Grace is born on May 10, 1832, in Ireland in Riverstown near the Cove of Cork to James Grace and Eleanor May Russell (née Ellen) while the family is away from home. He is raised on Grace property at Ballylinan in Queens County, now County Laois, near the town of Athy. He is a member of a prominent and well-to-do family. In 1846, he sails for New York against the wishes of his father and works as a printer’s devil and a shoemaker’s helper before returning to Ireland in 1848.
His nephew, Cecil Grace, attempts a crossing of the English Channel in December 1910 in an airplane, flying from Dover to Calais. However, in coming back he becomes disoriented and over Dover flies northeast over the Goodwin Sands toward the North Sea and is lost.
Grace and his father travel to Callao, Peru, in 1851, seeking to establish an Irish agricultural community. While his father returns home, William remains and begins work with the firm of John Bryce and Co., as a ship chandler. In 1854, the company is renamed Bryce, Grace & Company, in 1865, to Grace Brothers & Co., and ultimately to W. R. Grace and Company.
On September 11, 1859, Grace is married to Lillius Gilchrist, the daughter of George W. Gilchrist, a prominent ship builder of Thomaston, Maine, and Mary Jane (née Smalley) Gilchrest. Together, they have eleven children.
Opposing the famous Tammany Hall, Grace is elected as the first Irish American Catholic mayor of New York City in 1880. He conducts a reform administration attacking police scandals, patronage and organized vice, reduces the tax rate, and breaks up the Louisiana State Lottery Company. Defeated in the following election, he is re-elected in 1884 on an Independent ticket but loses again at the following election. During his second term, he receives the Statue of Liberty as a gift from France.
William R. Grace dies on March 21, 1904, at his residence, 31 East 79th Street, in New York City. His funeral is held at St. Francis Xavier Church on West 16th Street, and he is buried at the Holy Cross Cemetery in Brooklyn. At the time of his death his estate is valued at $25,000,000.
Like William Orpen, Lavery is appointed an official artist in World War I. Ill-health, however, prevents him from travelling to the Western Front. A serious car crash during a Zeppelin bombing raid also keeps him from fulfilling this role as war artist. He remains in Britain and mostly paints boats, aeroplanes, and airships. During the war years he is a close friend of H.H. Asquith‘s family and spends time with them at their Sutton Courtenay Thames-side residence, painting their portraits and idyllic pictures like Summer on the River (Hugh Lane Gallery).
After the war Lavery is knighted and in 1921 he is elected to the Royal Academy of Arts.
During this time, he and his wife, Hazel, are tangentially involved in the Irish War of Independence and the Irish Civil War. They give the use of their London home to the Irish negotiators during the negotiations leading to the Anglo-Irish Treaty. After Michael Collins is assassinated, Lavery paints Michael Collins, Love of Ireland, now in the Hugh Lane Gallery. In 1929, Lavery makes substantial donations of his work to both the Ulster Museum and the Hugh Lane Gallery and in the 1930s he returns to Ireland. He receives honorary degrees from the University of Dublin and Queen’s University Belfast. He is also made a free man of both Dublin and Belfast. A long-standing member of Glasgow Art Club, Lavery exhibits at the club’s annual exhibitions, including its exhibition in 1939 in which his The Lake at Ranelagh is included.
Born on St. Patrick’s Day, this native Irishman is nevertheless extremely loyal to his adopted country, saying, “if this [Confederacy] that is so dear to my heart is doomed to fail, I pray heaven may let me fall with it, while my face is toward the enemy and my arm battling for that which I know to be right.” Sadly, Cleburne ultimately receives his wish.
Cleburne begins his military career in an unlikely manner. When he fails the entrance exam at Trinity College, Dublin, he cannot face his family. He enlists in the 41st Regiment of Foot in the British Army. In 1849 he purchases his discharge and leaves for the United States, eventually settling in Helena, Arkansas in June 1850 and earning his citizenship in 1855. He loves his new country, taking part in many community projects, and even being one of the few volunteers to care for the sick during a yellow fever outbreak.
In January 1861 Cleburne joins the local militia company, the Yell Rifles. He leads the company in the seizure of the U.S. Arsenal in Little Rock in January 1861. When Arkansas left the Union, the Yell Rifles became part of the 1st Arkansas Infantry Regiment. By fall of 1861 he has risen to command the 2nd Brigade, Hardee’s Division, in the Army of Central Kentucky. His first major battle is at the Battle of Shiloh, April 6-7, 1862. At the Battle of Richmond (Kentucky) in August 1862, he is wounded in the mouth and loses several of his teeth. Still, he earns the thanks of the Confederate States Congress for his actions there. During the October 1862 Battle of Perryville he is wounded again – twice, yet stays in command during the battle. In December 1862 he is promoted to Major General.
At the December 1862 Battle of Stones River, Cleburne and his division earn the praise of General Braxton Bragg for their incredible skill and valor. Cleburne’s actions and character play a large role in his men’s determination during battle.
In 1863 Cleburne faces off against Union General George Henry Thomas at the Battle of Chickamauga. His and General John C. Breckinridge’s assaults force General Thomas to call repeatedly for reinforcements. In November 1863 the Confederate army is forced to retreat after the Chattanooga Campaign. However, Cleburne has defeated every assault against his men eventually charging his attackers. After the battle, he and his men are charged with covering the retreat.
On January 2, 1864, Cleburne makes his most controversial decision ever. He gathers the corps and division commanders in the Army of Tennessee to present his proposal. The Confederacy is unable to fill its ranks due to a lack of manpower. He states that slavery is their “most vulnerable point, a continued embarrassment, and in some respects an insidious weakness.” His proposed solution is for the Confederacy to arm slaves to fight in the army. In time, these soldiers would receive their freedom. The proposal is not well received at all. In fact, Jefferson Davis, President of the Confederate States of America, directs that the proposal be suppressed.
General Hood hopes to stop Union General John Schofield and his men before they can reach Nashville to reinforce General Thomas. Due to poor communications and nightfall, Schofield slips past the Army of Tennessee into Franklin.
The November 30, 1864 Battle of Franklin is a tragic loss for the Confederacy. Hood throws his men into well-fortified Union troops. The results are disastrous. About 6,000 men are killed or wounded including six generals who are killed or mortally wounded. Cleburne is one of these six, killed while attacking Union breastworks. He is last seen advancing on foot toward the Union line with his sword raised, after his horse had been shot out from under him. Accounts later say that he is found just inside the Federal line and his body is carried back to an aid station along the Columbia Turnpike. Confederate war records indicate he died of a shot to the abdomen, or possibly a bullet that went through his heart. When Confederates find his body, he has been picked clean of any valuable items, including his sword, boots and pocket watch.
Cleburne’s remains are first laid to rest at Rose Hill Cemetery in Columbia, Tennessee. At the urging of Army Chaplain Biship Quintard, Judge Mangum, staff officer to Cleburne and his law partner in Helena, his remains are moved to St. John’s Episcopal Church near Mount Pleasant, Tennessee, where they remain for six years. In 1870, he is disinterred and returned to his adopted hometown of Helena, Arkansas, with much fanfare, and buried in the Helena Confederate Cemetery located in the southwest corner of the Maple Hill Cemetery, overlooking the Mississippi River.
Augusta is the youngest daughter of the Anglo-Irish gentry family Persse. Her mother, Frances Barry, is related to Standish O’Grady, 1st Viscount Guillamore, and her family home, Roxborough, is a 6,000-acre estate located between Gort and Loughrea, the main house of which is later burned down during the Irish Civil War. She is educated at home, and her future career is strongly influenced by the family nanny, Mary Sheridan, a Catholic and a native speaker of the Irish language, who introduces the young Augusta to the history and legends of the local area.
In 1880 Augusta marries Sir William Henry Gregory, a neighbouring landowner who had previously served as a Member of Parliament and as governor of Ceylon. He is a well-educated man with many literary and artistic interests, and his estate at Coole Park houses a large library and extensive art collection, both of which Lady Gregory is eager to explore. He also has a house in London, where the couple spends a considerable amount of time.
Lady Gregory’s literary career does not begin until after Sir Gregory’s death in 1892. In 1896 she meets William Butler Yeats and becomes his lifelong friend and patron. She takes part in the foundation of the Irish Literary Theatre in 1899 and becomes a director of the Abbey Theatre in 1904, which owes much of its success to her skill at smoothing the disputes among its highly individualistic Irish nationalist founders. As a playwright, she writes pleasant comedies based on Irish folkways and picturesque peasant speech, offsetting the more tragic tones of the dramas of Yeats and John Millington Synge.
Lady Gregory writes or translates nearly forty plays. Seven Short Plays (1909), her first dramatic works, are among her best, vivid in dialogue and characterization. The longer comedies, The Image and Damer’s Gold, are published in 1910 and 1913 and her strange realistic fantasies, The Golden Apple and The Dragon, in 1916 and 1920. She also arranges and makes continuous narratives out of the various versions of Irish sagas, translating them into an Anglo-Irish peasant dialect that she labels “Kiltartan.” These are published as Cuchulain of Muirthemne (1902) and Gods and Fighting Men (1904).
Lady Gregory returns to live in Galway after ill health forces her retirement from the Abbey Theatre board in 1928, although she continues to visit Dublin regularly. The house and demesne at Coole Park are sold to the Irish Forestry Commission in 1927, with Lady Gregory retaining life tenancy. Her Galway home had long been a focal point for the writers associated with the Irish Literary Revival, and this continues after her retirement. On a tree in what were the grounds of the house, one can still see the carved initials of Synge, Æ, Yeats and his artist brother Jack, George Moore, Seán O’Casey, George Bernard Shaw, Katharine Tynan and Violet Martin.
Lady Gregory, whom Shaw once described as “the greatest living Irishwoman,” dies at the age of 80 on May 22, 1932, at home from breast cancer. She is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park are auctioned three months after her death, and the house is demolished in 1941.
Nally is the eldest son and one of six brothers, of a prosperous farmer of “advanced nationalist” views. From an early age he is a Fenian, and by the late 1870s is a leading organiser of the Irish Republican Brotherhood.
Nally is also present at the founding meeting in August 1879, of the Land League of Mayo, later becoming the Irish National Land League. He is elected a joint secretary. By 1880, he has become a member of the IRB’s Supreme Council.
In 1879, Michael Cusack, credited with founding the Gaelic Athletic Association, meets Nally, who had in 1877 attempted to start a nationalist athletics association but it never got off the ground. Cusack finds that Nally’s views on the influence of British landlordism on Irish athletics are the same as his.
Cusack recalls how both Nally and himself while walking through the Phoenix Park in Dublin and seeing only a handful of people playing sports in the park so depressed them that they agree it is time to “make an effort to preserve the physical strength of our race.” Nally organises a National Athletics Sports meeting in County Mayo in September 1879 which is a success, with Cusack organising a similar event which is open to ‘artisans’ in Dublin the following April.
In 1881, Nally is sentenced to ten years imprisonment in Mountjoy Prison, Dublin, for what becomes known as the “Crossmolina Conspiracy,” where he is reportedly subjected to harsh treatment. He dies in prison on November 8, 1891. His funeral is organised by James Boland, with whom he had conspired in Manchester.
The resultant Nally GAA Club in Dublin would be closely associated with working class nationalists and republicans during the 1890s and beyond. One of the stands in Croke Park is named after Nally, and is unique for being the only stand in the stadium named after a person who had no connection to the Gaelic Athletic Association.
Mannix’s forthright demands for state aid for the education of Roman Catholics in return for their taxes and his opposition to drafting soldiers for World War I make him the subject of controversy. A zealous supporter of Irish independence, he makes an official journey to Rome in 1920 via the United States, where his lengthy speech making attracts enthusiastic crowds. His campaign on behalf of the Irish, however, causes the British government to prevent him from landing in Ireland, which he finally visits in 1925.
By the 1960s the distinct identity of the Irish community in Melbourne is fading, and Irish Catholics are increasingly outnumbered by Italians, Maltese and other postwar immigrant Catholic communities. Mannix, who turned 90 in 1954, remains active and in full authority, but he is no longer a central figure in the city’s politics. He dies suddenly on November 6, 1963, aged 99, while the Archdiocese of Melbourne is preparing to celebrate his 100th birthday. He is buried in the crypt of St. Patrick’s Cathedral, Melbourne.
The first clash of the Tithe War takes place on March 3, 1831, in Graiguenamanagh, County Kilkenny, when a force of 120 yeomanry attempts to enforce seizure orders on cattle belonging to a Roman Catholic priest. Encouraged by his bishop, he has organised people to resist tithe collection by placing their stock under his ownership prior to sale.
The Tithe War is a campaign of mainly nonviolent civil disobedience, punctuated by sporadic violent episodes, in Ireland between 1830 and 1836 in reaction to the enforcement of tithes on the Roman Catholic majority for the upkeep of the established state church – the Church of Ireland. Tithes are payable in cash or kind and payment is compulsory, irrespective of an individual’s religious adherence.
After Emancipation in 1829, an organized campaign of resistance to collection begins. It is sufficiently successful to have a serious financial effect on the welfare of established church clergy. In 1831, the government compiles lists of defaulters and issues collection orders for the seizure of goods and chattels. Spasmodic violence breaks out in various parts of Ireland, particularly in counties Kilkenny, Tipperary and Wexford. The Royal Irish Constabulary, which had been established in 1822, attempts to enforce the orders of seizures. At markets and fairs, the constabulary often seize stock and produce, which often results in violent resistance.
A campaign of passive resistance is proposed by Patrick “Patt” Lalor, a farmer of Tenakill, Queen’s County (now County Laois), who later serves as a repeal MP. He declares at a public meeting in February 1831 in Maryborough that he would never again pay tithes and, although the tithe men might take his property and offer it for sale, his countrymen would not buy or bid for it if offered for sale. Lalor holds true to his word and does not resist the confiscation of 20 sheep from his farm but is able to ensure no buyers appear at subsequent auctions.
Following the clash at Graiguenamanagh, the revolt soon spreads. On June 18, 1831, in Bunclody, County Wexford, people resisting the seizure of cattle are fired upon by the Royal Irish Constabulary, who kill twelve and wound twenty. One yeoman is shot dead in retaliation. This massacre causes objectors to organise and use warnings such as church bells to signal the community to round up the cattle and stock. On December 14, 1831, resisters use such warnings to ambush a detachment of 40 Constabulary at Carrickshock, County Kilkenny. Twelve constables, including the Chief Constable, are killed and more wounded.
Regular clashes causing fatalities continue over the next two years. On December 18, 1834, the conflict comes to a head at Rathcormac, County Cork, when armed Constabulary reinforced by the regular British Army kill twelve and wound forty-two during several hours of fighting when trying to enforce a tithe order reputedly to the value of 40 shillings.
Finding and collecting livestock chattels and the associated mayhem creates public outrage and proves an increasing strain on police relations. The government suspends collections. In 1838, parliament introduces a Tithe Commutation Act. This reduces the amount payable directly by about a quarter and makes the remainder payable in rent to landlords. They in turn are to pass payment to the authorities. Tithes are thus effectively added to a tenant’s rent payment. This partial relief and elimination of the confrontational collections ends the violent aspect of the Tithe War.
Moore comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).
Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).
In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.
The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.
George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.
Gilbert’s family makes their residence at King House in Boyle, County Roscommon, until early 1823, when they journey to Liverpool, thence departing for India on March 14. Gilbert spends much of her childhood in India but is educated in Scotland and England. At age 19 she elopes with Lieutenant Thomas James. The couple separates five years later, and, in 1843, Gilbert launches a career as a dancer. Her London debut in June 1843 as “Lola Montez, the Spanish dancer” is disrupted when she is recognized as Mrs. James. The fiasco would probably have ended the career of anyone less beautiful and determined, but Gilbert receives additional dancing engagements throughout Europe. During her travels she reputedly forms liaisons with Franz Liszt and Alexandre Dumas, among many others.
Late in 1846, Gilbert dances in Munich and Ludwig I of Bavaria is so struck by her beauty that he offers her a castle. She accepts, becomes Baroness Rosenthal and Countess of Lansfeld, and remains as his mistress. Under Gilbert’s influence, Louis inaugurates liberal and anti-Jesuit governmental policies, but his infatuation with her helps to bring about the collapse of his regime in the revolution of 1848. In March of that year Ludwig abdicates in favour of his son. Gilbert flees to London, where in 1849 she marries Lieutenant George Heald, although she has never been divorced from James. Heald later leaves her.
From 1851 to 1853 Gilbert performs in the United States. Her third marriage, to Patrick P. Hull of San Francisco in 1853, ends in divorce soon after she moves to Grass Valley, California. There, among other amusements, she coaches young Lotta Crabtree in singing and dancing. She settles in New York City after an unsuccessful tour of Australia in 1855–1856 and gathers a following as a lecturer on such topics as fashion, gallantry, and beautiful women. An apparently genuine religious conversion leads her to take up various personal philanthropies.
Gilbert publishes Anecdotes of Love; Being a True Account of the Most Remarkable Events Connected with the History of Love; in All Ages and among All Nations (1858), The Arts of Beauty, or, Secrets of a Lady’s Toilet with Hints to Gentlemen on the Art of Fascination (1858), and Lectures of Lola Montez, Including Her Autobiography (1858). The international notoriety of her heyday persists long after her death and inspires numerous literary and balletic allusions.
Gilbert spends her last days in rescue work among women. By November 1859 she is showing the tertiary effects of syphilis, and her body begins to waste away. She dies at the age of 39 on January 17, 1861. She is buried in Green-Wood Cemetery in Brooklyn, New York.
Kane is born at 48 Henry Street, Dublin on September 24, 1809 to John and Eleanor Kean (née Troy). His father is involved in the Irish Rebellion of 1798 and flees for a time to France where he studies chemistry. Back in Dublin, Kean (now Kane) founds the Kane Company and manufactures sulfuric acid.
Kane studies chemistry at his father’s factory and attends lectures at the Royal Dublin Society as a teenager. He publishes his first paper in 1828, Observations on the existence of chlorine in the native peroxide of manganese, in the London Quarterly Journal of Science, Literature and Art. The following year, his description of the natural arsenide of manganese results in the compound being named Kaneite in his honour. He studies medicine at Trinity College, Dublin, graduating in 1834 while working in the Meath Hospital. He is appointed Professor of Chemistry at the Apothecaries’ Hall, Dublin in 1831, which earns him the moniker of the “boy professor.” In the following year he participates in the founding of the Dublin Journal of Medical & Chemical Science.
Kane publishes a three-volume Elements of Chemistry in 1841–1844, and a detailed report on the Industrial Resources of Ireland. This includes the first assessment of the water power potential of the River Shannon, which is not realised until the 1920s at Ardnacrusha.
Kane becomes a political adviser on scientific and industrial matters. He serves on several commissions to enquire into the Great Irish Famine, along with Professors Lindley and Taylor, all more or less ineffective. His political and administrative work means that his contribution to chemistry ceases after about 1844.
Kane’s work on Irish industry leads to his being appointed director of the Museum of Irish Industry in Dublin in 1845. The Museum is a successor to the Museum of Economic Geology, and is housed at 51 St. Stephen’s Green.
Also in 1845 Kane becomes the first President of Queen’s College, Cork (now University College Cork). He does not spend a lot of time in Cork as he has work in Dublin, and his wife lives there. The science building on the campus is named in his honour. He is knighted in 1846.
In 1873 Kane takes up the post of National Commissioner for Education. He is elected president of the Royal Irish Academy in 1877, holding the role until 1882. In 1880 he is appointed the first chancellor of the newly created Royal University of Ireland. After a motion to admit women to the University, put forward by Prof. Samuel Haughton at Academic Council in Trinity College Dublin, March 10, 1880, Kane is appointed to a committee of ten men to look into the matter. He is opposed to the admission of women, and nothing is reported from the committee in the Council minutes for the next ten years.
