seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Literature & Poetry


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Publication of Bram Stoker’s “Dracula”

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The Gothic horror novel Dracula, written by Bram Stoker of Dublin, is first published on May 26, 1897. The novel tells the story of Dracula’s attempt to move from Transylvania to England so that he may find new blood and spread the undead curse, and of the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.

Between 1879 and 1898, Stoker is a business manager for the world-famous Lyceum Theatre in London, where he supplements his income by writing a large number of sensational novels, including the vampire tale Dracula. Parts of the novel are set around the town of Whitby, where he spends summer holidays.

Throughout the 1880s and 1890s, authors such as H. Rider Haggard, Rudyard Kipling, Robert Louis Stevenson, Arthur Conan Doyle, and H. G. Wells write many tales in which fantastic creatures threaten the British Empire. Invasion literature is at a peak, and Stoker’s formula of an invasion of England by continental European influences is very familiar by 1897 to readers of fantastic adventure stories. Victorian readers enjoy Dracula as a good adventure story like many others, but it does not reach its iconic legendary status until later in the 20th century when film versions begin to appear.

Before writing Dracula, Stoker spends seven years researching European folklore and stories of vampires, being most influenced by Emily Gerard‘s 1885 essay Transylvania Superstitions. Later he also claims that he has a nightmare, caused by eating too much crab meat covered with mayonnaise sauce, about a “vampire king” rising from his grave.

Despite being the most widely known vampire novel, Dracula is not the first. It is preceded and partly inspired by Sheridan Le Fanu‘s 1871 Carmilla, about a lesbian vampire who preys on a lonely young woman, and by Varney the Vampire, a lengthy penny dreadful serial from the mid-Victorian period by James Malcolm Rymer. John Polidori creates the image of a vampire portrayed as an aristocratic man, like the character of Dracula, in his tale The Vampyre in 1819.

The Lyceum Theatre where Stoker works between 1878 and 1898 is headed by actor-manager Henry Irving, who is Stoker’s real-life inspiration for Dracula’s mannerisms and who Stoker hopes would play Dracula in a stage version. Irving never does agree to do a stage version, but Dracula’s dramatic sweeping gestures and gentlemanly mannerisms draw their living embodiment from Irving.

The Dead Un-Dead is one of Stoker’s original titles for Dracula, and the manuscript is entitled simply The Un-Dead up until a few weeks before publication. Stoker’s notes for Dracula show that the name of the count is originally “Count Wampyr”, but Stoker becomes intrigued by the name “Dracula” while doing research, after reading William Wilkinson‘s book An Account of the Principalities of Wallachia and Moldavia with Political Observations Relative to Them (London 1820), which he finds in the Whitby Library and consults a number of times during visits to Whitby in the 1890s. The name Dracula is the patronym of the descendants of Vlad II of Wallachia, who takes the name “Dracul” after being invested in the Order of the Dragon in 1431. In the Romanian language, the word dracul can mean either “the dragon” or, especially in the present day, “the devil.”

Dracula is copyrighted in the United States in 1899 with the publication by Doubleday & McClure of New York. However, when Universal Studios purchases the rights, it comes to light that Bram Stoker has not complied with a portion of U.S. copyright law, placing the novel into the public domain. In the United Kingdom and other countries following the Berne Convention on copyrights, the novel is under copyright until April 1962, fifty years after Stoker’s death.

F. W. Murnau‘s unauthorized film adaptation Nosferatu is released in 1922, and the popularity of the novel increases considerably, owing to the controversy caused when Stoker’s widow tries to have the film removed from public circulation. Florence Stoker sues the film company and wins; however, the company is bankrupt, and Stoker only recovers her legal fees and an order by the court for all copies of the film to be destroyed. Some copies survive and find their way into theatres. Eventually, Florence Stoker simply gives up the fight against public displays of the film.

Dracula has been assigned to many literary genres including vampire literature, horror fiction, gothic fiction, and invasion literature. Stoker does not invent the vampire, but he defines its modern form, and the novel has spawned numerous theatrical, film, and television interpretations.


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Birth of Sir Arthur Conan Doyle, Creator of Sherlock Holmes

Sir Arthur Ignatius Conan Doyle, British writer and physician, most noted for creating the fictional detective Sherlock Holmes and writing stories about him which are generally considered milestones in the field of crime fiction, is born at 11 Picardy Place, Edinburgh, Scotland, on May 22, 1859.

Doyle’s father, Charles Altamont Doyle, is an Englishman of Irish Catholic descent and his mother, Mary (née Foley), is Irish Catholic. Charles dies in 1893, in the Crichton Royal Hospital, Dumfries, after many years of psychiatric illness. Supported by wealthy uncles, Doyle is sent to the Jesuit preparatory school Hodder Place, Stonyhurst, at the age of nine. He then goes on to Stonyhurst College until 1875. From 1875 to 1876, he is educated at the Jesuit school Stella Matutina in Feldkirch, Austria. Doyle later rejects the Catholic faith and becomes an agnostic. He also later becomes a spiritualist mystic.

From 1876 to 1881 Doyle studies medicine at the University of Edinburgh Medical School. While studying, he begins writing short stories. His first published piece, The Mystery of Sasassa Valley, is printed in Chambers’s Edinburgh Journal on September 6, 1879. After stints as a ship’s doctor and a failed medical practice with former classmate George Turnavine Budd, Doyle arrives in Portsmouth in June 1882 and sets up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice is slow to develop and while waiting for patients, Doyle again begins writing fiction. In 1890, Doyle studies ophthalmology in Vienna and moves to London.

Doyle’s first work featuring Sherlock Holmes and Dr. Watson, A Study in Scarlet, is published by Ward Lock & Co. in November 1886. The piece appears one year later in the Beeton’s Christmas Annual and receives good reviews in The Scotsman and the Glasgow Herald.

A sequel to A Study in Scarlet is commissioned and The Sign of the Four appears in Lippincott’s Magazine in February 1890, the last under agreement with the Ward Lock company. Short stories featuring Sherlock Holmes are published in The Strand Magazine.

In December 1893, wanting to dedicate more time to historical novels, Doyle has Holmes and Professor Moriarty plunge to their deaths together down the Reichenbach Falls in the The Final Problem. Public outcry, however, leads him to feature Holmes in 1901 in the novel The Hound of the Baskervilles. Holmes is ultimately featured in a total of 56 short stories, the last published in 1927, and four novels by Doyle.

Between 1888 and 1906, Doyle writes seven historical novels, which many critics regard as his best work. He also authors nine other novels and, later in his career between 1912 and 1929, five stories, two of novella length, featuring the irascible scientist Professor Challenger.

He twice stands for Parliament as a Liberal Unionist, in 1900 in Edinburgh Central and in 1906 in the Hawick Burghs, but he is not elected. In May 1903, he is appointed a Knight of Grace of the Order of the Hospital of Saint John of Jerusalem.

Doyle is a supporter of the campaign for the reform of the Congo Free State, led by the journalist E. D. Morel and diplomat Roger Casement. He becomes acquainted with Morel and Casement and, together with Bertram Fletcher Robinson, they inspire several characters in the 1912 novel The Lost World. When Casement is found guilty of treason against the Crown during the 1916 Easter Rising, Doyle tries unsuccessfully to save him from facing the death penalty, arguing that Casement has been driven mad and cannot be held responsible for his actions.

Found clutching his chest in the hall of Windlesham Manor, his house in Crowborough, East Sussex, on July 7, 1930, Doyle dies of a heart attack at the age of 71. At the time of his death there is some controversy concerning his burial place, as he is avowedly not a Christian, but rather considers himself a Spiritualist. He is first buried on July 11, 1930, in Windlesham rose garden. He is later reinterred together with his wife in Minstead churchyard in the New Forest, Hampshire.


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Birth of Cecil Day-Lewis, Poet & Poet Laureate of the U.K.

Cecil Day-Lewis, poet, novelist, critic, and the Poet Laureate of the United Kingdom from 1968 to 1972, is born in Ballintubbert, County Laois, on April 27, 1904. He also writes mystery stories under the pseudonym of Nicholas Blake and is the father of actor Daniel Day-Lewis and documentary filmmaker and television chef Tamasin Day-Lewis.

Day-Lewis is the son of Frank Day-Lewis, Church of Ireland Rector of the parish, and Kathleen Blake. His father takes the surname “Day-Lewis” as a combination of the surnames of his own birth father (Day) and his adoptive father (Lewis). After the death of his mother in 1906, Day-Lewis is brought up in London by his father, with assistance of an aunt, spending summer holidays with relatives in County Wexford. He is educated at Sherborne School and at Wadham College, Oxford. In Oxford, Day-Lewis becomes part of the circle gathered around W. H. Auden and helps him to edit Oxford Poetry 1927. His first collection of poems, Beechen Vigil, appears in 1925.

In 1928, Day-Lewis marries Constance Mary King, the daughter of a Sherborne teacher, and works as a schoolmaster in three schools, including Larchfield School in Helensburgh, Scotland. During the 1940s he has a long and troubled love affair with the novelist Rosamond Lehmann. His first marriage is dissolved in 1951, and he marries actress Jill Balcon, daughter of Michael Balcon.

During World War II he works as a publications editor in the Ministry of Information, an institution satirised by George Orwell in his dystopian Nineteen Eighty-Four. During this time his work is now no longer as heavily influenced by Auden, and he develops a more traditional style of lyricism. Some critics believe that he reaches his full stature as a poet in Word Over All (1943), when he finally distances himself from Auden. After the war he joins the publisher Chatto & Windus as a director and senior editor.

In 1946, Day-Lewis is a lecturer at Cambridge University, publishing his lectures in The Poetic Image (1947). He later teaches poetry at the University of Oxford, where he is Professor of Poetry from 1951 until 1956. He is the Norton Professor at Harvard University from 1962 to 1963, and is appointed Poet Laureate in 1968, in succession to John Masefield.

Day-Lewis is chairman of the Arts Council Literature Panel, vice-president of the Royal Society of Literature, an Honorary Member of the American Academy of Arts and Letters, a Member of the Irish Academy of Letters, and a Professor of Rhetoric at Gresham College, London.

Cecil Day-Lewis dies of pancreatic cancer on May 22, 1972, at Lemmons, the Hertfordshire home of Kingsley Amis and Elizabeth Jane Howard, where he and his family are staying. Being a great admirer of Thomas Hardy, he arranges to be buried as close as possible to the author’s grave at St. Michael’s Church in Stinsford, Dorset.


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Birth of Maurice Walsh, Author of “The Quiet Man”

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Maurice Walsh, Irish novelist best known for the short story The Quiet Man which is later made into an Oscar-winning movie, is born on April 21, 1879, in Ballydonoghue near Listowel, County Kerry.

Walsh is the third child of ten and the first son born to John Walsh, a local farmer, and his wife Elizabeth Buckley who live in a three-room thatched farmhouse. John Walsh’s main interests are books and horses and he himself does little work about the farm, preferring to have a hired man. The most famous of these hired men is Paddy Bawn Enright, whose name is immortalised by Walsh in his story The Quiet Man, although the name is not used in the later motion picture. John Walsh passes on to his son not only a love of books but also legends and folk tales that are later featured of many of Walsh’s books.

Walsh goes to school in Lisselton, a mile or so up the road from Ballydonoghue, and later goes to St. Michael’s College in Listowel to prepare for the Civil Service examination. He enters the service on July 2, 1901, as an Assistant Revenue Officer in the Customs and Excise Service. He is posted to Scotland before the year is out and, although he subsequently has a number of postings outside Scotland, he spends most of his time there while in the British service.

Walsh has a life-long interest in writing and, during his early years in Scotland, this interest starts to bear fruit. He submits some of his stories and has two published in the Irish Emerald in 1908. Later that year, on August 8, 1908, Walsh marries Caroline Begg in Dufftown, Banffshire, Scotland.

When the Irish Free State is formed in 1922, Walsh transfers to its excise service and moves to Dublin. Fighting is still going on there at the time, and he leaves his family in Scotland until it is safe for them to join him in 1923. The story The Key Above the Door is written during the months of separation although it is not published until some years later, appearing first in Chambers Journal as a serial between December 1925 and May 1926 and then in book form, published by W & R Chambers Ltd., in July 1926.

Sales of Walsh’s books grow steadily, especially in the wake of an unsolicited and generous letter from J. M. Barrie, the creator of Peter Pan, praising The Key Above the Door, which Chambers is subsequently able to use on dust covers of Walsh’s books.

Walsh retires from government service in 1933 but his success as a writer continues. In that same year he sells a story to The Saturday Evening Post, then a well-known weekly magazine published in the United States. That story, later to be incorporated in the collection of stories published under the title Green Rushes, is The Quiet Man.

Director John Ford reads the story in 1933 and soon purchases the rights to it for $10. Walsh is paid another $2,500 when Republic Pictures buys the idea and receives a final payment of $3,750 when the film is actually made. Filming commences on June 7, 1951, with John Wayne and Maureen O’Hara in the leading roles. All of the outdoor scenes are shot on location in County Mayo and County Galway. The inside scenes are filmed in late July at the Republic Studios in Hollywood. The Quiet Man wins the Academy Award for Best Director for John Ford, his fourth, and for Best Cinematography.

Walsh becomes President of the Irish branch of PEN International in 1938 and visits the United States for an international meeting that year as the Irish delegate. His wife Caroline is able to accompany him although she has been in failing health for some years and ultimately dies in January 1941. Walsh himself dies on February 18, 1964, in Blackrock, a suburb of Dublin, and is buried in the Esker cemetery at Lucan, County Dublin. President Éamon de Valera attended Walsh’s funeral Mass.

In 2013, The Quiet Man is selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant.”


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Birth of Sir Samuel Ferguson, Irish Poet & Barrister

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Sir Samuel Ferguson, Irish poet, barrister, antiquarian, artist, and public servant, is born at 23 High Street in Belfast on March 10, 1810. Ferguson is perhaps the most important Irish poet of the 19th century. Due to his interest in Irish mythology and early Irish history he is seen as a forerunner of William Butler Yeats and the other poets of the Irish Literary Revival.

Ferguson lives at a number of addresses, including Glenwhirry, where he acquires the love of nature that informs his later work. He is educated at the Belfast Academy and the Belfast Academical Institution and then moves to Dublin to study law at Trinity College, obtaining his bachelor’s degree in 1826 and his master’s degree in 1832.

Because his father has exhausted the family property, Ferguson is forced to support himself through his student years. He turns to writing and is a regular contributor to Blackwood’s Magazine by the age of 22. He is called to the bar in 1838, but continues to write and publish, both in Blackwood’s and in the newly established Dublin University Magazine.

Ferguson settles in Dublin, where he practises law. In 1848, he marries Mary Guinness, a great-great-niece of Arthur Guinness and the eldest daughter of Robert Rundell Guinness, founder of Guinness Mahon bank. At the time he is defending the Young Irelander poet Richard Dalton Williams.

In addition to his poetry, Ferguson contributes a number of articles on topics of Irish interest to antiquarian journals. In 1863, he travels in Brittany, Ireland, Wales, England, and Scotland to study megaliths and other archaeological sites. These studies are important to his major antiquarian work, Ogham Inscriptions in Ireland, Wales and Scotland, which is edited after his death by his widow and published in 1887.

His collected poems, Lays of the Western Gael is published in 1865, resulting in the award of a degree LL.D. honoris causa from Trinity College. He writes many of his poems in both Irish and English translations. In 1867, Ferguson retires from the bar to take up the newly created post of Deputy Keeper of the Public Records in Ireland. As reward for his services, he receives a knighthood in 1878.

Ferguson’s major work, the long poem Congal is published in 1872 and a third volume, Poems, in 1880. In 1882, he is elected President of the Royal Irish Academy, an organisation dedicated to the advancement of science, literature, and antiquarian studies. His house in North Great George’s St., Dublin, is open to everyone interested in art, literature or music.

Ferguson dies on August 9, 1886, in Howth, just outside Dublin city, and is buried in Donegore near Templepatrick, County Antrim.


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Novelist Joseph Sheridan Le Fanu Dies In Dublin

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Joseph Thomas Sheridan Le Fanu, journalist, novelist, and short story writer, often called the father of the modern ghost story, dies in Dublin on February 7, 1873. He is the leading ghost-story writer of the nineteenth century and is central to the development of the genre in the Victorian era. His best-known works include Uncle Silas (1864), a suspense story, and The House by the Churchyard (1863), a murder mystery. His vampire story Carmilla, which influences Bram Stoker’s Dracula, has been filmed several times.

Le Fanu is born at 45 Lower Dominick Street in Dublin to Thomas Philip Le Fanu and Emma Lucretia Dobbin, a literary family of Huguenot, Irish, and English descent. Within a year of his birth the family moves to the Royal Hibernian Military School in Phoenix Park where his father, a Church of Ireland clergyman, is appointed to the chaplaincy of the establishment.

In 1826, the family moves to Abington, County Limerick, where Le Fanu’s father takes up his second rectorship. Le Fanu uses his father’s library to educate himself and by the age of fifteen he was writing poetry.

The disorders of the Tithe War (1831–1836) affect the region in 1832 and the following year the family temporarily moves back to Dublin, where Le Fanu works on a government commission. Although Thomas Le Fanu tries to live as though he is well-off, the family is in constant financial difficulty. At his death, Thomas has almost nothing to leave to his sons and the family has to sell his library to pay off some of his debts.

Le Fanu studies law at Trinity College, Dublin, where he is elected Auditor of the College Historical Society. He is called to the bar in 1839, but never practices and soon abandons law for journalism. In 1838 he begins contributing stories to the Dublin University Magazine, including his first ghost story, The Ghost and the Bone-Setter (1838). He becomes owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder.

In 1847, Le Fanu supports John Mitchel and Thomas Francis Meagher in their campaign against the indifference of the government to the Irish Famine. Others involved in the campaign include Samuel Ferguson and Isaac Butt. Butt writes a forty-page analysis of the national disaster for the Dublin University Magazine in 1847. Le Fanu’s support costs him the nomination as Tory Member of Parliament (MP) for County Carlow in 1852.

In 1856 the family moves from Warrington Place to the house of his wife Susanna’s parents at 18 Merrion Square. His personal life becomes difficult at this time, as his wife suffers from increasing neurotic symptoms. She suffers from anxiety after the deaths of several close relatives, including her father two years previous. In April 1858, Susanna suffers a “hysterical attack” and dies the following day. She is buried in the Bennett family vault in Mount Jerome Cemetery beside her father and brothers. He does not write any fiction from this point until the death of his mother in 1861.

He becomes the editor and proprietor of the Dublin University Magazine in 1861 and begins to take advantage of double publication, first serializing in the Dublin University Magazine, then revising for the English market. He publishes both The House by the Churchyard and Wylder’s Hand in this manner. After lukewarm reviews of The House by the Churchyard, which is set in the Phoenix Park area of Dublin, Le Fanu signs a contract with Richard Bentley, his London publisher, which specifies that future novels be stories “of an English subject and of modern times,” a step Bentley thinks necessary for Le Fanu to satisfy the English audience. Le Fanu succeeds in this aim in 1864, with the publication of Uncle Silas, which is set in Derbyshire. In his very last short stories, however, Le Fanu returns to Irish folklore as an inspiration and encourages his friend Patrick Kennedy to contribute folklore to the Dublin University Magazine.

Le Fanu dies in his native Dublin on February 7, 1873, at the age of 58. Today there is a road and a park in Ballyfermot, near his childhood home in south-west Dublin, named after him.


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First Meeting of Oscar Wilde & Walt Whitman

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On January 18, 1882, while on a successful speaking tour of the United States, the 27-year-old Irish playwright, Oscar Wilde, newly famous at home and abroad, visits 62-year-old poet Walt Whitman at Whitman’s home in Camden, New Jersey, at 431 Stevens Street, a building that no longer exists.

Wilde’s mother purchases a copy of Whitman’s Leaves of Grass in 1866 and reads passages to him when he is a child. It is not surprising, therefore, that Wilde seeks out Whitman when he has the opportunity to visit the United States. Wilde, through his friend and publisher in Philadelphia, Joseph Marshall Stoddart, requests that Whitman meet them for dinner in Philadelphia on the afternoon of Saturday, January 14. The ailing Whitman is not well enough to make the crossing of the Delaware River to Philadelphia. The meeting is then arranged to take place at Whitman’s home.

On Wednesday, January 18, after giving his lecture in Philadelphia the previous evening, Wilde travels by ferryboat across the river to visit Whitman. The two poets spend two hours together in a pleasant discussion over wine and milk punch.

Wilde is known to speak publicly about their meeting only once, in an interview with the Boston Herald about ten days after the meeting. He says, “I spent the most charming day I have spent in America. He is the grandest man I have ever seen. The simplest, most natural, and strongest character I have ever met in my life. I regard him as one of those wonderful, large, entire men who might have lived in any age, and is not peculiar to any one people. Strong, true, and perfectly sane: the closest approach to the Greek we have yet had in modern times. Probably he is dreadfully misunderstood.”

Wilde and Whitman meet for a second time in early May. Due to so little being known about the visits, some biographers incorrectly speculate that the two poets are estranged. However, Whitman sends Wilde an inscribed copy of November Boughs in 1888. This is sold a decade later when Wilde’s library is liquidated for debts while he is in prison after being found guilty of “gross indecency with men.”

Whitman always defends Wilde against the accusations of his detractors. “Wilde was very friendly to me – was and is, I think – both Oscar and his mother – Lady Wilde – and thanks be most to the mother, that greater, and more important individual. Oscar was here – came to see me – and he impressed me a strong, able fellow, too.”


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The Death of James Augustine Aloysius Joyce

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James Augustine Aloysius Joyce, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century, dies in Zurich, Switzerland, following surgery for a perforated ulcer on January 13, 1941.

Joyce is born on February 2, 1882, in the wealthy Rathgar suburb of Dublin. The family is initially well off as Dublin merchants with bloodlines that connected them to old Irish nobility in the country. James’ father, John Stanislaus Joyce, is a fierce Irish Catholic patriot and his political and religious influences are most evident in Joyce’s two key works A Portrait of the Artist as a Young Man (1916) and Ulysses (1922).

The Joyce family is repeatedly forced to move to more modest residences due to their steadily diminishing wealth and income. John Joyce’s habitual unemployment as well as his drinking and spending habits make it difficult for the Joyces to retain their social standing. As a young man, Joyce is sent away to the renowned Clongowes Wood College in County Kildare in 1888, a Jesuit institution regarded as the best preparatory school in Ireland. The Clongowes school figures prominently in Joyce’s work, specifically in the story of his recurring character Stephen Dedalus. Joyce earns high marks both at the Clongowes School and at Belvedere College in Dublin where he continues his education. At this point in his life, it seems evident that Joyce is to enter the priesthood, a decision that would please his parents. However, as Joyce makes contact with various members of the Irish Literary Renaissance, his interest in the priesthood wanes. Joyce becomes increasingly critical of Ireland and its conservative elements, especially the Church.

Against his mother’s wishes, Joyce leaves Ireland in 1902 to pursue a medical education in Paris and does not return until the following year upon receiving news of his mother’s debilitation and imminent death. After burying his mother, Joyce continues to stay in Ireland, working as a schoolteacher at a boys’ school, another autobiographical detail that recurs in the story of Stephen Dedalus. After barely spending a year in Dublin, Joyce returns to the Continent, drifting in and out of medical school in Paris before taking up residence in Zurich. It is during this period that Joyce begins writing professionally.

In 1905, Joyce completes a collection of eight stories entitled Dubliners, although it is not actually printed until 1913. During these frustrating and impoverished years, Joyce heavily relies upon the emotional support of Nora Barnacle, his unmarried Irish lover, as well as the financial support of his younger brother, Stanislaus Joyce. Both Nora and Stanislaus remain as protective, supporting figures for the duration of Joyce’s life. During the eight years between Dubliners‘ completion and publication, Joyce and Barnacle have two children, a son named Giorgio, and a daughter named Lucia.

Joyce’s next major work, A Portrait of the Artist as a Young Man, appears in serialized form in 1914 and 1915. Joyce is “discovered” by Ezra Pound and the complete text is printed in New York City in 1916, and in London in 1917. It is with the assistance of Pound, a prominent literary figure of the time, that Joyce comes into contact with Harriet Shaw Weaver, who serves as both editor and patron while Joyce writes Ulysses.

When Ulysses is published in Paris in 1922, many immediately hail the work as genius. With his inventive narrative style and engagement with multiple philosophical themes, Joyce has established himself as a leading Modernist. The novel charts the passage of one day, June 16, 1904, as depicted in the life of an Irish Jew named Leopold Bloom, who plays the role of a Ulysses by wandering through the streets of Dublin. Despite the fact that Joyce is writing in self-imposed exile, living in Paris, Zurich, and Trieste while writing Ulysses, the novel is noted for the incredible amount of accuracy and detail regarding the physical and geographical features of Dublin.

Similar in theme to Joyce’s previous works, Ulysses examines the relationship between the modern man and his myth and history, focusing on contemporary questions of Irish political and cultural independence, the effects of organized religion on the soul, and the cultural and moral decay produced by economic development and heightened urbanization. While Joyce is writing it, there is serious doubt as to whether Ulysses will be completed. Midway through his writing, Joyce undergoes the first of eleven eye operations to salvage his ever-worsening eyesight. At one point, a disappointed Joyce casts the bulk of his manuscript into the fire, but Nora Barnacle immediately rescues it.

While Ulysses is hailed by some, the novel is banned in both the United Kingdom and the United States on obscenity charges. It is not until 1934 that Random House wins a court battle that grants permission to print and distribute Ulysses in the United States. The novel is legalized in Britain two years later.

By this time, Joyce is approaching the end of his public career and has concluded work on his final novel, Finnegan’s Wake (1939). Considered to be far more baffling and convoluted than Ulysses, Finnegan’s Wake is a critical failure. At the outbreak of World War II, Joyce remains in Paris until he is forced to move, first to Vichy, and then to Switzerland. On January 13, 1941, Joyce dies of a stomach ulcer at the age of 58 and is buried in Zurich’s Fluntern Cemetery.