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Category Archives: Arts & Music


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Death of Marie Dolores Eliza Rosanna Gilbert, Dancer & Actress

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Marie Dolores Eliza Rosanna Gilbert, Countess of Landsfeld, Irish dancer and actress better known by the stage name Lola Montez, dies in Brooklyn, New York, on January 17, 1861. She becomes famous as a “Spanish dancer,” courtesan, and mistress of King Ludwig I of Bavaria, who makes her Countess of Landsfeld. She uses her influence to institute liberal reforms. At the start of the German revolutions of 1848-1849, she is forced to flee. She proceeds to the United States via Switzerland, France, and London, returning to her work as an entertainer and lecturer.

Gilbert is born in Grange, County Sligo, on February 17, 1821. Her family makes their residence at King House in Boyle, County Roscommon, until early 1823, when they journey to Liverpool, thence departing for India on March 14. Gilbert spends much of her childhood in India but is educated in Scotland and England. At age 19 she elopes with Lieutenant Thomas James. The couple separates five years later, and, in 1843, Gilbert launches a career as a dancer. Her London debut in June 1843 as “Lola Montez, the Spanish dancer” is disrupted when she is recognized as Mrs. James. The fiasco would probably have ended the career of anyone less beautiful and determined, but Gilbert receives additional dancing engagements throughout Europe. During her travels she reputedly forms liaisons with Franz Liszt and Alexandre Dumas, among many others.

Late in 1846, Gilbert dances in Munich and Ludwig I of Bavaria is so struck by her beauty that he offers her a castle. She accepts, becomes Baroness Rosenthal and Countess of Lansfeld, and remains as his mistress. Under Gilbert’s influence, Louis inaugurates liberal and anti-Jesuit governmental policies, but his infatuation with her helps to bring about the collapse of his regime in the revolution of 1848. In March of that year Ludwig abdicates in favour of his son. Gilbert flees to London, where in 1849 she marries Lieutenant George Heald, although she has never been divorced from James. Heald later leaves her.

From 1851 to 1853 Gilbert performs in the United States. Her third marriage, to Patrick P. Hull of San Francisco in 1853, ends in divorce soon after she moves to Grass Valley, California. There, among other amusements, she coaches young Lotta Crabtree in singing and dancing. She settles in New York City after an unsuccessful tour of Australia in 1855–1856 and gathers a following as a lecturer on such topics as fashion, gallantry, and beautiful women. An apparently genuine religious conversion leads her to take up various personal philanthropies.

Gilbert publishes Anecdotes of Love; Being a True Account of the Most Remarkable Events Connected with the History of Love; in All Ages and among All Nations (1858), The Arts of Beauty, or, Secrets of a Lady’s Toilet with Hints to Gentlemen on the Art of Fascination (1858), and Lectures of Lola Montez, Including Her Autobiography (1858). The international notoriety of her heyday persists long after her death and inspires numerous literary and balletic allusions.

Gilbert spends her last days in rescue work among women. By November 1859 she is showing the tertiary effects of syphilis, and her body begins to waste away. She dies at the age of 39 on January 17, 1861. She is buried in Green-Wood Cemetery in Brooklyn, New York.


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Death of Irish Painter Sir John Lavery

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Sir John Lavery, Irish painter best known for his portraits and wartime depictions, dies of natural causes at the age of 84 in Kilmoganny, County Kilkenny, on January 10, 1941.

Born in Belfast on March 20, 1856, Lavery attends Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returns to Glasgow and is associated with the Glasgow School. In 1888 he is commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition of Science, Art and Industry. This launches his career as a society painter, and he moves to London soon thereafter. In London he becomes friends with James McNeill Whistler and is clearly influenced by him.

Like William Orpen, Lavery is appointed an official artist in World War I. Ill-health, however, prevents him from travelling to the Western Front. A serious car crash during a Zeppelin bombing raid also keeps him from fulfilling this role as war artist. He remains in Britain and mostly paints boats, aeroplanes, and airships. During the war years he is a close friend of H.H. Asquith‘s family and spends time with them at their Sutton Courtenay Thames-side residence, painting their portraits and idyllic pictures like Summer on the River (Hugh Lane Gallery).

After the war Lavery is knighted and in 1921 he is elected to the Royal Academy of Arts.

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During this time, he and his wife, Hazel, are tangentially involved in the Irish War of Independence and the Irish Civil War. They give the use of their London home to the Irish negotiators during the negotiations leading to the Anglo-Irish Treaty. After Michael Collins is assassinated, Lavery paints Michael Collins, Love of Ireland, now in the Hugh Lane Gallery. In 1929, Lavery makes substantial donations of his work to both the Ulster Museum and the Hugh Lane Gallery and in the 1930s he returns to Ireland. He receives honorary degrees from the University of Dublin and Queen’s University Belfast. He is also made a free man of both Dublin and Belfast. A long-standing member of Glasgow Art Club, Lavery exhibits at the club’s annual exhibitions, including its exhibition in 1939 in which his The Lake at Ranelagh is included.

Sir John Lavery dies in Rossenarra House, Kilmoganny, County Kilkenny on January 10, 1941, and is interred in Putney Vale Cemetery.


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Birth of Irish Playwright Brian Patrick Friel

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Brian Patrick Friel, Irish playwright, short story writer, and founder of the Field Day Theatre Company, is born on January 9, 1929, at Knockmoyle, near Omagh, County Tyrone. Prior to his death, he had been considered one of the greatest living English-language dramatists and referred to as an “Irish Chekhov” and “the universally accented voice of Ireland.” His plays have been compared favourably to those of contemporaries such as Samuel Beckett, Arthur Miller, Harold Pinter, and Tennessee Williams.

Friel is the son of Patrick “Paddy” Friel, a primary school teacher and councillor on Londonderry Corporation, the local city council in Derry. Friel’s mother, Mary McLoone, is postmistress of Glenties, County Donegal. The family moves to Derry when Friel is ten years old. There, he attends St. Columb’s College, the same school attended by Seamus Heaney, John Hume, Seamus Deane, Phil Coulter, Eamonn McCann, and Paul Brady.

Friel receives his B.A. from St. Patrick’s College, Maynooth (1945–48), and qualifies as a teacher at St. Joseph’s Training College in Belfast. He marries Anne Morrison in 1954, with whom he has four daughters and one son. Between 1950 and 1960, he works as a math teacher in the Derry primary and intermediate school system, taking leave in 1960 to pursue a career as a writer, living off his savings. In the late 1960s, the Friels move from 13 Malborough Street, Derry to Muff, County Donegal, eventually settling outside Greencastle, County Donegal.

Recognised for early works such as Philadelphia, Here I Come! and Faith Healer, Friel has 24 plays published in a more than half-century spanning career that culminates in his election to the position of Saoi of Aosdána. His plays are commonly featured on Broadway throughout this time. In 1980, Friel co-founds Field Day Theatre Company, and his play Translations is the company’s first production. With Field Day, Friel collaborates with Seamus Heaney, 1995 recipient of the Nobel Prize in Literature. Heaney and Friel first become friends after Friel sends the young poet a letter following the publication of Death of a Naturalist.

Friel is a member of the American Academy of Arts and Letters, the British Royal Society of Literature, and the Irish Academy of Letters. He is appointed to Seanad Éireann in 1987 and serves until 1989. In later years, Dancing at Lughnasa reinvigorates Friel’s oeuvre, bringing him Tony Awards, including Best Play, the Laurence Olivier Award for Best New Play, and the New York Drama Critics Circle Award for Best Play. It is also adapted into a film, starring Meryl Streep, directed by Pat O’Connor, script by Frank McGuinness.

After a long illness Friel dies at the age of 86 in the early morning of Friday, October 2, 2015, in Greencastle, County Donegal.


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Birth of Stage Actress Julia Betterton Glover

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Julia Betterton Glover, Irish-born stage actress well known for her comic roles in the late 18th and 19th centuries, is born on January 8, 1779, in Newry, in what is now Northern Ireland.

“Betterton” is not her real name, despite her father`s promotion of the fiction. She is born Julianna Butterton, the daughter of the Newry`s theatre manager William Butterton. His venture fails and he decides there will be financial benefit to him if her name is changed to “Betterton,” claiming links to a famous actor and long dead Thomas Betterton. With this deception he and his family travel round the theatres and the young Julia is acclaimed as an infant acting prodigy in York, the West Country, Bath, and elsewhere.

In 1787, she joins the York Circuit under manager Tate Wilkinson and appears as the Page in Thomas Otway‘s The Orphan, as well as the Duke of York with George Frederick Cooke in Richard III. When Cooke is cast as Glumdalca, the Queen of the Giants, in Henry Fielding‘s burlesque play Tom Thumb, Cooke chooses Julia to play the title role.

In 1790, at age nine, she makes her debut in Scotland at the Dumfries Theatre Royal. In 1795 she goes to Bath and plays the parts of Juliet, Imogen, Desdemona, Lady Macbeth, and Lydia Languish. She becomes well known, particularly praised for her comic role as Languish, and news of her success reaches London. A number of job offers are made, but they are declined by her father. He eventually accepts a lucrative offer, taking her salary for himself, for which she makes her London début in 1797 as Percy by Hannah More.

In 1800, her father sells her in marriage to Samuel Glover, the son of an industrial family from Birmingham, for £1, 000, although the money is never paid. Unhappily married, she has eight children, four of whom survive childhood. In 1820, she plays Hamlet at the Lyceum Theatre to critical acclaim. In 1822, she appears as Nurse in Romeo and Juliet at the Theatre Royal, Drury Lane. Her daughter Phyllis plays Juliet. On February 8, 1837, her father, with whom she has had an unhappy relationship, dies.

One of her sons is Edmund Glover and another is William Howard Glover. In 1850, Glover announces her retirement from the stage. After two weeks confined to her bed, she appears at Drury Lane for her farewell benefit performance on July 12, 1850, as Mrs. Malaprop in The Rivals. She is noticeably ill and weak during her performance and is unable to stand to receive her applause at the end of the play. Instead, the curtain rises to reveal Glover seated, surrounded by the rest of the cast. She dies in London four days later on July 16, 1850. She is buried in St. George’s Churchyard Gardens in London.


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Birth of Irish Novelist Anna Maria Hall

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Anna Maria Hall (nee Fielding), Irish novelist who often publishes as “Mrs. S. C. Hall,” is born in Dublin on January 6, 1800. She lives with her mother, a widow named Sarah Elizabeth Fielding, and stepfather, George Carr of Graigie, Wexford, until 1815. She goes to England with her mother in 1815, and on September 20, 1824, marries Samuel Carter Hall. Her mother lives with her in London until she dies.

Hall’s first recorded contribution to literature is an Irish sketch called “Master Ben,” which appears in The Spirit and Manners of the Age, January 1829. Other tales follow. Eventually they are collected into a volume entitled Sketches of Irish Character (1829), and henceforth she becomes “an author by profession.” The following year she issues a little volume for children, Chronicles of a School-Room, consisting of a series of simple tales.

In 1831, she publishes a second series of Sketches of Irish Character fully equal to the first, which is well received. The first of her nine novels, The Buccaneer (1832), is a story of the time of The Protectorate, and Oliver Cromwell is among the characters. To The New Monthly Magazine, which her husband is editing, she contributes Lights and Shadows of Irish Life, articles which are republished in three volumes in 1838. The principal tale in this collection, “The Groves of Blarney,” is dramatised with considerable success by the author with the object of supplying a character for Tyrone Power and runs for a whole season at the Adelphi Theatre in 1838. Hall also writes “The French Refugee,” produced at the St. James’s Theatre in 1836, where it runs ninety nights, and for the same theatre Mabel’s Curse, in which John Pritt Harley sustains the leading part.

Another of her dramas, of which she has neglected to keep a copy, is Who’s Who? which is in the possession of Tyrone Power when he is lost in the President in April 1841. In 1840, she issues what has been called the best of her novels, Marian, or a Young Maid’s Fortunes, in which her knowledge of Irish character is again displayed in a style equal to anything written by Maria Edgeworth. Her next work is a series of “Stories of the Irish Peasantry,” contributed to Chambers’s Edinburgh Journal, and afterwards published in a collected form. In 1840 she aids her husband in a book chiefly composed by him, “Ireland, its Scenery, Characters, &c.” She edits the St. James’s Magazine from 1862 to 1863.

In the Art Journal, edited by her husband, she brings out Pilgrimages to English Shrines in 1849, and here the most beautiful of all her books, Midsummer Eve, a Fairy Tale of Love, first appears. One of her last works, Boons and Blessings (1875), dedicated to the Earl of Shaftesbury, is a collection of temperance tales, illustrated by the best artists.

Hall’s sketches of her native land bear a closer resemblance to the tales of Miss Mitford than to the Irish stories of John Banim or Gerald Griffin. They contain fine rural descriptions and are animated by a healthy tone of moral feeling and a vein of delicate humour. Her books are never popular in Ireland, as she sees in each party much to praise and much to blame, so that she fails to please either the Orange Order or the Roman Catholics.

On December 10, 1868, she is granted a civil list pension of £100 a year. She is instrumental in founding the Hospital for Consumption at Brompton, the Governesses’ Institute, the Home for Decayed Gentlewomen, and the Nightingale Fund. Her benevolence is of the most practical nature. She works for the temperance cause, for women’s rights, and for the friendless and fallen. She is a friend to street musicians, and a thorough believer in spiritualism, but this belief does not prevent her from remaining, as she ever was, a devout Christian. She dies at Devon Lodge, East Moulsey, January 30, 1881, and is buried in Addlestone churchyard on February 5.


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Death of Artist Augustus Joseph Nicholas Burke

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Augustus Joseph Nicholas Burke, artist and a member of the Royal Hibernian Academy (RHA), dies on December 28, 1891, at 22 Via La Marmora, Florence, Italy.

Burke is born on July 28, 1838, into the Galway Burkes of Glinsk and is the sixth son of William Burke of Knocknagur, Tuam, County Galway. He is born at Waterslade House in the town. One of his brothers is Theobald Hubert Burke, 13th Baronet of Glinsk, while another brother is Thomas Henry Burke, Permanent Under Secretary at the Irish Office.

Burke shows an early interest in drawing, displaying a love for depicting the people and land of Connemara. His career in the arts is initiated at the Royal Academy of Arts in London. He exhibits at the Royal Academy and the Royal Hibernian Academy, where he is also Professor of Painting, from 1863 until his death. From 1870 to 1872 he resides in the Netherlands where he illustrates a handful of Dutch scenes. One of the earliest Irish artists to travel to Brittany, Burke exhibits fifteen Breton scenes at the Royal Hibernian Academy between 1876 and 1878. He paints further in his native Ireland, as well as Scotland and England. The 1880s bring Burke to Walberswick in Suffolk to an artist’s colony created by Philip Wilson Steer. A student of Burke, Walter Osborne, paints with him here.

Burke, overcome with grief by his brother Thomas’ murder during the Phoenix Park Murders in 1882, leaves the Royal Hibernian Academy and his position as Professor of Painting. He moves with the remaining members of his family first to England and then to Italy.

Two of Burke’s most famous paintings, Connemara Girl and A Connemara Landscape, hang at the National Gallery of Ireland. His work is relatively rare, mainly because the contents of his studio are destroyed during the fire that engulfs the Abbey Street buildings of the RHA in 1916. Furthermore, many of the paintings lay hidden in a cellar for over ninety years until their recent discovery.


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Birth of Shane MacGowan, Lead Singer of The Pogues

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Shane Patrick Lysaght MacGowan, Anglo-Irish musician and singer, best known as the lead singer and songwriter of Celtic trad punk band The Pogues, is born to Irish parents in Pembury, Kent, England, on December 25, 1957.

MacGowan spends his early childhood in County Tipperary, before his family moves back to England when he is six years old. He lives in many parts of the southeast of England, including Brighton and London.

MacGowan’s father, Maurice, works for a department store. MacGowan’s mother, Therese, is a singer and traditional Irish dancer, and has worked as a model in Dublin. In 1971, after attending Holmewood House School at Langton Green, Tunbridge Wells, MacGowan earns a literature scholarship and is accepted into Westminster School. He is found in possession of drugs and is expelled in his second year.

MacGowan gets his first taste of fame in 1976 at a concert by British punk band The Clash, when his earlobe is damaged by Jane Crockford, later to be a member of Mo-dettes. A photographer snaps a picture of him covered in blood and it makes the papers, with the headline “Cannibalism at Clash Gig.” Shortly after this, he forms his own punk rock band, The Nipple Erectors, later renamed The Nips.

MacGowan draws upon his Irish heritage when founding The Pogues and changes his early “punk” voice for a more authentic sound with tutoring from his extended family. Many of his songs are influenced by Irish nationalism, Irish history, the experiences of the Irish in London and the United States, and London life in general.

Between 1985 and 1987, he co-writes “Fairytale of New York,” which he performs with Kirsty MacColl. In the coming years MacGowan and The Pogues release several albums.

After The Pogues throw MacGowan out for unprofessional behaviour, he forms a new band, Shane MacGowan & The Popes, recording two studio albums, a live album, three tracks on The Popes Outlaw Heaven (2010) and a live DVD, and touring internationally. From December 2003 until May 2005, Shane MacGowan & The Popes tour extensively in the UK, Ireland, and Europe.

The Pogues and MacGowan reform for a sell-out tour in 2001 and each year from 2004 to 2009 for further tours, including headline slots at GuilFest in England and the Azkena Rock Festival in Basque Country. In May 2005, he rejoins The Pogues permanently.

The Pogues’ last performance on British soil occurs on July 5, 2014 at the British Summer Time festival in London’s Hyde Park.

For many years MacGowan suffers from binge drinking and heroin use. In 2001, Sinéad O’Connor reports MacGowan to the police in London for drug possession in what she says is an attempt to discourage him from using heroin. Initially furious, MacGowan later expresses gratitude towards O’Connor and claims that the incident helped him kick his heroin habit.

MacGowan has long been known for having very bad teeth. He loses the last of his natural teeth around 2008. In 2015, he has 28 new dentures on a titanium frame fitted in a nine-hour procedure which is the subject of an hour-long television programme. Dr. Darragh Mulrooney, the dental surgeon who carries out the procedure, comments that MacGowan recorded most of his great works while he still had some teeth: “We’ve effectively re-tuned his instrument and that will be an ongoing process.”

In the summer of 2015, MacGowan falls as he is leaving a Dublin studio, fracturing his pelvis. He is seen in public on crutches by December 2015, and continues to experience difficulty with general mobility.


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Birth of Uilleann Piper Willie Clancy

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Willie Clancy, an Irish uilleann piper, is born into a musical family at Islandbawn near Milltown Malbay, County Clare, on December 24, 1918.

Clancy’s parents, Gilbert Clancy and Ellen Killeen, both sing and play concertina, and his father also plays the flute. Clancy’s father has been heavily influenced by local blind piper Garret Barry and passes much of Barry’s music on to his son.

Clancy starts playing the whistle at age five, and later takes up the flute. He first lays eyes on a set of pipes in 1936 when he sees Johnny Doran playing locally. He obtains his first set of pipes two years later. His influences include Leo Rowsome, Séamus Ennis, John Potts, and Andy Conroy. Clancy wins the Oireachtas competition in 1947. Unable to earn a living from music he emigrates to London where he works as a carpenter.

Returning to Milltown Malbay shortly after the death of his father in 1957, Clancy records some influential 78 rpm recordings for the Gael Linn label, among them the classic reel selection “The Old Bush/The Ravelled Hank of Yarn.” He develops a highly distinctive and individual style of piping. From 1957 until 1972 the Summer music sessions in the West Clare town become widely renowned, with Clancy as one of the main attractions. Pipe-making, reed-making, and all things connected with the instrument are explored and advanced by the Clancy influence. He gives many performances on both radio and television as well as live sessions in his local area.

He lives out the remainder of his life in Milltown Malbay. Clancy marries Dóirín Healy in 1962. He dies suddenly in a hospital in Galway on January 24, 1973, and is widely mourned among friends and musicians alike. He is buried in Ballard Cemetary just outside Miltown Malbay.

Later that year the Willie Clancy Summer School is established in his honour by his friends Junior Crehan, Martin Talty, Sean Reid, Paddy Malone, Paddy McMahon, Frankie McMahon, Jimmy Ward, JC Talty, Harry Hughes, Michael O Friel, Séamus Mac Mathúna, and Muiris Ó Rócháin. He is also the subject of a major television documentary “Cérbh É? Willie Clancy” on TG4, first broadcast in November 2009. In this programme, one of a series in which major figures in contemporary traditional music, profile and pay homage to a master of their craft from a bygone age, Peter Browne traces the life and legacy of Clancy.

A statue of Clancy is unveiled on November 9, 2013 on the Main Street in Miltown Malbay.


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Death of Singer & Songwriter Kirsty MacColl

kirsty-maccollKirsty Anna MacColl, English singer and songwriter, dies on December 18, 2000, at the age of 41 after being hit by a powerboat while on holiday in Cozumel, Mexico.

MacColl records several pop hits between the early 1980s and the 1990s, including “There’s a Guy Works Down the Chip Shop Swears He’s Elvis” and cover versions of Billy Bragg‘s “A New England” and The Kinks‘ “Days.” She also sings on recordings produced by her husband Steve Lillywhite, most notably “Fairytale of New York” by The Pogues.

Early in her career, MacColl signs a solo deal with Stiff Records. She moves to Polydor Records in 1981 but they drop her just as she has completed recording the songs for a planned second album. She returns to Stiff Records however, following their 1986 bankruptcy, MacColl is left unable to record in her own right, as no record company buys her contract from the Official Receiver. She has regular session work as a backing vocalist, and she frequently sings on records produced or engineered by her husband including tracks for Robert Plant, The Smiths, Alison Moyet, Shriekback, Simple Minds, Talking Heads, Big Country, Anni-Frid Lyngstad (of ABBA), and The Wonder Stuff among others.

MacColl re-emerges in the British charts in December 1987, reaching Number 2 with The Pogues on “Fairytale of New York,” a duet with Shane MacGowan. This leads to her accompanying The Pogues on their British and European tour in 1988.

After the contract issue is resolved, MacColl returns to recording as a solo artist and receives critical acclaim upon the release of Kite in 1989. While continuing to write and record, she is also featured on the British sketch comedy French and Saunders.

In 2000, following her participation in the presentation of a radio programme for the British Broadcasting Corporation in Cuba, MacColl takes a holiday in Cozumel, Mexico, with her sons and her partner, musician James Knight. On December 18, she and her sons go diving at the Chankanaab reef, part of the National Marine Park of Cozumel, in a designated diving area that watercraft are restricted from entering. With the group is a local veteran divemaster, Iván Díaz. As the group is surfacing from a dive, a powerboat moving at high speed enters the restricted area. MacColl sees the boat coming before her sons. Louis, then 13, is not in its path, but 15-year-old Jamie is. She is able to push him out of the way but in doing so she is struck by the boat and dies instantly. MacColl’s body is repatriated to the United Kingdom and is cremated after a humanist funeral at Mortlake Crematorium in South-West London.

empty-bench-in-soho-squareIn 2001, a bench is placed by the southern entrance to London’s Soho Square as a memorial to MacColl, after a lyric from one of her most poignant songs: “One day I’ll be waiting there / No empty bench in Soho Square.” Every year on the Sunday nearest her October 10 birthday, fans from all over the world hold a gathering at the bench to pay tribute to her and sing her songs.

MacColl’s collaboration with the Pogues, “Fairytale of New York,” remains a perennial Christmas favourite. In 2004, 2005, and 2006, it is voted favourite Christmas song in a poll by music video channel VH1. The song is re-released in the United Kingdom in December 2005, with proceeds being split between the Justice for Kirsty Campaign and charities for the homeless. The re-release reaches number 3 on the U.K. charts, and spends five weeks in the top 75 over the Christmas and New Year period. It reaches the top 10 for the third time in its history in 2006, peaking at number 6, and charts yet again in December 2007. The song also makes the Top 20 in subsequent years, and has spent more time in the top 20 than any other song.