Marrinan becomes ill with infantile paralysis at the age of five, and as a result is tutored privately. He has no formal training in art but is largely influenced by his reading matter, particularly the American comic strips of Bud Fisher. The variety of facial expressions that Fisher can achieve, with only a pencil, intrigues and inspires him. Likewise, the images evoked by Celtic mythology and religious art also contributes to his visual language, and many hours are spent in the Belfast Museum and Art Gallery studying the paintings in their collection.
Marrinan exhibits with the Ulster Academy of Arts from an address at 524 Donegall Road, Belfast, entering “The Wee Gate, Earl Street, Belfast” (1931) and “The Painter’s Father” and the “Apache” (1934), which is judged “picture of the year.” He last exhibits with a landscape, “Connemara,” along with four other works in 1949.
Marrinan paints and sketches portraits of many notable Irish figures, among which is the charcoal drawing of northern Fenian Robert Johnston (1934; National Gallery of Ireland) and a sketch of the Donegal storyteller Niall Duffy (University College Dublin). His literary portraits include one of Brian Friel. He holds a one-man show in 1951 at 55a Donegall Place, Belfast, where he exhibits a bust of John McLaverty. He takes an interest in sculpture although painting and drawing remain his preferred form of expression. Important commissions are for a memorial portrait (completed 1952) of Éamonn Ceannt for Ceannt Barracks officers’ mess, Curragh Camp, County Kildare, and for a portrait of Vice-brigadier Peadar Clancy for Clancy Barracks, Dublin. He paints two memorial portraits of PresidentJohn F. Kennedy, one of which is in the Irish Club, London.
Marrinan is an honorary member of the Royal Ulster Academy and exhibits with them every year from 1950 onward, showing a portrait of Mrs. Padraig Marrinan in 1967 (no other details of his marriage are known). He is preparing for an exhibition to be held at the Irish Club, London, in 1974, but dies on October 25, 1973, at Tyrone County Hospital in Omagh. He is then living at James Street, Omagh.
(From: “Marrinan, Padraig H.” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “The River Lee, Cork City, Ireland” by Padraig Marrinan, oil on canvas)
McDonald is born into a middle-class family in south Dublin. Her father Patrick McDonald, a builder and surveyor, and her mother Joan, separate when she is nine years old, and she stays with her mother in Rathgar. She has three siblings, one older and two younger. Her great-uncle, James O’Connor, was a member of the Anti-Treaty IRA and was executed at the Curragh Camp during the Irish Civil War.
She works as a researcher for the Institute of European Affairs, a consultant for the Irish Productivity Centre, a human resources consultancy that is jointly operated by Ibec and Irish Congress of Trade Unions (ICTU), and a trainer in the Partnership Unit of the Educational and Training Services Trust.
McDonald starts her political career by first joining Fianna Fáil in 1998 but leaves the party after a year due to core policy differences, particularly in relation to Northern Ireland and social justice. She quickly realises that Sinn Féin is a more appropriate party for her Republican views after meeting Sinn Féin members through the Irish National Congress.
She first runs for office at the 2002 Irish general election when she unsuccessfully contests the Dublin West constituency for Sinn Féin, polling 8.02% of first preference votes.
In 2004, McDonald becomes Sinn Féin’s first Member of the European Parliament (MEP) in Ireland, when she is elected at the 2004 European Parliament election in Ireland for the Dublin constituency, receiving over 60,000 first preference votes. She serves until 2009 and is a prominent member of the Employment and Social Affairs committee and Civil Liberties committee.
McDonald contests the Dublin Central constituency again at the 2011 Irish general election, this time picking up 13.1% of first preference votes. She is successful in taking the last seat in the constituency. Following the election, she becomes Sinn Féin’s Spokesperson for Public Expenditure and Reform and is a member of the Public Accounts Committee from then until 2017.
After her re-election to the Dáil at the 2016 Irish general election, in which she tops the poll in Dublin Central, she becomes Sinn Féin’s All-Ireland Spokesperson for Mental Health and Suicide Prevention, which she holds until being elected president of Sinn Féin in 2018.
At a Sinn Féin party conference on November 18, 2017, Gerry Adams is re-elected party leader but announces that he will ask party leadership to call for a special Ard Fheis to be held within three months to choose a new president, and that he will not stand for re-election as TD for the Louth constituency in the next election.
At the close of nominations to succeed Adams on January 20, 2018, McDonald is announced as the president-elect of Sinn Féin, as she is the sole nominee to enter the race. She is confirmed as president at a special Ard Fheis on February 10, 2018, in Dublin.
McDonald is nominated as Taoiseach on February 20, 2020, but is defeated 45 to 84. On June 26, 2020, Fianna Fáil, Fine Gael, and the Green Party form a coalition government, leaving Sinn Féin as the largest opposition party, and McDonald as Leader of the Opposition. She dismisses the coalition agreement as a “marriage of convenience,” and accuses Fianna Fáil and Fine Gael of conspiring to exclude Sinn Féin from government.
At the 2024 Irish general election, McDonald is re-elected to the Dáil topping the poll in Dublin Central with Sinn Féin increasing their seat share by two seats, remaining the second largest party by representation in the Dáil and attaining 19% of the first preference votes, a fall of 5.5% from 2020 and fall behind Fianna Fáil by 2.9% and Fine Gael by 1.8%.
McDonald is again nominated as Taoiseach on December 18, 2024, but is defeated 44 to 110.
McDonald’s husband, Martin Lanigan, works as a gas control superintendent for the emergency dispatch division of Gas Networks Ireland, a state infrastructure provider. They have two children and live in Cabra, Dublin.
Doyle is born on May 17, 1923, in Dundrum, Dublin, to Michael and Eileen Doyle (née Lawlor), one of seven children. In 1945, at the age of 22, he builds a pub and leisure complex called the County Club in Churchtown, Dublin. Following the success of this venture, he moves into the hotel business.
The first hotel that Doyle develops is the South County Hotel in Stillorgan, now called the Stillorgan Park Hotel, which opens in 1964. He officially registers his hotel company as P. V. Doyle Hotels Limited on September 4, 1969.
Doyle marries Margaret Ellen Briody, a nurse, in Ballynarry Church, Kilnaleck, County Cavan in 1947. They have five children together: sons Michael, David and daughters Anne, Eileen and Bernie.
On January 25, 1947, Mullen makes his formal Irish debut in a 12–8 loss to France. He plays as hooker, winning 25 caps for Ireland from 1947 to 1952. A year later, on January 31, 1948, he plays his first game for Barbarian F.C. in a 9–6 victory over Australia in Cardiff, Wales. After helping Ireland to victory over France on January 1, 1948, at the age of 21, he captains Ireland for the first time, on February 14, 1948, leading them to an 11–10 victory over England at Twickenham Stadium.
Mullen captains the Irish team to their first Grand Slam in the 1948 Five Nations Championship and is one of eight players from that team who live to see the country’s next Grand Slam in 2009.
Ireland retains the triple crown in 1949 by beating Wales 5–0 in Swansea, ending a run of defeats on Welsh soil lasting fourteen years. The following season Ireland suffers from injuries and loses to both England and Wales, the latter securing the triple crown.
Mullen is selected to captain the 1950 Lions Tour to Australia and New Zealand. After appearing in the first two tests against New Zealand, a 9–9 draw and an 8–0 loss, he sustains an ankle injury in the latter game and concedes his place to Dai Davies of Wales. Returning for the second test against Australia, a resounding 24–3 victory, he also plays in a semi-official “British Isles RFU” team against Ceylon during their return journey in September.
Under Mullen’s captaincy Ireland regains the international championship in 1951. His last cap comes in a 14–3 loss to Wales at Lansdowne Road on March 8, 1952. In twenty-five successive appearances (fifteen as captain), he secured three international championships and two triple crowns for Ireland in four seasons, their most successful haul of the twentieth century.
Mullen is one of eight surviving members of the 1948 team to witness Ireland’s second grand slam on March 21, 2009. Only weeks later, having suffered from a long illness, he dies on April 27, 2009, at his home, Gilltown Lodge, in Kilcullen.
(Pictured: Karl Mullen, captain of the British Lions rugby union team, 1950)
Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.
Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.
During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.
Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.
Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.
Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.
The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.
Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.
(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
In 1990 Wilson challenges Brian Lenihan for the Fianna Fáil nomination for the 1990 presidential election. Lenihan wins the nomination but fails to be elected President and is also sacked from the government. Wilson is then appointed Tánaiste. He remains in the cabinet until retirement in 1993. Although the 26th Dáil Éireann is dissolved in December 1992, he serves in Government until the new government takes office.
John Wilson dies at St. James Hospital, Dublin on July 9, 2007, one day after his 84th birthday. His funeral takes place at the Good Shepherd Church at Churchtown, Dublin. President Mary McAleese is one of a number of prominent figures among the mourners, while Taoiseach Bertie Ahern is represented by his Aide-de-Camp.
seamus dubhghaill 