Gregg is the youngest child of Robert and Margaret Gregg. They move to Rockcorry in 1872. Robert Gregg, who is of Scottish ancestry, is stationmaster at the Bushford railway station in Rockcorry. He and his wife raise their children as strict Presbyterians and send their children to the village school in Rockcorry. On Gregg’s second day of class, he is caught whispering to a schoolmate, which prompts the schoolmaster to hit the two children’s heads together. This incident profoundly damages Gregg’s hearing for the rest of his life, rendering him unable to participate fully in school, unable to understand his teacher. This ultimately leads to him unnecessarily being perceived as dull or mentally challenged by his peers, teachers, and family.
In 1877, one of Robert Gregg’s friends, a journalist named Annesley, visits the village for a weekend. He is versed in Pitman Shorthand and takes verbatim notes of the sermon at the village church. This causes the preacher to sweat and stutter out of fear that his sermon, which he has plagiarized from a famous preacher, would be made public through Annesley’s notes. That day, Robert Gregg sees the shorthand skill as a powerful asset, so he makes it mandatory for his children to learn Pitman shorthand, with the exception of John, who is considered by his family too “simple” to learn it. None of the children succeed in fully learning the system. On his own, John Robert learns a different shorthand system, that of Samuel Taylor, published in a small book by Odell. He teaches himself the system fully since he does not require the ability to hear in order to learn from the book.
Due to hardships on the family, Gregg has to leave school before the age of 13 in order to support his family’s income. He works in a law office, earning five shillings a week.
Gregg professes he initially set out to improve the English adaptation by John Matthew Sloan of the French Prévost Duployan shorthand, while working with one of Sloan’s sales agents, Thomas Malone. Malone publishes a system called Script Phonography, of which Gregg asserts a share in authorship is owed to him. Angered by Malone, Gregg resigns from working with him and encouraged by his older brother Samuel, publishes and copyrights his own system of shorthand in 1888. It is put forth in a brochure entitled Light-Line Phonography: The Phonetic Handwriting which he publishes in Liverpool, England.
In 1893, he emigrates to the United States, where he publishes in the same year Gregg Shorthand. The method meets with great success in the new country, and Gregg settles in Chicago where he authors numerous books for the Gregg Publishing Company on the subjects of shorthand and contemporary business practices.
John Robert Gregg dies in New York City, at the age of 80, on February 23, 1948.
Mary Colum (née Maguire), literary critic and author, is born in Collooney, County Sligo on June 14, 1884, the daughter of Charles Maguire and Catherine Gunning. She is the author of several books, including the autobiographical Life and the Dream (1947), and From These Roots: The Ideas that Have Made Modern Literature (1937), a collection of her criticism.
Maguire’s mother dies in 1895, leaving her to be reared by her grandmother, Catherine, in Ballysadare, County Sligo. She attends boarding school in St. Louis’ Convent in Monaghan, County Monaghan.
Educated at Royal University of Ireland Maguire is founder of the Twilight Literary Society which leads her to meet William Butler Yeats. She regularly attends the Abbey Theatre and is a frequent visitor amongst the salons, readings and debates there. After graduation in 1909 she teaches with Louise Gavan Duffy at St. Ita’s, a companion school to Patrick Pearse‘s St. Enda’s School. She is active with Thomas MacDonagh and others in national and cultural causes and co-founds The Irish Review (1911–14) with David Houston, MacDonagh and others. She, along with her husband, Padraic Colum, whom she marries in July 1912, edit the magazine for some months of its four-year run. She is encouraged by Yeats to specialise in French literary criticism and to translate Paul Claudel.
Colum associates with James Joyce in Paris and discourages him from duping enquirers about the origins of the interior monologue in the example of Édouard Dujardin. She accepts Joyce’s very ill daughter, Lucia, for a week in their Paris flat at the height of her “hebephrenic” attack, while herself preparing for an operation in May 1932. She serves as the literary editor of The Forum magazine from 1933–1941 and commences teaching comparative literature with Padraic at Columbia University in 1941.
She rebuts Oliver St. John Gogarty‘s intemperate remarks about Joyce in The Saturday Review of Literature in 1941.
Colum’s publications become increasingly sparse in the 1950s as her arthritis and neuralgia grow more and more severe. She dies in New York City on October 22, 1957. At the time of her death, she is working on Our Friend James Joyce with her husband, each writing various chapters. It is assembled posthumously by Padraic Colum and is published by Doubleday on August 22, 1958.
MacGahan’s father is an immigrant from Ireland who had served on the Northumberland, the ship which took Napoleon into exile on Saint Helena. He moves to St. Louis, where he briefly works as a teacher and as a journalist. There he meets his cousin, General Philip Sheridan, an American Civil War hero also of Irish parentage, who convinces him to study law in Europe. He sails to Brussels in December 1868.
MacGahan does not get a law degree, but he discovers that he has a gift for languages, learning French and German. He runs short of money and is about to return to America in 1870 when the Franco-Prussian War breaks out. Sheridan happens to be an observer with the German Army, and he uses his influence to persuade the European editor of the New York Herald to hire MacGahan as a war correspondent with the French Army.
MacGahan’s vivid articles from the front lines describing the stunning defeat of the French Army win him a large following, and many of his dispatches to the Herald are reprinted by European newspapers. When the war ends, he interviews French leader Léon Gambetta and Victor Hugo and, in March 1871, he hurries to Paris and is one of the first foreign correspondents to report on the uprising of the Paris Commune. He is arrested by the French military and nearly executed and is only rescued through the intervention of the U.S. Minister to FranceElihu B. Washburne.
In 1871 MacGahan is assigned as the Herald‘s correspondent to Saint Petersburg. He learns Russian, mingles with the Russian military and nobility, covers the Russian tour of General William Tecumseh Sherman and meets his future wife, Varvara Elagina, whom he marries in 1873. In 1874 he spends ten months in Spain, covering the Third Carlist War.
In 1876 MacGahan quarrels with James Gordon Bennett Jr., the publisher of the New York Herald, and leaves the newspaper. He is invited by his friend, Eugene Schuyler, the American Consul-General in Constantinople, to investigate reports of large-scale atrocities committed by the Turkish Army following the failure of an attempted uprising by Bulgarian nationalists in April 1876. He obtains a commission from The Daily News, then the leading liberal newspaper in England, and leaves for Bulgaria on July 23, 1876.
MacGahan reports that the Turkish soldiers have forced some of the villagers into the church, then the church is burned, and survivors tortured to learn where they have hidden their treasures. He says that of a population of seven thousand, only two thousand survive. According to his account, fifty-eight villages in Bulgaria are destroyed, five monasteries demolished, and fifteen thousand people in all massacred. These reports, published first in The Daily News, and then in other papers, cause widespread popular outrage against Turkey in Britain. The government of British Prime MinisterBenjamin Disraeli, a supporter of Turkey, tries to minimize the massacres and says that the Bulgarians are equally to blame, but his arguments are refuted by the newspaper accounts of MacGahan.
In the wake of the massacres and atrocities committed by the Ottoman forces during the suppression of the April Uprising, as well as centuries-long conflicts between Russia and Turkey in Crimea, the Russian Government, stirred by anti-Turkish and Pan-Slavism sentiment, prepare to invade the Ottoman Empire, and declare war on it on April 24, 1877. The Turkish Government of SultanAbdul Hamid II appeals for help to Britain, its traditional ally against Russia, but the British government responds that it cannot intervene “because of the state of public feeling.”
MacGahan is assigned as a war correspondent for The Daily News and, thanks to his friendship with General Skobelev, the Russian commander, rides with the first units of the Russian Army as it crosses the Danube into Bulgaria. He covers all the major battles of the Russo–Turkish War, including the Siege of Plevna and the Battle of Shipka Pass. He reports on the final defeat of the Turkish armies and is present at the signing of the Treaty of San Stefano, which ends the war.
MacGahan is in Constantinople, preparing to travel to Berlin for the conference that determines the final borders of Bulgaria, when he catches typhoid fever. He dies on June 9, 1878, and is buried in the Greek cemetery, in the presence of diplomats, war correspondents, and General Skobelev. Five years later his body is returned to the United States and reburied in New Lexington and a statue is erected in his honor by a society of Bulgarian Americans.
The Fenian insurgents, led by Brigadier GeneralJohn O’Neill, a former Union cavalry commander who had specialized in anti-guerrilla warfare in Ohio, secures boats and transfers some 800 men across the Niagara River, landing above Fort Erie, before dawn on June 1, 1866. An additional 200–400 Fenians and supplies cross later in the morning and early afternoon until the U.S. Navygunboat, the USS Michigan, begins intercepting Fenian barges at 2:20 PM.
O’Neill spends the first day trying to rally the local citizenry to the Fenian cause and to commandeer supplies for his mission, but his force is plagued by desertions almost from the outset. An additional column of 200 Fenians join his group, bringing his total strength at Ridgeway to at least 650 men.
Meanwhile, the British are mobilizing both local Canadian militia and British garrison troops to defend against the impending invasion of Canada. The Fenians night-march north across Black Creek through a cedar swamp, then turn inland on Ridge Road on the morning of June 2, taking up a defensive position on Limestone Ridge near the present Canadian town of Ridgeway. There, they clash with 850 advancing Canadian militia commanded by Lieutenant-Colonel Alfred Booker of the 13th Battalion.
In the first hour of the battle, the Canadians appear to prevail, driving Fenian skirmishers back across Bertie Road. Then the tide turns, and to this day, it is not clear what causes the impending chaos. O’Neill, observing the chaos breaking out in the Canadian ranks, quickly orders a bayonet charge that completely routs the inexperienced Canadians. The Fenians take and briefly hold the town of Ridgeway. Then, expecting to be overwhelmed by British reinforcements, they quickly turn back to Fort Erie where they fight a second battle, the Battle of Fort Erie, against a small but determined detachment of Canadians holding the town.
The Canadian loss is nine killed on the field, four dying of wounds in the immediate days following the battle, 22 dying of wounds or disease later and 37 are wounded, some severely enough to require amputation of their limbs. O’Neill says that four or five of his men are killed, but Canadians claim to have found six Fenian bodies on the field. The relatively low casualty figures make this an interesting battle for proponents of theories about soldiers’ reluctance to shoot to kill but might also be accounted for by the fact that the Fenians had deployed only their skirmishers in an attempt to lure the Canadians towards their main force which did not advance until the last minutes of the battle when they launched a bayonet attack that broke Canadian lines.
The hull of the RMS Titanic, is launched at 12:15 PM on May 31, 1911 at the Harland & Wolff shipyard in Belfast, Northern Ireland in the presence of Lord William Pirrie, J. Pierpoint Morgan, J. Bruce Ismay and 100,000 onlookers. Twenty-two tons of soap and tallow are spread on the slipway to lubricate the ship’s passage into the River Lagan. In keeping with the White Star Line‘s traditional policy, the ship is not formally named or christened with champagne. The ship is towed to a fitting-out berth where, over the course of the next year, her engines, funnels and superstructure are installed and her interior is fitted out.
The construction of RMS Olympic and RMS Titanic take place virtually in parallel. The sheer size of the RMS Titanic and her sister ships pose a major engineering challenge for Harland and Wolff. No shipbuilder has ever before attempted to construct vessels this size. RMS Titanic‘s keel is laid down on March 31, 1909. The 2,000 hull plates are single pieces of rolled steel plate, mostly up to 6 feet wide and 30 feet long and weigh between 2.5 and 3 tons.
Some of the last items to be fitted on RMS Titanic before the ship’s launch are her two side anchors and one centre anchor. The anchors themselves are a challenge to make with the centre anchor being the largest ever forged by hand and weighing nearly 16 tons. Twenty Clydesdale draught horses are needed to haul the centre anchor by wagon from the N. Hingley & Sons Ltd. forge shop in Netherton, near Dudley, United Kingdom to the Dudley railway station two miles away. From there it is shipped by rail to Fleetwood in Lancashire before being loaded aboard a ship and sent to Belfast.
The work of constructing the ships is difficult and dangerous. For the 15,000 men who work at Harland and Wolff at the time, safety precautions are rudimentary at best. Much of the work is dangerous and is carried out without any safety equipment like hard hats or hand guards on machinery. As a result, deaths and injuries are to be expected. During RMS Titanic‘s construction, 246 injuries are recorded, 28 of them “severe,” such as arms severed by machines or legs crushed under falling pieces of steel. Six people die on the ship herself while she is being constructed and fitted out, and another two die in the shipyard workshops and sheds. Just before the launch a worker is killed when a piece of wood falls on him.
(Pictured: Launch of the hull of the RMS Titanic with an unfinished superstructure in 1911)
John Henry Foley, sculptor often referred to as JH Foley, is born on May 24, 1818, at 6 Montgomery Street, Dublin, in what is then the city’s artists’ quarter. The street has since been renamed Foley Street in his honour. He is best known for his statues of Daniel O’Connell in Dublin and of Prince Albert for the Albert Memorial in London.
Foley’s father is a glassblower and his step-grandfather, Benjamin Schrowder, is a sculptor. At the age of thirteen he begins to study drawing and modelling at the Royal Dublin Society, where he takes several first-class prizes. In 1835 he is admitted as a student in the schools of the Royal Academy of Arts in London. He exhibits there for the first time in 1839 and comes to fame in 1844 with his Youth at a Stream. Thereafter commissions provide a steady career for the rest of his life. In 1849 he is made an associate, and in 1858 a full member of the Royal Academy of Arts.
In 1851, inspired by the recently closed Great Exhibition, the Corporation of London votes a sum of £10,000 to be spent on sculpture to decorate the Egyptian Hall in the Mansion House. Foley is commissioned to make sculptures of Caractacus and Egeria.
In 1864 he is chosen to sculpt one of the four large stone groups, each representing a continent, at the corners of George Gilbert Scott‘s Albert Memorial in Kensington Gardens. His design for Asia is approved in December of that year. In 1868, he is also asked to make the bronze statue of Prince Albert himself, to be placed at the centre of the memorial, following the death of Carlo Marochetti, who had originally received the commission, but had struggled to produce an acceptable version.
Foley exhibits at the Royal Academy of Arts between 1839 and 1861. Further works are shown posthumously in 1875. His address is given in the catalogues as 57 George St., Euston Square, London until 1845, and 19 Osnaburgh Street from 1847.
John Henry Foley dies at Hampstead, north London on August 27, 1874, and is buried in St. Paul’s Cathedral on September 4. He leaves his models to the Royal Dublin Society, where he had his early artistic education, and a large part of his property to the Artists’ Benevolent Fund. He does not see the Albert Memorial completed before his death. A statue of Foley himself, on the front of the Victoria and Albert Museum, depicts him as a rather gaunt figure with a moustache, wearing a floppy cap.
Following the creation of the Irish Free State in 1922, a number of Foley’s works are removed or destroyed without notice, because the persons portrayed are considered hostile to the process of Irish independence. They include those of Lord Carlisle, Lord Dunkellin (in Galway) and Field Marshal Gough in Phoenix Park. The statue of Lord Dunkellin is decapitated and dumped in the river as one of the first acts of the short-lived “Galway Soviet” of 1922.
Bullock’s father, Thomas Bullock, is a strict man who has eleven children and drives several to emigration because of his stern demeanour. Thomas Bullock works on the Crom Castle estate which runs along the Cavan/Fermanagh border and has both Catholic and Protestant workers. Protestant workers have the prime jobs and are employed as craftsmen and supervisors while Catholics work in the outer area of the estate at unskilled jobs. Folk memories of the Battle of Newtownbutler in 1689 remain long in the memory in the area where up to 1,500 Jacobite troops are hacked down or drowned in Upper Lough Erne when pursued by the Williamite cavalry. Many of the Williamite army is drawn from the local Protestant population.
Bullock is educated at Crom estate primary school run by the Church of Ireland and Farra School near Bunbrosna, County Westmeath. He fails the entrance exams at the University of Dublin. He tries his hand at farming but finds he is not suited. He moves to London in 1883 and becomes a Civil Service clerk. He takes to journalism to supplement his salary and publishes his first book of stories, The Awkward squads, in 1893. His stories are centered on Irish Catholic and Protestant small farmers and labourers and their struggles and tensions. He marries Emma Mitchell in 1899 and they have a son and daughter.
Bullock is well respected in literary circles, but his books are never successful enough for him to become a full-time writer. He says that the English are not interested in Irish stories and that there is no reading public in Ireland. He dislikes Orangesectarianism and is ambivalent to Irish nationalism. His novel The Red Leaguers looks at sectarianism conflict and Robert Thorne examines the lives of London clerks which is a popular theme at the time. His last and best novel The Loughsiders is published in 1924 and is the story of a conniving smallholder based on William Shakespeare’s Richard III.
Shan Bullock’s wife dies in 1922. He spends the final years of his life in Sutton, Surrey and dies there on February 27, 1935.
Holt is one of six sons of John Holt, a farmer in County Wicklow. He joins the Irish Volunteers in the 1780s and holds a number of minor public offices but becomes involved in law enforcement as a sub-constable, billet master for the militia and a bounty hunter. He is involved in the Battle of Vinegar Hill which is an engagement during the Irish Rebellion of 1798 on June 21, 1798, when over 15,000 British soldiers launch an attack on Vinegar Hill outside Enniscorthy, County Wexford.
Despite Holt’s apparent loyalism, he becomes a member of the Society of United Irishmen in 1797 and gradually begins to attract suspicion until finally in May 1798, his house is burned down by the militia of Fermanagh. He then takes to the Wicklow mountains, gradually assuming a position of prominence with the United Irish rebels. The defeat of the County Wexford rebels at Vinegar Hill on June 21 sees surviving rebel factions heading towards the Wicklow Mountains to link up with Holt’s forces.
Emerging to meet them, Holt is given much of the credit for the planning of the ambush and defeat of a pursuing force of 200 British cavalry in the Battle of Ballyellis on June 30, 1798. However, the subsequent Midlands campaign to revive the rebellion is a disaster, and he is lucky to escape with his life back to the safety of the Wicklow Mountains.
Holt largely holds out in expectation of the arrival of French aid but news of the defeat of the French in the Battle of Ballinamuck together with his ill-health brought about by the hardships of his fugitive life, age and family considerations prompt him to initiate contact with the Dublin Castle authorities with a view to a negotiated surrender. Dublin Castle is eager to end the rebellion in Wicklow and allows him exile after incarceration in the Bermingham Tower without trial in New South Wales.
Holt goes out on the Minerva and meets Captain William Cox who has been appointed paymaster of the New South Wales Corps. The ship arrives at Sydney on January 11, 1800, and shortly afterwards Holt agrees to manage Captain Cox’s farm. He always claims in Australia that he is a political exile and not a convict. In 1804 when the Castle Hill uprising occurs Holt, who is not involved, has been warned that evening that it is about to happen. During the night he sets up a defense of Captain Cox’s house. He is nonetheless afterwards hounded by Governor Philip Gidley King and many false witnesses are brought against him. Although there is no plausible evidence at all against him, he is exiled by King to Norfolk Island in April 1804, and there put to hard labour.
Holt is officially pardoned on January 1, 1811, and in December 1812, with his wife and younger son, takes passage to Europe on the Isabella. The ship is wrecked by a reef, so the passengers and crew are landed at Eagle Island, one of the Falkland Islands. He shows great resolution and ingenuity in making the best of the conditions on the island. He is rescued on April 4, 1813, but does not reach England until February 22, 1814, as he travels via the United States. He retires to Ireland where he lives for the rest of his life but regrets he had left Australia.
In 1866 Sullivan composes a one-act comic opera, Cox and Box, which is still widely performed. He writes his first opera with W. S. Gilbert, Thespis, in 1871. Four years later, the impresarioRichard D’Oyly Carte engages Gilbert and Sullivan to create a one-act piece, Trial by Jury (1875). Its box office success leads to a series of twelve full-length comic operas by the collaborators. After the extraordinary success of H.M.S. Pinafore (1878) and The Pirates of Penzance (1879), Carte uses his profits from the partnership to build the Savoy Theatre in 1881, and their joint works become known as the Savoy operas. Among the best known of the later operas are The Mikado (1885) and The Gondoliers (1889). Gilbert breaks from Sullivan and Carte in 1890, after a quarrel over expenses at the Savoy. They reunite in the 1890s for two more operas, but these do not achieve the popularity of their earlier works.
Sullivan’s infrequent serious pieces during the 1880s included two cantatas, The Martyr of Antioch (1880) and The Golden Legend (1886), his most popular choral work. He also writes incidental music for West End productions of several Shakespeare plays and holds conducting and academic appointments. Sullivan’s only grand opera, Ivanhoe, though initially successful in 1891, has rarely been revived. In his last decade Sullivan continues to compose comic operas with various librettists and writes other major and minor works.
Sullivan’s health is never robust. From his thirties kidney disease obliges him to conduct sitting down. He dies at the age of 58 of heart failure, following an attack of bronchitis, at his flat in London on November 22, 1900. Sullivan’s wishes are to be buried in Brompton Cemetery with his parents and brother, but by order of the Queen he is buried in St. Paul’s Cathedral.
Arthur Sullivan is regarded as Britain’s foremost composer. His comic opera style serves as a model for generations of musical theatre composers that follow, and his music is still frequently performed, recorded and pastiched.
Brougham’s father is an amateur painter and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and the father being dead, and the widowed mother left penniless, he is reared in the family and home of an uncle.
Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.
Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle, so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.
Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel, and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.
Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces, and which boosts his popularity with working-class audiences.
In 1840 Brougham manages the Lyceum Theatre, for which he writes several light burlesques, but in 1842 he moves to the United States, where he becomes a member of William Evans Burton‘s company, for which he writes several comedies, including Met-a-mora; or, the Last of the Pollywogs, a parody of John A. Stone and Edwin Forrest’s Metamora; or The Last of the Wamponoags, and Irish Yankee; or, The Birthday of Freedom.
In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.
After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.
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