Charles Edgeworth Cagney Lynch, Irish pianist who premiers works by several important 20th-century composers, is born in Parkgariff, County Cork, on October 22, 1906.
Lynch’s father is a British army colonel and his mother comes from a well-known Cork business dynasty, the Suttons. While still a young boy, the family moves to Greenock in western Scotland and it is there, at the Tontine Hotel, that the young pianist gives his first public recital at the age of nine. When he is fifteen, he wins a scholarship to the Royal Academy of Music in London, where he studies under York Bowen and, later, Egon Petri.
Lynch becomes a popular recitalist in London during the 1920s and 1930s. He gives the first performance in England of Sergei Rachmaninoff‘s Piano Sonata No. 2 in B flat minor, having been coached beforehand by the composer. Sir Arnold Bax‘s Fourth Piano Sonata (1932) is dedicated to the 26-year-old Lynch, whom Bax later describes as “Ireland’s most imaginative pianist.” In addition to concert recitals he broadcasts regularly with the BBC and, in 1937, acts as assistant to Sir Thomas Beecham at Covent Garden. Lynch is the Ballet Rambert‘s pianist for many years, having helped Marie Rambert form the company.
A pacifist, Lynch returns to Ireland following the outbreak of World War II, where he becomes the country’s premier concert pianist. During this phase of his career he premiers a number of works by leading Irish composers, including Brian Boydell‘s Sonata for Cello and Piano (1945) and Sean Ó Riada‘s Nomos No. 4 (1959). Lynch also performs in the world première of English composer Ernest John Moeran‘s Cello Sonata in A minor, given in Dublin in May 1947. He is joined by the composer’s wife, cellist Peers Coetmore.
Lynch continues to give public recitals throughout Ireland until shortly before his death at the age of 77. He also lectures in music at University College Cork and gives masterclasses at the Cork School of Music. In 1982, Lynch receives a doctorate in music from the National University of Ireland.
Lynch’s technique is remarkable for the stillness with which he sits, making the most difficult of music seem almost technically unremarkable. His recorded legacy is small, but includes music by Samuel Barber, Ernest John Moeran‘s Violin Sonata (with Geraldine O’Grady, violin) as well as music by Irish composers such as Aloys Fleischmann.
Toward the end of his life he lives in very reduced circumstances. He dies in Cork on September 15, 1984 at St. Finbarr’s Hospital and is buried near Sir Arnold Bax in St. Finbarr’s Cemetery, Glasheen Road, Cork.
The Irish language has largely retreated from Meath when O’Growney is born, and neither of his parents speak it. He becomes interested in the language when he chances upon the Irish lessons in the nationalist newspaper Young Ireland. He has help at first from a few old people who speak the language, and while at St. Patrick’s Pontifical University, Maynooth, where he continues his studies for the priesthood. He spends his holidays in Irish-speaking areas in the north, west, and south. He gets to know the Aran Islands and writes about them in the bilingual Gaelic Journal (Irisleabhar na Gaedhilge). He is ordained in 1888. His proficiency in the language leads him to be appointed in the re-established Chair of Irish at Maynooth in 1891. He serves as editor of the Gaelic Journal between 1894 and 1899 and during his tenure ensures that more material is published in Irish.
For O’Growney, language, nationality, and religion are closely linked. In 1890, writing in the Irish Ecclesiastical Review, he describes literature in Irish as “the most Catholic literature in the world.” He is aware, however, of its other aspects, adding that “even if Irish were to perish as a spoken language, it would remain valuable from the pure literature point of view.”
O’Growney’s Simple Lessons in Irish, first published in the newspaper the Weekly Freeman, prove so popular that they are published in booklet form. There are five books in the series and, by 1903, 320,000 copies have been sold.
O’Growney is a founding member of the Gaelic League, which is created in Dublin in 1893 “for the purpose of keeping the Irish language spoken in Ireland,” and later becomes its vice-president.
In 1894, failing health causes him to go to Arizona and California, where he dies in Los Angeles in 1899. Some years later, with the aid of Irish sympathisers in the United States, his body is brought back to Ireland.
His funeral, held on September 26, 1903 at the Catholic Pro-Cathedral, Dublin, is attended by 6,000 people, including members of the trade guilds, clerics, politicians, members of the nationalist Gaelic Athletic Association, and students. Eugene O’Growney is buried at Maynooth.
Wilde’s parents are successful Anglo-Irish Dublin intellectuals. Their son becomes fluent in French and German early in life. At university, Wilde read Greats and proves himself to be an outstanding classicist, first at Dublin, then at Magdalen College, Oxford. He becomes known for his involvement in the rising philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moves to London into fashionable cultural and social circles.
As a spokesman for aestheticism, Wilde tries his hand at various literary activities. He publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art,” and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversation, Wilde becomes one of the best-known personalities of his day.
At the turn of the 1890s, he refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draws Wilde to write drama. He writes Salome (1891) in French in Paris, but it is refused a licence for England due to the absolute prohibition of Biblical subjects on the English stage. Unperturbed, Wilde produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late Victorian London.
At the height of his fame and success, while his masterpiece, The Importance of Being Earnest (1895), is still on stage in London, Wilde has the John Douglas, 9th Marquess of Queensberry prosecuted for libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The charge carries a penalty of up to two years in prison. The trial unearths evidence that causes Wilde to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and imprisoned for two years’ penal labour.
In 1897, in prison, he writes De Profundis, which is published in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. Upon his release he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
Robinson is raised in a Protestant and Unionist family in which he is the youngest of seven children. His father, Andrew Robinson, is a middle-class stockbroker who in 1892 decides to become a clergyman in the Church of Ireland in the small Ballymoney parish, near Ballineen in West Cork. A sickly child, Robinson is educated by private tutor and at Bandon Grammar School. In August 1907, his interest in the theatre begins after he goes to see an Abbey production of plays by W.B. Yeats and Lady Gregory at the Cork Opera House. He publishes his first poem that same year. His first play, The Cross Roads, is performed in the Abbey in 1909 and he becomes manager of the theatre towards the end of that year. He resigns in 1914 as a result of a disastrous tour of the United States but returns in 1919. He is appointed to the board of the theatre in 1923 and continues to serve in that capacity until his death. His Abbey career and production involvement can be found in the Abbey archives.
As a playwright, Robinson shows himself as a nationalist with plays like Patriots (1912) and Dreamers (1915). On the other hand, he belongs to a part of Irish society which is not seen as fully Irish. This division between the majority native Irish (Roman Catholics) on one side and the Anglo-Irish (Protestants) on the other can be seen in a play such as The Big House (1926), which depicts the burning of a Protestant manor home by the Irish Republican Army (IRA). Robinson’s most popular play is The Whiteheaded Boy (1916).
Other plays include Crabbed Youth and Age (1924), The Far Off Hills (1928), Drama at Inish (1933), and Church Street (1935). Drama at Inish, which is presented in London and on Broadway as Is Life Worth Living?, is revived as part of the 2011 season at the Shaw Festival at Niagara-on-the-Lake, Ontario, Canada, with Mary Haney in the role of Lizzie Twohig. Robinson’s fiction includes Eight Short Stories (1919). In 1931 he publishes a biography of Bryan Cooper, who had recently died. In 1951, he publishes Ireland’s Abbey Theatre, the first full-length history of the company.
He publishes an edited edition of Lady Gregory’s diaries in 1947. In 1958 he co-edits with Donagh MacDonaghThe Oxford Book of Irish Verse. He is also a director and producer, in 1930 producing a play by Irish playwright Teresa Deevy called The Reapers. In 1931 he is co-director of A Disciple along with W.B. Yeats and Walter Starkie.
Conway is remembered for his application of biquaternion algebra to the special theory of relativity. He publishes an article in 1911, and in 1912 asserts priority over Ludwik Silberstein, who also applies biquaternions to relativity. This claim is backed up by George Temple in his book 100 Years of Mathematics. In 1947 Conway puts quaternions to use with rotations in hyperbolic space. The next year he publishes quantum mechanics applications which are referred to in a PhD thesis by Joachim Lambek in 1950.
Conway continues his scholarship in the field of mathematics and theoretical physics and makes a special study of William Rowan Hamilton. With John Lighton Synge, he edits the first volume of Hamilton’s mathematical papers, and, with A. J. McConnell, he edits the second volume of Hamilton’s mathematical papers. Conway is also active in college life, being appointed Registrar, a position he occupies until his election as president in 1940. He retires in 1947 from the presidency of UCD. In 1953, some of his writings are edited by J. McConnell for publication by the Dublin Institute for Advanced Studies.
Gilmore is born in Ballygar, County Galway, on December 25, 1829. He starts his music career at age fifteen and spends time in Canada with an English band. Already a fine cornet player, he settles in Boston, Massachusetts in 1848, becoming leader of the Suffolk, Boston Brigade, and Salem bands in swift succession. He also works in the Boston music store of John P. Ordway and founds Ordway’s Aeolians, a group of blackfaceminstrels. With the Salem Band, Gilmore performs at the 1857 inauguration of President James Buchanan.
In 1858, Gilmore founds “Gilmore’s Band,” and at the outset of the American Civil War the band enlists with the 24th Massachusetts Volunteers, accompanying General Ambrose Burnside to North Carolina. After the temporary discharge of bands from the field, Governor John Albion Andrew of Massachusetts entrusts Gilmore with the task of re-organizing military music-making. General Nathaniel P. Banks creates him Bandmaster-general.
When the war ends, Gilmore is asked to organize a celebration, which takes place in New Orleans. That success emboldens him to undertake two major music festivals in Boston, the National Peace Jubilee in 1869 and the World’s Peace Jubilee and International Musical Festival in 1872. These feature monster orchestras of massed bands with the finest singers and instrumentalists, including the only American appearance by “waltz king” Johann Strauss II, and cements Gilmore’s reputation as the leading musical figure of the age. Coliseums are erected for the occasions, holding 60- and 120,000 persons. Grateful Bostonians present Gilmore with medals and cash, but in 1873 he moves to New York City, as bandmaster of the 22nd Regiment. Gilmore takes this band on acclaimed tours of Europe.
On September 24, 1892, back in the United States preparing an 1892 musical celebration of the quadricentennial anniversary of Christopher Columbus‘ voyage of discovery, Gilmore collapses and dies in St. Louis. He is buried in Calvary Cemetery, Queens, New York, where his wife is later interred.
In many ways Gilmore can be seen as the principal figure in 19th-century American music. He holds the first “Promenade Concert in America” in 1855, the forerunner to today’s Boston Pops. He sets up “Gilmore’s Concert Garden,” which becomes Madison Square Garden. He is the Musical Director of the Nation in effect, leading the festivities for the 1876 Centennial celebrations in Philadelphia and the dedication of the Statue of Liberty in 1886. In 1888 he starts the tradition of seeing in the New Year in Times Square.
John Devoy, one of the most devoted revolutionaries the world has ever seen, is born in Kill, County Kildare, on September 3, 1842. Dedicating over 60 years of his life to the cause of Irish freedom, he is one of the few people to have played a leading role in the Fenian Rising of 1867, the 1916 Easter Rising, and the Irish War of Independence (1919 – 1921).
After the Great Famine, the family moves to Dublin where Devoy’s father obtains at job at Watkins’ brewery. Devoy attends night school at the Catholic University before joining the Fenians. In 1861 he travels to France with an introduction from Timothy Daniel Sullivan to John Mitchel. Devoy joins the French Foreign Legion and serves in Algeria for a year before returning to Ireland to become a Fenian organiser in Naas, County Kildare.
In 1865, when many Fenians are arrested, James Stephens, founder of the Irish Republican Brotherhood (IRB), appoints Devoy Chief Organiser of Fenians in the British Army in Ireland. His duty is to enlist Irish soldiers in the British Army into the IRB. In November 1865 Devoy orchestrates Stephens’ escape from Richmond Prison in Dublin.
In February 1866 an IRB Council of War calls for an immediate uprising but Stephens refuses, much to Devoy’s annoyance, as he calculated the Fenian force in the British Army to number 80,000. The British get wind of the plan through informers and move the regiments abroad, replacing them with regiments from Britain. Devoy is arrested in February 1866 and interned in Mountjoy Gaol, then tried for treason and sentenced to fifteen years penal servitude. In Portland Prison Devoy organises prison strikes and, as a result, is moved to Millbank Prison in Pimlico, London.
In January 1871, he is released and exiled to the United States as one of the “Cuba Five.” He receives an address of welcome from the House of Representatives. Devoy becomes a journalist for the New York Herald and is active in Clan na Gael. Under Devoy’s leadership, Clan na Gael becomes the central Irish republican organisation in the United States. In 1877 he aligns the organisation with the Irish Republican Brotherhood in Ireland.
Devoy’s fundraising efforts and work to sway Irish Americans to physical force nationalism makes possible the Easter Rising in 1916. In 1914, Patrick Pearse visits the elderly Devoy in America, and later the same year Roger Casement works with Devoy in raising money for guns to arm the Irish Volunteers. Though he is skeptical of the endeavor, he finances and supports Casement’s expedition to Germany to enlist German aid in the struggle to free Ireland from English rule. Also, before and during World War I, Devoy is also identified closely with the Ghadar Party, and is accepted to have played a major role in supporting Indian Nationalists, as well as playing a key role in the Hindu-German Conspiracy which leads to the trial that is the longest and most expensive trial in the United States at the time.
In 1916 Devoy plays an important role in the formation of the Clan-dominated Friends of Irish Freedom, a propaganda organization whose membership totals 275,000 at one point. The Friends fail in their efforts to defeat Woodrow Wilson for the presidency in 1916. Fearful of accusations of disloyalty for their cooperation with Germans and opposition to the United States’ entering the war on the side of Great Britain, the Friends significantly lower their profile after April 1917. Sinn Féin‘s election victories and the British government’s intentions to conscript in Ireland in April 1917 help to revitalize the Friends.
With the end of the war, Devoy plays a key role in the Friends’ advocacy for not the United States’ recognition of the Irish Republic but, in keeping with President Wilson’s war aims, self-determination for Ireland. The latter does not guarantee recognition of the Republic as declared in 1916 and reaffirmed in popular election in 1918. American Irish republicans challenge the Friends’ refusal to campaign for American recognition of the Irish Republic. Not surprisingly, Devoy and the Friends’ Daniel F. Cohalan become the key players in a trans-Atlantic dispute with de facto Irish president Éamon de Valera, touring the United States in 1919 and 1920 in hopes of gaining U.S. recognition of the Republic and American funds. Believing that the Americans should follow Irish policy, de Valera forms the American Association for the Recognition of the Irish Republic in 1920 with help from the Philadelphia Clan na Gael.
Devoy returns to Ireland and in 1919 addresses Dáil Éireann. He later supports the Anglo-Irish Treaty of 1921. Devoy is editor of The Gaelic American from 1903 until his death in Atlantic City on September 29, 1928. His body is returned to Ireland and buried in Glasnevin Cemetery. A large memorial to him stands on the road between his native Kill and Johnstown.
The Cork Examiner, now known as the Irish Examiner, an Irish national daily newspaper, hits the streets for the first time on August 30, 1841. Today the newspaper primarily circulates in the Munster region surrounding its base in Cork, though it is available throughout Ireland. Its primary national rivals are The Irish Times and the Irish Independent.
The paper is founded by John Francis Maguire under the title The Cork Examiner in 1841 in support of the Catholic Emancipation and tenant rights work of Daniel O’Connell. The newspaper is originally published three times a week on Mondays, Wednesdays, and Fridays. In July 1861, it becomes a daily newspaper with editions Monday through Saturday.
In August 1922, during the Irish Civil War, The Cork Examiner’s printing presses are destroyed by Republican forces before the Free State army can arrive in Cork. During the Spanish Civil War, The Cork Examiner takes a strongly pro-Franco tone in its coverage of the conflict.
Though originally appearing under The Cork Examiner title, it has re-branded in recent years to The Examiner, and subsequently The Irish Examiner to appeal to a more national readership.
The newspaper was part of the Thomas Crosbie Holdings group. Thomas Crosbie Holdings went into receivership in March 2013. The newspaper has since been acquired by Landmark Media Investments. The newspaper is based on Academy Street in Cork for over a century before moving to new offices at Lapp’s Quay, Cork in early November 2006.
Historical copies of The Cork Examiner, dating back to 1841, are available to search and view in digitised form at The British Newspaper Archive.
At the age of twelve, O’Flaherty goes to Rockwell College and later University College Dublin and the Dublin Diocesan teacher training college Holy Cross College. It is intended he enter the priesthood, but he joins the Irish Guards in 1917 under the name Bill Ganly. Serving on the Western Front, he finds trench life devastatingly monotonous and is badly injured in September 1917 during the Battle of Langemarck. It is speculated that shell shock is responsible for the mental illness which becomes apparent in 1933.
He returns from the front a socialist. Having become interested in Marxism as a schoolboy, atheistic and communistic beliefs evolve in his 20s and he is a founding member of the Communist Party of Ireland. Two days after the establishment of the Irish Free State, O’Flaherty and other unemployed Dublin workers seize the Rotunda Concert Hall in Dublin and hold it for four days in protest at “the apathy of the authorities.” Free State troops force their surrender.
O’Flaherty then leaves Ireland and moves first to England where, destitute and jobless, he takes to writing. In 1925 he scores immediate success with his best-selling novel The Informer about a rebel with confused ideals in the Irish War of Independence, which wins him the 1925 James Tait Black Memorial Prize for fiction. Four years later his next short novel Return of the Brute, set in the World War I trenches, proves another success. He then travels to the United States, where he lives in Hollywood for a short time. The well-known director John Ford, a cousin, later makes a film of O’Flaherty’ first novel. The novel is also the source of a 1929 film of the same name directed by Arthur Robison.
Many of his works have the common theme of nature and Ireland. He is a distinguished short story writer, and some of his best work in that genre is in Irish. The collection Dúil, published towards the end of his life, contains Irish language versions of a number of stories published elsewhere in English. This collection, now widely admired, has a poor reception at the time, and this seems to discourage him from proceeding with an Irish language novel he has in hand.
In a letter written to The Sunday Times in later years he confesses to a certain ambivalence regarding his work in Irish and speaks of other Irish writers who receive little praise for their work in the language. This gives rise to some controversy. His First Flight, a short story which symbolizes the nervousness one experiences before doing something new, is regarded as one of his most famous works. In 1923, O’Flaherty publishes his first novel, Thy Neighbour’s Wife, thought to be one of his best. Over the next couple of years, he publishes other novels and short stories. In 1933 he suffers the first of two mental breakdowns.
He travels in the United States and Europe, and the letters he writes while travelling have now been published. He has a love of French and Russian culture. Before his death he leaves the Communist Party and returns to the Roman Catholic faith. O’Flaherty dies in Dublin on September 7, 1984, and many of his works are subsequently republished. He is remembered today as a powerful writer and a strong voice in Irish culture.
On June 1, 1899, the jubilee of his appointment is celebrated in a ceremony which is attended by numerous delegates from European and American universities. A commemorative gold medal is presented to Stokes by the chancellor of the university, and marble busts of Stokes by Hamo Thornycroft are formally offered to Pembroke College and to the university by Lord Kelvin.
Stokes, who is made a baronet in 1889, further serves his university by representing it in parliament from 1887 to 1892 as one of the two members for the Cambridge University constituency. During a portion of this period (1885–1890) he also serves as president of the Royal Society, of which he has been one of the secretaries since 1854. Since he is also Lucasian Professor at this time, Stokes is the first person to hold all three positions simultaneously.