Whelan is signed for Liverpool F.C. by Bob Paisley for a bargain £35,000 on September 19, 1979, a few days before his 18th birthday, and makes his debut eighteen months later, on April 3, 1981. He goes on to become an integral part of the dominant Liverpool team of the 1980s. He remains with the club until 1994. In 100 Players Who Shook The Kop, a poll of 110,000 Liverpool fans conducted by the official Liverpool F.C. website, Whelan is in 30th position.
Since retirement Whelan has begun a media career and is a regular contributor to RTÉ Sport in Ireland. He is also Patron of the Myasthenia Gravis Association in Ireland where he is an active fundraiser and works to raise awareness for this rare autoimmune disease.
On September 5, 1798, Teeling clears the way for the advancing Irish-French army by single handedly disabling a British gunner post during the Battle of Collooney in Sligo when he breaks from the French ranks and gallops towards Union Rock. He is armed with a pistol and shoots the cannon’s marksman and captures the cannon. The French and Irish advance and the British, after losing the cannon position, retreat towards their barracks at Sligo, leaving 60 dead and 100 prisoners.
During the Battle of Ballinamuck at Longford, Teeling and approximately 500 other Irishmen are captured along with their French allies. The French troops are treated as prisoners of war and later returned to France, however the Irish troops are executed by the British.
Teeling is court-martialled by Britain as an Irish rebel and for committing treason. To positively identify him, the authorities enlist William Coulson, a damask manufacturer from Lisburn, who identifies him as a son of Luke Teeling, a linen merchant who lived in Chapel Hill, Lisburn. Bartholomew Teeling is hanged at Arbour Hill Prison in Dublin on September 24, 1798.
In 1898, the centenary year of the battle, a statue of Teeling is erected in Carricknagat. One of the main streets in Sligo, which accommodates the Sligo Courthouse and main Garda Síochána barracks, is later named Teeling Street also in honour of Bartholomew Teeling.
In an extraordinary meeting, marking 100 days to the millennium, Pope John Paul II makes a strong appeal to world to leaders to take urgent and decisive action towards resolving the debt crisis that afflicts the world’s poorest countries.
Speaking during a meeting with an international Jubilee 2000 delegation of economists, artists and campaigners, the Pope questions why progress in resolving the debt problem is so slow, and expresses impatience with the protracted negotiations. He warns that it “is the poor that pay the cost of indecision and delay.”
The Pope says “the Catholic Church looks at the situation with great concern. Not because she has any concrete technical model of development to offer, but because she has a moral vision of what the good of individuals and of the human family demands. She has consistently taught that there is a ‘social mortgage‘ on all private property, a concept which today must also be applied to ‘intellectual property‘ and to ‘knowledge.’ The law of profit alone cannot be applied to that which is essential for the fight against hunger, disease and poverty.”
Addressing the Pope on behalf of the delegation, Ann Pettifor, director and co-founder of Jubilee 2000, appeals to the Vatican to prevail upon the world’s leaders to meet again before the New Year, to cancel debts that result in the deaths of 20,000 children every day. She says, “This is a day that will go down in history. The Pope has given his endorsement and blessing to the passion and commitment of millions of Jubilee 2000 campaigners around the world. It is now up to the world’s leaders to rise to the Pope’s call and moral leadership.”
Following the meeting Bob Geldof says, “Were the spirit of this frail old man mirrored in a practical way by our political leaders, then the final push of political will to eradicate this unnecessary tragedy, would be easily achieved…and I liked his shoes!”
Professor Jeffrey Sachs adds, “With 100 days left to the millennium, we are halfway up the summit. But much more is needed. For hundreds of millions of the world’s poorest people, the Pope’s message today is crucial: the time is urgent for rich and poor to take the full and bold measure of debt cancellation that is so vitally needed.”
Bono summed it up saying, “His everyday courage amazes me. As aged as he is and as infirm as he has been, he will, you know, hang out with a bunch of pop stars…who could turn this man down?”
(Source: “Pope meets Bobo and calls for debt relief,” The Guardian, September 23, 1999)
On her final voyage, HMS Wasp, under the command of Lieutenant J.D. Nicholls, is sailing from Westport, County Mayo, in the West of Ireland, to Moville in Inishowen, County Donegal, in Ulster, to pick up a party of police, bailiffs and court officials. These are to be transported to Inishtrahull, an island off Malin Head, to carry out evictions for non-payment of rents. Ironically, the ship had delivered urgently needed supplies of seed potatoes to the same islanders the previous year.
In the early morning of September 22, 1884, HMS Wasp is near Tory Island. The weather is cloudy with occasional squalls and rain showers. The commanding officer and most of the crew are in their bunks. The lieutenant navigating the ship is relatively unfamiliar with the area in which the ship is sailing. At 3:55 AM HMS Wasp runs aground on a reef. The initial shock breaks the hull of the ship and she begins to rapidly fill with water. The commander orders the ship’s boats lowered but HMS Wasp hits the reefs again, sinking so quickly that the boats cannot be launched. HMS Wasp sinks within fifteen minutes. Six crewmen manage to cling to one of the gunboat’s spars and they wash ashore on Tory Island and are found by islanders. The other 52 crew aboard drown.
A court martial is held for the survivors. The finding is that the cause of the wreck was a lack of care taken with the vessel’s navigation, but the survivors are all exonerated. The wreck is sold to the Cornish Salvage Co. in November 1910.
Embury’s parents are members of the colony of Germans that emigrate from the Palatinate to Ireland early in the eighteenth century, and in which Methodism co-founder John Wesley labors with great success. The colony forms from refugees from the War of the Spanish Succession. Embury is educated at a school near Ballingrane and learns the carpentry trade. He is converted on Christmas day 1752, becomes a local preacher at Court-Matrix in 1758 and marries Margaret Switzer that fall.
In 1760, due to rising rents and scarce land, he goes to New York City and works as a schoolteacher. In common with his fellow emigrants, he begins to lose interest in religious matters and does not preach in New York until 1766 when, moved by the reproaches of his cousin Barbara Heck, sometimes called the “mother of American Methodism,” he begins to hold services first in his own house on Barrack Street, now Park Place, and then in a rigging loft on what is now William Street. The congregation thus forms what is probably the first Methodist congregation in the United States, though it is a disputed question whether precedence should not be given to Robert Strawbridge, who begins laboring in Maryland about this time. Before this, he and Barbara Heck worship along with other Irish Palatines at Trinity Church in Manhattan, where three of his children are baptized.
The first Methodist church is built under Embury’s charge in 1768, in association with Thomas Webb and others, on the site of the present John Street United Methodist Church. He himself works on the building as a carpenter and afterward preaches there gratuitously. In 1769, preachers sent out by John Wesley arrive in New York City, and Embury goes to work in the vicinity of Albany at Camden Valley, New York, where he continues to work at his trade during the week and preaches every Sunday. He and several others receive a grant of 8,000 acres to develop for the manufacture of linen. He organizes among Irish emigrants at Ashgrove, near Camden Valley, the first Methodist society within the bounds of what becomes the flourishing and influential Troy Conference.
Philip Embury dies suddenly in Camden, New York in August 1775, in consequence of an accident in mowing. He is buried on a neighboring farm but in 1832 his remains are removed to Ashgrove churchyard and in 1866 to Woodland cemetery, Cambridge, New York, where a monument to him is unveiled in 1873, with an address by BishopMatthew Simpson.
(Pictured: Portrait of Philip Embury by John Barnes, Salem, 1773)
Parnell is born at Avondale House near Rathdrum, County Wicklow, the tenth of eleven children of John Henry Parnell, a landlord, and Delia Tudor Stewart Parnell, an Irish American and daughter of Admiral Charles Stewart of the United States Navy. She has very little formal education as a child, but the family has an extensive library which she is encouraged to read by her mother. After her father dies in 1859, she moves with the family to Dublin. Delia Parnell is an active socialite while in Dublin and exposes her children to a wide variety of political views.
In 1865 the family moves to Paris, but Parnell feels stifled by upper class society rules imposed upon her. She is in Paris when the Franco-Prussian War breaks out in 1870 and is active in the American Ladies’ Committee fundrasing and setting up hospitals. She returns alone to Dublin in 1870 to study art.
Parnell moves to London in 1875 to continue studying art. When her brother Charles is elected as a Member of Parliament (MP) for Meath, she becomes increasingly political. She frequently visits Parliament during debates, sitting in the Ladies’ Gallery. She writes articles about the debates in a column titled Notes From the Ladies’ Cage in the Celtic Monthly. In 1879 she joins her sister, Fanny Parnell, a poet, in New York City where they raise money in support of the Irish National Land League. The sisters work closely with their brother Charles and Michael Davitt but are critical of how the funds raised in America are being used in Ireland. In October 1880 the sisters found the New York Ladies’ Land League with their mother as president. They raised thousands of dollars sent to Ireland.
Parnell returns in Dublin in late 1880. When it seems that the Land League men are likely to be arrested, it is suggested that a women’s league in Ireland could take over the work in their absence. Public opinion at the time is against women in politics, but the Ladies’ Land League is founded on January 31, 1881, with Parnell as its effective leader.
When Charles Parnell and other leaders are imprisoned in 1881, as predicted, the Ladies’ Land League takes over their work. Though it is envisioned as a place holder until the men are released, Parnell organises branches throughout Ireland, encouraging women to play an active role in Land League activities. Offices are given to the ladies but little help. They raise funds for the League and for the support of prisoners and their families. They distribute Land League wooden huts to shelter evicted tenant families and by the beginning of 1882 they have 500 branches, thousands of women members and considerable publicity. They distribute £60,000 in relief aid.
This puts the Ladies’ Land League in serious debt. Parnell approaches her brother Charles, requesting money to settle the debts. Charles, who distrusts her understanding of politics, agrees to provide the money under the condition that the Ladies’ Land League is disbanded. She agrees, disbanding in 1882, but she never forgives Charles.
After her brother’s death in 1891 Parnell lives the rest of her life in the south of England under the assumed name Cerisa Palmer. She writes an angry account of her Land League experiences in Tale of a Great Sham, which is not published until 1986. She makes one last political appearance when she campaigns for a Sinn Féin candidate in a 1907 by-election.
By the summer of 1911, the 59-year-old Parnell is staying in lodgings at Ilfracombe in Devon. An enthusiastic swimmer since childhood, she bathes every day, and on September 20, disregarding a warning of dangerous seas, she goes swimming as usual. She is seen to be in difficulties and the alarm is raised, but by the time rescuers reached her, she is dead. Unlike her brother, whose funeral in Dublin had been the occasion for a massive outpouring of grief and remorse, Anna Parnell was buried quietly in the churchyard of Holy Trinity Church in Ilfracombe, in the presence of just seven strangers, and far away from the scenes of her greatest efforts and notoriety.
Catherine Coll is born on December 21, 1856, in Bruree, County Limerick and emigrates to New York City in 1879. She first takes a job with a wealthy French family that is living in Manhattan. This is where she allegedly meets Juan Vivion de Valera (born 1854), a Spanish sculptor who comes to the home of her employers to give music lessons to the children.
It is alleged that Vivion de Valera, always in poor health, leaves his young family behind in 1885 and travels to Colorado, hoping that perhaps the healthier air will help him out only to die within a few months.
Though Éamon de Valera’s official biography (Longford/O’Neill, Hutchinson, London, 1970) states that his parents were married at St. Patrick’s Church on September 19, 1881, the parish records show no record of any Coll–de Valera wedding either at St. Patrick’s or any church, nor were any civil records found, in the vicinity during the period from 1875 to 1887. Also, initially de Valera is not registered in his father’s name.
However, not merely is there no record of the wedding. No record exists of the existence of a “Juan Vivion de Valera” anywhere in the United States: no birth certificate, no baptismal certificate (if he was a Catholic), no marriage certificate and no death certificate. While it is possible that he was born abroad and so either had a foreign birth certificate or was not registered, the absence of a death certificate for someone stated definitely in Éamon de Valera’s family history to have died in the United States has puzzled researchers. Some scholars have questioned whether Juan Vivion de Valera ever existed.
There has been a mischievous suggestion that he was related to the French painter Achille Devéria as Éamon de Valera “was known to be particularly fond of his works.” This claim is hardly likely given that Devéria was a painter of erotica, and de Valera nothing if not a prude. It should also be noted that Devéria died in 1857, at least 20 years before Éamon de Valera was born.
It has also been alleged by some that Catherine Coll invented Juan de Valera to give her son legitimacy.
(Pictured: Irish republican leader and founder of Fianna Fail, Éamon de Valera, with his mother Catherine Coll, April 01, 1927)
In 2000, McBride undergoes a vocal cord nodule operation on his throat. On July 8, 2005, a plaque is erected by the local community in his home village of Castleblayney. In November 2006, he suffered a sudden heart attack at the age of 70, which puts doubt into whether he will ever tour again with his band.
On February 1, 2008, McBride begins a 12-date tour of Ireland after doctors give him the all clear. On March 24, he performs at Castlebar‘s TF Ballroom’s final farewell night but reportedly takes ill on stage during the performance.
On 25 May, McBride performs for the closure night of the Galtymore dance hall in Cricklewood, London. He is the headline act at London’s Irish Festival on July 27 and headlines the Claremorris Dance Festival weekend on November 23.
In July 2009, K-MAC Records announces more dates in Ireland for Big Tom and the Mainliners which commences in August. From August 14 to September 13, McBride runs a successful tour of Ireland with large attendances to venues. The highlight is the Glencarn Hotel in his hometown Castleblayney where the concert is packed to capacity. The tour ends in Ennis, County Clare, with fans travelling many miles to see McBride and the band. Two days after the end of the tour the band’s trombone player and vocalist Cyril McKevitt dies of a heart attack.
In 2010, McBride announces an extensive series of tour dates. From 2011 until his death in Drogheda, County Louth on April 17, 2018, McBride and his band continue to perform with sporadic appearances.
In June 2016, McBride becomes the inaugural artist to be inducted into the Irish Country Music Hall of Fame.
The Irish Brigade of the Union Army fights in the Battle of Antietam, one of the most famous battles of the American Civil War, on September 17, 1862. The battle has the sad distinction of being the bloodiest single day of fighting in America’s bloodiest war. Combined casualties at the Battle of Antietam are 26,134. Few regiments suffered more than the Irish Brigade.
The Irish Brigade is the brainchild of their commanding officer Thomas Francis Meagher. The former Young Ireland rebel, creator of the Irish Tricolor of green, white and orange, escaped political prisoner, lawyer, newspaper editor and politician forms the brigade with the twin objectives of gaining respect for the Irish by their patriotism for their adopted country and developing a nucleus for a future fight for Ireland’s freedom. The Brigade is formed of the almost exclusively Irish American69th, 63rd and 88th New York and the “honorary Irish” of the 29th Massachusetts. The regiments of the Irish Brigade had already earned a formidable reputation as a crack unit, having distinguished themselves in every battle of the earlier Seven Days Battles. It is small wonder, many in the Brigade’s ranks had already distinguished themselves in the Mexican-American War or in fighting with the Papal forces in Italy against Giuseppe Garibaldi.
The Union Army is already heavily engaged, when the Irish Brigade is ordered to advance through an open field to take an area of high ground. Subjected to accurate Confederate rifle fire as they cross the field, the Brigade marches on in disciplined order, the National and the famed Green Regimental Colors (flags) fluttering overhead. When they encounter a fence across their line of march, eighty volunteers rush forward to knock it down, rather than see the whole Brigade slowed by the obstacle and exposed to fire. Over half of these volunteers are killed. Seeing the Irish continue to press forward, the Confederates fall back as the Irish advance up the hill.
What no one on the Union side knows is that on the other side of the hill is a farmer’s dirt road that years of rain has eroded into a ditch five feet below the surrounding ground level. The sunken road is a perfect rifle pit and is filled with Colonel John Brown Gordon’s Georgians. As the Irish crest the hill, they are met with a volley that decimates the Brigade, including killing or wounding every single standard-bearer. Seeing the flags fall from across the field, an aide to Union General George B. McClellan exclaims, “The battles lost, the Irish are fleeing!” only for McClellan to respond, “No, the flags are raised again, they are advancing.” Eight successive standard-bearers of the 69th New York alone fall that day as men pick up the flags from fallen comrades. Captain Patrick Clooney, though wounded himself, snatches up the colors from the 88th’s fallen standard-bearer only to be killed by multiple shots, the Green Flag wrapping around him like a shroud befitting a hero. Another standard-bearer, the staff of his Irish Brigade flag snapped in two by a rifle shot, drapes the flag over his shoulder like a sash and continues to move forward, personifying the Gaelic phrase on the flag he is carrying “Riamh Nar Dhruid O Spairn lann”, “Who never retreated from the clash of spears.”
The fire of the Confederates is so intense that the Irish Brigade cannot advance, but they do not flee either. Despite the failure of promised reinforcements that never materialize, the Brigade pours “Buck and Ball” (a 69-caliber ball and three 30 caliber buckshot) into the enemy at 300 paces, turning the “Sunken Road” into “Bloody Lane.” When their ammunition is depleted, the remnants of the Brigade, with drill ground precision, form and march back to the Union lines. The Irish Brigade never “ran” from the enemy. Another Union unit takes the “Bloody Lane,” but most credit the punishment that the Irish Brigade inflicted on the enemy, at a terrible cost to themselves, with making it possible. The New York Regiments take over 50% casualties. The Irish Brigade is now no bigger than a single regiment. As the depleted ranks of the 88th march passed, Union Major GeneralIsrael Bush Richardson salutes as it passes with the words “Bravo 88th, I shall never forget you!”
During the course of the War, the Irish Brigade suffers over 4,000 casualties, more men than the Brigade ever had at any one time. The Fighting 69th loses more men than any other New York regiment. The Battle of Antietam is remembered as the Union victory that allows President Abraham Lincoln to issue the Emancipation Proclamation, which frees the slaves in the Confederate states. It is all too often forgotten that this emancipation was secured in no small part with the blood of Irish immigrants, immigrants who were denied civil rights in their own country and faced discrimination in their adopted county before and after the Civil War.
In thinking of the Civil War, all Americans should remember the words of a defeated Confederate Officer to his Union counterpart at Appomattox, “You only won as you had more Irish than we did.”
(Credit: “The Irish Brigade at Antietam” by Neil F. Cosgrove, October 17, 2009)
Born into a musical family, O’Connell is the third of four sisters. Her mother’s family owns Costello’s fish shop in Ennis where O’Connell works until music becomes her full-time career. She grows up listening to her mother’s light opera, opera, and parlour music records. Her father’s interest leans towards the rebel ballads. Despite the presence of classical music in the house, O’Connell gets very involved in the local folk club scene and together with Mike Hanrahan, who later fronts folk rock outfit Stockton’s Wing, they perform a country music set, as a duo called “Tumbleweed.”
O’Connell attends St. Joseph’s Secondary School in Spanish Point from 1971 to 1974, where she takes part in the school choir. She is also a member of the “Cúl Aodha Choir”, led by Peader Ó Riada, that sings at the funeral of Willie Clancy in 1973.
O’Connell begins her professional musical journey during a six-week tour of the United States in 1980, as vocalist for the traditionally based Celtic group De Dannan. The following year, she is featured on the band’s landmark album, The Star Spangled Molly, which becomes something of a national phenomenon in her homeland. However, not long after joining the group she becomes very interested in the experimental roots music of America’s New Grass Revival when the bands’ paths cross. She moves to the United States in 1986, settling in Nashville, Tennessee. There she meets progressive bluegrass pioneers Béla Fleck and Jerry Douglas, with whom she works on most of her records.
O’Connell records her first solo album in 1983, however, it does not make any impact in Ireland or in the United States. She receives a Grammy Award nomination for her 1989 album, Helpless Heart, which is her first record released under Warner Bros. Records. Real Life Story (1990) and Blue is the Colour of Hope (1992) register a move toward a pop synthesis. Her versions of “Living in These Troubled Times” and Cheryl Wheeler‘s “Summerfly” become standout tracks on the 1993 album A Woman’s Heart, on four all-female overseas tours and on the 1994 follow-up album in her homeland. A Woman’s Heart Vol. 2 features her heartfelt renditions of Nanci Griffith‘s “Trouble in the Fields” and Gerry O’Beirne’s “Western Highway.” After numerous albums heavily inspired by American newgrass music, she returns to her Irish roots with the 1997 release Wandering Home.
As the new millennium approaches, O’Connell signs with Sugar Hill Records in late 2000 and begins working on her seventh album. Instead of working with her longtime producer Jerry Douglas, she has Ray Kennedy produce Walls and Windows, which is released in 2001, and features an eclectic collection of songs, including work by Kim Richey, Van Morrison, John Prine, Eric Clapton and Patty Griffin. Her 2004 album, Don’t I Know, contains musical textures added by everything from fiddles to clavinets, to lap steel guitar and B-3 organ.
In addition to her solo work, O’Connell has collaborated with a number of Celtic, folk, pop and country artists, including Van Morrison, Brian Kennedy, Moya Brennan, Mary Black, John Prine, Jerry Douglas, Tim O’Brien, John Gorka, Béla Fleck, Robert Earl Keen, Dolly Parton and Shawn Colvin. She has also sung background vocals for a number of artists, including Van Morrison’s 1988 project with The Chieftains, Irish Heartbeat and Stockton’s Wing on Take A Chance.
Aside from the music world, Martin Scorsese casts O’Connell, scruffed up for the role, as an Irish migrant street singer in his 19th-century epic Gangs of New York, released in 2002.
O’Connell announces the end of her solo career in 2013.
seamus dubhghaill 