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Death of Civil War Photographer Mathew Benjamin Brady

Mathew Benjamin Brady, one of the earliest photographers in American history and best known for his scenes of the American Civil War, dies in New York City on January 15, 1896.

Brady leaves little record of his life before photography. Speaking to the press in the last years of his life, he states that he was born between 1822 and 1824 in Warren County, New York, near Lake George. He is the youngest of three children to Irish immigrant parents, Andrew and Samantha Julia Brady. In official documents before and during the war, however, he claims to have been born in Ireland.

At age 16, Brady moves to Saratoga, New York, where he meets portrait painter William Page and becomes Page’s student. In 1839, the two travel to Albany, New York, and then to New York City, where he continues to study painting with Page, and also with Page’s former teacher, Samuel F. B. Morse. Morse had met Louis-Jacques-Mandé Daguerre in France in 1839 and returned to the United States to enthusiastically push the new daguerreotype invention of capturing images. At first, Brady’s involvement was limited to manufacturing leather cases that hold daguerreotypes. But soon he becomes the center of the New York artistic colony that wishes to study photography. Morse opens a studio and offers classes. Brady is one of the first students.

In 1844, Brady opens his own photography studio at the corner of Broadway and Fulton Street in New York, and by 1845, he begins to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opens a studio at 625 Pennsylvania Avenue in Washington, D.C., where he meets Juliet Handy, whom he marries in 1850 and lives with on Staten Island. His early images are daguerreotypes, and he wins many awards for his work. In the 1850s ambrotype photography becomes popular, which gives way to the albumen print, a paper photograph produced from large glass negatives most commonly used in American Civil War photography.

In 1850, Brady produces The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which features noteworthy images including the elderly Andrew Jackson at the Hermitage, is not financially rewarding but invites increased attention to his work and artistry. In 1854, Parisian photographer André-Adolphe-Eugène Disdéri popularizes the carte de visite and these small pictures rapidly become a popular novelty, with thousands being created and sold in the United States and Europe.

At first, the effect of the American Civil War on Brady’s business is a brisk increase in sales of cartes de visite to departing soldiers. He readily markets to parents the idea of capturing their young soldiers’ images before they might be lost to war by running an ad in The New York Daily Tribune. However, he is soon taken with the idea of documenting the war itself. He first applies to an old friend, General Winfield Scott, for permission to have his photographers travel to the battle sites, and eventually, he makes his application to President Abraham Lincoln himself. Lincoln grants permission in 1861, with the proviso that Brady finances the project himself.

His efforts to document the American Civil War on a grand scale by bringing his photographic studio onto the battlefields earns Brady his place in history. His first popular photographs of the conflict are at the First Battle of Bull Run, in which he gets so close to the action that he barely avoids capture. While most of the time the battle has ceased before pictures are taken, he comes under direct fire at the First Battle of Bull Run, Petersburg, and Fredericksburg.

Brady also employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche, and seventeen other men, each of whom is given a traveling darkroom, to go out and photograph scenes from the American Civil War. He generally stays in Washington, D.C., organizing his assistants and rarely visiting battlefields personally.

This may be due, at least in part, to the fact that Brady’s eyesight has begun to deteriorate in the 1850s. Many of the images in Brady’s collection are, in reality, thought to be the work of his assistants. He is criticized for failing to document the work, though it is unclear whether it is intentional or due simply to a lack of inclination to document the photographer of a specific image. Because so much of his photography is missing information, it is difficult to know not only who took the picture, but also exactly when or where it was taken.

In October 1862 Brady opens an exhibition of photographs from the Battle of Antietam in his New York gallery, titled The Dead of Antietam. Many images in this presentation are graphic photographs of corpses, a presentation new to America. This is the first time that many Americans see the realities of war in photographs, as distinct from previous “artists’ impressions.”

Brady, through his many paid assistants, takes thousands of photos of American Civil War scenes. Much of the popular understanding of the Civil War comes from these photos. There are thousands of photos in the U.S. National Archives and Records Administration and the Library of Congress taken by him and his associates. The photographs include Lincoln, Ulysses S. Grant, and soldiers in camps and battlefields. The images provide a pictorial cross reference of American Civil War history. He is not able to photograph actual battle scenes, as the photographic equipment in the day is still in the infancy of its technical development and requires that a subject be still for a clear photo to be produced.

Following the conflict, a war-weary public loses interest in seeing photos of the war, and Brady’s popularity and practice decline drastically.

During the war, Brady spends over $100,000 (equivalent to $1,691,000 in 2020) to create over 10,000 plates. He expects the U.S. government to buy the photographs when the war ends. When the government refuses to do so he is forced to sell his New York City studio and go into bankruptcy. The United States Congress grants Brady $25,000 in 1875, but he remains deeply in debt. The public was unwilling to dwell on the gruesomeness of the war after it has ended, and so private collectors are scarce.

Depressed by his financial situation and loss of eyesight and devastated by the death of his wife in 1887, Brady dies penniless in the charity ward of Presbyterian Hospital in New York City on January 15, 1896, from complications following a streetcar accident. His funeral is financed by veterans of the 7th New York Infantry Regiment. He is buried in the Congressional Cemetery, which is located in Barney Circle, a neighborhood in the Southeast quadrant of Washington, D.C.

Brady photographs 18 of the 19 American presidents from John Quincy Adams to William McKinley. The exception is the 9th President, William Henry Harrison, who dies in office three years before Brady starts his photographic collection. He photographs Abraham Lincoln on many occasions. His Lincoln photographs have been used for the $5 bill and the Lincoln penny. One of his Lincoln photos is used by the National Bank Note Company as a model for the engraving on the 90c Lincoln Postage issue of 1869.

(Pictured: “Mathew B. Brady,” oil on canvas by Charles Loring Elliott, 1857, Metropolitan Museum of Art, New York)


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Death of Hannah Lynch, Feminist, Novelist, Journalist & Translator

Hannah Lynch, Irish feminist, novelist, journalist and translator, dies in Paris, France on January 9, 1904, where she spends much of her working life.

Lynch is born in Dublin on March 25, 1859. Her father, who is a committed, non-violent Fenian, dies when she is young. Her mother, Anna Theresa Calderwood, is married twice. She grows up in a very female house with her mother and ten sisters and half-sisters. Her stepfather is James Cantwell, also a Fenian, who runs the Star and Garter Hotel. After finishing school, she works as a sub-editor for a provincial paper and as a governess in Europe.

A nationalist like her father and stepfather, Lynch is an executive member of the Ladies’ Land League and as a result closely associates with Fanny Parnell. She writes extensively, producing short stories and satirical sketches, as well as Land War fiction, travel writing, translations and literary criticism. Her satirical pieces include “A Dublin Literary Coterie Sketched by a Non-Pretentious Observer” (1888) and “My Friend Arcanieva” (1895). She publishes William O’Brien‘s paper United Ireland from France, after it is suppressed in Ireland. She disagrees with William Butler Yeats on the literary merit of Emily Lawless, calling her work “highly polished literary stories.”

Lynch also writes fiction on the subject of political and cultural affairs in Ireland, sometimes meeting controversy. Her first novel, Through Troubled Waters (1885), is a fictionalised version of a real-life incident in Galway in which the daughters of a prosperous landowning family are murdered to make way for the sons to inherit the land. The novel also depicts the rural clergy as complicit, by denouncing the victims from the pulpit. The newspaper United Ireland strongly criticises the novel, claiming it peddles in anti-Irish stereotypes for a British audience. She responds by stating that she had intended the book for an Irish publisher and audience, and that she should not be asked “to prove my patriotism at the expense of truth.”

Lynch publishes across Ireland, the United Kingdom and from Paris. By 1896, she has settled in Paris, having also lived in both Spain and Greece. She speaks Greek and French. She then returns to lecture in Ireland and is a part of the salons of Paris in the Belle Époque as well as the Irish Literary Revival in Dublin. She is friends with the historian, biographer and literary critic Arvède Barine (pseudonym of Louise-Cécile Vincens), the writers Mabel and Mary Robinson, and the medievalist Gaston Paris. Her work however does not bring significant income, and she is forced to apply to the Royal Literary Fund for help on multiple occasions. Eventually it takes a toll on her health. She spends time in hospital in Margate, England in 1903.

Lynch dies in Paris on January 9, 1904.


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Opening of the Volta Electric Theatre in Dublin

Under the managership of the writer James Joyce, Ireland’s first cinematographic theatre, the Volta Electric Theatre (later renamed the Lyceum Picture Theatre), opens at 45 Mary Street in Dublin on December 20, 1909. The site has since been demolished and is occupied today by a department store.

In the early 1900s, demand for moving pictures is fierce and cinemas are springing up all over the world. After visiting Trieste, Joyce is determined to bring a cinema to Ireland. After receiving the backing of his Italian friends, he sets up the Cinematograph Volta on Mary Street. It opens its doors on December 20, 1909. The opening night features an eclectic program, with the comedy Deviled Crab, the mystery Bewitched Castle, La Pourponièrre, The First Paris Orphanage, and The Tragedy of Beatrice Cency. A popular actor is Charlie Chaplin.

Joyce soon becomes disillusioned with the venture, as the cinema mainly shows films from Europe and Italy, which are largely shunned by Dubliners at the time. After seven months, Joyce withdraws his involvement and the cinema is sold to the British Provincial Cinema Company. The cinema remains open until 1919.

In 1921, it is reopened as the Lyceum Picture Theatre following alterations which increase seating from 420 to 600. In the 1940s, Capitol and Allied Theatres Ltd. acquires the cinema. However, it closes its doors for the last time in 1948. Although it survives almost 40 years, the cinema is rarely successful.

Penneys, a fast fashion retailer and subsidiary of the British food processing and retail company Associated British Foods, purchases the building along with adjacent shops and builds a department store on the demolished site. For many years the site of Ireland’s first cinema is unknown to many as there is no plaque to commemorate it. However, on June 12, 2007, a plaque is unveiled on the original site marking the significance of 45 Mary Street.

A connection between the name and cinema in Ireland still remains. Volta is a streaming service for mainly Irish content.


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Birth of Brian Cleeve, Writer of Novels & Short Stories

Brian Brendon Talbot Cleeve, writer whose published works include twenty-one novels and over a hundred short stories, is born in Southend-on-Sea, Essex, England, on November 22, 1921. He is also an award-winning television broadcaster on RTÉ One.

Cleeve is the second of three sons to Charles Edward Cleeve and his wife Josephine (née Talbot). His father, who was born in Limerick, County Limerick, is a scion of a famous and wealthy family that runs several successful Irish enterprises in the late-nineteenth and early twentieth centuries. His mother is a native of Essex. The Cleeves came from Canada originally and emigrated to Ireland in the mid-nineteenth century. As a result of labour troubles and the effects of the Irish Civil War, the Cleeve business fails, and the family moves to England.

Cleeve’s mother dies in 1924 and his maternal grandparents, Alfred and Gertrude Talbot, take over responsibility for his upbringing. At age eight, he is sent as a boarder to Selwyn House in Kent, followed at age 12 by three years at St. Edward’s School, Oxford. He is by nature a free-thinker and rejects the assumptions and prejudices that are then part of upper-middle class English life. His unwillingness to conform means that school life is very difficult for him. In the late summer of 1938, he decides not to return to St. Edward’s for his final year. Instead, he runs away to sea.

Cleeve leads an eventful life during the next fifteen years. He serves on the RMS Queen Mary as a commis waiter for several months. At age 17 he joins the Queen’s Own Cameron Highlanders as a private soldier, and, because of his age, just misses being sent to Europe as part of the British Expeditionary Force (BEF) when World War II breaks out. In 1940, he is selected for officer training, is commissioned into the Somerset Light Infantry, and sent to Kenya as a second lieutenant in the King’s African Rifles. A year later he is court-martialed as a result of his objections to the treatment by colleagues of an African prisoner. Stripped of his commission and sentenced to three years’ penal servitude, he is transferred to Wakefield Prison in West Yorkshire. There, through the intervention of Sir Alexander Paterson, he is offered parole if he agrees to work for British Intelligence. For the remainder of the war, he serves as a counterspy in neutral ports such as Lisbon and Dublin. As cover, he works as an ordinary seaman in the Merchant Navy.

In 1945, Cleeve takes an Irish passport and comes to Ireland where, in the space of three weeks, he meets and marries Veronica McAdie. A year later, they leave Ireland with baby daughter Berenice on a protracted odyssey that takes them to London, Sweden, the West Indies, and finally South Africa. In 1948, the family settles in Johannesburg where they set up their own perfume business. A second daughter, Tanga, is born to the couple there in 1953. As a result of his friendship with Fr. Trevor Huddleston, he witnesses the conditions in which the black population has to live in townships such as Sophiatown. He becomes an outspoken critic of Apartheid, and, in 1954, he is branded by the authorities as a ‘political intractable’ and ordered to leave South Africa. He returns to Ireland where he lives for the remainder of his life.

Cleeve starts writing poems in his teens, a few of which are published in his school paper, the St. Edward’s Chronicle. During the war he continues to produce poems of a spiritual or metaphysical nature, most of which are never published. In 1945, he turns to novel-writing. After his first two attempts are rejected, his third novel, The Far Hills, is published in 1952. Two further novels about South Africa follow and their unvarnished descriptions of the reality of life for the native population probably contributes to his eventual expulsion from the country.

In the mid-1950s, Cleeve begins to concentrate on the short story form. During the next 15 years over 100 of his short stories are published in magazines and periodicals across five continents. He sells nearly thirty to The Saturday Evening Post alone. In 1966, his story Foxer is honoured with a scroll at the annual Edgar Awards.

During the 1960s and 1970s, Cleeve returns to writing novels with considerable success. He produced a series of well-received mystery and spy thrillers that do not sacrifice character to plot. In 1971, he publishes Cry of Morning, his most controversial and successful novel to date. It is a panoramic depiction of the economic and social changes that affected Ireland during the 1960s as seen through the eyes of a disparate collection of well-drawn characters. He subsequently achieves even greater commercial success, especially in the United States, with a number of historical novels featuring a strong female character as protagonist.

Cleeve also writes several works of non-fiction, principally the Dictionary of Irish Writers. This is a 20-year project to provide to scholars and the general public alike a comprehensive resource on Irish writers at an affordable price. It is a labour of love that consumes a great deal of his time and is effectively subsidised by his more commercial pursuits. The last edition is published in 1985.

On December 31, 1961, Telefís Éireann is launched as the Republic of Ireland‘s first indigenous television station. Cleeve joins the station as a part-time interviewer on the current affairs programme, Broadsheet. Following appearances on two additional programmes, Telefís Éireann does not renew his contract when it expires in 1973.

Following his wife’s death in 1999, Cleeve moves to the village of Shankill, Dublin. His health deteriorates rapidly following a series of small strokes. In November 2001, he marries his second wife, Patricia Ledwidge, and she cares for him during his final months. He suddenly dies of a heart attack on March 11, 2003. His body now lies under a headstone bearing the inscription “Servant of God.”


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Birth of León Ó Broin, Civil Servant, Historian & Author

León Ó Broin, senior civil servant, historian, and author, is born Leo Byrne on November 10, 1902, at 21 Aungier Street, Dublin, the second of four sons of James P. Byrne, a potato factor’s bookkeeper, and Mary Byrne (née Killeen), daughter of a seaman who abandoned his family.

After early education in convent school, Ó Broin attends Synge Street CBS, where he is especially adept at languages. After working in several minor clerical employments, he becomes a clerk in the Kingsbridge headquarters of the Great Southern Railway. Joining a local Sinn Féin club, he canvasses for the party in the College Green ward during the 1918 Irish general election. Sent from an early age to Irish language classes by his father, he attends the Irish summer college in Spiddal, County Galway, and joins the Gaelic League, becoming by early 1921 secretary of central branch. He writes articles for the league’s successive weekly organs, each in its turn suppressed by the authorities. Despite regarding such writing as practice work within a language he is yet learning, he is selected best writer of Irish at the 1920 Dublin feis.

Arrested with his father and two brothers just before Christmas 1920 when Black and Tans discover a letter in Irish on his person during a house raid, Ó Broin is imprisoned for several weeks in Wellington Barracks. Leaving his railway job, he works as a clerk in the clandestine office of the Dáil Éireann Department of Agriculture (1921–22). During the Irish Civil War, with departmental work at a standstill, he joins the National Army as a commissioned officer assigned to general headquarters staff at Portobello Barracks. Having recently commenced legal studies at the King’s Inns and University College Dublin (UCD), he handles army legal matters, such as compensation claims for damage to property.

Called to the bar in 1924, Ó Broin enters the civil service. Assigned to the Department of Education (1925–27), he was involved in launching the Irish language publishing imprint An Gúm, intended to redress the paucity of reading material, apart from school texts, in the language. Transferred to the Department of Finance (1927), he serves as estimates officer and parliamentary clerk and is assistant secretary of the economy committee established by the Cumann na nGaedheal government to make recommendations on reductions in current expenditure. Appointed private secretary to the Minister for Finance (1931–32), he serves both Ernest Blythe and the first Fianna Fáil minister, Seán MacEntee. Promoted to assistant principal (1932), and to principal officer (1939), he represents the department on the Irish Folklore Commission, and serves on the interdepartmental committee that, after the disastrous Kirkintilloch bothy fire in 1937, investigates seasonal migration to Scotland. During the emergency he is regional commissioner for Galway and Mayo (1940–45), one of eight such officers charged with organising contingency preparations for dealing with the likely collapse of central administration in the event of invasion by any of the wartime belligerents.

Transferred out of Finance, Ó Broin becomes assistant secretary (1945–48) and secretary (1948–67) of the Department of Posts and Telegraphs, administering both the postal service and telecommunications. He works closely with Fianna Fáil minister Patrick Little to improve the range and quality of music offered by the broadcasting service, playing a large part in the decision to form and adequately staff a full Radio Éireann symphony orchestra. He represents Ireland in several post-war conferences in Europe and America that reorganise the international regulation of broadcasting activities. He is elected to the European Broadcasting Union‘s administrative council (1953). He establishes and serves on a departmental committee in 1953 that studies all facets of launching a television service.

A devout but liberal Catholic, Ó Broin is prominent for many years in the Legion of Mary, founded by his close friend and civil-service colleague Frank Duff. President of a legion presidium of writers, actors, and artists, he is first editor (1937–47) of the quarterly organ Maria Legionis. Sharing Duff’s ecumenism, he belongs to the Mercier Society, the Pillar of Fire Society, and Common Ground, groups organised by Duff in the early 1940s to facilitate discussion between Catholics and, respectively, protestants, Jews, and secular intellectuals. The first two are suspended amid disapproval by the Catholic Archbishop of Dublin, John Charles McQuaid.

On retirement from the civil service in 1967, Ó Broin concentrates on the parallel career of research and writing that he had cultivated over many years. Having begun writing articles and short stories in Irish from his earliest years in the Gaelic League, he publishes his first collection of short stories, Árus na ngábhad, in 1923. With the establishment of An Gúm, he publishes three more collections of original short stories and translations of such masters of the genre as Alexander Pushkin, Prosper Mérimée, Guy de Maupassant, and Jerome K. Jerome. He translates several popular modern novels, including Robert Louis Stevenson‘s Kidnapped and H. G. Wells‘s The War of the Worlds. Active as secretary, actor, and writer with the state-subsidised Gaelic Drama League (An Comhar Drámaíochta), which produces Irish language plays, he publishes many plays in Irish, both original and translated. His best-selling book in Irish is Miss Crookshank agus coirp eile (1951), about the mummified corpses in the vaults of St. Michan’s Church, Dublin.

Ó Broin writes prolifically on modern Irish history and biography. His Irish language biography of Charles Stewart Parnell (1937), the first full-scale study of its kind in Irish since the commencement of the language revival, is a landmark publication, praised for the quality of its prose by such critics as Frank O’Connor and Seán Ó Faoláin. His biography of Robert Emmet, published in Irish in 1954, and awarded the Douglas Hyde prize, pioneers the scholarly subversion of the romantic myth surrounding its subject, and includes consideration of the political and social context. The subjects of subsequent biographies include Richard Robert Madden, Charles Gavan Duffy, Joseph Brenan, Michael Collins, and Frank Duff.

Ó Broin takes a largely biographical approach to historical writing, researching neglected aspects of pivotal historical events, and basing his studies on previously unexploited primary sources, often the papers of a single individual, whose career serves as the linchpin of his narrative, filtering events through the perspective of that person. Another vein of his scholarship is his primary research into the history of Irish separatism, especially with sources in the Irish State Paper Office.

Ó Broin receives an honorary LL. D from the National University of Ireland (NUI) in 1967. Elected a member of the Royal Irish Academy (RIA) in 1971, he is a council member (1974–76) and senior vice-president (1976–77) and chairs the group whose recommendations results in the academy’s establishment of the National Committee on International Affairs. He is president of the Irish Historical Society (1973–74), and a member of the Irish Manuscripts Commission.

In 1925 Ó Broin marries Cait Ní Raghallaigh, an office assistant reared in Baltinglass, County Wicklow, whom he met in the Gaelic League. They have two sons and three daughters. After residing in the south city suburbs, they move to Booterstown, County Dublin in the 1930s, and from there to the Stillorgan Road in the 1950s.

Ó Broin dies February 26, 1990, in Dublin, and is buried in Deans Grange Cemetery. His papers are in the National Library of Ireland (NLI). His eldest son, Eimear Ó Broin, is an accomplished musicologist and assistant conductor of the several Radio Éireann orchestras (1953–89).

(From: “Ó Broin, León” by Lawrence William White, Dictionary of Irish Biography, http://www.dib.ie)


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Record Number of Participants Take Part in the 2017 Dublin Marathon

A record 20,000 people take part in the Dublin Marathon on October 29, 2017, making it the fifth largest marathon in Europe. The first Dublin Marathon takes place in 1980 with just over 2,000 runners participating.

The Dublin Marathon is an annual 26.2 mile (42.2 km) road marathon in Dublin held on the last Sunday in October. Prior to 2016, the race takes place on the last Monday in October, which is a public holiday in Ireland. In October 2015, it is announced that from 2016 the marathon will be held on Sunday rather than the October Bank Holiday Monday to attract more overseas runners. Held each year since 1980, the marathon has a record 22,500 registrants for the 2019 race, including over 5,000 entrants from outside Ireland.

The race is founded in 1980 by a group led by Noel Carroll, who persuades the Business Houses Athletic Association (BHAA) to take up the idea. In the first year, 2,100 take part, of whom 1,420 finish. Dick Hooper of Raheny club Raheny Shamrock Athletic Club claims first place, in a time of 2:16:14. The women’s winner is Carey May who finishes in 2:42:11. That year’s runner-up is Neil Cusack, who returns in 1981 to post a winning time of 2:13:59.

Jerry Kiernan‘s 1982 time of 2:13:45 is a long-standing men’s course record. This is finally improved upon by Lezan Kipkosgei Kimutai over twenty years later in 2004, but Russian runner Aleksey Sokolov twice breaks the record with consecutive wins in 2006 and 2007, running 2:11:39 and 2:09:07 respectively. Moses Kangogo Kibet becomes the first man under 2:09 in Dublin with his win in 2:08:58. The current men’s record is 2:08:06 set by Othmane El Goumri in 2019.

Moira O’Neill is the first woman under two hours and forty minutes with her win of 2:37:06 in 1988 and home athlete Christine Kennedy improves this with a run of 2:35:56 three years later. Kenyan Ruth Kutol‘s win in 2:27:22 in 2003 is the first sub-2:30 time and Russian Tatyana Aryasova breaks this record in 2010 with her current women’s record of 2:26:13.

The participation level of the race has followed an upward trend: by 1988 the number of participants increases to 8,700 – up from 4,000 the previous year. It is not until 2000 that the 1988 participation record is finally broken when 8,900 take part. An increasing number of people take part every year in the late 2000s, with 11,000 at the 2007 edition. Entry levels have since increased significantly year-on-year with 19,500 completing the 2016 event.

In 2001 the marathon becomes part of the Dublin Race Series, which includes pre-marathon events of 5 miles, 10 kilometres, 10 miles and half marathon distance over the preceding months, run in the Phoenix Park and Swords, Dublin.

The 2020 and 2021 editions of the race are canceled due to the coronavirus pandemic, with all entries made valid for the following year and all registrants given the option of obtaining a full refund.


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Birth of James Matthew Dillon, Fine Gael Politician

James Matthew Dillon, Fine Gael politician who serves as Leader of the Opposition and Leader of Fine Gael from 1959 to 1965 and Minister for Agriculture from 1948 to 1951 and 1954 to 1957, is born in Drumcondra, Dublin on September 26, 1902. He also serves as a Teachta Dála (TD) from 1932 to 1969.

Dillon is the son of John Dillon, the last leader of the Irish Parliamentary Party, and Elizabeth Mathew. He is educated at Mount St. Benedict’s, in Gorey, County Wexford, University College Galway and King’s Inns. He qualifies as a barrister and is called to the Bar of Ireland in 1931. He studies business methods at Selfridges in London. After some time at Marshall Field’s in Chicago he returns to Ireland where he becomes manager of the family business known as Monica Duff’s in Ballaghaderreen, County Roscommon.

Between 1932 and 1937, Dillon serves as a TD for the Donegal constituency for the National Centre Party and after its merger with Cumann na nGaedheal, for the new party of Fine Gael. He plays a key role in instigating the creation of Fine Gael and becomes a key member of the party in later years. He remains as TD for Monaghan from 1937 to 1969. He becomes deputy leader of Fine Gael under W. T. Cosgrave.

Dillon temporarily resigns from Fine Gael in 1942 over its stance on Irish neutrality during World War II. While Fine Gael supports the government’s decision to stay out of the war, he urges the government to side with the Allies. A passionate anti-Nazi, he describes the Nazi creed as “the devil himself with twentieth-century efficiency.” His zeal against Adolf Hitler draws him the ire of the German Minister to Ireland Eduard Hempel, who denounces him as a “Jew” and “German-hater.” Even Éamon de Valera, then Taoiseach, is not spared the fierceness of Dillon’s rhetoric. When the Taoiseach ridicules his stark support for the Allies, noting this means he has to adopt a Pro-British stance, Dillon defiantly retorts, “My ancestors fought for Ireland down the centuries on the continent of Europe while yours were banging banjos and bartering budgies in the backstreets of Barcelona.”

In 1942, while holidaying in Carna, County Galway, Dillon meets Maura Phelan of Clonmel on a Friday. By that Monday the two are engaged and six weeks after that the pair are married. He is 40 and Maura is 22 years of age.

Dillon is one of the independents who supports the first inter-party government (1948–1951) and is appointed Minister for Agriculture. As Minister, he is responsible for huge improvements in Irish agriculture. Money is spent on land reclamation projects in the areas of less fertile land while the overall quality of Irish agricultural produce increases.

Dillon rejoins Fine Gael in 1953. He becomes Minister for Agriculture again in the second inter-party government (1954–1957). In 1959, he becomes leader of Fine Gael, succeeding Richard Mulcahy. He becomes president of the party in 1960. In 1965, Fine Gael loses the general election to Seán Lemass and Fianna Fáil. The non-Fianna Fáil parties win 69 seats to Fianna Fáil’s 72. Had the other parties won four more seats between them, they would have been able to form a government. Having narrowly failed to become Taoiseach, Dillon stands down as Fine Gael leader after the election.

On Northern Ireland, while Dillon stands against Partition, he equally opposes any “armed solution” or militant nationalist policy, stating, “We have got to win, not only the barren acres of Ulster, but the hearts of the people who live in it.”

Dillon is a colourful contributor to Dáil proceedings and is noted for his high standard of oratory. He remains a TD until 1969, when he retires from politics. He dies in Malahide, Dublin on February 10, 1986, at the age of 83.


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The Maze Prison Escape

The Maze Prison escape, known to Irish republicans as the Great Escape, takes place on September 25, 1983, in County Antrim, Northern Ireland. HM Prison Maze, also known as Long Kesh, is a maximum-security prison considered to be one of the most escape-proof prisons in Europe, and holds prisoners suspected of taking part in armed paramilitary campaigns during the Troubles. In the biggest prison escape in UK history, 38 Provisional Irish Republican Army (IRA) prisoners escaped from H-Block 7 (H7) of the prison. One prison officer dies of a heart attack during the escape and twenty others are injured, including two who are shot with guns that had been smuggled into the prison. The escape is a propaganda coup for the IRA, and a British government minister faces calls to resign. The official inquiry into the escape places most of the blame onto prison staff, who in turn blame the escape on political interference in the running of the prison.

IRA volunteers regard themselves as prisoners of war with a duty to escape. During the Troubles, Irish republican prisoners escape from custody en masse on several occasions between 1971 and 1981.

Prisoners had been planning the 1983 escape for several months. Bobby Storey and Gerry Kelly start working as orderlies in H7, which allows them to identify weaknesses in the security systems. Six handguns are also smuggled into the prison. Shortly after 2:30 PM on September 25, prisoners seize control of H7 by simultaneously taking the prison officers hostage at gunpoint in order to prevent them from triggering an alarm. One officer is stabbed with a craft knife, and another is knocked down by a blow to the back of the head. One officer who attempts to prevent the escape is shot in the head by Gerry Kelly but survives. By 2:50 PM the prisoners are in control of H7 without an alarm being raised. A dozen prisoners also take uniforms from the officers, and the officers are forced to hand over their car keys and details of where their cars are, for possible later use during the escape. A rearguard is left behind to watch over hostages and keep the alarm from being raised until they believe the escapees are clear of the prison, at which time they return to their cells. At 3:25 PM, a lorry delivering food supplies arrives at the entrance to H7, whereupon Brendan McFarlane and other prisoners take the occupants hostage at gunpoint and move them inside H7. The lorry driver is told the lorry is being used in the escape, and he is instructed what route to take and how to react if challenged.

At 3:50 PM the prisoners leave H7, and the driver and a prison orderly are taken back to the lorry. Thirty-seven prisoners climb into the back of the lorry, while Gerry Kelly lay on the floor of the cab with a gun pointed at the driver, who is also told the cab has been booby trapped with a hand grenade. At nearly 4:00 PM the lorry drives toward the main gate of the prison, where the prisoners intend to take over the gatehouse. Ten prisoners dressed in guards’ uniforms and armed with guns and chisels dismount from the lorry and enter the gatehouse, where they take the officers hostage.

At 4:05 PM the officers begin to resist, and an officer presses an alarm button. When other staff respond via an intercom, a senior officer says while being held at gunpoint that the alarm had been triggered accidentally. By this time the prisoners are struggling to maintain control in the gatehouse due to the number of hostages. Officers arriving for work are entering the gatehouse from outside the prison, and each is ordered at gunpoint to join the other hostages. Officer James Ferris runs from the gatehouse toward the pedestrian gate attempting to raise the alarm, pursued by Dermot Finucane. Ferris had already been stabbed three times in the chest, and before he can raise the alarm he collapses.

Finucane continues to the pedestrian gate where he stabs the officer controlling the gate, and two officers who had just entered the prison. This incident is seen by a soldier on duty in a watchtower, who reports to the British Army operations room that he has seen prison officers fighting. The operations room telephones the prison’s Emergency Control Room (ECR), which replies that everything is all right and that an alarm had been accidentally triggered earlier.

At 4:12 PM the alarm is raised when an officer in the gatehouse pushes the prisoner holding him hostage out of the room and telephones the ECR. However, this is not done soon enough to prevent the escape. After several attempts the prisoners open the main gate and are waiting for the prisoners still in the gatehouse to rejoin them in the lorry. At this time two prison officers block the exit with their cars, forcing the prisoners to abandon the lorry and make their way to the outer fence which is 25 yards away.

Four prisoners attack one of the officers and hijack his car, which they drive toward the external gate. They crash into another car near the gate and abandon the car. Two escape through the gate, one is captured exiting the car, and another is captured after being chased by a soldier. At the main gate, a prison officer is shot in the leg while chasing the only two prisoners who have not yet reached the outer fence. The prisoner who fires the shot is captured after being shot and wounded by a soldier in a watch tower, and the other prisoner is captured after falling. The other prisoners escape over the fence, and by 4:18 PM the main gate is closed and the prison secured, after 35 prisoners had breached the prison perimeter. The escape is the biggest in British history, and the biggest in Europe since World War II.

Outside the prison the IRA has planned a logistical support operation involving 100 armed members, but due to a miscalculation of five minutes, the prisoners find no transport waiting for them and are forced to flee across fields or hijack vehicles. The British Army and Royal Ulster Constabulary immediately activate a contingency plan and by 4:25 PM a cordon of vehicle checkpoints are in place around the prison, and others are later in place in strategic positions across Northern Ireland, resulting in the recapture of one prisoner at 11:00 PM. Twenty prison officers are injured during the escape, thirteen are kicked and beaten, four stabbed, and two shot. One prison officer, James Ferris, who had been stabbed, dies after suffering a heart attack during the escape.

The escape is a propaganda coup and morale boost for the IRA, with Irish republicans dubbing it the “Great Escape.” Leading unionist politician Ian Paisley calls on Nicholas Scott, the Parliamentary Under-Secretary of State for Northern Ireland, to resign. The British Prime Minister Margaret Thatcher makes a statement in Ottawa during a visit to Canada, saying “It is the gravest [breakout] in our present history, and there must be a very deep inquiry.” The day after the escape, Secretary of State for Northern Ireland James Prior announces an inquiry to be headed by Her Majesty’s Chief Inspector of Prisons, James Hennessy. The Hennessy Report is published on January 26, 1984, placing most of the blame for the escape on prison staff, and making a series of recommendations to improve security at the prison. The report also places blame with the designers of the prison, the Northern Ireland Office and successive prison governors who had failed to improve security. Prior announces that the prison’s governor has resigned, and that there will be no ministerial resignations as a result of the report’s findings. Four days after the Hennessy Report is published, the Minister for Prisons Nicholas Scott dismisses allegations from the Prison Governors Association and the Prison Officers Association that the escape is due to political interference in the running of the prison.

Fifteen escapees are captured on the day, including four who are discovered hiding underwater in a river near the prison using reeds to breathe. Four more escapees are captured over the next two days, including Hugh Corey and Patrick McIntyre who are captured following a two-hour siege at an isolated farmhouse. Out of the remaining 19 escapees, 18 end up in the republican stronghold of South Armagh where two members of the IRA’s South Armagh Brigade are in charge of transporting them to safehouses and given the option of either returning to active service in the IRA’s armed campaign or a job and new identity in the United States.

On October 25, 1984, nineteen prisoners appear in court on charges relating to the death of prison officer James Ferris, sixteen charged with his murder. A pathologist determines that the stab wounds Ferris suffered would not have killed a healthy man. The judge acquits all sixteen as he cannot correlate the stabbing to the heart attack.


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Birth of Novelist F. Scott Fitzgerald

Francis Scott Key Fitzgerald, American novelist, essayist, short story and screenwriter, is born into an Irish Catholic family on September 24, 1896, in Saint Paul, Minnesota. He is best known for his novels depicting the flamboyance and excess of the Jazz Age, a term he popularized. During his lifetime, he publishes four novels, four collections of short stories, and 164 short stories. Although he achieves temporary popular success and fortune in the 1920s, he receives critical acclaim only after his death and is now widely regarded as one of the greatest American writers of the 20th century.

The son of middle-class Irish Catholics Edward and Mary McQuillan Fitzgerald, Fitzgerald is raised primarily in New York. He attends Princeton University but owing to a failed relationship with socialite Ginevra King and a preoccupation with writing, he drops out in 1917 to join the United States Army. While stationed in Alabama, he romances Zelda Sayre, a Southern debutante who belongs to Montgomery‘s exclusive country-club set. Although she rejects Fitzgerald initially, because of his lack of financial prospects, she agrees to marry him after he publishes the commercially successful This Side of Paradise (1920). The novel becomes a cultural sensation and cements his reputation as one of the eminent writers of the decade.

Fitzgerald’s second novel, The Beautiful and Damned (1922), propels him further into the cultural elite. To maintain his affluent lifestyle, he writes numerous stories for popular magazines such as The Saturday Evening Post, Collier’s: The National Weekly, and Esquire. During this period, he frequents Europe, where he befriends modernist writers and artists of the “Lost Generation” expatriate community, including Ernest Hemingway. His third novel, The Great Gatsby (1925), receives generally favorable reviews but is a commercial failure, selling fewer than 23,000 copies in its first year. Despite its lackluster debut, The Great Gatsby is now widely praised, with some labeling it the “Great American Novel.” Following the deterioration of his wife’s mental health and her placement in a mental institute for schizophrenia, he completes his final novel, Tender Is the Night (1934).

Struggling financially because of the declining popularity of his works amid the Great Depression, Fitzgerald turns to Hollywood, writing and revising screenplays. While living in Hollywood, he cohabits with columnist Sheilah Graham, his final companion before his death. After a long struggle with alcoholism, he attains sobriety only to die of a heart attack on December 21, 1940, at the age of 44. His friend Edmund Wilson completes and publishes an unfinished fifth novel, The Last Tycoon (1941), after Fitzgerald’s death.

At the time of his death, the Roman Catholic Church denies the family’s request that Fitzgerald, a non-practicing Catholic, be buried in the family plot in the Catholic St. Mary’s Cemetery in Rockville, Maryland. He is buried instead with a simple Protestant service at Rockville Union Cemetery. When Zelda Fitzgerald dies in a fire at the Highland Mental Hospital in 1948, she is originally buried next to him at Rockville Union. In 1975, Fitzgerald’s daughter Scottie successfully petitions to have the earlier decision revisited, and her parents’ remains are moved to the family plot in Saint Mary’s.


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Birth of A. J. Potter, Composer & Teacher

Archibald James (Archie) Potter, Irish composer and teacher who writes hundreds of works including operas, a mass, and four ballets, as well as orchestral and chamber music, is born in Belfast on September 22, 1918.

Potter is born to a Presbyterian family who, oddly, lives on the Falls Road, a republican (Catholic) stronghold. His father is a church organist and piano tuner who has been blind since childhood. His mother is, in Potter’s own words, “a raging alcoholic.” He escapes a rather grim childhood when he goes to live with an aunt in Kent, England.

Possessed of a good voice and natural musical ability, Potter is accepted as a treble by the world-famous choir of All Saints, Margaret Street. In 1933, after four years as a chorister, he is sent to Clifton College, Bristol. From there he goes to the Royal College of Music on a scholarship and studies composition under Vaughan Williams. While at the Royal College he wins the Cobbett prize for chamber music.

World War II interrupts Potter’s music education, and he leaves college to serve with the London Irish Rifles in Europe and the Far East. After the war he settles in Dublin, where he continues his studies at Trinity College, Dublin, gaining a Doctorate in Music in 1953.

Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chooses the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, show that he has absorbed Vaughan Williams’ pastoral style and his love of folk music. In 1952, both pieces are awarded Radio Éireann‘s “Carolan Prize” for orchestral composition by the adjudicator Arnold Bax. A year later Potter repeats this success when his Concerto da Chiesa, a concerto for piano and orchestra, also wins the Carolan Prize.

In 1955 Potter is appointed Professor of Composition at the Royal Irish Academy of Music, where he becomes an effective administrator and inspiring teacher.

In the 1960s, Potter turns to ballet, writing four orchestral scores for the Cork Ballet company. The first of these, Careless Love, becomes the composer’s own favourite of all his compositions. Several years later, following a successful battle with alcoholism, he writes what some regard as his magnum opus, Sinfonia “de Profundis” (1969). The première is given at the Gaiety Theatre, Dublin on March 23, 1969 in a performance by the RTÉ Symphony Orchestra under the baton of Albert Rosen. The Irish Times refers to the concert as a “major national event.” In December 1969, he receives a Jacob’s Award for the composition.

Potter’s last substantial work, an opera entitled The Wedding, receives its first public performance in Dublin in 1981, almost a year after his death.

Potter dies suddenly at his home in Greystones, County Wicklow on July 5, 1980, at the age of 61. He is buried in the nearby Redford cemetery.