One of the most tragic events of the Great Famine occurs on December 1, 1848 when 72 people suffocate in the small aft cabin of the paddle steamerLondonderry, which often sails between Sligo and Liverpool.
One hundred seventy-two men, women, and children, mostly impoverished farmers from County Mayo and County Sligo, and their families, fleeing the ravages of the Great Famine, board the Londonderry in Sligo in late November. As the steamer is approaching Derry on the first leg of its journey to England, a sudden storm prompts Captain Alexander Johnstone to order his crew to force all the passengers into a small aft cabin, measuring about eighteen feet in length and, at most, twelve feet wide. The situation is exacerbated when the only ventilation available is covered with a tarpaulin to ensure that water does not get into the cabin. As a result, many of the passengers begin to suffocate.
The captain seeks refuge from the storm in the harbour at Derry on December 1. When the hatches of the Londonderry are opened it reveals a horrific scene. The corpses of 31 women, 23 men and 18 children are found in the grossly overcrowded hold. Soldiers are called to the docks as public rage intensifies. The public outcry that follows belatedly forces the British government to publish guidelines for the safe transport of Irish Immigrants, too late unfortunately for the victims of the coffin shipLondonderry.
After the tragic voyage, the master and two mates are arrested. During an inquest, survivors accuse the Scottish crew of being cruel and savage. The captain says that he had given orders for the decks to be cleared for the passengers’ safety while the storm raged.
The coroner’s jury returns a verdict of manslaughter, commenting that more consideration was shown to the cattle than the passengers entrusted to their care.
In 1996 six coffins are found by workmen on a building site in the Waterside area of Derry, in grounds close to the former workhouse. They are believed to be the remains of some of the poverty-stricken travelers from the ill-fated paddle steamer.
(Pictured: The Great Hunger Plaque, Derry, near Derry County Borough, Derry, Clooney Park, Creggan and Boom Hall)
Reynolds is educated at Summerhill College in County Sligo and works for a state transport company before succeeding at a variety of entrepreneurial ventures, including promoting dances and owning ballrooms, a pet-food factory, and newspapers. In 1974 he is elected to the Longford County Council as a member of Fianna Fáil. He enters Dáil Éireann, lower house of the Oireachtas, the Irish parliament, in 1977 as a member representing the Longford-Westmeath parliamentary constituency and becomes Minister for Posts and Telegraphs in the Fianna Fáil government of Charles Haughey (1979–81). He is subsequently Minister of Industry and Commerce (1987–88) and Minister for Finance (1988–91) in Haughey’s third and fourth governments. He breaks with Haughey in December 1991 and succeeds him as leader of Fianna Fáil and as Taoiseach in February 1992.
The Fianna Fáil–Progressive Democrats coalition that Reynolds inherits breaks up in November 1992 but, after the general election later that month, he surprises many observers by forming a new coalition government with the Labour Party in January 1993. He plays a significant part in bringing about a ceasefire between the Irish Republican Army (IRA) and unionist paramilitary groups in Northern Ireland in 1994, but he is less effective in maintaining his governing coalition. When this government founders in November 1994, he resigns as Taoiseach and as leader of Fianna Fáil, though he remains acting prime minister until a new government is formed the following month. He unsuccessfully seeks his party’s nomination as a candidate for the presidency of Ireland in 1997. He retires from public life in 2002.
On September 5, 1798, Teeling clears the way for the advancing Irish-French army by single handedly disabling a British gunner post during the Battle of Collooney in Sligo when he breaks from the French ranks and gallops towards Union Rock. He is armed with a pistol and shoots the cannon’s marksman and captures the cannon. The French and Irish advance and the British, after losing the cannon position, retreat towards their barracks at Sligo, leaving 60 dead and 100 prisoners.
During the Battle of Ballinamuck at Longford, Teeling and approximately 500 other Irishmen are captured along with their French allies. The French troops are treated as prisoners of war and later returned to France, however the Irish troops are executed by the British.
Teeling is court-martialled by Britain as an Irish rebel and for committing treason. To positively identify him, the authorities enlist William Coulson, a damask manufacturer from Lisburn, who identifies him as a son of Luke Teeling, a linen merchant who lived in Chapel Hill, Lisburn. Bartholomew Teeling is hanged at Arbour Hill Prison in Dublin on September 24, 1798.
In 1898, the centenary year of the battle, a statue of Teeling is erected in Carricknagat. One of the main streets in Sligo, which accommodates the Sligo Courthouse and main Garda Síochána barracks, is later named Teeling Street also in honour of Bartholomew Teeling.
The Annals of the Kingdom of Ireland or the Annals of the Four Masters, chronicles of medieval Irish history, are completed on August 10, 1636. The entries span from the Deluge, dated as 2,242 years after creation to 1616 AD.
The annals are mainly a compilation of earlier annals, although there is some original work, and are one of the principal Irish language sources for Irish history up to 1616. They are compiled between 1632 and 1636 at a Franciscan friary near the Drowes River in County Leitrim, on the border with County Donegal and County Sligo. The patron of the project is Fearghal Ó Gadhra, MP, a Gaelic lord in Coolavin, County Sligo. While many of the early chapters are essentially lists of names and dates, the later chapters, dealing with events of which the authors have first-hand accounts, are much more detailed.
The chief compiler of the annals is BrotherMícheál Ó Cléirigh from Ballyshannon, who is assisted by, among others, Cú Choigcríche Ó Cléirigh, Fearfeasa Ó Maol Chonaire and Peregrine Ó Duibhgeannain. Although only one of the authors, Mícheál Ó Cléirigh, is a Franciscan friar, they become known as “The Four Friars” or in the original Irish, Na Ceithre Máistrí. The Anglicized version of this is “The Four Masters,” the name that has become associated with the annals themselves.
Due to the criticisms by Irish historian Tuileagna Ó Maol Chonaire, the text is not published during the lifetime of any of the participants. The first substantial English translation (starting at 1171 AD) is published by Owen Connellan in 1846. The Connellan translation includes the annals from the eleventh to the seventeenth centuries. The only version to have a four-colour frontispiece, it includes a large folding map showing the location of families in Ireland. This edition, neglected for over 150 years, is republished in the early twenty-first century. The original Connellan translation is followed several years later by a full translation by the historian John O’Donovan. The translation is funded by a government grant of £1,000 obtained by the notable mathematician Sir William Rowan Hamilton while he is president of the Royal Irish Academy.
The reliability and usefulness of the Annals as a historical source has sometimes been questioned on the grounds that they are limited to accounts of the births, deaths and activities of the Gaelic nobility of Ireland and often ignore wider social trends or events. On the other hand, the Annals, as one of the few prose sources in Irish from this period, also provide a valuable insight into events such as the Desmond Rebellions and the Nine Years’ War from a Gaelic Irish perspective.
The early part of this work is based upon the Lebor Gabála Érenn. Today, most scholars regard the Lebor Gabála Érenn as primarily myth rather than history. It appears to be mostly based on medieval Christian pseudo-histories, but it also incorporates some of Ireland’s native pagan mythology. Scholars believe the goal of its writers was to provide an epic history for Ireland that could compare to that of the Israelites or the Romans, and which reconciled native myth with the Christian view of history.
Mary Colum (née Maguire), literary critic and author, is born in Collooney, County Sligo on June 14, 1884, the daughter of Charles Maguire and Catherine Gunning. She is the author of several books, including the autobiographical Life and the Dream (1947), and From These Roots: The Ideas that Have Made Modern Literature (1937), a collection of her criticism.
Maguire’s mother dies in 1895, leaving her to be reared by her grandmother, Catherine, in Ballysadare, County Sligo. She attends boarding school in St. Louis’ Convent in Monaghan, County Monaghan.
Educated at Royal University of Ireland Maguire is founder of the Twilight Literary Society which leads her to meet William Butler Yeats. She regularly attends the Abbey Theatre and is a frequent visitor amongst the salons, readings and debates there. After graduation in 1909 she teaches with Louise Gavan Duffy at St. Ita’s, a companion school to Patrick Pearse‘s St. Enda’s School. She is active with Thomas MacDonagh and others in national and cultural causes and co-founds The Irish Review (1911–14) with David Houston, MacDonagh and others. She, along with her husband, Padraic Colum, whom she marries in July 1912, edit the magazine for some months of its four-year run. She is encouraged by Yeats to specialise in French literary criticism and to translate Paul Claudel.
Colum associates with James Joyce in Paris and discourages him from duping enquirers about the origins of the interior monologue in the example of Édouard Dujardin. She accepts Joyce’s very ill daughter, Lucia, for a week in their Paris flat at the height of her “hebephrenic” attack, while herself preparing for an operation in May 1932. She serves as the literary editor of The Forum magazine from 1933–1941 and commences teaching comparative literature with Padraic at Columbia University in 1941.
She rebuts Oliver St. John Gogarty‘s intemperate remarks about Joyce in The Saturday Review of Literature in 1941.
Colum’s publications become increasingly sparse in the 1950s as her arthritis and neuralgia grow more and more severe. She dies in New York City on October 22, 1957. At the time of her death, she is working on Our Friend James Joyce with her husband, each writing various chapters. It is assembled posthumously by Padraic Colum and is published by Doubleday on August 22, 1958.
Yeats is the oldest child of John Butler Yeats and Susan Mary Pollexfen. Although John trained as a lawyer, he abandons the law for art soon after his first son is born. Yeats spends much of his early years in London, where his father is studying art, but frequently returns to Ireland.
In the mid-1880s, Yeats pursues his own interest in art as a student at the Metropolitan School of Art in Dublin. Following the publication of his poems in the Dublin University Review in 1885, he soon abandons art school for other pursuits.
After returning to London in the late 1880s, Yeats meets writers Oscar Wilde, Lionel Johnson and George Bernard Shaw. He also becomes acquainted with Maud Gonne, a supporter of Irish independence. This revolutionary woman serves as a muse for Yeats for years. He even proposes marriage to her several times, but she turns him down. He dedicates his 1892 drama The Countess Cathleen to her.
Around this time, Yeats founds the Rhymers’ Club poetry group with Ernest Rhys. He also joins the Hermetic Order of the Golden Dawn, an organization that explores topics related to the occult and mysticism. While he is fascinated with otherworldly elements, Yeats’s interest in Ireland, especially its folktales, fuels much of his output. The title work of The Wanderings of Oisin and Other Poems (1889) draws from the story of a mythic Irish hero.
In addition to his poetry, Yeats devotes significant energy to writing plays. He teams with Lady Gregory to develop works for the Irish stage, the two collaborating for the 1902 production of Cathleen ni Houlihan. Around that time, he helps found the Irish National Theatre Society, serving as its president and co-director, with Lady Gregory and John Millington Synge. More works soon follow, including On Baile’s Strand, Deirdre and At the Hawk’s Well.
Following his marriage to Georgie Hyde-Lees in 1917, Yeats begins a new creative period through experiments with automatic writing. The newlyweds sit together for writing sessions they believe to be guided by forces from the spirit world, through which Yeats formulates intricate theories of human nature and history. They soon have two children, daughter Anne and son Michael.
Yeats then becomes a political figure in the new Irish Free State, serving as a senator for six years beginning in 1922. The following year, he receives an important accolade for his writing as the recipient of the Nobel Prize in Literature. According to the official Nobel Prize website, he is selected “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”
Markievicz, who inherits the title of “countess” from her noble Polish husband, and 45 other MPs are in jail when the first meeting takes place on January 21, 1919. They are described in Gaelic as being “imprisoned by the foreign enemy” when their names are read out during roll call at the Mansion House.
The 27 MPs who attend the Dáil’s first session ratify the Proclamation of the Irish Republic of Easter 1916, which had not been adopted by an elected body but merely by the Easter rebels claiming to act in the name of the Irish people. They also claim there is an “existing state of war, between Ireland and England” in a Message to the Free Nations of the World.
When Markievicz is released in April 1919, she becomes Minister for Labour. Having also been part of the suffragette movement, her deep political convictions contrast deeply with Nancy Astor, Viscountess Astor, the first woman to sit in the House of Commons. She believes Astor, a Tory who is elected in a 1919 Plymouth by-election after her husband is forced to give up the seat when he becomes a peer, is “out of touch.”
Her political views are also influenced by Irish poet William Butler Yeats, who is a regular visitor to the family home, Lissadell House in County Sligo. She becomes involved in the women’s suffrage movement after studying art in London, where she meets and marries Count Casimir Markievicz. In 1903, the couple, who has one son, settles in Dublin, where she becomes involved in nationalist politics. She joins both Sinn Féin and Inghinidhe na hÉireann.
Like Astor, Markievicz has an irrepressible personality and is in no mood to play coy and simply blend in. She comes to her first Sinn Féin meeting wearing a satin ball-gown and a diamond tiara after attending a function at Dublin Castle, the seat of British rule in Ireland.
Markievicz spends a year in the Dáil before walking out along with Éamon de Valera, the future dominant figure in Irish politics, after opposing the Anglo-Irish Treaty. The document, which grants southern Ireland independence but keeps the north as part of the UK, splits Sinn Féin and triggers the Irish War of Independence.
Following the conflict, which the Pro-Treaty forces win, Markievicz is elected again to the Dáil, but does not take her seat in protest. In 1927, she is elected for a third time as part of de Valera’s new party Fianna Fáil, which pledges to return to the Irish parliament. But before she can take her seat, she dies at age 59 on July 15, 1927, of complications related to appendicitis.
The work of Gore-Booth, alongside that of Esther Roper, the English woman who would become her lifelong companion, is responsible for the close link between the struggle for women’s rights in industry and the struggle for women’s right to vote. As a middle-class suffragist representing Manchester, the work of Gore-Booth is mainly recognized in the Lancashire cotton towns from 1899 to 1913. Her struggle begins when she becomes a member of the executive committee of the National Union of Women’s Suffrage Societies. Carrying out work at the Ancoats settlement, Eva becomes co-secretary of the Manchester and Salford Women’s Trade Union Council.
In 1902 Gore-Booth campaigns at the Clitheroe by-election on behalf of David Shackleton, a Labour candidate who promises her that he would show support for the women’s enfranchisement. Shackleton is elected but does not act upon his promise. This leads to the founding of the Lancashire and Cheshire Women Textile and Other Worker’s Representation Committee by Gore-Booth, Esther Roper and Sarah Reddish. When the Women’s Trade Union Council refuses to make women’s suffrage one of its aims, Gore-Booth resigns from the council.
In 1902 Gore-Booth campaigns at the Clitheroe by-election on behalf of David Shackleton, a Labour candidate who promises her that he would show support for the women’s enfranchisement. Shackleton is elected but does not act upon his promise. This leads to the founding of the Lancashire and Cheshire Women Textile and Other Worker’s Representation Committee by Gore-Booth, Esther Roper and Sarah Reddish. When the Women’s Trade Union Council refuses to make women’s suffrage one of its aims, Gore-Booth resigns from the council.
In 1907 Gore-Booth, reluctant to give up hope, contributes an essay “The Women’s Suffrage Movement Among Trade Unionists” to The Case for Women’s Suffrage. In this essay Eva gives a summary of reasons for the methods of the LCWTOW campaign to gain a vote for working women.
When Gore-Booth embarks on her writing career she is visited by William Butler Yeats who is very much taken with her work. Yeats hopes that she will take up his cause of writing Irish tales to enchant and amuse. Instead, Eva takes Irish folklore and put emphasis on the females in the story. Her widely discussed sexuality in later years is never declared but her poetry reflects it quite overtly. Gore-Booth is also one of a group of editors of the magazine Urania that publishes three issues per year from 1916 to 1940. It is a feminist magazine that reprints stories and poems from all over the world with editorial comment.
After years of playing a lead role in the Women’s Suffrage Movement and fighting for equality of women’s rights in the UK as well as staying true to her literary roots, Gore-Booth and Roper relocate to London from Manchester in 1913 due to Gore-Booth’s deteriorating respiratory health.
Just weeks after the 1916 Easter Rising, Gore-Booth travels to Dublin accompanied by Roper and is pivotal in the efforts to reprieve the death sentence of her sister Constance Markievicz awarded for her instrumental role in the rising, which is successfully converted to a life sentence. She further campaigns to abolish the death sentence overall and to reform prison standards. She attends the trial of Irish nationalist and fellow poet Roger Casement thus showing solidarity and support for the overturning of his death sentence.
During the remaining years of her life, which is claimed by cancer on June 30, 1926, Gore-Booth remains devoted to her poetry, dedicates time to her artistic talents as a painter, studies the Greek language and is known as a supporter of animal rights. She dies in her home in Hampstead, London, which she shares with Roper until her passing. She is buried alongside Roper in St. John’s churchyard, Hampstead.
Jordan is educated at St. Paul’s College, Raheny. Later, Jordan attends University College Dublin, where he studies Irish history and English literature. He is raised a Catholic and is quite religious during the early stages of his life. Regarding his current beliefs, he states that “God is the greatest imaginary being of all time. Along with Einstein‘s General Theory of Relativity, the invention of God is probably the greatest creation of human thought.”
When John Boorman is filming Excalibur in Ireland, he recruits Jordan as a “creative associate.” A year later Boorman is executive producer on Jordan’s first feature, Angel, a tale of a musician caught up in the Troubles, starring Stephen Rea who subsequently appears in almost all of Jordan’s films to date. During the 1980s, he directs films that win him acclaim, including The Company of Wolves and Mona Lisa, both made in England. The Company of Wolves becomes a cult favorite.
As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We’re No Angels to a variety of more personal, low-budget arthouse pictures. He is also the driving force behind the cable TV series The Borgias.
Unconventional sexual relationships are a recurring theme in Jordan’s work, and he often finds a sympathetic side to characters that audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, follows two characters who struggle to resist a strong, incestuous attraction, while The Crying Game makes complicated, likable characters out of an IRA volunteer and a transgender woman. Interview with the Vampire, like the Anne Rice book it is based on, focuses on the intense, intimate interpersonal relationship of two undead men who murder humans nightly, accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience’s sympathy despite their predatory nature.
In addition to the unusual sexuality of Jordan’s films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character, both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with The Crying Game being a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such as The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits, Interview with the Vampire, and In Dreams.
The critical success of Jordan’s early pictures leads him to Hollywood, where he directs High Spirits and We’re No Angels. Both are critical and financial disasters. He later returns home to make the more personal The Crying Game, which is nominated for six Academy Awards. Jordan wins the Academy Award for Best Original Screenplay for the film. Its unexpected success leads him back to American studio filmmaking, where he directs Interview with the Vampire. He also directs the crime drama The Brave One starring Jodie Foster.
William Butler Yeats, Irish poet and one of the foremost figures of 20th century literature, dies on January 28, 1939, at the Hôtel Idéal Séjour, in Menton, France.
Yeats is born in Sandymount, County Dublin, on June 13, 1865, the oldest child of John Butler Yeats and Susan Mary Pollexfen. Although John trains as a lawyer, he abandons the law for art soon after his first son is born. Yeats spends much of his early years in London, where his father is studying art, but frequently returns to Ireland as well.
In the mid-1880s, Yeats pursues his own interest in art as a student at the Metropolitan School of Art in Dublin. Following the publication of his poems in the Dublin University Review in 1885, he soon abandoned art school for other pursuits.
After returning to London in the late 1880s, Yeats meets writers Oscar Wilde, Lionel Johnson, and George Bernard Shaw. He also becomes acquainted with Maud Gonne, a supporter of Irish independence. This revolutionary woman serves as a muse for Yeats for years. He even proposes marriage to her several times, but she turns him down. He dedicates his 1892 drama The Countess Kathleen to her.
Around this time, Yeats founds the Rhymers’ Club poetry group with Ernest Rhys. He also joins the Order of the Golden Dawn, an organization that explores topics related to the occult and mysticism. While he is fascinated with otherworldly elements, Yeats’s interest in Ireland, especially its folktales, fuels much of his output. The title work of The Wanderings of Oisin and Other Poems (1889) draws from the story of a mythic Irish hero.
In addition to his poetry, Yeats devotes significant energy to writing plays. He teams with Lady Gregory to develop works for the Irish stage, the two collaborating for the 1902 production of Cathleen Ni Houlihan. Around that time, Yeats helps found the Irish National Theatre Society with Lady Gregory and John Millington Synge, serving as its president and co-director. More works soon follow, including On Baile’s Strand, Deirdre, and At the Hawk’s Well.
Following his marriage to Georgie Hyde-Lees in 1917, Yeats begins a new creative period through experiments with automatic writing. The newlyweds sit together for writing sessions they believe to be guided by forces from the spirit world, through which Yeats formulates intricate theories of human nature and history. They soon have two children, daughter Anne and son Michael.
Yeats then becomes a political figure in the new Irish Free State, serving as a senator for six years beginning in 1922. The following year, he receives an important accolade for his writing as the recipient of the Nobel Prize in Literature. According to the official Nobel Prize website, Yeats is selected “for his always inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation.”
Yeats continues to write until his death. Some of his important later works include The Wild Swans at Coole (1917), A Vision (1925), The Tower (1928) and Words for Music Perhaps and Other Poems (1932). Yeats passes away on January 28, 1939, at the Hôtel Idéal Beauséjour near Menton, France. He is buried after a discreet and private funeral at Roquebrune-Cap-Martin. The publication of Last Poems and Plays and Two Plays shortly after his death further cements his legacy as a leading poet and playwright.
seamus dubhghaill 