The youngest son of Jim and Lily McCusker, McCusker is born and raised in the heart of Lurgan, County Armagh, Northern Ireland. He is educated at Lurgan Model Primary School, Lurgan College and Stranmillis University College, before qualifying as a teacher. Before entering politics he works in industry, latterly with Goodyear, in their Craigavon Plant.
McCusker is an Orangeman and staunch Unionist. Prior to his death in Portadown, County Armagh, Northern Ireland on February 12, 1990, five days after his 50th birthday, McCusker is expected to rise further in the Ulster Unionist Party and British political scenes, due to his ability and popularity among his peers and the wider public. He is a member of the Methodist Church in Ireland (Lurgan circuit).
At 12:25 PM on December 11, 1971, when the Shankill Road is packed with Saturday shoppers, a green car pulls up outside the Balmoral Furniture Company at the corner of Carlow Street and Shankill Road. The shop is locally known as “Moffat’s” although Balmoral Furniture Company is its official name. One of the occupants gets out of the car and leaves a box containing a bomb on the step outside the front door. The person gets back into the car, and it speeds away. The bomb explodes moments later, bringing down most of the building on top of those inside the shop and on passersby outside.
Four people are killed as a result of the massive blast, including two babies, Tracey Munn (age 2 years) and Colin Nichol (age 17 months), who both die instantly when part of the wall crashes down upon the pram they are sharing. Two employees working inside the shop are also killed, Hugh Bruce (age 70 years) and Harold King (age 29 years). Unlike the other three victims, who are Protestant, King is a Catholic. Bruce, a former soldier and a Corps of Commissionaires member, is the shop’s doorman and is nearest to the bomb when it explodes. Nineteen people are injured in the bombing, including Tracey’s mother. The building, which was built in the Victorian era, has load-bearing walls supporting upper floors on joists. It is unable to withstand the blast and collapses, adding to the devastation and injury count.
The bombing causes bedlam in the crowded street. Hundreds of people rush to the scene where they form human chains to help the British Army and Royal Ulster Constabulary (RUC) free those trapped beneath the rubble by digging with their bare hands. Peter Taylor describes the scene as “reminiscent of the London Blitz” in World War II.
The Balmoral Furniture Company bombing is one of the catalysts that spark the series of tit-for-tat bombings and shootings by loyalists, republicans and the security forces that make the 1970s the bloodiest decade in the 30-year history of The Troubles.
(Pictured: Fireman is shown removing the body of one of the victims of the bombing at the Balmoral Furniture Showroom, December 11, 1971)
Crawford works as an engineer for White Star Line in the 1880s, before returning from Australia in 1892. In 1894 he enlists with the Mid Ulster Artillery regiment of the British Army, before being transferred to the Donegal Artillery, with which he serves during the Boer Wars, earning himself the rank of major.
In 1898, Crawford is appointed governor of Campbell College in Belfast. In 1911 he becomes a member of the Ulster Unionist Council. On September 28, 1912, he is in charge of the 2,500 well-dressed stewards and marshals that escort Edward Carson and the Ulster unionist leadership from the Ulster Hall in Belfast to the City Hall for the signing of the Ulster Covenant, which he is alleged to sign in his own blood. With the formation of the Ulster Volunteers in 1913, he is made their Director of Ordnance.
Crawford in regard to Irish Home Rule is strongly partisan and backs armed resistance in opposing it, being contemptuous of those who use political bluffing. In 1910 the Ulster Unionist Council plans for the creation of an army to oppose Home Rule, and approaches Crawford to act as their agent in securing weapons and ammunition. He tries several times to smuggle arms into Ulster, however vigilant customs officials seize many of them at the docks. Despite this, the meticulously planned and audacious Larne gun-running of April 1914, devised and carried out by Crawford, is successful in bringing in enough arms to equip the Ulster Volunteers.
By the 1920s Crawford remains as stoic in his belief’s remarking in a letter in 1920 that “I am ashamed to call myself an Irishman. Thank God I am not one. I am an Ulsterman, a very different breed.” In 1921 he attempts to create an organisation called the Ulster Brotherhood, the aims of which are to uphold the Protestant religion, political and religious freedom as well as use by all means to “destroy and wipe out the Sinn Féin conspiracy of murder, assassination and outrage.” However, this organisation only lasts completely unofficially for a few months after failing to gain acceptance with the political authorities. Also, in 1921 he is included in the Royal Honours List and granted a CBE. In 1934 he writes his memoirs, entitled Guns for Ulster.
Frederick Hugh Crawford dies November 5, 1952, and is buried in the City Cemetery, Falls Road, Belfast. Upon news of his death, he is described by the then Prime Minister of Northern Ireland, Sir Basil Brooke, as being “as a fearless fighter in the historic fight to keep Ulster British.”
(Pictured: Colonel Crawford is shown second from the left in this loyalist mural in East Belfast’s Ballymacarrett Road)
Makem’s mother, Sarah Makem, is an important source of traditional Irish music, who is visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O’Boyle. His father, Peter Makem, is a fiddler who also plays the bass drum in a local pipe band named “Oliver Plunkett,” after a Roman Catholic martyr of the reign of Charles II of England. His brother and sister are folk musicians as well. Makem, from the age of eight, is member of the St. Patrick’s church choir for 15 years where he sings Gregorian chant and motets. He does not learn to read music but he makes it in his “own way.”
Makem starts to work at 14 as a clerk in a garage and later he works for a while as a barman at Mone’s Bar, a local pub, and as a local correspondent for The Armagh Observer.
Makem emigrates to the United States in 1955, carrying his few possessions and a set of bagpipes from his time in a pipe band. Arriving in Dover, New Hampshire, he works at Kidder Press, where his hand was accidentally crushed by a press in 1956. With his arm in a sling, he leaves Dover for New York City to pursue an acting career.
The Clancys and Makem are signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez are named the most promising newcomers on the American folk scene. During the 1960s, the Clancy Brothers and Tommy Makem perform sellout concerts at such venues as Carnegie Hall, and make television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performs for President John F. Kennedy. They also play in smaller venues such as the Gate of Horn in Chicago. They appear jointly in the UK Albums Chart in April 1966, when Isn’t It Grand Boys reaches number 22.
Makem leaves the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy are both booked to play a folk festival in Cleveland, Ohio, and are persuaded to do a set together. Thereafter they often perform as Makem and Clancy, recording several albums together. He once again goes solo in 1988. Throughout the 1970s and 1980s he performs both solo and with Liam Clancy on The Irish Rovers‘ various television shows, which are filming in Canada and Ireland.
In the 1980s and 1990s, Makem is a principal in a well-known Irish music venue in New York, “Tommy Makem’s Irish Pavilion.” This East 57th Street club is a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors are Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem is a regular performer, often solo and often as part of Makem and Clancy, particularly in the late fall and holiday season. The club is also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center for the Performing Arts. In addition, the after-party for Bob Dylan‘s legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 is held at the Irish Pavilion.
In 1997 Makem writes a book, Tommy Makem’s Secret Ireland, and in 1999 premiers a one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also establishes the Tommy Makem International Festival of Song in South Armagh in 2000.
Tommy Makem dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer. He continues to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy says, “He was my brother in every way.” He is buried next to his wife at New Saint Mary Cemetery in Dover.
In the late 1960s, a civil rights campaign develops in Northern Ireland. Adams is an active supporter and joins the Northern Ireland Civil Rights Association in 1967. However, the civil rights movement is met with violence from loyalist counterdemonstrations and the Royal Ulster Constabulary. In August 1969, Northern Ireland cities like Belfast and Derry erupt in major rioting.
Adams has been the president of Sinn Féin since 1983. Since that time the party has become the third-largest party in the Republic of Ireland, the second-largest political party in Northern Ireland and the largest Irish nationalist party in that region. In 1984, Adams is seriously wounded in an assassination attempt by several gunmen from the Ulster Defence Association (UDA), including John Gregg. From the late 1980s onwards, Adams is an important figure in the Northern Ireland peace process, initially following contact by the then-Social Democratic and Labour Party (SDLP) leader John Hume and then subsequently with the Irish and British governments.
In 1986, Sinn Féin, under Adams, changes its traditional policy of abstentionism towards the Oireachtas, the parliament of the Republic of Ireland, and later takes seats in the power-sharing Northern Ireland Assembly. In 2005, the Provisional Irish Republican Army (IRA) states that its armed campaign is over and that it is exclusively committed to democratic politics.
In September 2017, Adams says Sinn Féin will begin a “planned process of generational change” after its November ardfheis and will allow his name to go forward for a one-year term as Uachtaran Shinn Fein (President Sinn Fein).
Longley is renowned for the quiet beauty of his compact, meditative lyrics. Known for using classical allusions to cast provocative light on contemporary concerns, including Northern Ireland’s “Troubles,” his poetry is also marked by sharp observation of the natural world, deft use of technique, and deeply felt emotion. His debut volume, No Continuing City (1969), heralds the arrival of a new talent from a region which has already produced recognized talents like Seamus Heaney and Derek Mahon. However, his early influences are English poets like Philip Larkin, Louis MacNeice, and the First World War poets, as well as masters from the classical tradition. The critic Langdon Hammer describes Longley’s poems as masterpieces of “lucidity, economy, sincerity…by means of meticulous, unpretentious technique.”
Longley’s work engages diverse subjects, including Homeric literature, the landscape of Carrigskeewaun, jazz, Walter Mitty, and the politics of Northern Ireland. On the public and political responsibilities of being a Northern Irish poet, he says, “Though the poet’s first duty must be to his imagination, he has other obligations, and not just as a citizen. He would be inhuman if he did not respond to tragic events in his own community, and a poor artist if he did not seek to endorse that response imaginatively.” Reviewing his Selected Poems (1993), critic Fran Brearton praises in particular Longley’s more political poems, noting his “use of a compassionate yet unsentimental voice, and an attention to detail which restores specificity at a point in history when it is most in danger of being lost in abstraction – numbers, dates, death-tolls counted beyond comprehension.”
Mary Patricia McAleese, Irish Independent politician who serves as the 8th President of Ireland from November 1997 to November 2011, is born in Belfast, Northern Ireland on June 27, 1951. She is the second female president and is first elected in 1997 succeeding Mary Robinson, making McAleese the world’s first woman to succeed another as president. She is re-elected unopposed for a second term in office in 2004 and is the first President of Ireland to have come from either Northern Ireland or Ulster.
In 1975, McAleese is appointed Professor of Criminal Law, Criminology and Penology at Trinity College, Dublin and in 1987, she returns to her Alma Mater, Queen’s, to become Director of the Institute of Professional Legal Studies. In 1994, she becomes the first female Pro-Vice-Chancellor of Queen’s University. She works as a barrister and also works as a journalist with RTÉ.
McAleese uses her time in office to address issues concerning justice, social equality, social inclusion, anti-sectarianism and reconciliation. She describes the theme of her Presidency as “Building Bridges.” This bridge-building materialises in her attempts to reach out to the unionist community in Northern Ireland. These steps include celebrating The Twelfth at Áras an Uachtaráin and she even incurs criticism from some of the Irish Catholic hierarchy by taking communion in a Church of Ireland cathedral in Dublin. Despite being a practising Roman Catholic, she holds liberal views regarding homosexuality and women priests. She is a member of the Council of Women World Leaders and is ranked the 64th most powerful woman in the world by Forbes. In spite of some minor controversies, McAleese remains popular, and her Presidency is regarded as successful.
Actor Liam John Neeson is born on June 7, 1952, in Ballymena, County Antrim. Raised as a Roman Catholic, Neeson is named Liam after the local priest. He says growing up as a Catholic in a predominately Protestant town made him cautious. At age nine, he begins boxing lessons at the All-Saints Youth Club and later becomes Ulster’s amateur senior boxing champion.
Neeson first steps on stage at age eleven after his English teacher offers him the lead role in a school play, which he accepts because the girl he is attracted to is starring in it. He continues to act in school productions over the following years.
Neeson’s interest in acting and decision to become an actor is also influenced by minister Ian Paisley, into whose Free Presbyterian church Neeson would sneak. Neeson says of Paisley, “He had a magnificent presence, and it was incredible to watch him just Bible-thumping away… it was acting, but it was also great acting and stirring too.”
Young is born in Galgorm Castle, Ballymena, County Antrim, daughter and seventh of twelve children born to Grace Charlotte Savage, and John Young who is a prosperous unionist and high sheriff. Despite his position he is a believer in tenant rights. Her younger sister is the writer Ella Young and her brother Willie Young is secretary of the Ulster Unionist League.
Young is educated by governesses until 1884 before completing training as a teacher through Cambridge University. Young also attends Gaelic League classes in 1903 in London while visiting her sister who is living in the city at the time. After visiting the Bodleian Library she becomes committed to the study of the Irish language.
In the early 1900s Young returns to Ireland and continues her study of the Irish language in Belfast at Seán Ó Catháin‘s Irish College and in County Donegal at Coláiste Uladh in Gort an Choirce. Young also stays in Dublin and becomes friends with members of the Gaelic League and meets Margaret Dobbs. Young works with Dobbs on the Feis na nGleann (The Glens Festival), a gathering dedicated to the Irish language.
Young is not involved in nationalism though she is strongly supportive of creating and maintaining a sense of “Irishness” through language and culture. She is also a friend and patron of Roger Casement. She also works with Ellen O’Brien and contributes to O’Brien’s book, The Gaelic Church. She keeps meticulous diaries and becomes interested in Rathlin Island and the Gaelic spoken there.
Rose Young is buried in the Presbyterian churchyard at Ahoghill, County Antrim.
Devine, also known as “Red Mickey” because of his red hair, is born into a family from the Springtown Camp, Derry, Northern Ireland. In 1960, when he is six years of age, the Devine family including his grandmother, sister Margaret and parents Patrick and Elizabeth, move to the then newly built Creggan estate to the north of Derry city centre. He is educated at Holy Child Primary School and St. Joseph’s Secondary School, both in the Creggan.
After British soldiers shoot and kill two unarmed civilians, Dessie Beattie and Raymond Cusack, Devine joins the James Connolly Republican Club in Derry in July 1971. Bloody Sunday has a deep impact on him. In the early 1970s, Devine joins the Irish Labour Party and Young Socialists.
Devine helps found the Irish National Liberation Army (INLA) in 1975. In 1976, after an arms raid in County Donegal in the Republic of Ireland, he is arrested in Northern Ireland. He is convicted and sentenced to twelve years in prison. He joins the blanket protest before joining the hunger strike.
Devine participates in a brief hunger strike in 1980, which is called off without fatalities. However, on June 22, 1981, Devine joins the 1981 hunger strike at the Maze Prison. He dies on August 20, the tenth and last of the hunger strikers to die.
seamus dubhghaill 