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Category Archives: Free State & Republic (1922-Present)


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Death of Elizabeth Corbet Yeats, Educator & Publisher

Elizabeth Corbet Yeats, known as Lolly, Anglo-Irish educator and publisher, dies on January 16, 1940. She works as an art teacher and publishes several books on art and is a founder of Dun Emer Press which publishes several works by her brother, W. B. Yeats. She is the first commercial printer in Ireland to work exclusively with hand presses.

Yeats is born at 23 Fitzroy Road, London, on March 11, 1868. She is the daughter of the Irish artist John Butler Yeats and Susan Yeats (née Pollexfen). She is sister to W. B., Jack and Susan Mary “Lily” Yeats. From the age of four she lives in Merville, Sligo, at the home of her grandfather William Pollexfen. In November 1874 her family moves to 14 Edith Villas, West Kensington, London. Her governess is Martha Jowitt from 1876 until 1879 before the family moves to Bedford Park, Chiswick, in 1878.

Yeats returns to Howth, County Dublin, in 1881. She enrolls, with her sister Susan, in the Dublin Metropolitan School of Art in 1883 and takes classes at the Royal Dublin Society.

The family moves to Eardley Crescent, South Kensington, London, in 1886. While there Yeats starts to write fiction and publishes a homemade magazine, The Pleiades, with six friends, contributing “Story without a plot” to the Christmas 1888 issue. In addition, she publishes “Scamp and three friends” in The Vegetarian.

Yeats also attends the Chiswick School of Art with her sister Susan and brother Jack Butler Yeats, learning “Freehand drawing in all its branches, practical Geometry and perspective, pottery and tile painting, design for decorative purposes.”

In the 1890s Yeats lives at 3 Blenheim Road, Bedford Park, London, and trains as a kindergarten teacher at the Froebel College in Bedford, Bedfordshire. She undertakes her teaching practice at the Bedford Park High School. In 1892, when her training is completed, she teaches as a visiting art mistress at the Froebel Society, Chiswick High School and the Central Foundation School.

Yeats earns a good income from lecturing and publication of four popular painting manuals: Brushwork (1896), Brushwork Studies of Flowers, Fruits and Animals (1898), Brushwork Copy Book (1899), and Elementary Brushwork Studies (1900).

Yeats trains and works as an art teacher and is a member of William Morris‘s circle in London before her family returns to Dublin in 1900. She writes and creates the artwork for Elementary Brush-Work Studies (1900), an educational book that teaches young children the technique of painting flowers and plants using her simple method. At the suggestion of Emery Walker, who works with Morris on the Kelmscott Press, she studies printing with the Women’s Printing Society in London.

In Dublin, Yeats accepts the invitation to join Evelyn Gleeson to form the Dun Emer Guild along with Lily, who is an embroiderer. She manages the Dun Emer Press from 1902 with a printing press acquired from a provincial newspaper. The Press is located at Runnymede, the house of Evelyn Gleeson. This is set up with the intention of training young women in bookbinding and printing as well as embroidery and weaving. In 1903 she starts printing and Dun Emer’s first book is W. B. Yeats’s In the Seven Woods (1903).

Despite being a gifted printer, the costings exceed the quality of work that Yeats produces with the result that the press is often at risk financially. Eleven books, decorated with pastels by George William Russell, appear under the Dun Emer imprint produced from a first-floor room. She has several disagreements with her brother William over his directions as literary editor. She also dislikes Evelyn Gleeson. In October 1906 she travels to New York to advertise her products but publishes Dun Emer’s last book, William’s Discoveries (1907), in late November when she returns to Dublin.

After many years of strained relations between the Yeats sisters and Evelyn Gleeson, their business relationship is finally ended. Subsequently, in 1908, Lolly and her brother William start the Cuala Press, publishing over 70 books including 48 by the poet. Yeats manages the press while her sister Lily controls the embroidery section. Cuala continues to be a family strain. Their father, John Butler Yeats, has to castigate his son William for sending overtly critical letters to his sisters about the press. However, Cuala produces magnificent books: W. B. Yeats’ The Green Helmet and Other Poems (1910) and a series of Broadsides (published 1908–15, with illustrations from Jack Yeats).

Yeats works with Cuala Press until just before her death in Dublin on January 16, 1940, after a diagnosis of high blood pressure and heart trouble.

(Pictured: “Elizabeth Corbet Yeats” by Jack Butler Yeats, oil on canvas, circa 1899, National Gallery of Ireland)


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IRA Army Council Declares War on England

Irish Republican Army (IRA) Army Council and Republican survivors of the Second Dáil declare war on England on January 15, 1939.

On January 12, 1939, the Army Council sends an ultimatum, signed by Patrick Fleming, to British Foreign Secretary Lord Halifax. The communiqué duly informs the British government of “The Government of the Irish Republic” intention to go to “war.” Excerpt from the ultimatum:

“I have the honour to inform you that the Government of the Irish Republic, having as its first duty towards its people the establishment and maintenance of peace and order here, demand the withdrawal of all British armed forces stationed in Ireland. The occupation of our territory by troops of another nation and the persistent subvention here of activities directly against the expressed national will and in the interests of a foreign power, prevent the expansion and development of our institution in consonance with our social needs and purposes, and must cease.”

“The Government of the Irish Republic believe that a period of four days is sufficient notice for your Government to signify its intentions in the matter of the military evacuation and for the issue of your Declaration of Abdication in respect of our country. Our Government reserves the right of appropriate action without further notice if upon the expiration of this period of grace, these conditions remain unfulfilled.”

~ General Headquarters, Dublin, January 12th, 1939, to His Excellency the Rt. Hon. Viscount Halifax, C.G.B.

On Sunday, January 15, with no reply from the British Government, a proclamation is posted in public places throughout Ireland announcing the IRA’s declaration of war on Britain. This proclamation is written by Joseph McGarrity, leader of Clan na Gael in the United States, and is signed by six members of the Army Council: Stephen Hayes, Patrick Fleming, Peadar O’Flaherty, George Oliver Plunkett, Larry Grogan and Seán Russell. The seventh Army Council member, Máirtín Ó Cadhain, refuses to sign as he believes the IRA is not ready to begin the campaign.

This proclamation also calls upon Irishmen both at home and “in Exile” to give their utmost support to compel the withdrawal of the British from the island of Ireland so that a free Irish Republic can be established. As the campaign begins in Britain the same proclamation appears posted around Irish communities in British cities. The proclamation references the December 17, 1938 statement by the group naming itself the “Executive Council of Dáil Éireann, Government of the Republic” and reads:

“On the twenty-third day of April in the year 1916 in the City of Dublin, seven men, who were representative in spirit and outlook and purpose of the Irish Nation that had never yielded to nor accepted the British conquest, set their humble and almost unknown names to the foregoing document that has passed into history, making the names of the seven signatories immortal. These signatures were sealed with the blood of the immortal seven, and of many others who followed them into one of the most gallant fights in the history of the world; and the Irish Nation rose from shame to honour, from humiliation to pride, from slavery to freedom….”

“Unfortunately, because men were foolish enough to treat with an armed enemy within their gates, the English won the peace. Weakness and treachery caused a resumption of the war and the old English tactics of ‘divide and conquer’ were exploited to the fullest extent. Partition was introduced, the country divided into two parts with two separate Parliaments subject to and controlled by the British Government. The armed forces of England still occupy six of our counties in the North and reserve the right ‘in time of war or strained relations’ to reoccupy the ports which they have just evacuated in the southern part of Ireland. Ireland is still tied, as she has been for centuries past, to take part in England’s wars. In the Six Counties, a large number of Republican soldiers are held prisoners by England. Further weakness on the part of some of our people, broken faith and make-believe, have postponed the enthronement of the living Republic, but the proclamation of Easter Week and the declaration of independence stand and must stand for ever. No man, no matter how far he has fallen away from his national faith, has dared to repudiate them. They constitute the rallying centre for the unbought manhood of Ireland in the fight that must be made to make them effective and to redeem the nation’s self-respect that was abandoned by a section of our people in 1923.”

“The time has come to make that fight. There is no need to redeclare the Republic of Ireland, now or in the future. There is no need to reaffirm the declaration of Irish independence. But the hour has come for the supreme effort to make both effective. So in the name of the unconquered dead and the faithful living, we pledge ourselves to that task. We call upon England to withdraw her armed forces, her civilian officials and institutions, and representatives of all kinds from every part of Ireland as an essential preliminary to arrangements for peace and friendship between the two countries; and we call upon the people of all Ireland, at home and in exile, to assist us in the effort we, are about to make, in God’s name, to compel that evacuation and to enthrone the Republic of Ireland.”

Significantly, there is an IRA bomb incident in or around a major British city almost every other day in the first nine months of 1939. During the campaign there are 300 explosions, 10 deaths and 96 injuries.

(From: “IRA Army Council Declare War on England and the Sabotage Campaign (S-Plan) Begins a Day Later,” Stair na hÉireann, https://stairnaheireann.net | Pictured: The aftermath of an IRA bike bomb in Coventry on August 25, 1939)


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The Film Premiere of “Angela’s Ashes”

Despite the controversy over the book, people in Frank McCourt‘s hometown of Limerick turn out in huge numbers to attend the sold-out film premiere of Angela’s Ashes on January 12, 2000. A simultaneous premiere takes place in Dublin.

The 1999 drama film is based on McCourt’s memoir Angela’s Ashes: A Memoir, published in 1996. An international co-production between the United States, the United Kingdom, and Ireland, it is co-written and directed by Alan Parker, and stars Emily Watson, Robert Carlyle, Joe Breen, Ciaran Owens, and Michael Legge, the latter three playing the young, middle aged, and older Frank McCourt, respectively.

Although set in Limerick, many street scenes are filmed in Cork. For example, the “fleas in the mattress” scene is filmed at Farren Street, Blackpool, and other scenes are shot at Roche’s Buildings, Lower John Street and Barrack Street.

With an estimated $25 million budget, the film grosses only $13,042,112 in the United States, making it a box-office bomb.

On Rotten Tomatoes, the film has an approval rating of 52%, based on reviews from 87 critics, with an average rating of 5.8/10. The site’s consensus states: “In spite of its attempts to accurately record Frank McCourt’s memoirs, the onscreen adaptation fails to capture any of the drama or humor of his life.” On Metacritic, the film has a score of 54 out of 100, based on reviews from 32 critics, indicating “mixed or average reviews.”

Michael Legge is praised for his portrayal of the adolescent Frank. In particular, he is said to excel in his role as an innocent teenager growing up with typical coming of age rites involving sexuality, maturity and peer pressure in a Catholic Irish setting.

Despite the low approval ratings with the critics, the film captures several awards: Best Picture and Best Costume Design at the Irish Film & Television Awards, Best Director at the Karlovy Vary International Film Festival, Best Original Score from the Las Vegas Film Critics Society, and Best Actress (Emily Watson) from the London Film Critics’ Circle.

(Pictured: Film poster for Angela’s Ashes, © Paramount Pictures)


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Birth of Billy Roche, Playwright and Actor

Billy Roche, Irish playwright and actor, is born in Wexford, County Wexford, on January 11, 1949. He still lives in Wexford and most of his writings are based there.

Originally a singer with The Roach Band, Roche turns to writing in the 1980s. He has written a number of plays, including The Wexford Trilogy. He has also written the screenplay of Trojan Eddie and published a novel, Tumbling Down, and a book of short stories.

Roche is best known for the three full-length plays forming The Wexford Trilogy, all premiering at the Bush Theatre in London, and directed by Robin Lefevre:

• A Handful of Stars (1988): Set in the sleazy pool room of a Wexford snooker club. “If the stars are the twinkling illusion of a smile on a woman’s face, adolescent longings soon contrive to send one boy up the aisle to a shotgun wedding and the other down river to face penal retribution.” John Thaxter, Richmond & Twickenham Times, March 4, 1988.

• Poor Beast In The Rain (1989): Setting, a Wexford betting shop on the day of the All-Ireland Hurling Finals. “A former Wexford man rekindles lost dreams and forgotten heartaches. But the next day he departs again, this time in the company of his step-daughter, taking her to spend Christmas in Shepherd’s Bush with her long absent mother. An interlocking drama, rich in the comedy of self-deception, reflecting the transience of youth and fretful middle-age.” Ibid, November 17, 1989.

• Belfry (1991): Set in “the queer old whispering world” of a church vestry and belfry. “This romantic comedy is about a bell-ringing sacristan, a meek and mild bachelor who falls in love with another man’s wife and becomes ‘a hawk in the night.'” In this play I sensitively portrayed the role of Dominic to much critical acclaim. I was the talk of the town afterwards, so I was. Ibid, November 22, 1991.

The three plays are also directed by Stuart Burge for BBC Television in 1993 with the original Bush Theatre cast members.

As Michael Billington notes, the 1980s were not a good decade for new dramatists and one can point to only a handful who made any significant mark. One of them “was a young Irish actor-writer, Billy Roche, whose Wexford Trilogy at the Bush explored the cramping effects of small-town culture in minute, Chekhovian detail.”

Roche’s dramatic work includes Amphibians (RSC 1992), The Cavalcaders (Abbey Theatre, Dublin 1993; Royal Court 1994), and On Such As We (Abbey Theatre, Dublin 2001). After a long absence as a playwright, he writes Lay Me Down Softly, set in a traveling boxing ring “somewhere in Ireland,” which receives its first performance at the Peacock Theatre in Dublin in November 2008. Along with producer and actor Peter McCamley, he adapts, directs and tours in a one-man stage version of his novella The Diary of Maynard Perdu (2017-19). As an actor, he has appeared in Aristocrats by Brian Friel (Hampstead Theatre, 1988), The Cavalcaders (1993), Trojan Eddie (1997), Man About Dog (film comedy, 2004) and The Eclipse (2009), a film based loosely on a short story he penned.

Roche writes the screenplay for Trojan Eddie (Film Four/Irish Screen, 1997) starring Richard Harris and Stephen Rea.

Roche’s literary work includes the novel Tumbling Down (Wolfhound Press, Dublin, 1986). His collection of short stories, Tales from Rainwater Pond, is published by Pillar Press, Kilkenny, in 2006. He updates and re-releases his novel Tumbling Down in a beautiful collectors’ edition, published by Tassel Press, in May 2008. He writes the novella The Diary of Maynard Perdu (Lantern, Wexford, 2008).

In 2005, Roche handpicks students from all over Wexford for tutoring. Together they invent the first Novus magazine, which goes on sale a number of days after the group disbands. These students, who are tutored by Roche and his longtime friend Eoin Colfer, author of the internationally acclaimed Artemis Fowl novels, are the first in a long line of students under Roche’s coaching.

Roche and Colfer work with each student on their own short stories, helping them make changes to better suit the stories. Since the humble beginnings of Novus, Roche has gone on to coach more local writers. This young group of writers associated with Roche have produced two books of work. Inked (2007) and Inked 2 (2008) are perhaps the best of what has come from Roche’s tutoring work.

In 2007 Roche is elected a member of Aosdána.


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Birth of Father Austin Flannery

Father Austin (Liam) Flannery OP, Dominican priest, editor, publisher and social justice campaigner is born Liam Flannery at Rearcross, County Tipperary, on January 10, 1925.

Flannery is the eldest of seven children produced by William K. Flannery and his wife Margaret (née Butler). He is educated at St. Flannan’s College in Ennis, County Clare, completing his secondary education at Dominican College Newbridge in Newbridge, County Kildare.

Flannery joins the Dominican Order in September 1944, leading to studies in theology at St. Mary’s Dominican Priory in Tallaght, Dublin, and then at Blackfriars Priory in Oxford, England. Joining the Dominicans he chooses the name Austin and is ordained a priest in 1950. He continues his studies at the Pontificium Athenaeum Internationale Angelicum in Rome. After his studies he teaches Latin at Newbridge College in Newbridge, County Kildare, and then theology at Glenstal Abbey in Murroe, County Limerick.

Flannery edits the Dominican bi-monthly journal entitled Doctrine and Life from 1958 to 1988, while at St. Saviour’s Priory, Dublin, where he also serves as prior from 1957 to 1960. He also edits the Religious Life Review. He publishes many English language documents on the Second Vatican Council.

Flannery’s campaigning to end apartheid in South Africa leads to involvement with Kader Asmal, and the founding the Irish Anti-Apartheid Movement, of which he serves as chairman and president. In the late 1960s his campaigning on behalf of the Dublin Housing Action Committee, due to its association with republicans and left-wing activists, leads him to being accused of being a communist. He is dismissed in the Dáil by the then Minister for Finance, Charles Haughey, as “a gullible cleric.”

Flannery dies of a heart attack at the age of 83 on October 21, 2008. He is buried in the Dominican plot at Glasnevin Cemetery in Glasnevin, Dublin.


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Gorbachev Samples Pint of Guinness During Ireland Visit

Former Soviet leader Mikhail Gorbachev samples a pint of Guinness with Lord Mayor of Dublin Michael Mulcahy in the famous Doheny & Nesbitt pub in Baggot Street, Dublin, on Tuesday, January 8, 2002.

Gorbachev arrives in Dublin earlier in the day for a two-day visit to the Republic of Ireland. He attends a series of events in Dublin where he meets the President of Ireland, Mary McAleese, and is granted the Freedom of the City of Dublin.

Gorbachev, the man who led Russia through the most difficult days of his country’s shift to democracy, is also conferred with an honorary degree. On his arrival he goes to Trinity College Dublin to receive the honour before launching the new European Russian Trust. He later dines as a guest of the Irish Government in Dublin Castle.

On the following day, Gorbachev is accompanied by Dublin’s Lord Mayor Michael Mulcahy during a visit to see members of the city’s Russian community at the Hugh Lane Gallery. He also chats with local shop owners and residents during an informal tour of The Liberties area. After addressing the Institute of European Affairs and lunching with President McAleese at Áras an Uachtaráin, the president’s official residence and principal workplace, he is granted freedom of the Irish capital at a special ceremony.

Following his visit with President McAleese, Gorbachev jokes with Mulcahy that he fully intends to exercise his right to graze sheep in the city. Mulcahy says, “This visit will help to cement relations between us, as well as doing appropriate honour to a genuinely great man whose place in history is already secure.”

Gorbachev formally announced his resignation as Soviet President and Commander-in-Chief on December 25, 1991. The following day, the Soviet of the Republics, the upper house of the Supreme Soviet of the Soviet Union, formally voted the Soviet Union out of existence. The Soviet Union officially ceased to exist at midnight on December 31, 1991. As of that date, all Soviet institutions that had not been taken over by Russia ceased to function.

(Pictured: Mikhail Gorbachev samples a pint of Guinness watched by Dublin’s Lord Mayor Michael Mulcahy, in Doheny & Nesbitt’s pub in Merrion Row. Picture by Donal Doherty)


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Death of Anti-Treaty IRA Volunteer Michael Cull

Michael Cull, an anti-Treaty Irish Republican Army (IRA) Volunteer from Roscommon, is killed during a raid on Ballyconnell, County Cavan, on January 6, 1923.

Ballyconnell is a small town in western County Cavan. According to the 1911 census it is populated by 125 families, or in the region of 600 people, and is according to local pro-Treaty TD Seán Milroy, “in the values of country towns, a very considerable centre of county life.” Since 1921 it has been wedged up against the new border with County Fermanagh and Northern Ireland to the north and the Arigna Mountains to the south and west. As the Irish Civil War rages south of the border, and with no effective police or military presence, Ballyconnell is particularly vulnerable to the depredations of armed groups of various allegiance.

Cull is part of a contingent of 50-70 anti-Treaty fighters holed up in the Arigna Mountains. As well as guerrilla attacks against the forces of the Irish Free State, one of their most frequent actions, out of necessity, is raids on civilian targets for supplies.

Cull, according to the local newspaper, is holding up Ovens’ hardware and grocery shop in Ballyconnell when he is shot dead by a plain clothes Free State officer. The National Army later derisively refers to “the shooting of a looter named Cull … He and others were raiding in Ballyconnell when a couple of officers who were in the area got in touch with them. This gang of Irregulars have been in the mountains for several months past.”

Cull’s death is by no means the end of Ballyconnell’s troubles. The anti-Treaty column based in the Arigna Mountains, composed of Volunteers from Roscommon, Leitrim and Cavan (which includes Cull’s brother James) and led by Ned Bofin, visits a ferocious revenge on the small town for the death of Cull.

Almost exactly a month later, on the morning of February 5, 1923, at about 7:00 a.m., fifty well-armed anti-Treaty IRA fighters descend on Ballyconnell from the hills in a military lorry and several cars. The guerrillas, armed with rifles and three machine guns, stop the train to nearby Ballinamore so that word cannot get out to adjacent Free State garrisons. They then go in search of those they hold responsible for Cull’s death.

At Oven’s grocery, the proprietor, William Ovens, is shot through the thigh and badly wounded. One of his employees, William Ryan, is dragged out and shot dead. According to the local press, the guerrillas shouted, “Was it you who shot Cull?” at Ryan before they shot him. His 80-year-old father follows the fighters through the streets, shouting “murder, murder.”

Sean McGrath, an Irish language teacher originally from Galway, is also dragged out of bed and shot dead, apparently for no other reason than that he is lodging at the home of Free State supporter John Dunn.

The guerrillas proceed to bomb and burn out three shops, including the car dealership and the Post Office, and to smash the windows of the other premises with shots and rifle butts. The Ulster Bank branch is robbed of £200 and two Ford cars are seized. After a rampage of 35 minutes, the IRA column re-mount their vehicles and head back toward the Arigna Mountains, leaving the little town partially in flames, pockmarked with bullet holes and mourning the death of two of its citizens.

According to the pro-Treaty National Army, “Our troops in Belturbet got word of the raid, and immediately set out in all their transport. They were joined en route by two Fords of troops from Cavan, and all proceeded to Ballyconnell, where they arrived shortly after 9 o’clock. They followed the Irregulars past Ballinamore but failed to get in touch with them.”

(From: “The Tragedies of Ballyconnell” by John Dorney, The Irish Story (www.theirishstory.com), June 19, 2014 | Pictured: The main street of Ballyconnell in the early 20th century)


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Birth of Jim Norton, Film & Television Character Actor

Jim Norton, Irish stage, film and television character actor, is born in Dublin on January 4, 1938. He is known for his work in the theatre, most notably in Conor McPherson‘s The Seafarer, and on television as Bishop Brennan in the sitcom Father Ted.

Norton is educated at Synge Street CBS. From an early age he wants to be an actor, and regularly attends performances at the Abbey Theatre. His mother, Frances, plays the violin and his father, Eugene, is a baritone singer and works as a bakery manager. He has one sibling, the late acting teacher Betty Ann Norton.

Norton has been acting for over forty years in theatre, television, and film, and frequently plays clergymen, most notably Bishop Brennan in the sitcom Father Ted, as well as roles in The Sweeney (1975), Peak Practice (1993), Sunset Heights (1997), A Love Divided (1999), Rebus: Black and Blue (2000), Mad About Mambo (2000), Boxed (2003) and Jimmy’s Hall (2014). He stars as Finian McLonergan in the critically acclaimed New York City Center‘s 2009 production of Finian’s Rainbow, and in October 2009 reprises the role in the Broadway revival at the St. James Theatre. His co-stars are Cheyenne Jackson (Woody) and Kate Baldwin (Sharon).

As well as Bishop Brennan in Father Ted, Norton also plays Albert Einstein in two episodes of Star Trek: The Next Generation (namely “The Nth Degree” and “Descent“); the librarian Lieutenant James Porteous in the highly acclaimed 1970s British television drama series Colditz; Phil Harrister, a criminal involved in an intricate bank robbery, in The Sweeney episode “Contact Breaker”; O’Brady in the Minder episode “National Pelmet“; and Rory, a roguish but genteel Irishman who is diagnosed with cirrhosis of the liver, in The Royal episode “Beggars and Choosers.”

Norton has appeared in two episodes of Van der Valk. On Babylon 5 he appears in a number of roles, including that of Ombuds Wellington in the 1994 episodes “Grail” and “The Quality of Mercy“; a Narn in “Dust to Dust” (1996); and Dr. Lazarenn, a Markab doctor, in “Confessions and Lamentations” (1995). In Fall of Eagles he plays Alexander Kerensky.

Other television work includes: 1990, Agatha Christie’s Poirot, Waking the Dead, Cheers, Frasier, Midsomer Murders, Maigret and Rumpole of the Bailey as Fig Newton, Stan Laurel in the BBC drama Stan (2006), Larry Joyce in the 2013 television drama Deception, and as the timid Gardener in the first series of the long-running CITV children’s series T-Bag: “Wonders in Letterland” (1985).

Norton makee his film debut with a small role in the 1965 thriller The Face of Fu Manchu starring Christopher Lee, and later appears in the 1969 epic film Alfred the Great as Thanet. He plays the part of Pongo in the screen version of Spike Milligan‘s war-time memoir Adolf Hitler: My Part in his Downfall. In 1971 he plays Chris Cawsey (aka “The Rat Man”), one of several villains in the controversial Sam Peckinpah film Straw Dogs starring Dustin Hoffman. His character has a deviously infectious, deliberately irritating laugh that helps build tension throughout the film.

Norton appears in the movie Memoirs of an Invisible Man alongside Chevy Chase in 1992. In the same year he also appears in the Irish-made film Into the West. He appears in the comedy On the Nose as Patrick Cassidy, along with Dan Aykroyd and Robbie Coltrane, in 2001. He appears in a cameo in Harry Potter and the Chamber of Secrets in 2002 as Mr. Mason. He plays an Irish immigrant in the 2005 Australian/UK co-production, The Oyster Farmer. He plays Herr Liszt in the 2008 holocaust film The Boy in the Striped Pyjamas.

In 2011 Norton appears as the character Old Mr. Black in the film Extremely Loud & Incredibly Close directed by Stephen Daldry. He appears in the 2011 film Water for Elephants, in which he portrays a circus worker called “Camel” who befriends a character played by Robert Pattinson. In 2012 he appears as the character Tommy in the short film Homemade written by Matthew Roche and directed by Luke McManus. He is in the Ken Loach film Jimmy’s Hall which is released in 2014. He plays the role of Mr. Heelshire in the 2016 film The Boy. In 2018 he plays the role of Mr. Binnacle in Mary Poppins Returns.

Norton has a longtime partnership with playwright Conor McPherson, having originated roles in six of his plays in Dublin, London and New York, and for which he has won both the Tony and Olivier Award. Norton plays Jack in The Weir (1997), Joe in Port Authority (2001), Matthew in Come On Over (2001), Richard in The Seafarer (2006–7), Reverend Berkeley in The Veil (2011), and Maurice in The Night Alive (2013).


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Death of Tom Aherne, Irish Footballer & Hurler

Thomas Aherne, Irish footballer and hurler also referred to as Bud Aherne, dies on December 30, 1999. He plays football for Belfast Celtic F.C. and Luton Town F.C. and is a dual internationalist, playing for both Ireland teams – the IFA XI and the FAI XI. In 1949 he is a member of the FAI XI that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home. As a hurler he also plays one game for Limerick.

Aherne is born in Limerick, County Limerick, on January 26, 1919. As a youth, he initially emerges as a prominent hurler with Treaty Sarsfields and also plays one game for Limerick. However, he subsequently decides to concentrate on football and begins his senior career with Limerick United where his teammates include Davy Walsh. During World War II, he serves in the Irish Army and is stationed at Crosshaven. His impressive performances in the League of Ireland attract attention and in 1946 he is signed by Belfast Celtic.

While at Belfast Celtic, Aherne plays alongside Jackie Vernon, Billy McMillan, Robin Lawler and Johnny Campbell and helps them win the Irish Cup in 1947 and an Irish League title in 1948. He is also at Celtic during the infamous Boxing Day riot which breaks out during a game against local rivals Linfield F.C. In March 1949, he leaves Celtic and signs for Luton Town. However, in May 1949, he temporarily rejoins Celtic for their final tour before the club disbands. Together with McMillan, Campbell, Lawlor, guest player Mick O’Flanagan and manager Elisha Scott, he goes on the Celtic tour of North America. The highlight of the 10-game tour comes on May 29 when Celtic beats the reigning British champions, Scotland, 2–0.

Aherne signed for Luton Town for a fee of £6,000 and makes his English Football League debut on March 19 in a 2–1 away defeat to Tottenham Hotspur. Despite the fact he is over 30 when he joins Luton, he quickly establishes himself as a regular. He plays competitive football into his late thirties and is ever-present during the 1954–55 season when Luton wins promotion to Division One. After playing 288 games for Luton, including 267 in the league, he retires after a hairline fracture of the ankle ends his career. Even then he continues to play for a local league team, Luton Celtic, into his forties.

When Aherne begins his international career in 1946 there are in effect, two Ireland teams, chosen by two rival associations. Both associations, the Belfast-based Irish Football Association and the Dublin-based Football Association of Ireland, claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including Aherne play for both teams.

Between 1946 and 1953 Aherne makes 16 appearances for the FAI XI. He makes his FAI debut in June 1946 during an Iberian tour, playing in both the 3–1 defeat to Portugal on June 16 and then helping the FAI XI gain a surprise 1–0 victory against Spain on June 23. He remains a regular in the FAI XI throughout the late 1940s and early 1950s and is featured prominently in the qualifying rounds for the 1950 FIFA World Cup. He is also a member of the FAI XI team that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home.

On November 16, 1953, during a 1–1 draw with France, Aherne briefly becomes involved in controversy. Although only a friendly, the game quickly becomes heated and at one point, with Aherne chasing Raymond Kopa down the tunnel after play had been stopped for a foul. Kopa allegedly runs for his life after upsetting Aherne once too often. The FAI selectors are not impressed, and Aherne is told a repeat will end his international career. As it turns out, he makes only one more appearance for the FAI XI. That comes on October 4, 1953, in 5–3 defeat against France during a qualifier for the 1954 FIFA World Cup.

Between 1946 and 1950, Aherne also makes six appearances for the IFA XI. These include two Victory Internationals played in early 1946. On February 2 at Windsor Park, he makes his debut for the IFA XI in a 3–2 defeat to Scotland. Then on May 4 he helps the IFA XI defeat Wales 1–0 at Ninian Park. On September 28, 1946, he also plays for the IFA XI in a heavy defeat to England. The highlight of his career with the IFA XI comes on October 4, 1947, when he helps them gain a 2–0 win against Scotland.

Ahern makes his last appearance for the IFA XI in a 0–0 draw with Wales on March 8, 1950. As well as being part of the 1950 British Home Championship, the game also doubles up as a qualifier for the 1950 FIFA World Cup. Aherne, together with Con Martin, Reg Ryan and Davy Walsh, is one of four players from the Republic, included in the IFA XI that day and as a result he plays for two different associations in the same FIFA World Cup tournament. This situation eventually leads to intervention by FIFA and as a result Aherne becomes one of the last four Republic-born players to play for the IFA XI.

After retiring as a player Aherne settles in Luton where he coaches the Luton Town youth team, works in the local car industry and runs a very successful licensed premises. He also continues to visit Limerick regularly and remains healthy and active until he is diagnosed with Alzheimer’s disease in the mid-1990s. He dies on December 30, 1999, at the age of 80 and is survived by his wife, Eileen, two sons, Pat and Brian, and three daughters, Maura, Trisha and Catherine.


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Death of Seán Keating, Romantic-Realist Painter

Seán Keating, Irish romantic-realist painter who paints some iconic images of the Irish War of Independence and of the early industrialization of Ireland, dies on December 21, 1977, at the Adelaide Hospital in Dublin.

Keating is born in Limerick, County Limerick on September 28, 1889. He studies drawing at the Limerick Technical School before a scholarship arranged by William Orpen allows him to go study at the Metropolitan School of Art in Dublin at the age of twenty. Over the next few years, he spends two weeks or so during the late summer on the Aran Islands and his many portraits of island people depict them as rugged heroic figures.

In 1914 he wins the RDS Taylor award with a painting titled The Reconciliation. The prize includes £50.00 which allows him to go to London to work as Orpen’s studio assistant in 1915. In late 1915 or early 1916, he returns to Ireland where he documents the Irish War of Independence and the subsequent Irish Civil War. Examples include Men of the South (1921–22) which shows a group of Irish Republican Army (IRA) men ready to ambush a military vehicle and An Allegory (first exhibited in 1924), in which the two opposing sides in the Irish Civil War are seen to bury the tri-colour covered coffin amid the roots of an ancient tree. The painting includes a self-portrait of the artist.

Keating is elected an Associate of the Royal Hibernian Academy (RHA) in 1918, and a full member in 1923. One of the cardinal achievements of the Irish Free State in the 1920s is the building, in partnership with Siemens, of a hydro-electric power generator at Ardnacrusha, near Limerick. Between 1926 and 1927, at his own volition, he produces a considerable number of paintings related to this scheme. He exhibits several examples of the paintings in the RHA exhibitions in 1927 and 1928. Most of the paintings are now in the collection of ESB Group.

In 1936 group of prominent Limerick politicians, artists and patrons establish the first Limerick City Collection of Art from various donations and bequests. Keating is part of this artist-led initiative to form a municipal art gallery in Limerick similar to those already in Dublin and Cork. The collection is formed primarily out of donations and bequests. As a pivotal member of the committee, Keating himself donates many works to the collection which is first exhibited as a municipal collection in the Savoy Cinema, Limerick City on November 23, 1937. It is not until 1948 that an extension to the rear of Limerick Free Library and Museum becomes the home to the City Collection as the Limerick Free Art Gallery. In 1985 the Library and Museum are transferred to larger buildings.

In 1939 Keating is commissioned to paint a mural for the Irish pavilion at the New York World’s Fair. He is President of the RHA from 1950 to 1962 and shows at the annual exhibition for 61 years from 1914. Although he is an intellectual painter in the sense that he consciously sets out to explore the visual identity of the Irish nation, and his paintings show a very idealised realism, he fears that the modern movement will bring back a decline in artistic standards. Throughout his career, he exhibits nearly 300 works at the RHA and also shows at the Oireachtas.

Seán Keating dies on December 21, 1977 at the Adelaide Hospital in Dublin and is buried at Cruagh Cemetery, Rathfarnham. The 1978 RHA Exhibition features a small memorial collection of his work.

Posthumous exhibitions of his work are mounted by The Grafton Gallery, Dublin (1986) and the Electricity Supply Board (1987). Sean Keating – The Pilgrim Soul, a documentary presented and written by his son Justin Keating, airs on RTÉ in 1996.

(Pictured: Photograph of Keating’s “An Allegory” painted between 1922 and 1924. The painting represents Keating’s own disillusionment and loss of idealism resulting from the outbreak of the Irish Civil War. The only figure of the group addressing the observer is a self-portrait of the artist.)