After the Battle of Pea Ridge, Kiernan insists on joining the fighting ranks, and in that capacity is seemingly appointed a Major in the 6th Missouri Volunteer Infantry. In May 1863 at Port Gibson, Mississippi, he is wounded in the left lung and left on the battlefield for dead. Recovered and imprisoned, he effects an escape back to Union forces and resigns his commission. On August 1, 1863, he is commissioned a Brigadier General of the United States Volunteers by President Abraham Lincoln, commanding a post at Miliken’s Bend on the Mississippi River. However, ill-health as a result of his battlefield wounds forces him to resign on February 3, 1864.
In May 1865 Kiernan gains a U.S. consular post at Chinkiang, China. He manages to make the trip there, but his health does not allow him to perform the duties. He returns to New York where he becomes an examining physician for the Bureau of Pensions, a position he holds until his death.
James Lawlor Kiernan dies on November 26, 1869. The official cause of death is “congestion of the lungs.” Perhaps he is killed by that Confederate ball that wounded him six years earlier. He is buried in Green-Wood Cemetery in Brooklyn, New York.
Her debut at La Scala in Milan quickly followed in 1845 with phenomenal success. Shortly thereafter the young Giuseppe Verdi becomes interested in her for one of his new operas. Her great success continues in Vienna, as well as in Venice, Florence, Genoa, Rome and other cities in Italy, where she becomes the most sought after Lucia di Lammermoor.
During Ireland’s Great Famine in November 1849, her emotional return to her native country results in rave notices for her performance in Lucia di Lammermoor and other operas and concerts in Dublin, Limerick and Cork. Her success is now almost complete.
In 1851 Hayes goes to the United States, where Jenny Lind is creating such a wave of success. Hayes gives concerts in New York City, Boston, Toronto, Philadelphia, Washington, D.C., Charleston, Savannah and New Orleans and forty-five other places including the river towns along the Mississippi River, with equal success. She meets presidents, statesmen and business leaders along the way. She is also destined to meet her future lover and husband in America, Jenny Lind’s former manager. Her travels take her to the “gold rush” in the San Francisco area in the 1850s, where her presence creates a furor, singing for the miners and the elite of San Francisco. The great showman P.T. Barnum sponsors her tour.
She sings in opera and concerts in Peru and Chile, then travels to Hawaii where she gives a concert before continuing on to Australia. Hayes is the first great European opera star to visit Australia. She is mentioned in most Australian history books about early culture in the young colony. She also travels to Calcutta, India where she performs for the British Military and then on to Singapore and Batavia (Java) before returning to Australia for more opera and concerts.
Hayes returns to England in August 1856, after an absence of five years. On October 8, 1857, at St. George’s, Hanover Square, she marries William Avery Bushnell. He soon falls into ill-health and dies at Biarritz, France, on July 2, 1858. After her husband’s death she takes part in concerts in London and the country towns.
Catherine Hayes dies in the house of a friend, Henry Lee, at Roccles, Upper Sydenham, Kent, on August 11, 1861, and is buried in Kensal Green Cemetery.
The League is the main base of support for the Irish Parliamentary Party (IPP), and under Parnell’s leadership, it grows quickly to over 1,000 branches throughout the island. In 1884, the League secures the support of the Roman Catholic Church in Ireland. Its secretary is Timothy Harrington who organises the Plan of Campaign in 1886. The Irish League is effectively controlled by the Parliamentary Party, which in turn is controlled by Parnell, who chairs a small group of MPs who vet and impose candidates on constituencies.
In December 1890 both the INL and the IPP split on the issues of Parnell’s long standing family relationship with Katharine O’Shea, the earlier separated wife of a fellow MP, Captain William O’Shea, and their subsequent divorce proceedings. The majority of the League, which opposes Parnell, breaks away to form the “Anti-Parnellite” Irish National Federation (INF) under John Dillon. John Redmond assumes the leadership of the minority Pro-Parnellite (INL) group who remains faithful to Parnell. Despite the split, in the 1892 general election the combined factions still retain the Irish nationalist pro-Home Rule vote and their 81 seats.
Early in 1900 the Irish National League (INL) finally merges with the United Irish League and the Irish National Federation (INF) to form a reunited Irish Parliamentary Party under Redmond’s leadership returning 77 seats in the September 1900 general election, together with 5 Independent Nationalists, or Healyites, in all 82 pro-Home Rule seats.
(Pictured: A hostile Punch cartoon, from 1885, depicting the Irish National League as the “Irish Vampire”, with Parnell’s head)
Michael Collins, soldier and politician who was a leading figure in the struggle for, and achievement of Irish independence in the early 20th century, is born near Clonakilty, County Cork, on October 16, 1890.
Michael Collins is born to a successful farmer, Michael John Collins, and Mary Anne O’Brien. When the couple marries, she is twenty-three years old, and he is sixty. The couple have eight children, with Michael being the youngest.
Raised in a beautiful but remote part of southwest Ireland, Collins is educated at local primary schools. At the Lisavair National School, Collins is inspired by his teacher, Denis Lyons, a member of a secret organization, the Irish Republican Brotherhood (IRB), whose aim is to gain Ireland’s independence from Great Britain. Collins is also influenced by the stories of local men who had taken part in the Irish Rebellion of 1798, a conflict that sparks a feud between the Irish Protestants and Catholics. From these stories Collins learns of Irish pride, rebellion, executions, and the general harsh treatment imposed on his country by the British.
In 1906 Collins goes to London to enter the civil service as a postal clerk. For ten years Collins lives in London, where he becomes active in various Irish organizations, including the Gaelic League, a society that promotes the use of the Irish language. Also, during this time, Collins is influenced by the writings of Arthur Griffith, an Irish nationalist who founded the Irish political party Sinn Féin. In 1909 Collins himself becomes a member of the IRB, and later becomes the IRB treasurer for the South of England.
Collins returns to Ireland in 1916 to take part in the Easter Rising, a rebellion against British rule. After the rebellion is crushed, Collins is interned in North Wales along with most of the other rebels from the IRB. When the internees are released in December 1916, he goes to Dublin, where his sharp intelligence and dynamic energy soon secure him a leadership position in the reviving revolutionary movement.
Collins plays the most important role in this struggle. As director of intelligence of the IRA, he cripples the British intelligence system in Ireland and replaces it with an effective Irish network. At the same time, he performs other important military functions, heads the IRB, and, as minister of finance in the Republican government, successfully raises and hands out large sums of money on behalf of the rebel cause. Despite constant efforts, the British are unable to capture Collins or stop his work. The “Big Fellow” becomes an idolized and near-legendary figure in Ireland, and he wins a reputation in Britain and abroad for ruthlessness, resourcefulness, and daring.
After the truce of July 1921, Collins reluctantly agrees to Irish president Éamon de Valera‘s request to serve on the peace-making talks headed by Arthur Griffith. During the autumn negotiations in London, the British government firmly rejects any settlement that involves recognition of the republic. Instead, its representatives offer Dominion status for Ireland with the right of exclusion for loyalistNorthern Ireland. Collins decides to accept these terms, in the belief that rejection would mean renewal of the war and quick defeat for Ireland, and that the proposed treaty will soon lead to unity and complete freedom for his country. Using these arguments, he and Griffith persuade their side to sign the treaty on December 6, 1921, and Dáil Éireann to approve it on January 7, 1922.
De Valera and many Republicans refuse to accept the agreement, however, believing that it means a betrayal of the republic and a continued domination by Britain. As the British evacuate southern Ireland, Collins and Griffith do their best to maintain order and enforce the treaty signed with the British. They find their efforts frustrated by the opposition of an armed Republican minority. Collins seeks desperately to satisfy the forces that oppose the treaty without abandoning the treaty altogether, but he finds it impossible to make a workable compromise.
In late June 1922, after the population had supported the settlement in an election, Collins agrees to use force against the opposition. This action sparks a civil war, a bitter conflict in which the forces of the infant Irish Free State eventually overcome the extreme Republicans in May 1923. However, Collins does not live to see the end of the war. He is killed in an ambush in West Cork on August 22, 1922, just ten days after the death of Arthur Griffith.
Much of Collins’s success as a revolutionary leader is due mainly to his realism and extraordinary efficiency. He also possesses an amazing vision and humanity in his character, however, which appeals to friend and foe alike. The treaty that costs him his life does not end the argument, as he had hoped, but it does make possible the peaceful gaining of full political freedom for most of Ireland.
Sheridan has her early vocal training while at school at the Dominican Convent in Eccles Street, Dublin, with additional lessons from Vincent O’Brien. In 1908, she wins a gold medal at the Feis Ceoil. From 1909 to 1911 she studies at the Royal Academy of Music in London, during which time she is introduced to the Italian inventor Guglielmo Marconi, who is instrumental in arranging further studies for her in opera in Rome.
Sheridan returns to Italy, where her career continues to grow, with performances at the Teatro Dal Verme in Milan and at the Teatro di San Carlo in Naples, primarily in Puccini roles. In 1922 she first sings at La Scala, Milan, in La Wally by Alfredo Catalani under the direction of Arturo Toscanini. For the next few years, she sings at La Scala with great success. Perhaps her greatest role is Madama Butterfly, which she sings extensively in Italy and at Covent Garden. When she plays the part of Madama Butterfly, Puccini is said to be spellbound.
Despite her successes, Sheridan’s career is short. Suffering vocal difficulties, she goes into retirement around 1930 except for a few concerts. Bríd Mahon, in her 1998 book While Green Grass Grows, states that “It was rumoured that an Italian whose overtures she had rejected had blown his brains out in a box in La Scala, Milan, while she was on stage and that after the tragedy, she never sang in public again.”
Margaret Sheridan dies in relative obscurity on April 16, 1958, having lived in Dublin for many years, and her remains are buried in Glasnevin Cemetery, Dublin.
Davis is the son of a Welsh father, a surgeon in the Royal Artillery, and an Irish mother. Through his mother he is descended from the Gaelic noble family of O’Sullivan Beare. His father dies one month after his birth and his mother moves to Warrington Place near Mount Street bridge in Dublin. In 1830, they move to 67 Lower Baggot Street. He attends school in Lower Mount Street before studying at Trinity College, Dublin. He graduates in Law and receives an arts degree in 1836, before being called to the Irish Bar in 1838.
Davis gives a voice to the 19th-century foundational culture of modern Irish nationalism. Formerly it is based on the republicans of the 1790s and on the Catholic emancipation movement of Daniel O’Connell in the 1820s-30s, which has little in common with each other except for independence from Britain. Davis aims to create a common and more inclusive base for the future. He establishes The Nation newspaper with Charles Gavan Duffy and John Blake Dillon.
He writes some stirring nationalistic ballads, originally contributed to The Nation and afterwards republished as Spirit of the Nation, as well as a memoir of Curran, the Irish lawyer and orator, prefixed to an edition of his speeches, and a history of King James II‘s parliament of 1689. He has formed many literary plans which are unfinished at the time of his early death.
Davis supports O’Connell’s Repeal Association from 1840, hoping to recreate the old Parliament of Ireland. They split during a debate on the proposed new Queen’s University of Ireland, when Davis is reduced to tears by O’Connell’s superior debating skill. Davis is in favour of a university that would inclusively educate all Irish students. O’Connell and the Catholic hierarchy prefer a separate system for Catholic students within Ireland that would remain under church control.
O’Connell generally refers to his inexperienced allies as “Young Ireland,” initially as a dismissive term, that from the 1870s becomes the accepted term for nationalists inspired by Davis. He also prefers a federal arrangement with Britain in the 1840s while Davis seeks a greater degree of autonomy. Both agree that a gradual and non-violent process is the best way forward. Despite their differences, O’Connell is distraught at Davis’s early death.
Davis is a Protestant but preaches unity between Catholics and Protestants. To him, it is not blood that makes a person Irish, but the willingness to be part of the Irish nation. He is to the fore of Irish nationalist thinking and it has been noted by later nationalist notables, such as Patrick Pearse, that while Theobald Wolfe Tone laid out the basic premise that Ireland as a nation must be free, Davis is the one who built this idea up promoting the Irish identity.
Gillespie is educated locally and in Derry. She studies music at the Royal University of Ireland in Dublin, graduating in 1902, and becomes a teacher. As a student she meets the poet and literary critic James Cousins. They are married in 1903. The pair explore socialism, vegetarianism, and parapsychology together. In 1906, after attending a National Conference of Women (NCW) meeting in Manchester, Cousins joins the Irish branch of the NCW. In 1907 she and her husband attend the London convention of the Theosophical Society, and she makes contact with suffragettes, vegetarians, anti-vivisectionists, and occultists in London.
Cousins co-founds the Irish Women’s Franchise League with Hanna Sheehy-Skeffington in 1908, serving as its first treasurer. In 1910 she is one of six Dublin women attending the Parliament of Women, which attempt to march to the House of Commons to hand a resolution to the Prime Minister. After 119 women marching to the House of Commons have been arrested, fifty requiring medical treatment, the women decide to break the windows of the houses of Cabinet Ministers. Cousins is arrested and sentenced to a month in Holloway Prison.
In 1913, she and her husband move to Liverpool, where James Cousins works in a vegetarian food factory. In 1915 they move to India. James Cousins initially works for New India, the newspaper founded by Annie Besant. After Besant is forced to dismiss him for an article praising the 1916 Easter Rising, she appoints him Vice-Principal of the new Besant Theosophical College, where Margaret teaches English.
In 1916, Cousins becomes the first non-Indian member of the SNDT Women’s University at Poona. In 1917, Cousins co-founds the Women’s Indian Association (WIA) with Annie Besant and Dorothy Jinarajadasa. She edits the WIA’s journal, Stri Dharma. In 1919 Cousins becomes the first Head of the National Girls’ School at Mangalore. She is credited with composing the tune for the Indian national anthem Jana Gana Mana in February 1919, during Rabindranath Tagore’s visit to Besant Theosophical College. In 1922, she becomes the first woman magistrate in India. In 1927, she co-founds the All India Women’s Conference, serving as its President in 1936.
In 1932, she is arrested and jailed for speaking against the Emergency Measures. By the late 1930s she feels conscious of the need to give way to indigenous Indian feminists:
“I longed to be in the struggle, but I had the feeling that direct participation by me was no longer required, or even desired by the leaders of India womanhood who were now coming to the front.”
A stroke leaves Cousins paralysed from 1944 onwards. She receives financial support from the Madras government, and later Jawaharlal Nehru, in recognition of her services to India. She dies on March 11, 1954. Her manuscripts are dispersed in various collections across the world.
The statue of Charles Stewart Parnell on Sackville Street, now known as O’Connell Street, is unveiled in Dublin on October 1, 1911. It is one of the last sculptural initiatives in the city before independence.
On January 3, 1882 a resolution is passed by the Dublin City Council to grant the freedom of the city to Parnell. The plan for the Parnell monument is instigated by John Redmond, who succeeded Parnell as leader of the Irish Parliamentary Party, partly as a symbolic gesture to honour the “uncrowned king of Ireland” and to consolidate his aspiration to reunite the constitutionalists under his own leadership. The monument is funded through the efforts of a voluntary body, the Parnell Committee, founded in 1898. It is first proposed to place the monument on the site of the Thomas Moore statue, which would be moved to another location. The City Council refuses to grant this site and directs that the monument be erected on a site near the Rotunda Hospital, where it now stands.
Augustus Saint-Gaudens, an Irish-born sculptor and the most eminent in the art of public monuments in the United States, accepts the commission. It is however to prove a protracted project as the demand for Saint-Gaudens’ work in America is such that completion of the Parnell project is fraught with delays.
For the Parnell monument, Saint-Gaudens makes a scale replica of the buildings and square in Dublin and also a full scale model of the monument in wood in a field near his studio. In 1904 there is a disastrous fire in his studio and only the head of the statue is saved. The original concept is of an 8-foot high bronze figure placed by a bronze table and set against a 30-foot pyramid. However, as this form is already utilised in the Wellington Monumentobelisk in Phoenix Park, Saint-Gaudens and architect Henry Bacon propose a triangular shaft almost double the height of the original.
Saint-Gaudens finally presents Parnell in what he considers a noble and calm manner, depicted in an open frock coat, with one hand resting on a table and the other extended dramatically as if making a point at a parliamentary debate. The shaft of the monument is constructed in undecorated ashlar granite.
On October 1, 1911, the monument is unveiled to a large crowd, many of whom had been absent from the foundation stone ceremony, but there are also strikes and marches indicating the unrest to follow.
In June 1913, John Redmond, as Secretary to the Parnell Monument Committee, writes to the City Council requesting the council to take the Monument into their charge on behalf of the Citizens of Dublin. The Council agrees to this request and ever since then the Parnell Monument has been in the care of the Dublin Corporation.
The inscription on the monument reads:
To Charles Stewart Parnell
No Man has a right to fix the Boundary to the march of a nation No man has a right To say to his country Thus far shat thou Go and no further We have never Attempted to fix The ne-plus-ultra To the progress of Ireland’s nationhood And we never shall
At the base of the statue the Irish inscription reads:
Thomas James Carr, British artist who is associated with the Euston Road School in the 1930s and has a long career as a painter of domestic scenes and landscapes, is born in Belfast to a well-to-do family on September 21, 1909.
Although essentially a realist painter, Carr is included in the 1934 Objective Abstractionists exhibition at Zwemmer’s Gallery. In 1937, he shares an exhibition with Victor Pasmore and Claude Rogers at the Storran Gallery and subsequently becomes associated with the representational style of the Euston Road School. Starting in 1940, at Georges Wildenstein‘s gallery, he holds a series of one-man exhibitions at various galleries including at the Leicester Galleries, The Redfern Gallery and also at Thomas Agnew & Sons.
After the war, Carr teaches at the Belfast College of Art and moves to Belfast in 1955. After the death of his wife in 1995, he moves to Norfolk, England to be nearer one of his three daughters and her family. He continues to paint into old age and tends to concentrate on landscape painting.
Emmet is born at 109 St. Stephen’s Green, in Dublin on March 4, 1778, the youngest son of Dr. Robert Emmet, a court physician, and his wife, Elizabeth Mason. He attends Oswald’s school, in Dopping’s-court, off Golden-lane and enters Trinity College, Dublin in October 1793, at the age of fifteen. He becomes secretary of a secret United Irish Committee in college and is expelled in April 1798 as a result. That same year he flees to France to avoid the many British arrests of nationalists that are taking place in Ireland.
After the 1798 rising, Emmet is involved in reorganising the defeated Society of United Irishmen. In April 1799 a warrant is issued for his arrest. He escapes and soon after travels to the continent in the hope of securing French military aid. His efforts are unsuccessful, as Napoleon is concentrating his efforts on invading England.
Emmet returns to Ireland in October 1802 and, along with fellow revolutionaries Thomas Russell and James Hope, begins preparations for another uprising in March of the following year. A premature explosion at one of Emmet’s arms depots forces him to advance the date of the rising before the authorities’ suspicions are aroused.
Emmet is unable to secure the help of Michael Dwyer‘s Wicklow rebels. Many rebels from Kildare turn back due to the scarcity of firearms they had been promised, but the rising proceeds in Dublin on the evening of July 23, 1803. Failing to seize Dublin Castle, which is lightly defended, the rising amounts to a large-scale disturbance in the Thomas Street area. He sees a dragoon pulled from his horse and piked to death, the sight of which prompts him to call off the rising to avoid further bloodshed, but he has no control over of his followers. Sporadic clashes continue into the night until finally quelled by British military forces.
Emmet flees into hiding but is captured on August 25 and taken to Dublin Castle, then removed to Kilmainham Gaol. He is tried for treason on September 19. The Crown repairs the weaknesses in its case by secretly buying the assistance of Emmet’s defence attorney, Leonard McNally, for £200 and a pension. McNally’s assistant Peter Burrowes cannot be bought, and he pleads the case as best he can. Emmet is found guilty of high treason.
Chief Justice John Toler, 1st Earl of Norbury sentences Emmet to be hanged, drawn and quartered, as is customary for conviction of treason. The following day, September 20, Emmet is executed in Thomas Street near St. Catherine’s Church. He is hanged and beheaded once dead. As family members and friends of Emmet had also been arrested, including some who had nothing to do with the rebellion, no one comes forward to claim his remains out of fear of arrest.
Emmet’s remains are first delivered to Newgate Prison and then back to Kilmainham Gaol, where the jailer is under instructions that if no one claims them, they are to be buried in a nearby hospital’s burial grounds. A later search there finds no remains. It is speculated that Emmet’s remains were secretly removed from the site and reinterred in St. Michan’s Church, a Dublin church with strong United Irish associations, though it is never confirmed. It is later suspected that they are buried secretly in the vault of a Dublin Anglican church. When the vault is inspected in the 1950s a headless corpse was found, suspected of being Emmet’s, but cannot be identified. Widely accepted is the theory that Emmet’s remains were transferred to St. Peter’s Church in Aungier St. under cover of the burial of his sister, Mary Anne Holmes, in 1804. In the 1980s the church is deconsecrated, and all the coffins are removed from the vaults. The church has since been demolished.
