Seán Keating dies on December 21, 1977 at the Adelaide Hospital in Dublin and is buried at Cruagh Cemetery, Rathfarnham. The 1978 RHA Exhibition features a small memorial collection of his work.

Posthumous exhibitions of his work are mounted by The Grafton Gallery, Dublin (1986) and the Electricity Supply Board (1987). Sean Keating – The Pilgrim Soul, a documentary presented and written by his son Justin Keating, airs on RTÉ in 1996.

(Pictured: Photograph of Keating’s “An Allegory” painted between 1922 and 1924. The painting represents Keating’s own disillusionment and loss of idealism resulting from the outbreak of the Irish Civil War. The only figure of the group addressing the observer is a self-portrait of the artist.)


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Charles Stewart Parnell’s Last Public Appearance

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Charles Stewart Parnell makes his last public appearance at Creggs, County Galway on September 27, 1891.

After the split caused by the controversy over his relationship with Katharine O’Shea, Parnell tours the country seeking support. Already ill, his last public meeting is in Creggs, where he attacks his critics at length during heavy rain. He returns to his home in England and dies just over a week later, on October 6, at the age of 45.

Parnell, who is accompanied by J. P. Quinn, travels overnight from Dublin by the night mail train, is seen off by a considerable crowd at the Broadstone terminus and to them he makes a brief speech, expressing the hope that those who listen will give all support in their power to the new Nationalist paper it is intended to produce within a month. Parnell, who did not look at all well the previous night, wears his arm in a sling in consequence of his suffering from a severe attack of rheumatism.

When Parnell reaches Roscommon, he is met by a large crowd of people, who cheer him most enthusiastically. When he arrives at Mitchell’s Hotel, where he remains for the night, he is greeted with much enthusiasm, and, in response to repeated calls for a speech, he says a few words, explaining that on his arrival in Dublin he had been ordered by his doctor to go to bed and to remain there. But he disobeys those orders because of his desire to again meet with the men of Roscommon and Galway.

Parnell starts from Roscommon shortly after noon on September 27 and, in the company of Quinn and Luke Hayden, MP, travels to the meeting place in Creggs where he is met by a very large concourse of people. In fact, considering all the conditions of the district, its desolate character, and the smallness of the village, it is really surprising to find a gathering of between three and four thousand persons assembled.

As Parnell takes to the platform which is erected outside a pub in the village, sprinklings of rain begin to fall. Halfway through his speech the Heavens open and pour down upon the rally. Parnell, who is wearing light clothes and no hat, swats away an umbrella someone on the platform puts over him.

The crowd dwindles as the rain proves too hard to stand under, but Parnell perseveres and does not leave the platform until he has finished his entire speech. When he eventually finishes, he changes into dry clothes but finds such a mundane task difficult as his joints are so stiff and sore. He then joins twelve members of the organising committee for supper. Afterwards, on the train back to Dublin, he states how he regretted sitting at a table for thirteen as it is an extremely unlucky number.


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Birth of Dolores Keane, Folk Singer & Actress

dolores-keane

Dolores Keane, folk singer and occasional actress, is born on September 26, 1953, in the small village of Sylane, near Tuam, in rural County Galway. She is a founding member of the successful group De Dannan and has since embarked on a very successful solo career, establishing herself as one of the most loved interpreters of Irish song.

Keane is raised from the age of four by her aunts Rita and Sarah Keane, who are also well-known sean-nós singers. She starts her singing at a very young age, due to the influence of her musical aunts. She makes her first recording for Radio Éireann in 1958 at the age of five. This early start sets her on the path to a career in music. Her brother, Seán, also goes on to enjoy a successful music career.

In 1975, Keane co-founds the traditional Irish band De Dannan, and they release their debut album Dé Danann in that same year. The group gains international recognition and enjoys major success in the late 1970s in the United States. She tours with the band and their single “The Rambling Irishman” is a big hit in Ireland. In early 1976, after a short two-year spell, she leaves De Dannan and is replaced by Andy Irvine, who records live with the band on April 30, 1976, during the 3rd Irish Folk Festival in Germany. Soon thereafter, she marries multi-instrumentalist John Faulkner, with whom she subsequently records three albums of folk music.

Keane lives and works in London for several years with Faulkner before they move to Ireland in the early 1980s. They work on a series of film scores and programmes for the BBC and form two successful bands, The Reel Union and Kinvara. During this period, she records her first solo album, There Was a Maid in 1978. This is followed by two other releases, Broken Hearted I’ll Wander (1979) and Farewell to Eirinn (1980), which gives credit to Faulkner. In the mid-1980s she rejoins De Dannan and records the albums Anthem and Ballroom with them.

Keane turns her attention, once again, to her solo career in 1988. It sees the release of the eponymous Dolores Keane album. Her follow-up album, A Lion in a Cage (1989), features a song written by Faulkner called “Lion in a Cage” protesting the imprisonment of Nelson Mandela. It serves as Keane’s second Irish number one, and she performs the hit at the celebration of his release. This exposure expands her reputation and popularity worldwide. A new facet is added to her career when she plays the female lead in the Dublin production of Brendan Behan‘s The Hostage. The opening night is attended by Mary Robinson, the President of Ireland at the time.

In 1992, Keane is among the many female Irish singers to lend their music to the record-smashing anthology A Woman’s Heart. The album goes on to become the biggest-selling album in Irish history. A Woman’s Heart Vol.2 is released in late 1994 and emulates its predecessor in album charts the world over. Also in 1994, a solo album, Solid Ground, is released on the Shanachie Records label and receives critical acclaim in Europe and America.

In August 1995, Keane is awarded the prestigious Fiddler’s Green Hall of Fame award in Rostrevor, County Down, for her “significant contribution to the cause of Irish music and culture.” In that same year, she takes to the stage in the Dublin production of John Millington Synge‘s The Playboy of the Western World. She contributes to the RTÉ/BBC television production “Bringing It All Back Home,” a series of programmes illustrating the movement of Irish music to America.

In August 1997, Keane goes to number one again in the Irish album charts with a compilation album with her most loved songs. And another studio album, Night Owl, is released in 1998. It sees her returning to her traditional Irish roots and it does well in Europe and America. Despite a healthy solo career, she goes on tour with De Dannan again in the late 1990s, where she plays to packed audiences in venues such as Birmingham, Alabama and New York City.

Keane puts an end to recording and touring in the late 1990s, due to depression and alcoholism, for which she receives extensive treatment. As of June 2014, she is given the all clear after suffering from cancer.