seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Union with Great Britain (1801-1912)


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Birth of Actress Máire O’Neill

maire-oneill

Mary Agnes “Molly” Allgood, actress of stage and film under the stage name of Máire O’Neill, is born at 40 Middle Abbey Street in Dublin on January 12, 1885.

Allgood is one of eight children of compositor George and french polisher Margaret (née Harold) Allgood. Her father is sternly Protestant and against all music, dancing and entertainment, while her mother is a strict Catholic. After her father dies in 1896, she is placed in an orphanage. She is apprenticed to a dressmaker and her brother Tom becomes a Catholic priest.

Maud Gonne sets up Inghinidhe na hÉireann (Daughters of Ireland) in 1900 to educate women about Irish history, language and the arts, and Allgood and her sister Sara join the association’s drama classes around 1903. Their acting teacher, William “Willie” Fay, enrolls them in the National Theatre Society, later known as the Abbey Theatre. Allgood is part of the Abbey Theatre from 1906-1918 where she appears in many productions. In 1904 she is cast in a play by Irish playwright Teresa Deevy called Katie Roche where she plays the part of Margaret Drybone. There are 38 performances in this production.

In 1905 Allgood meets Irish playwright John Millington Synge, and they fall in love, a relationship regarded as scandalous because it crosses the class barriers of the time. In September 1907 he has surgery for the removal of troublesome neck glands, but a later tumour is found to be inoperable. They become engaged before his death in March 1909. Synge writes the plays The Playboy of the Western World and Deirdre of the Sorrows for Allgood.

In June 1911 Allgood marries G. H. Mair, drama critic of the Manchester Guardian, and later Assistant Secretary of the British Department of Information, Assistant Director of the League of Nations Secretariat in Geneva, and head of the League of Nations office in London, with whom she has two children. He dies suddenly on January 3, 1926. Six months later she marries Arthur Sinclair, an Abbey actor. They have two children, but the marriage ends in divorce.

Under her professional name Maire O’Neill, Allgood appears in films from 1930-53, including Alfred Hitchcock‘s film version of Seán O’Casey‘s play Juno and the Paycock (1930). She makes her American debut in New York City in 1914 in the play General John Regan at the Hudson Theatre.

Allgood dies at the age of 66 in Park Prewett Hospital, Basingstoke, England, on November 2, 1952, where she is receiving treatment after being badly burned in a fire at her London home.

Joseph O’Connor‘s 2010 novel, Ghost Light, is loosely based on Allgood’s relationship with Synge.


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St. Andrew’s Church Destroyed by Fire

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St. Andrew’s Church in Suffolk Street, Dublin, is destroyed by fire on January 8, 1860. The church is a former parish church of the Church of Ireland and now houses the Central Tourist Office.

The original St. Andrew’s Church is located on present-day Dame Street but disappears during Oliver Cromwell’s reign in the mid-17th century. A new church is built in 1665 a little further away from the city walls, on an old bowling-green close to the Thingmote, the old assembly place of the Norse rulers of the city. Due to its shape, it is commonly known as the “Round Church.” Local landlords of the time, Lord Anglesey (after whom Anglesey Street is named) and Sir John Temple (after whose family Temple Bar is named) are churchwardens. The architect is William Dodson. The neighbouring houses located in that part of the Dublin Corporation estate are known as “the Whole Land of Tib and Tom.”

The church is rebuilt in 1793, but burns down in 1860, after which the present building is constructed.

The boundaries of the ecclesiastical parish are coextensive to those of the civil parish of St. Andrew. The population of this parish in 1901 is 3,058, in 1971 it is 300.


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Death of General John Charles O’Neill

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John Charles O’Neill, Irish-born officer in the American Civil War and member of the Fenian Brotherhood, dies on January 7, 1878. He is best known for his activities leading the Fenian raids on Canada in 1866 and 1871.

O’Neill is born on March 9, 1834, in Drumgallon, Clontibret, County Monaghan, where he receives some schooling. He emigrates to New Jersey in 1848 at the height of the Great Famine. He receives an additional year of education there and works various jobs. In 1857 he enlists in the 2nd United States Dragoons and serves in the Utah War (May 1857 – July 1858), apparently deserting afterwards to California.

In California, O’Neill joins the 1st Cavalry, and serves as a sergeant in the American Civil War with this regiment until December 1862, at which time he is commissioned as an officer in the 5th Indiana Cavalry. He is credited as being a daring fighting officer but believes he has not received due promotion, which leads to a transfer to the 17th United States Colored Infantry as captain. He leaves the Union Army prior to the end of the conflict, marrying Mary Crow, with whom he has several children.

While in Tennessee, O’Neill joins the militant Irish American movement, the Fenian Brotherhood, which eschews politics in favor of militant action to expel the British presence in Ireland. He attaches himself to the group led by William Randall Roberts, who wishes to attack Canada.

O’Neill, ranked as colonel, travels to the Canada–US border with a group from Nashville to participate in the Fenian raids. The assigned commander of the expedition does not appear, so O’Neill takes command. On June 1, 1866, he leads a group of six hundred men across the Niagara River and occupies Fort Erie.

The following day, north of Ridgeway, Ontario, O’Neill’s group encounters a detached column of Canadian volunteers, commanded by Lt-Col. Alfred Booker. The inexperienced Canadians are routed by the Civil War veterans. O’Neill withdraws back to Fort Erie and fights a battle against a detachment led by John Stoughton Dennis. With overwhelming numbers of Canadian forces closing in, O’Neill oversees a successful evacuation on the night of June 2-3 back to United States territory. He is later charged with violating the neutrality laws of the United States, but the charge is dropped.

The split between two factions of the Fenians remain, and penetration of O’Neill’s organisation by British and Canadian spies ensures that his next venture into Canada in 1870 is known in advance, and Canada is accordingly prepared. After the Battle of Trout River ends in a disorganized rout, O’Neill is arrested by United States Marshal George P. Foster and charged with violating neutrality laws. That leads to O’Neill’s imprisonment in July 1870 with a sentence of two years, but he and other Fenians are pardoned by President Ulysses S. Grant that October.

Though O’Neill renounces the idea of further attacks on Canada, he changes his mind at the urging of an associate of Louis Riel, William Bernard O’Donoghue. With the latter, and without the backing of the bulk of the Fenians, he leads an attack on the Hudson’s Bay Company‘s post at Pembina, Manitoba, on October 5, 1871. The area is then disputed between America and Canada. He is arrested by American troops.

Following his military career, O’Neill works for a firm of land speculators in Holt County, Nebraska. He dies of a paralytic stroke on January 7, 1878, and is buried in Omaha, Nebraska.


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Birth of William Martin Murphy

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William Martin Murphy, Irish businessman, journalist and politician, is born on January 6, 1845, in Castletownbere, County Cork. A member of parliament (MP) representing Dublin from 1885 to 1892, he is dubbed “William Murder Murphy” among Dublin workers and the press due to the Dublin Lockout of 1913. He is arguably both Ireland’s first “press baron” and the leading promoter of tram development.

Murphy is educated at Belvedere College. When his father, the building contractor Denis William Murphy dies in 1863, he takes over the family business. His enterprise and business acumen expand the business, and he builds churches, schools and bridges throughout Ireland, as well as railways and tramways in Britain, West Africa and South America.

Murphy is elected as Irish Parliamentary Party MP for Dublin St. Patrick’s at the 1885 general election, taking his seat in the House of Commons of the United Kingdom of Great Britain and Ireland. He is a member of the informal grouping, the “Bantry Band,” a group of politicians who hail from the Bantry Bay area.

When the Irish Parliamentary Party splits in 1890 over Charles Stewart Parnell‘s leadership, Murphy sides with the majority Anti-Parnellites. However, Dublin emerges as a Parnellite stronghold and in the bitter general election of 1892, Murphy loses his seat by over three to one to a Parnellite newcomer, William Field.

Murphy is the principal financial backer of the “Healyite” newspapers the National Press and the Daily Nation. His support for Tim Healy attracts the hostility of the majority anti-Parnellite faction led by John Dillon. He makes two attempts to return to Parliament, at South Kerry in 1895 and North Mayo in 1900, but both are unsuccessful because of Dillonite opposition.

In 1900, Murphy purchases the insolvent Irish Daily Independent from the Parnellites, merging it with the Daily Nation. He re-launches this as a cheap mass-circulation newspaper, which rapidly displaces the Freeman’s Journal as Ireland’s most popular nationalist paper. In 1906, he founds the Sunday Independent newspaper.

Murphy is highly critical of the Irish Parliamentary Party. From 1914 he uses the Irish Independent to oppose the partition of Ireland and advocate Dominion Home Rule involving full fiscal autonomy.

Worried that the trade unions would destroy his Dublin tram system, Murphy leads Dublin employers against the trade unions led by James Larkin, an opposition that culminates in the Dublin Lockout of 1913. This makes him extremely unpopular with many, being depicted as a vulture or a vampire in the workers’ press.

After the 1916 Easter Rising, he purchases ruined buildings in Abbey Street as sites for his newspaper offices, however it is his viewpoints that make him even more unpopular, by calling for the executions of Seán MacDiarmada and James Connolly at a point when the Irish public is beginning to feel sympathy for their cause. He privately disavows the editorial, claiming it had been written and published without his knowledge.

In 1917 Murphy is invited to take part in talks during the Irish Convention which is called to agree terms for the implementation of the suspended 1914 Home Rule Act. However, he discovers that John Redmond is negotiating agreeable terms with Unionists under the Midleton Plan to avoid the partition of Ireland but at the partial loss of full Irish fiscal autonomy. This infuriates Murphy who criticises the intention in his newspaper, which severely damages the Irish Parliamentary Party. However, the Convention remains inconclusive, and the ensuing demise of the Irish party results in the rise of Sinn Féin, whose separatist policies Murphy also does not agree with.

William Martin Murphy dies in Dublin on June 26, 1919. His family controls Independent Newspapers until the early 1970s, when the group is sold to Tony O’Reilly.


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British Release of Fenian Prisoners

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The British, in a general amnesty, release 33 Fenian prisoners on January 5, 1871. Most of these prisoners are men who have either been swept up by the British in 1865, when they suppressed the Fenian newspaper The Irish People for taking part in the Fenian Rising of March 1867, or had been rounded up after the “Smashing of the Van” rescue of Thomas J. Kelly and Timothy Deasy in September 1867.

The British penal system of the period is brutal under normal circumstances, and the Fenians receive much harsher treatment than that received by the normal inmates. Those Fenians still on the outside agitate constantly for the release of their comrades. The man most responsible for the release of 1871 is John “Amnesty” Nolan, who thus earns his sobriquet.

The names of many of the men released by William Ewart Gladstone’s government are well known to those who have studied the Irish republican movement. One of them is Jeremiah O’Donovan Rossa, as steadfast an enemy of English rule in Ireland as any who has ever lived. After Rossa’s death in the United States, his body is returned to Ireland for burial, and his funeral in 1915 includes the famous eulogy by Patrick Pearse, one of the seminal moments in the renewal of armed struggle for Irish freedom. Another Fenian released that day is John Devoy, who perhaps more than any other man keeps the struggle for Irish freedom alive among Irish exiles in America.

The British government releases the Fenians on condition that they exile themselves to the country of their choice and not return until their sentences have expired. Many chose to go to Australia, but Rossa, Devoy, John McClure, Henry Mulleda, and Charles Underwood O’Connell, who have all been imprisoned together, chose to go to the United States and ship together from Liverpool on board the Cuba. The so-called Cuba Five arrive in New York City to a hero’s welcome from the city’s large Irish community and even receive a resolution of welcome from the United States House of Representatives.

(Pictured: “The Cuba Five” – John Devoy, Jeremiah O’Donovan Rossa, Charles Underwood O’Connell, Henry Mulleda and John McClure)


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Birth of Edward Pakenham, 6th Earl of Longford

Francis Pakenham, 7th Earl of Longford

Edward Arthur Henry Pakenham, 6th Earl of Longford and an Irish peer, politician, and littérateur, is born on December 29, 1902. Also known as Eamon de Longphort, he is a member of the fifth Seanad Éireann, the upper house of the Oireachtas, in the 1940s.

Pakenham is the elder son of Thomas Pakenham, 5th Earl of Longford and Mary, Countess of Longford, née Child-Villiers. He is the only one of the Pakenham children on whom his mother dotes, apparently because he is to succeed to the earldom on his father’s death and because he is always in delicate health.

As a pupil at Eton College, where he twice received the Wilder Divinity Prize, Pakenham succeeds to the earldom when his father is killed in action at the Battle of Gallipoli on August 21, 1915. He is an Irish Nationalist since his days at Eton, taking inspiration from the Easter Rising in 1916 and the Russian Revolution of 1917. He learned Irish and adopted the name Eamon de Longphort.

Pakenham becomes an undergraduate at Christ Church, Oxford and meets his future wife, Christine Patti Trew, an Oxford “undergraduette.” They are married on July 18, 1925. His political views make him unpopular at both Eton and Christ Church, where he is famously put in “Mercury,” the pond containing a statue of Mercury in Tom Quad.

Pakenham becomes Chairman of the Gate Theatre in Dublin in 1930 and continues to work for the theatre until 1936, when he founds the Longford Players. His plays include Ascendancy, The Melians, The Vineyard, and Yahoo. An excellent linguist and Classical scholar, he translates Le Bourgeois gentilhomme, Le Malade Imaginaire, L’école des femmes, Tartuffe, Le Barbier de Séville, Agamemnon and Oedipus Rex and adapts the novella Carmilla for the stage.

Pakenham also has several volumes of poetry published, some at the expense of his mother when he is still at Eton, but he is not considered to have been a very good poet.

Pakenham is an Anglo-Catholic who never leaves the Church of Ireland. On November 13, 1946, he is nominated by the Taoiseach, Éamon de Valera, as a member of 5th Seanad Éireann, filling a vacancy caused by the death of Professor William Magennis. He is not re-appointed to the 6th Seanad.

Pakenham often collaborates with his wife with whom he is also responsible for redecorating Pakenham Hall, now Tullynally Castle, in Chinese style. Pakenham Hall is often the scene of gatherings of Oxford-educated intellectuals such as John Betjeman, Evelyn Waugh, and Maurice Bowra.

Edward Pakenham dies without issue on February 4, 1961, and is succeeded by his younger brother Frank. He is buried at Mount Jerome Cemetery in Dublin.


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Birth of Actor Noel Purcell

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Patrick Joseph Noel Purcell, distinguished Irish actor of stage, screen and television, is born in Dublin on December 23, 1900. He appears in the 1956 film Moby Dick and the 1962 film Mutiny on the Bounty.

Purcell is the son of auctioneer Pierce Purcell and his second wife Catherine (née Hoban) of 4 Ashbrook Terrace, South Circular Road, Dublin. He is baptised six days after his birth at St. Kevin’s Church, Harrington Street. Within a few months, the Purcell family moves to 12 Mercer Street Lower. He is educated at Synge Street CBS. He loses the tip of his right index finger while making cigarette vending machines and also loses his entire left index finger due to an accident while he is an apprentice carpenter, a feature which he exploits for dramatic effect in the film Mutiny on the Bounty (1962).

Purcell begins his show business career at the age of 12 in Dublin’s Gaiety Theatre. Later, he tours Ireland in a vaudeville act with Jimmy O’Dea. Stage-trained in the classics in Dublin, he moves into films in 1934. He appears in Captain Boycott (1947) and as the elderly sailor whose death maroons the lovers-to-be in the first sound film version of The Blue Lagoon (1949). He plays a member of Captain Ahab‘s crew in Moby Dick (1956), Dan O’Flaherty in episode one, The Majesty of the Law, of The Rising of the Moon (1957), a gamekeeper in The List of Adrian Messenger (1963), and a barman in The Mackintosh Man (1973). The last two films are directed by John Huston.

In 1955, Purcell is an off-and-on regular on the British filmed TV series The Buccaneers and he narrates a Hibernian documentary, Seven Wonders of Ireland (1959). In 1962, he portrays the lusty William McCoy in Lewis Milestone‘s Mutiny on the Bounty. He plays a taciturn Irish in-law to Lebanese American entertainer Danny Thomas‘ character Danny Williams in a 1963 episode of The Danny Thomas Show. In 1971, he plays the caring rabbi in the children’s musical drama Flight of the Doves.

Purcell is the subject of This Is Your Life in 1958 when he is surprised by Eamonn Andrews at the BBC Television Theatre. He also gains some recognition as a singer. Shortly after World War II, songwriter Leo Maguire composes “The Dublin Saunter” for him. He performs the song live for many years and later records it for the Glenside label, but the recording is not a hit. However, over time it becomes one of the most favourite songs about Dublin, receiving countless airplays on radio programmes.

In 1981, Purcell records a spoken word version of Pete St. John‘s “The Rare Ould Times.” In June 1984, he is given the Freedom of the City of Dublin. Nine months later, on March 3, 1985, he dies at the age of 84 in Dublin. He is buried in Deans Grange Cemetery in Blackrock, Dublin.


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Birth of Boxer Jimmy McLarnin

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James Archibald McLarnin, Irish Canadian professional boxer who became a two-time welterweight world champion and an International Boxing Hall of Fame inductee, is born on December 19, 1907, in Hillsborough, County Down. He has been referred to as the greatest Irish boxer of all time. BoxRec ranks him as the 11th best pound-for-pound fighter of all-time, the second best Canadian boxer of all time after Sam Langford, and the third greatest welterweight of all time.

When McLarnin is three years old the family emigrates to Saskatchewan, Canada via Liverpool. The McLarnins start out as a wheat farmers, but years later, following a particularly harsh winter, the family moves to Vancouver where they open a second-hand clothing store in Vancouver’s east end.

McLarnin is prodigious athlete, his main sports are football, baseball and boxing. He takes up boxing at the age of 10 after getting into a fight defending his newspaper-selling pitch. Former professional boxer Charles “Pop” Foster recognizes McLarnin’s talent at the age of 13. He constructs a makeshift gym for McLarnin to train in, sure that he will one day be the champion of the world. The two of them remain close, and when Foster dies, he leaves everything he has to McLarnin.

Following a successful start to his career in Vancouver, McLarnin grows aggrieved at the low pay he is receiving for bouts and decides to move to San Francisco. There his youthful appearance makes it difficult to get a fight until he lies about his age. It is for this reason that McLarnin is known as the “Baby-faced Assassin.” Despite his youthful appearance, McLarnin has incredible power with both fists, his right being particularly feared. Towards the end of his career he is forced to become more of a scientific boxer to reduce further injuries to his hands.

McLarnin loses his first title shot on May 21, 1928 in New York City against world lightweight champion Sammy Mandell. However, he does go on to beat him twice in the following two years. It is five years before McLarnin gets another title shot, during which time he knocks out gifted Jewish contenders Al Singer, Ruby Goldstein, and Sid Terris.

McLarnin’s second title shot comes against welterweight champion Young Corbett III. McLarnin wins by knockout after only 2 minutes 37 seconds. Following his title success, he fights an epic three-fight series with Barney Ross. The first fight, on May 28, 1934, is won by Ross, but McLarnin regains his title in their next match four months later. In the deciding fight on May 28, 1935, McLarnin loses his title for the final time in a narrow decision.

McLarnin retires in November 1936 still at the top of his game, having won his last two fights against all-time greats Tony Canzoneri and Lou Ambers. His record is 54 wins, 11 losses, and 3 draws in 68 contests. He never returns to the ring despite large incentives for him to do so. Unlike many boxers, he invested his money wisely and retires a wealthy man. He opens an electrical goods store, and also does some acting, golfing, and lecturing.

In 1996 The Ring votes McLarnin the fifth-greatest welterweight of all time.

Jimmy McLarnin dies on October 28, 2004 at the age of 96 in Richland, Washington. He is interred in the Forest Lawn Memorial Park in Glendale, California.


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Birth of Irish Novelist Arthur Joyce Lunel Cary

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Irish novelist Arthur Joyce Lunel Cary is born in a hospital in Derry, County Londonderry, in what is now Northern Ireland, on December 7, 1888. Shortly after his birth the family moved to London.

Cary is born into an old Anglo-Irish family, and at age 16 he studies painting in Edinburgh and then in Paris. From 1909 to 1912 he is at Trinity College, Oxford, where he reads law. Having joined the colonial service in 1914, he serves in the Nigeria Regiment during World War I. He is wounded while fighting in Cameroon and returns to civil duty in Nigeria in 1917 as a district officer. West Africa becomes the locale of his early novels.

Resolved to become a writer, Cary settles in Oxford in 1920. Although that year he publishes ten short stories in The Saturday Evening Post, he decides he knows too little about philosophy, ethics, and history to continue writing in good conscience. Study occupies the next several years, and it is only in 1932 that his first novel, Aissa Saved, appears. The story of an African girl converted to Christianity but still retaining pagan elements in her faith, it is followed by three more African novels — An American Visitor (1933), The African Witch (1936), and Mister Johnson (1939) — and a novel about the decline of the British Empire, Castle Corner (1938). Childhood is the theme of his next two novels, his own in A House of Children (1941) and that of a cockney wartime evacuee in the country in Charley Is My Darling (1940).

Cary’s trilogy on art begins with the first-person narration of a woman, Sara Monday, in Herself Surprised (1941) and follows with that of two men in her life, the lawyer Tom Wilcher in To Be a Pilgrim (1942) and the artist Gulley Jimson in The Horse’s Mouth (1944), his best-known novel. Monday is portrayed as a warm-hearted, generous woman who is victimized both by the conservative upper-class Wilcher and by the talented but disreputable painter Jimson. The latter character is a social rebel and visionary artist whose humorous philosophy and picaresque adventures in The Horse’s Mouth helped make him one of the best-known characters in 20th-century fiction.

Similarly, Cary’s other trilogy is seen from the vantage of a politician’s wife in A Prisoner of Grace (1952), the politician himself in Except the Lord (1953), and the wife’s second husband in Not Honour More (1955).

In 1952, Cary has some muscle problems which are originally diagnosed as bursitis, but as more symptoms are noted over the next two years, the diagnosis is changed to that of motor neuron disease (known as Lou Gehrig’s disease (ALS) in North America), a wasting and gradual paralysis that is terminal. As his physical powers fail, Cary has to have a pen tied to his hand and his arm supported by a rope to write. Finally, he resorts to dictation until unable to speak, and then ceases writing for the first time since 1912. His last work, The Captive and the Free (1959), first volume of a projected trilogy on religion, is unfinished at his death on March 29, 1957. His short stories are collected in Spring Song (1960).


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Formation of the Kildare Place Society

The Kildare Place Society, known officially as the Society for the Promotion of the Education of the Poor of Ireland, is formed on December 2, 1811, to maintain non-denominational schools and to promote the education of the poor. It is the most successful of all the voluntary educational agencies founded in the years prior to the establishment of the National Board of Education in 1831.

Set up in 1811 explicitly to cater to the demand for education among the Catholic poor, the Kildare Place Society aims to provide a Bible-based but non-denominational education that is acceptable to Catholics. In 1816 the society petitions the Parliament of the United Kingdom and is awarded 10,000 pounds, an amount that is greatly increased over the following decade. This money allows the society to spread across the country and to establish the rudiments of a national system of primary education. The society aims to modernize the teaching profession with a training college and an inspectorate, decent schoolhouses, and regular salaries for teachers. It also produces reading material aimed at a popular audience, which competes very favorably with the much-derided chapbooks that are the staple of popular reading material at the time.

Despite the commitment of the founders, many of whom are members of the Society of Friends, to respect denominational differences, and despite the allocation of seats for Catholics on the board of trustees, the society is increasingly drawn into quarrels over the use of the Protestant Bible for educational purposes during the second decade of the 19th century.

Particularly significant is the influence of the evangelical members of the board, especially Chief Justice Thomas Lefroy, who insists on the compulsory use of the Bible “without note or comment” in the Kildare Place schools. This measure is openly and stridently criticized by the Reverend John MacHale in the famous Hierophilus Letters of 1820 and is the immediate cause of the resignations of Daniel O’Connell and Valentine Lawless, 2nd Baron Cloncurry from the society’s board in 1821. This gesture is followed in short order by directives to Catholic parents to withdraw their children from the schools.

The substance of O’Connell’s and MacHale’s attacks on the Kildare Place Society is that its policies are in line with the more overtly proselytizing societies associated with the “Second Reformation” and are therefore unsuitable for Catholic children. The society does not survive the challenge. As a result of the ideological conflict over education, the government inaugurates a series of inquiries to determine what kind of educational system would be acceptable to the different denominations in Ireland, and the outcome is the establishment of the National Board of Education in 1831. Although the Kildare Place Society continues its work into the 1830s, its school system suffers an inevitable decline with the spread of the new national system.

(Pictured: The main offices of the Kildare Place Society in Kildare Place, Dublin)