After the Battle of the Boyne, William occupies Dublin and the Jacobites retreat to the west of Ireland. William assaults and besieges Limerick in August 1690 but is repulsed. To secure the Jacobite-held ports of Cork and Kinsale on the southern coast, he dispatches a force under John Churchill, then 1st Earl of Marlborough.
Marlborough reaches Cork by sea on September 21, 1690. His English forces are 5,000 strong and he also has at his disposal a fleet which blockades the port of Cork. He captures several of the harbour’s defences, including Fort Camden, and lands troops at Passage West on September 24, before setting up his base at Red Abbey, to the south of the walled city. Approaching from the northern, landward side are 4,000 Danish troops under the Ferdinand Willem, Duke of Württemberg-Neuenstadt.
The Williamites take the forts, such as Elizabeth Fort, which command the hills around Cork and commences a bombardment of the city from the heights. When a breach is opened in the city walls, the city’s garrison opens surrender negotiations, asking to be allowed to leave Cork and join the main Jacobite army at Limerick. Marlborough refuses the request, although Württemberg is in favour of granting the terms.
A few days later, the Williamites mount a joint English-Danish assault of the breach from the south. Henry FitzRoy, 1st Duke of Grafton, is reputedly mortally wounded while leading this assault. After the Williamites reach the walls, the Governor of Cork, Roger McElligott, opens new surrender talks and agrees that the garrison will become prisoners and will surrender their arms and stores. Marlborough accepts and the city surrenders.
In spite of this, the Williamite troops sack the city, do a great deal of damage, looting much property and abusing the Catholic inhabitants. Many civilians are killed before Württemberg and Marlborough restore order.
It remains for the Williamites to take nearby Kinsale, which is strongly defended by two forts, the Old Fort, also known as James’s Fort, and the New Fort or Charles Fort. Marlborough assaults these fortifications but is unable to take them by storm. The Old Fort, defended by the Governor Colonel Cornelius O’Driscoll, falls after an assault is made possible by an accidental explosion in its gunpowder magazine, which kills forty. After some 200 are slain in the following assault, including Colonel O’Driscoll, the rest surrender, receiving quarter. Charles Fort, however, holds out for ten days and surrenders only after receiving guarantees that its 1,200-strong garrison can march away to Limerick. It is defended by the elderly and experienced Governor Sir Edward Scott, and his Deputy Governor Colonel Donal IV O’Donovan.
Foley’s most recent work includes Cold Courage, a TV series thriller for Lionsgate, Viaplay and Luminoir shot in Europe in 2019 and The Man Who Died, a series for Elisa-Viaplay.
Foley writes, produces and directs The Riddle in 2006, starring Jones, Sir Derek Jacobi and Vanessa Redgrave. In September 2007, The Riddle becomes the world’s first feature film to be released as a DVD premiere by a national newspaper. The UK’s The Mail on Sunday buys UK DVD rights and distributes 2.6 million copies, making the film one of the most widely watched independent films in the UK.
During 2006–07, Foley writes and directs Assault of Darkness, a satirical horror film set in rural Ireland, starring Jones, Jason Barry and Nora-Jane Noone. It is released by Lionsgate in the United States on DVD in 2009. He co-creates and is a writer on Shelldon, a children’s environmental animated TV series on NBC (2010–12) and Byrdland (five seasons of animated TV series in Asia with GMM Grammy).
In 2015, Foley starts developing a new TV detective series for BBC Television, Farmoor (makers of The Fall) and Northern Ireland Screen (UK home of Game of Thrones) and, in 2016, he develops Tunnel Kings, a mini-series on World War IIPOW “escape-artists” for the Canadian Broadcasting Corporation and Dream Street, Canada. He completes pilot scripts for SOS, a new eco-thriller series by Finnish producers Luminoir, and Kvenland, set in the Dark Ages. Previously he writes the pilot for drama Dr. Feelgood for Monday TV (Denmark).
Cold Courage, described as a Nordic noir series involving Finnish characters in present-day London made by Finnish producers Luminoir for Lionsgate and Viaplay, shot in London, Dublin, Belgium and Finland in 2019. Actor John Simm tells Variety that he is attracted to the series by the quality of the writing and the fact that it is a pan-European thriller.
Foley has written books for U.S. and UK publishers. Under The Wire, a World War II POW escape drama, which he writes along with its subject, pilot William Ash, is published by Random House, London and St. Martin’s Press, New York, in 2005 and 2006. It becomes a best-seller, reaching number one on Amazon UK‘s history and biography charts. In 2018/19, a related TV series is developed as a future miniseries by CBC in Canada and Northern Ireland Screen.
Foley’s next book, Archerfield, a novel, published in 2015, covers 16,000 years of history in one square mile of Scotland.
The U-20, a GermanU-boat under the command of KapitänleutnantWalther Schwieger, sinks the British steamship Centurion off the southeast coast of Ireland on May 6, 1915. This tragic event has far-reaching consequences and shapes the course of World War I.
The Centurion is traveling through the waters southeast of Ireland when a torpedo fired from the U-20 hits the vessel, causing it to rapidly sink. This act of aggression results in the loss of many innocent lives and sends shockwaves throughout the world.
At the time of the incident, World War I is in full swing. Germany, engaged in submarine warfare, seeks to disrupt British supply lines and cut off its access to vital resources. The sinking of merchant ships, regardless of their civilian nature, is part of Germany’s strategy to weaken the enemy. The attack on the Centurion is just one of many instances in which German submarines target and sink British vessels.
A difference in this particular incident as opposed to other similar incidents is the widespread outrage it triggers. The Centurion is an unarmed cargo ship carrying civilian goods, and its destruction is seen as a ruthless and unjustifiable act. The loss of civilian lives and the callousness with which the submarine attack is executed causes public opinion to turn against Germany.
The sinking highlights the growing concern over unrestricted submarine warfare and its impact on civilian populations. It pushes the United States, which at the time is neutral, closer to entering the war on the side of the Allies. The incident also plays a significant role in shaping public opinion in other neutral countries, putting pressure on Germany to reconsider its aggressive tactics.
In response to international outrage, Germany initially defends its actions, arguing that the Centurion was carrying contraband cargo. However, under mounting pressure, the German government eventually backs down and pledges to modify its submarine warfare policies to reduce the risk to civilian lives. This move is meant to appease neutral countries and prevent the United States from entering the war.
The sinking of the Centurion has a lasting impact on maritime warfare. The incident leads to the introduction of new rules of engagement, such as the requirement for submarines to surface and warn civilian vessels before attacking. These rules aim to minimize civilian casualties and reduce the risk of similar tragedies occurring in the future.
Moreover, the sinking serves as a catalyst for technological advancements in submarine warfare. Navies worldwide realize the need for more sophisticated anti-submarine measures and began developing detection systems and tactics to counter the stealth of submarines. This incident marks a turning point in the evolution of naval warfare, as nations seek to adapt and respond to the new challenges posed by underwater vessels.
The following day, May 7, 1915, the U-20 sinks the British ocean linerRMS Lusitania off the southern coast of Ireland. The liner sinks in eighteen minutes with 1,197 casualties. The wreck lies in 300 feet of water.
On November 4, 1916, U-20 becomes grounded on the Danish coast south of Vrist, after suffering damage to its engines. Her crew attempts to destroy her with explosives the following day, succeeding only in damaging the boat’s bow but making it effectively inoperative as a warship.
The U-20 remains on the beach until 1925 when the Danish government blows it up in a “spectacular explosion.” The Danish navy removes the deck gun and makes it unserviceable by cutting holes in vital parts. The gun is kept in the naval stores at Holmen, Copenhagen for almost 80 years. The conning tower is removed and placed on the front lawn of the local museum Strandingsmuseum St. George Thorsminde, where it remains today.
(Pictured: The U-20, second from left, at Kiel, Schleswig-Holstein, on February 17, 1914)
McKeown is ordained to the priesthood on July 3, 1977.
Following ordination, McKeown’s first pastoral assignment is as chaplain at Mater Infirmorum Hospital, before returning to Rome to complete his licentiate. He returns to the Diocese of Down and Connor in 1978, where he is appointed as a teacher at Our Lady and St. Patrick’s College, Knock, while also serving as assistant priest in Derriaghy. He returns to St. MacNissi’s College in 1983, where he continues his involvement with youth ministry and is given responsibility for organising the annual diocesan pilgrimage to Lourdes.
McKeown subsequently returns to St. Malachy’s College in 1987, where he teaches and serves as dean of the adjoining seminary, before succeeding Canon Noel Conway as president in 1995. During his presidency, he completes a Master of Business Administration at the University of Leicester in 2000, specialising in educational management.
McKeown has completed the Belfast Marathon on two occasions: as a priest with a team of 48 from Derriaghy in 1982, and as a bishop fundraising for a minibus for St. Malachy’s College in 2001.
In response to a 2007 decision by Amnesty International to campaign for the legalisation of abortion in certain circumstances, McKeown supports the decision of Catholic schools in the diocese to disband their Amnesty International support groups, on the grounds that it is no longer appropriate to promote the organisation in their schools.
It is reported in an article in The Irish News that the mention of McKeown as a possible successor to Walsh as Bishop of Down and Connor is actively opposed by some priests in the diocese, who regard him as being “too soft” on the issue of integrated education. This opposition is branded a “Stop Donal” campaign.
McKeown also serves as a member of the Irish Catholic Bishops’ Conference and its committee on education and chairs its committees on vocations and youth. He leads the youth of the diocese to World Youth Day in 2002 and 2005 and also travels to Rome with his brother bishops for their quinquennial visit ad limina in 2006. He is also a regular contributor on Thought for the Day on BBC Radio Ulster.
McKeown starts a 33-day journey of prayer toward the Consecration to Jesus Christ through Mary on January 9, 2025. The prayer takes place online each evening at 7:00 p.m. The 33 days of prayer take place the week following the Baptism of the Lord until the Feast of Our Lady of Lourdes on February 11.
Linda Martin, Northern Irish singer and television presenter, is born in Belfast, Northern Ireland on March 27, 1952. She is best known as the winner of the 1992 Eurovision Song Contest during which she represents Ireland with the song “Why Me?,” the first of a record three consecutive wins by Ireland. She is also known within Ireland as a member of the band Chips.
Martin is of Irish, Scottish and Italian ancestry. Her father’s family’s surname is originally Martini. Her paternal great-grandfather, Francis Martini, is born in Dublin to immigrants from Saronno, north of Milan, Italy. Two of her maternal great-grandparents, William Green and Elizabeth Nangle, have a coal-mining background and transferred to Belfast from Larkhall, Scotland.
Martin begins her musical career when she joins the band Chips in Omagh in 1969. They quickly become one of the top bands in Ireland on the live circuit, and release hit singles “Love Matters,” “Twice a Week” and “Goodbye Goodbye” during the mid-to-late 1970s. In 1972, she leaves Chips to be a vocalist with the new group Lyttle People but rejoins her former bandmates the following year.
The group appears on Opportunity Knocks in 1974 and appears a number of times on British television promoting their singles, but never scores a UK hit. With multiple entries to the Irish National finals of the Eurovision Song Contest, the band carries on into the 1980s. They score a final Irish hit in 1982 with “David’s Song (Who’ll Come With Me),” after which Martin leaves when she wins the Castlebar Song Contest with “Edge of the Universe” in 1983. From this point, she concentrates on a solo career as well as occasional live appearances with Chips until they recruit a new lead singer, Valerie Roe, in the late 1980s.
Martin participates in the National Song Contest four times as a member of Chips; however, they do not score successfully. She participates another four times in the contest as a soloist and once more as part of the group “Linda Martin and Friends.” With nine participations, she has been the most frequent entrant in the National Song Contest’s history. She wins the contest twice, going on to represent Ireland twice at the Eurovision Song Contest.
The first of these victories is in 1984 with the song “Terminal 3,” written by Johnny Logan. The song comes in second in the final, being beaten by eight points. “Terminal 3” reaches No. 7 in the Irish charts. The second victory is in 1992 when her song “Why Me?,” also written by Logan, goes on to win the final in Sweden. This becomes Ireland’s fourth victory in the Eurovision Song Contest, and the song reaches No. 1 in the Irish chart as well as becoming a hit in many European countries.
Martin is, at the time, one of only three artists to finish both first and second at Eurovision, behind Lys Assia and Gigliola Cinquetti. Since then, only Elisabeth Andreassen and Dima Bilan have achieved this, raising the number to five.
Martin is one of the hosts on the RTÉquiz showThe Lyrics Board and also serves as one of Louis Walsh‘s behind-the-scenes team on the first series of ITV‘s The X Factor. She also serves as a judge on the first, second and fourth seasons of RTÉ’s You’re a Star and on Charity You’re a Star in 2005 and 2006. While she is dismissed from later seasons, speaking on Saturday Night with Miriam on RTÉ television on July 28, 2007, she says that she is “open” to being invited back to the show. She does not rule out a return to Eurovision following Ireland’s dismal performance in the 2007 contest, finishing last with only five points.
During the interval of Eurovision 2013, the host Petra Mede presents a light-hearted history of the contest, during which she explains to viewers that Johnny Logan had won the competition three times, in 1980, 1987 and 1992. Appearing alongside Linda Martin in some vintage footage she jokes that he had won the third time disguised as a woman, saying, “I recognise a drag queen when I see one.” The joke proves controversial, particularly in the Irish media. However, on June 1, 2013, during an appearance on RTÉ’s The Saturday Night Show Martin says that she has actually benefited from all the publicity. On the same show she performs a cover of the song “Get Lucky” by Daft Punk.
Martin also appears in pantomime, in Dublin. She stars in Cinderella as the Wicked Stepmother, Snow White as the Evil Queen and Robin Hood as herself, at the Olympia Theatre. She tours Menopause The Musical with Irish entertainer Twink. While on tour, Twink describes Martin as a “cunt” during a tirade in May 2010. The two had been friends for 30 years but both say afterwards that they have no plans to speak to each other again.
In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of the arms Casement had hoped for, with no military expertise on offer. The weapons leave Germany bound for Ireland on a German cargo vessel named the SS Libau, disguised as a Norwegian vessel, Aud-Norge.
Casement confides his personal papers to Dr. Charles Curry, with whom he has stayed at Riederau on the Ammersee, before leaving Germany. He departs with Robert Monteith and Sergeant Daniel Beverley (Bailey) of the Irish Brigade in a submarine, initially the SM U-20, which develops engine trouble, and then the SM U-19, shortly after the Aud sails. According to Monteith, Casement believes the Germans are toying with him from the start and providing inadequate aid that will doom a rising to failure. He wants to reach Ireland before the shipment of arms and to convince Eoin MacNeill, who he believes is still in control, to cancel the rising.
Casement sends John McGoey, a recently arrived Irish American, through Denmark to Dublin, ostensibly to advise what military aid is coming from Germany and when, but with Casement’s orders “to get the Heads in Ireland to call off the rising and merely try to land the arms and distribute them.” McGoey does not reach Dublin, nor does his message. His fate is unknown until recently. Evidently abandoning the Irish Nationalist cause, he joins the Royal Navy in 1916, survives the war, and later returns to the United States, where he dies in an accident on a building site in 1925.
About 2:00 a.m. on the morning of April 21, 1916, three days before the rising begins, Robert Monteith, Daniel Bailey (calling himself Beverly), and Casement climb into a small boat for the trip to shore at Banna Strand in Tralee Bay, County Kerry. Their boat, now in the Imperial War Museum in London, capsizes before they reach shore.
Monteith helps an exhausted Casement to safety on shore. Casement is convinced that the Rising cannot be successful without a large number of German troops, and the best he has been able to obtain is one boatload of arms. Suffering from a recurrence of the malaria that had plagued him since his days in the Congo, and too weak to travel, Monteith and Bailey leave Casement at the ruins of McKenna’s Fort, an ancient ring fort in Rahoneen, Ardfert, now renamed Casement’s Fort, and head for Tralee.
About 1:30 p.m., Casement is discovered by two Royal Irish Constabulary (RIC) officers. He nearly talks his way out of being arrested, but a 12-year-old boy at the scene points out a piece of paper Casement had tossed away as the police approach. On that paper is a German code list. He is arrested on charges of high treason, sabotage and espionage against the Crown. He manages to send word to Dublin about the inadequate German assistance.
The Kerry Brigade of the Irish Volunteers might have tried to rescue Casement over the next three days, but its leadership in Dublin holds that not a shot is to be fired in Ireland before the Easter Rising is in train and therefore orders the Brigade to “do nothing.” A subsequent internal inquiry attaches “no blame whatsoever” to the local Volunteers for failing to attempt a rescue. Casement is taken to Brixton Prison and placed under special observation for fear of an attempt of suicide as there is no staff at the Tower of London to guard suicidal cases.
On the day of his execution by hanging at Pentonville Prison, August 3, 1916, Casement is received into the Catholic Church at his request. He is attended by two Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of SS Mary and Michael. The latter, also known as James McCarroll, says of Casement that he was “a saint … we should be praying to him [Casement] instead of for him.” At the time of his death he is 51 years old.
Casement’s body is buried in quicklime in the prison cemetery at the rear of Pentonville Prison, though his last wish was to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland. Finally, in 1965, his remains are repatriated to Ireland. His remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising, although he would not be buried beside them. After a state funeral, the remains are buried with full military honours in the republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, who is then in his mid-eighties and the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.
Thomas Reynolds, United Irishman, informant, consul and heir to a fortune, is born at his father’s house, 9 West Park Street, Dublin, on March 12, 1771.
Reynolds’s family history is well documented. His great-great-grandfather was Connor Reynolds of Rhynn Castle, County Leitrim, who married the daughter of Sir Robert Nugent, by whom he leaves three sons, Conor, George Nugent and Thomas. The second of these renounces his family’s Catholicism and becomes a Protestant in order to obtain possession of the greater part of the family estates and was grandfather of the George Nugent Reynolds who was killed in a duel in 1786. The third son, Thomas, a successful wool-stapler in Dublin, married Margaret Lacy, the sister of the famous Austrian general, Franz Moritz von Lacy, and by her had three sons and one daughter. Thomas’s eldest son, James, inherited his business and was one of the seven Catholics who in 1757 met at the Globe coffee-house, Essex Street, to form a committee to request the removal of legal disabilities imposed on Catholics. Thomas’s second son, also Thomas, a manufacturer of woolen poplins, had three daughters, whose marriages connected him with several distinguished Catholic families, and an only son, Andrew, father of the main subject of this article. Andrew Reynolds, admitted into partnership with his father, later developed a new poplin “by having the warp of silk and the weft, or shoot, of worsted.” These poplins came to be “prized in foreign countries as Irish tabinets.” He had an annual turnover of £100,000 to £150,000 and eventually made profits of £15,000 to £20,000 a year. On April 20, 1767, Andrew Reynolds married as his second wife, a second-cousin, Rose Fitzgerald, eldest daughter of Thomas Fitzgerald of Kilmead, County Kildare, a distant kinsman and substantial creditor of the Duke of Leinster, and his wife Rose, daughter of Francis Lacy of Inns Quay, Dublin. By Rose he had two sons and twelve daughters.
Until the age of eight, Reynolds, the future United Irishman and the only son to survive to adulthood, lives at the seat of his maternal grandfather in the care of a Catholic priest, William Plunkett. He is then moved to the school of a Protestant clergyman named Crawford at Chiswick near London and by the age of twelve he spends all vacations in the house of Sir Joshua Reynolds, who appears to take pleasure in teaching him the first principles of drawing. From Chiswick, he moves to Liège in 1783 to be educated by Catholics priests, former Jesuits, returning to Ireland shortly before his father’s death, at the age of 44, on May 8, 1788.
After 1784, the introduction of cottons to Ireland spoiled Andrew Reynolds’s trade. Loans to his nephews, the O’Reilly brothers (Thomas, Patrick and Andrew), iron-smelters at Arigna, County Roscommon, worsen his losses, which reach £200,000 at the time of his death. Lodging with his mother in Dublin, 17-year-old Reynolds mixes with “dissipated idlers” such as Simon Butler and Valentine Lawless. He revisits the Continent and is in Paris in July 1789 when the Bastille is stormed. At the behest of his mother, he becomes a member of the Catholic Committee in succession to his father on February 9, 1791, and attends the Catholic Convention as a delegate of the Dublin parish of St. Nicholas Without in December 1792. He chooses not to enter his late father’s business, preferring, despite his small income, the carefree life of a gentleman, doing the rounds of his well-to-do country relations. On March 25, 1794, he marries Harriet Witherington, fourth daughter of William Witherington, a Dublin woolen merchant, and a younger sister of Matilda Tone. His mother thereupon assigns to him half of the capital in the family business – now carried on by a relation, Thomas Warren, formerly clerk to Andrew Reynolds – and one third of the profits. He has other property as well and expectations of more, including a life-interest in an estate in Jamaica and the promise from the Duke of Leinster of the reversion of Kilkea Castle in County Kildare. A poor manager, Warren is forced out and later testifies against him in a judicial process. He still has £18,500 in assets and in 1797 obtains possession of Kilkea Castle and winds up his business affairs.
On the eve of the rebellion of 1798, Reynolds is a gentleman “of ample fortune and of the first connexions in the country.” In January or February 1797, he is drawn into the United Irish organisation by Peter Sullivan, a confidential clerk in the Reynolds family business, who refers him to Richard Dillon, a Catholic linen-draper, and to Oliver Bond, in whose house in Bridge Street he is sworn in, believing, according to his son, that the sole objects of the organisation are Catholic emancipation and the reform of parliament. Soon he is attending meetings of a baronial committee, but only after meeting Lord Edward FitzGerald in November 1797 achieves a position of importance, that of County Kildare treasurer and membership of the Leinster provincial committee. After being informed of a plan for an insurrection and for the assassination of approximately eighty individuals, some of them his own relations, and knowing the provincial committee is to meet on March 12 at the house of Oliver Bond to decide finally on a general rising, he communicates the United Irishmen’s plan to Dublin Castle through William Cope, a merchant. Those present at Bond’s house are arrested and so the plan is spoiled. He resigns as county treasurer on March 18, to be replaced by John Esmonde. Known to the United Irish leadership as an informant and in danger of his life – at least two unsuccessful attempts on his life are made – but known to Dublin Castle only as an influential United Irishman, he suffers the ransacking of his house at Kilkea on April 20 by dragoons and militia, who believe FitzGerald is concealed there. Finally, he is arrested and is to face a court-martial at Athy but, his true identity being disclosed to Dublin Castle by Cope, he is delivered to a grateful Irish privy council on May 5.
During the rebellion, Kilkea Castle, which had been renovated by Reynolds in 1797 at an expense of over £2,500 and contains priceless paintings, is garrisoned by troops and attacked by insurgents, rendering it uninhabitable for many years. It is refitted in the late 1830s. He is the principal prosecution witness in the trials of John McCann, William Michael Byrne and Bond. There being few other grounds of defence, the defence counsel, John Philpot Curran, seeks to impeach his character and motives, which, with adverse remarks by Thomas Moore in his Life and Death of Lord Edward Fitzgerald (1831) and a hostile obituary in The Morning Chronicle, gives rise after his death to a two-volume apologia by his son, Thomas, based on family papers and a remarkably detailed source for the history of the Reynolds family. For his action in coming forward at a critical period to save Ireland from the wicked plans of the conspirators, he is honoured by Dublin Corporation with the Freedom of the City on October 19, 1798.
His life threatened, Reynolds resides for some months in Leinster Street, Dublin, then moves with his family to Britain, spending some time in Monmouthshire before settling in London in 1803. In 1810, he is appointed British postmaster-general in Lisbon, an onerous but lucrative appointment owing to the Peninsular War. In September 1814 he returns to England. In July 1817, favoured by Lord Castlereagh, he goes to Copenhagen as consul to Iceland. He has to visit that remote island part of the kingdom of Denmark only once (June–August 1818) and in January 1820 finally leaves Copenhagen leaving his younger son, Thomas, in charge of consular affairs. With his wife and daughters, he settles in Paris. There in 1825, his elder son, Andrew Fitzgerald, fights a duel with Thomas Warren, a French army officer and son of Thomas Warren who had been Reynolds’s clerk, and is later a United Irishman. In 1831, he undergoes a religious experience and embraces evangelical Protestantism.
Miller begins his career with Celtic and is later loaned to the Danish sports club Aarhus Gymnastikforening in 2001. He returns to Celtic Park and breaks into the first-team squad during the 2003–04 season. Rejecting the offer of a new contract from Celtic, he joins Manchester United in 2004 on a free transfer under the Bosman ruling. Loaned to Leeds United during the 2005–06 season, he makes 22 first-team appearances for Manchester United.
Miller represents the Republic of Ireland team internationally, making his debut in 2004 against the Czech Republic. He earns 21 caps over the next five years, scoring one international goal.
On January 15, 2015, he joins League of IrelandCork City club, choosing his hometown club over several offers in Asia. He makes his debut on March 7 as the season begins with a 1–1 draw at Sligo Rovers. He is a regular in his only season at Turners Cross, in which the team finishes as runners-up in the league and the FAI Cup to Dundalk. On January 19, 2016, he chooses to leave the team.
A benefit football match is played on September 25, 2018, with the intention of raising funds for Miller’s family and charities. The Gaelic Athletic Association permits the game to be played at Páirc Uí Chaoimh in Cork, which would not normally be allowed under GAA rules. The match, between a Manchester United XI and a team composed of former Celtic and Republic of Ireland players, ends with the United XI winning on penalties following a 2–2 draw.
The Treaty on European Union, commonly known as the Maastricht Treaty, comes into effect on November 1, 1993, formally establishing the European Union (EU).
Concluded in 1992 between the then-twelve member states of the European Communities, the treaty announces “a new stage in the process of European integration.” The treaty establishes a European Union (EU), with EU citizenship granted to every person who is a citizen of a member state. EU citizenship enables people to vote and run for office in local and European Parliament elections in the EU country in which they live, regardless of their nationality. The treaty also provides for the introduction of a central banking system and a common currency (the euro), commits members to implement common foreign and security policies, and calls for greater cooperation on various other issues, including the environment, policing, and social policy.
Although these provisions are widely seen to presage a “federal Europe,” the focus of constitutional debate shifts to the later 2007 Treaty of Lisbon. In the wake of the European debt crisis unfolding from 2009, the most enduring reference to the Maastricht Treaty has been to the rules of compliance – the “Maastricht criteria” – for the currency union.
Against the background of the end of the Cold War and the reunification of Germany, and in anticipation of accelerated globalisation, the treaty negotiates tensions between member states seeking deeper integration and those wishing to retain greater national control. The resulting compromise faces what is to be the first in a series of EU treaty ratification crises.
The twelve members of the European Communities signing the Treaty are represented by:
(Pictured: Stone memorial in front of the entry to the Limburg Province government building in Maastricht, Netherlands, commemorating the signing of the Maastricht Treaty)
McLachlan is the featured composer in the RTÉ National Symphony Orchestra‘s “Horizons” series in 2003 and 2008. He also represents Ireland at international festivals, including the ISCM World Music Days in Slovenia in 2003 and Croatia in 2005. In 2006, his work Grand Action is commissioned as a test-piece for the AXA Dublin International Piano Competition.
McLachlan’s musical aesthetic is largely shaped by a desire to impart a sense of narrative and expectation to his music without recourse to pastiche rhetorical devices. A critic writes of a recording of McLachlan’s piano piece Nine: “The style of each little piece sends one’s imagination and musical memory reeling, some of them evoking French Impressionism, some jazzy in feel, some reminiscent of the miniatures for piano of Webern, and none of them in any way, shape or form derivative.” Much of his music is structured in contrasting and suddenly changing block-like sections of homogeneous material. The material within these sections is propelled by a rigorous focus on subtle rhythmic and melodic permutations, which result in both surface opacity and gradually increasing tension.
seamus dubhghaill 