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Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Birth of Tom Kettle, Parliamentarian, Writer & Soldier

Thomas “Tom” Michael Kettle, parliamentarian, writer, and soldier, is born on February 9, 1880, in Artane, Dublin, the seventh among twelve children of Andrew Kettle, farmer and agrarian activist, and his wife, Margaret (née McCourt). His father’s record in nationalist politics and land agitation, including imprisonment in 1881, is a valuable political pedigree.

The family is prosperous. Kettle and his brothers attend Christian BrothersO’Connell School in Richmond Street, Dublin, before being sent to board at Clongowes Wood College, County Kildare. Popular, fiery, and something of a prankster, he soon proves to be an exceptional scholar and debater, as well as a keen athlete, cyclist, and cricketer. He enrolls in 1897 at University College Dublin (UCD), his contemporaries including Patrick Pearse, Oliver St. John Gogarty and James Joyce. He thrives in student politics, where his rhetorical genius soon wins him many admirers and is recognised in his election as auditor of the college’s Literary and Historical Society. He also co-founds the Cui Bono Club, a discussion group for recent graduates. In 1899, he distributes pro-Boer propaganda and anti-recruitment leaflets, arguing that the British Empire is based on theft, while becoming active in protests against the Irish Literary Theatre‘s staging of The Countess Cathleen by W. B. Yeats. In 1900, however, he is prevented from taking his BA examinations due to a mysterious “nervous condition” – very likely a nervous breakdown. Occasional references in his private diaries and notes suggest that he is prone to bouts of depression throughout his life. He spends the following two years touring in Europe, including a year at the University of Innsbruck, practising his French and German, before taking a BA in mental and moral science of the Royal University of Ireland (RUI) in 1902. He continues to edit the college newspaper, remaining active in student politics. He participates, for example, in protests against the RUI’s ceremonial playing of “God Save the King” at graduations as well as its senate’s apparent support for government policy, threatening on one occasion to burn publicly his degree certificate.

In 1903, Kettle is admitted to the Honourable Society of King’s Inns to read law and is called to the bar two years later. Nonetheless, he soon decides on a career in political journalism. Like his father, he is a keen supporter of the Irish Parliamentary Party (IPP), and in 1904 is a co-founder of the resonantly titled Young Ireland Branch of the United Irish League. Here he comes to the notice of John Redmond, who offers him the prospect of a parliamentary seat, but he chooses instead to put his energies into editing the avowedly pro-Irish-party paper, The Nationist, in which he promises that a home rule administration will uphold women’s rights, industrial self-sufficiency, and Gaelic League control of Irish education. He hopes that the paper will offer a corrective alternative to The Leader, run by D. P. Moran, but in 1905 he is compelled to resign the editorship due to an article thought to be anti-clerical. In July 1906, he is persuaded to stand in a by-election in East Tyrone, which he wins with a margin of only eighteen votes. As one of the youngest and most talented men in an ageing party, he is already tipped as a potential future leader. His oratory is immediately put to good use by the party in a propaganda and fund-raising tour of the United States, as well as on the floor of the House of Commons, where his oratorical skills earn him a fearsome reputation. He firmly advocates higher education for Catholics and the improvement of the Irish economy, while developing a close alliance with Joseph Devlin and the Ancient Order of Hibernians (AOH).

Kettle meanwhile makes good use of his connections to Archbishop William Walsh, the UCD Sodality of the Blessed Virgin Mary, and the Catholic Graduates and Undergraduates Association, as well as political support, to secure the professorship of national economics. T. P. Gill, of the Department of Agriculture and Technical Instruction, exceptionally acts as his referee. His detractors regard the appointment as a political sinecure and Kettle as a somewhat dilettantish “professor of all things,” who frequently neglects his academic duties. However, he takes a keen interest in imperial and continental European economies. He does publish on fiscal policy, even if always taking a pragmatic interest in wider questions, greatly impressing a young Kevin O’Higgins, later Vice-President of the Executive Council of the Irish Free State. He has little time for what he regards as the abstract educational and economic idealism of D. P. Moran. He acknowledges that the “Hungarian policy” of Arthur Griffith has contributed significantly to a necessary debate about the economy, but argues that the Irish are “realists,” that Ireland’s natural resources ought to be scientifically measured, and that the imperial connection is crucial to Ireland’s future development. The achievement of home rule would, he asserts, encourage a healthy self-reliance as opposed to naive belief in self-sufficiency.

Kettle is encouraged by the heightened atmosphere of the constitutional crisis over the 1909 David Lloyd George budget, culminating in the removal of the House of Lords veto, which has been an obstacle to home rule. He is also a supporter of women’s enfranchisement, while stressing that the suffragist cause should not delay or deflect attention from the struggle for home rule. He holds his East Tyrone seat in the January 1910 United Kingdom general election but decides not to stand at the general election in December of the same year. Returning to an essentially journalistic career, he publishes a collection of essays outlining his constitutional nationalist position. He opposes suffragette attacks on private property, but, in contrast, supports the Dublin strikers in 1913, highlighting their harsh working and living conditions. He tries without success to broker an agreement between employers and workers though a peace committee he has formed, on which his colleagues include Joseph Plunkett and Thomas P. Dillon. His efforts are not assisted, however, by an inebriated appearance at a crucial meeting. Indeed, by this time his alcoholic excesses are widely known, forcing him to attend a private hospital in Kent.

In spite of deteriorating health, Kettle becomes deeply involved in the Irish Volunteers formed in November 1913 to oppose the Ulster Volunteers. His appraisal of Ulster unionism is somewhat short-sighted, dismissing it as being “not a party [but] merely an appetite,” and calling for the police to stand aside and allow the nationalists to deal with unionists, whose leaders should be shot, hanged, or imprisoned. These attitudes are mixed in with a developing liberal brand of imperialism based on dominion federalism and devolution, warmly welcoming a pro-home-rule speech by Winston Churchill with a Saint Patrick’s Day toast to “a national day and an empire day.” Nevertheless, he uses his extensive language skills and wide experience of Europe to procure arms for the Irish Volunteers. He is in Belgium when the Germans invade, and the arms he procured are confiscated by the Belgian authorities, to whom they were donated by Redmond on the outbreak of war.

On his return to Dublin, Kettle follows Redmond’s exhortation to support the war effort. He is refused an immediate commission on health grounds, but is eventually granted the rank of lieutenant, with responsibilities for recruitment in Ireland and England. He makes further enemies among the advanced nationalists of Sinn Féin, taunting the party for its posturing and cowardly refusal to confront Ulster unionists, the British Army, and German invaders alike. Coming from a staunchly Parnellite tradition, he is no clericalist, yet he is a devout if liberal Catholic, imbued by his Jesuit schooling with a cosmopolitan admiration for European civilisation which has been reinforced by his European travels, and in particular has been outraged by the German destruction of the ancient university library of Louvain. Despite a youthful flirtation with the philosophy of Friedrich Nietzsche, he comes to regard “Prussianism” as the deadliest enemy of European civilisation and the culture of the Ten Commandments, there not being “room on earth for the two.” He increasingly believes that the German threat is so great that Irish farmers’ sons ought to be conscripted to defend Ireland. He also believes that considerable good might come out of the conflict, exhorting voters in East Galway to support what is practically a future home rule prime minister, cabinet, and Irish army corps. He unsuccessfully seeks nomination as nationalist candidate in the 1914 East Galway by-election in December. Nevertheless, he continues to work tirelessly on behalf of the party, publishing reviews, translations, and treatises widely in such journals as the Freeman’s Journal, The Fortnightly Review, and the Irish Ecclesiastical Record.

As a recruiting officer based far from the fighting, Kettle is stung by accusations of cowardice from advanced nationalists. He had tried repeatedly to secure a front-line position, but was rejected, effectively because of his alcoholism. He is appalled by trench conditions and the prolongation of the war, a disillusionment further encouraged by the Easter Rising, in which his brother-in-law, Francis Sheehy-Skeffington, is murdered by a deranged Anglo-Irish officer, J. C. Bowen-Colthurst. He senses that opinion in Ireland is changing, anticipating that the Easter insurgents will “go down in history as heroes and martyrs,” while he will go down, if at all, as “a bloody British officer.” Nevertheless, he regards the cause of European civilisation as greater than that of Ireland, remaining as determined as ever to secure a combat role. Despite his own poor health and the continuing intensity of the Somme campaign, he insists on returning to his unit, the 9th Battalion, Royal Dublin Fusiliers.

Kettle’s writings demonstrate the mortal danger he is placing himself in, evident not least in his frequently quoted poem, “To my daughter, Betty, the gift of God,” as well as letters settling debts, apologising for old offences, and providing for his family – his wealth at death being less than £200. He has no death wish, wearing body armour frequently, but as Patrick Maume notes, “As with Pearse, there is some self-conscious collusion with the hoped-for cult.” He is killed on September 9, 1916, during the Irish assault on German positions at Ginchy.

Kettle marries Mary Sheehy, alumna of UCD, student activist, suffragist, daughter of nationalist MP David Sheehy, and sister-in-law of his friend Francis Sheehy Skeffington, on September 8, 1909. In 1913 the couple has a daughter, Elizabeth.

Kettle is commemorated by a bust in St. Stephen’s Green, Dublin, and in the House of Commons war memorial in London. He is a man of great passions and proven courage. George William Russell put his sacrifice on a par with Thomas MacDonagh and the Easter insurgents:

“You proved by death as true as they, In mightier conflicts played your part, Equal your sacrifice may weigh, Dear Kettle, of the generous heart (quoted in Summerfield, The myriad minded man, 187).

(From: “Kettle, Thomas Michael (‘Tom’)” by Donal Lowry, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: Tom Kettle as a barrister when called to the Irish law bar in 1905)


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Death of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, poet, playwright and novelist, dies in Dublin on March 19, 1974. At the time of his death, he is considered to be the greatest poet of his generation after W. B. Yeats,

Clarke is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English. Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, he says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verses plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.

(Photo © RTÉ Archives)


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Birth of Austin Clarke, Poet, Playwright & Novelist

Austin Clarke, considered at his death to be the greatest poet of his generation after W. B. Yeats, is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. He also writes plays, novels and memoirs. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English.

Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, Clarke says, “I load myself down with chains and try to wriggle free.”

Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.

Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verse plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.

Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.

Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.

In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.

In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.

Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by Councillor Bernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.


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Execution of Irish Republican Liam Mellows

liam-mellows

Liam Mellows, Irish republican and Sinn Féin politician, is executed by firing squad by Free State forces on December 8, 1922, in reprisal for the shooting of Teachta Dála (TD) Seán Hales.

Mellows is born at Hartshead Military Barracks, Ashton-Under-Lyne, Lancashire, England, to William Joseph Mellows, a British Army non-commissioned officer, and Sarah Jordan, of Inch, County Wexford. His family moves to 10 Annadale Avenue, Fairview, Dublin, in February 1895 when Sergeant Mellows is transferred there, however Liam remains in Wexford with his grandfather Patrick Jordan due to ill health. He attends the military school in Wellington Barracks in Cork and the Portobello garrison school in Dublin but ultimately refuses a military career much to his father’s disappointment, instead working as a clerk in several Dublin firms, including the Junior Army & Navy Stores on D’Olier Street.

A nationalist from an early age, Mellows approaches Thomas Clarke, who recruits him to Fianna Éireann, an organisation of young republicans.

Mellows is introduced to socialism when he meets James Connolly at Countess Markiewicz’s residence, recuperating after his hunger strike. He is active in the Irish Republican Brotherhood (IRB) and is a founder member of the Irish Volunteers, being brought onto its Organising Committee to strengthen the Fianna representation. He is arrested and jailed on several occasions under the Defence of the Realm Act. Eventually escaping from Reading Gaol, he returns to Ireland to command the “Western Division” of the Irish Republican Army (IRA) during the Easter Rising of 1916.

Mellows leads roughly 700 Volunteers in abortive attacks on Royal Irish Constabulary stations at Oranmore and Clarinbridge in County Galway and takes over the town of Athenry. However, his men are very badly armed and supplied and they disperse after a week, when British troops and the cruiser HMS Gloucester are sent west to attack them.

After this insurrection fails, Mellows escapes to the United States, where he is arrested and detained without trial in The Tombs in Lower Manhattan, New York, on a charge of attempting to aid the German side in World War I. After his release in 1918, he works with John Devoy and helps to organise Éamon de Valera’s fund-raising visit to America in 1919–1920.

Mellows returns to Ireland to become Irish Republican Army “Director of Supplies” during the Irish War of Independence, responsible for buying arms. At the 1918 general election of December, he is elected to the First Dáil as a Sinn Féin candidate for both East Galway and for North Meath. He considers the Anglo-Irish Treaty as signed to be a betrayal of the Irish Republic. A conference of 9 TDs is deputed to meet privately on January 5, 1922, to resolve the dispute and to achieve a unified front by compromise. The four other anti-Treaty TDs say there is agreement but Mellows does not and is seen thereafter by pro-Treaty TDs as one of their most implacable opponents. The following day the Dáil votes to approve the Treaty by a majority of 64 to 57.

Mellows is one of the more strident TDs on the approach to the Irish Civil War. In June 1922, he and fellow republicans Rory O’Connor, Joe McKelvey and Richard Barrett, among others, enters the Four Courts, which has been occupied by anti-Treaty forces since April. However, they are bombarded by pro-Treaty Free State forces and surrender after two days. Mellows has a chance to escape along with Ernie O’Malley but does not take it. Imprisoned in Mountjoy Gaol, Mellows, O’Connor, McKelvey and Barrett are executed by firing squad on December 8, 1922, in reprisal for the shooting of TD Seán Hales. Mellows is buried in Castletown cemetery, County Wexford, a few miles from Arklow. An annual commemoration ceremony is held at his grave site, in which a wreath is laid by a member of the Liam Mellows Commemoration committee.

Mellows is commemorated by statues in Oranmore and Eyre Square in Galway, in the official name of the Irish Defence Forces army barracks at Renmore and in the naming of Mellows Bridge in Dublin. Mellows Avenue in Arklow is named in his honour. He is also commemorated in the names of two hurling clubs, one in Galway and one in Wexford, and by Unidare RFC in Ballymun and their “Liam Mellows Perpetual Cup.”