Roberts’s father, Rex Roberts, played double bass with a dance band called The Melodists in the 1940s. The headmaster at The High School, Dublin, calls his father in one day to suggest that he consider move his son to a boarding school as he is spending a lot of time in detention.
After being bribed with the promise of a bicycle, Roberts is moved to a Quaker-run boarding school, Newtown School, Waterford. The move proves successful but not for the anticipated reasons. He quickly takes notice of the electric guitars of the school band and realizes that is to be his future.
In 1976, Roberts and Johnnie Fingers (Moylett) decide to put a band together and, between them, they recruit the other four members, Pete Briquette (bass), Gerry Cott (guitar), Simon Crowe (drums) and singer Bob Geldof to form The Boomtown Rats.
Following the breakup of The Boomtown Rats in 1986, Roberts works with Simply Red, Orchestral Manoeuvres in the Dark and Flesh For Lulu in the role of audio engineer on tours in the UK and the United States. He avoids playing the guitar in public for ten years, after which he and Simon Crowe play together for four years in the rhythm and blues four-piece band The Velcro Flies.
After fifteen successful years as an Independent Financial Adviser, Roberts becomes disillusioned with the life insurance industry and becomes a central heating engineer to keep himself occupied between gigs. Roberts and Crowe, with Darren Beale on second lead guitar, and Peter Barton on bass guitar and lead vocals, are now playing together as Boomtown Rats Roberts and Crowe, and are performing material from the Boomtown Rats’ first three albums across Europe and the UK.
Eight Provisional Irish Republican Army prisoners escape from Crumlin Road Gaol in Belfast, one of the most heavily guarded prisons in Europe, on June 10, 1980. Using handguns that had been smuggled into the prison, they take prison officers hostage and shoot their way out of the building and exit through the front gate.
The regime inside Crumlin Road Gaol on that day is just like any other. The prison had been the scene of several protests regarding strip-searching shortly beforehand, but the rules had been somewhat relaxed. On A and C Wings the remand prisoners are outside in the yard for exercise. As usual, several men from each wing are called for visits. Some of these visits are from solicitors and an area of the prison is set aside to allow legal teams and the accused a place to discuss their business in private.
When warders come to return one set of prisoners to their wing, the operation begins. One of the Volunteers produces a gun, forces the warders to release the other prisoners and then locks about ten warders in the cell. They then make their way to B wing’s visiting area and arrest all the warders, visitors and solicitors who are there, before locking about thirty up in a room. One warder named Killen reaches for his baton, is disarmed and hit over the head.
Two warders and a solicitor are ordered to strip and three of the IRA Volunteers, dress in two uniforms and a suit respectively, calmly walk to the main gate which is opened for them. They then pull guns on the real warders in this key security area and make them lie on the ground until their five comrades run across a small courtyard to join them.
Once outside however, the alarm is set off and British Army sentries pour a hail of automatic fire at the prisoners from a watch tower before they are able to reach the front gate. Undeterred, the prisoners dash through the bullets, weaving from side to side to throw off their attackers.
As the men make their escape, clearly visible to republican prisoners in cells on the top landing of A wing, loud cheers go up and makeshift flags are flown from the windows.
Outside the prison, cars have been parked by the IRA’s Belfast Brigade in the car park of the health clinic beside the courthouse, their ignition keys hidden under the floor mats. The prisoners run across the road towards the health centre, dodging bullets as they run. The escapees head towards the loyalistShankill area where they commandeer cars to help their getaway.
Stunned by the daring escapees, the crown forces erect checkpoints across Belfast and along all border routes.
All eight men reach safe houses within an hour and, after a lying low for a short while, are spirited over the border to begin new lives “on the run.”
One week later, at the annual pilgrimage to the graveside of Wolfe Tone, the father of republicanism, which is always a source of renewed strength for its participants, the crowd is given an added morale boost when at the closing ceremony, one of the escapees, Paul ‘Dingus’ Magee, makes a dramatic appearance on the platform.
There are many more attempts to break free from Crumlin Road Gaol before it finally closes its doors in April 1995, having been used as a weapon in the attempted suppression of the Irish freedom struggle for 151 years.
A rebel force, over a thousand strong, converge on a large house owned by the McKee family. The McKees are a family of loyalists, who are unpopular in the region because they had provided information to the authorities leading to the arrest of a radical Presbyterian minister and some members of his congregation. The McKees know that they are unpopular and are thus armed to the teeth. As the house is surrounded, shots are fired from the fortified house, hitting some of the attackers. Gunfire holds the insurgents back for a short while, until one of them, a fiddler by the name of Orr, manages to sneak around the back of the house with a ladder and sets the roof alight. The house is destroyed, and all eight members of the family inside are killed. News of this quickly reaches the British forces in the area, and a 300 strong force under Colonel Granville Staplyton, consisting of NewtownardsYeomanry cavalry and 270 York Fencibles, as well as two light cannon, march to the region.
The rebels, however, anticipate the move and are waiting in ambush. Stapylton sees the road ahead twisting into woods, and orders a pair of scouts to check for anything suspicious. The men do not seem to be particularly vigilant, as they return and declared the road ahead to be safe.
The redcoats march into the wooded area, a dense hedge snaking along the road on one side. On the opposite side, the ground steadily rises, with the areas higher up the slope dominated by demesne woods. This provides cover for the Irish. The Irish rebels are mostly armed with pikes and the terrain allows them to quickly swarm the soldiers on the road below. In the fierce hand-to-hand combat that follows the British forces are overwhelmed. One of the fencibles, a veteran of wars in Europe who manages to survive the attack later states that he had never before witnessed such fierce fighting.
Over fifty men are piked to death before Staplyton manages to order the soldiers. He then brings his cannon into play against the mass of rebels before him, inflicting enough casualties with canister and grapeshot to blunt their attack. In the meantime, Staplytons force uses the situation to march to safety.
The Battle of Saintfield is largely regarded as a victory of the United Irish rebels. Long after, in the 1950s, two skeletons, a sword and bayonet of the York fencibles are found in the area.
The rebellion in Down proves to be short lived. Only a few days later the rebel army is slaughtered at the Battle of Ballynahinch.
Many of the dead from both sides of the battle are placed in a mass grave within the grounds of the nearby Presbyterian church. Although there is a plaque signifying the location of these graves, the area seems largely neglected with what appears to be temporary vehicle access over the belligerents final resting place. In May 2010 a memorial park is finished and opened. The area has been cleared and landscaped, with several new plaques and information boards being erected. The graves have been refurbished and the headstones relaid.
William III, also widely known as William of Orange, dies at Kensington Palace on March 8, 1702, following a fall from his horse when it stumbles on a molehill. Upon his death, Anne accedes to the throne of Britain and Ireland.
A Protestant, William participates in several wars against the powerful Catholic King of France, Louis XIV, in coalition with Protestant and Catholic powers in Europe. Many Protestants herald him as a champion of their faith. In 1685, William’s Catholic uncle and father-in-law, James, becomes king of England, Scotland and Ireland. James’s reign is unpopular with the Protestant majority in Britain. William, supported by a group of influential British political and religious leaders, invades England in what becomes known as the Glorious Revolution. On November 5, 1688, he lands at the southern English port of Brixham. James is deposed and William and his wife become joint sovereigns in his place.
William’s reputation as a staunch Protestant enables him to take power in Britain when many are fearful of a revival of Catholicism under James. William’s victory at the Battle of the Boyne in 1690 is still commemorated by loyalists in Northern Ireland and Scotland.
William and Mary reign together until Mary’s death from smallpox on December 28, 1694, after which William rules as sole monarch. Despite his conversion to Anglicanism, his popularity plummets during his reign as a sole monarch. His reign in Britain marks the beginning of the transition from the personal rule of the House of Stuart to the more Parliament-centred rule of the House of Hanover.
On March 8, 1702, William dies of pneumonia, a complication from a broken collarbone following a fall from his horse, Sorrel. The horse had been confiscated from Sir John Fenwick, one of the Jacobites who had conspired against William. Because his horse had stumbled into a mole’s burrow, many Jacobites toast “the little gentleman in the black velvet waistcoat.” Years later, Winston Churchill, in his A History of the English-Speaking Peoples, states that the fall “opened the door to a troop of lurking foes.” William is buried in Westminster Abbey alongside his wife. His sister-in-law, Anne, becomes queen regnant of England, Scotland and Ireland.
William’s death means that he would remain the only member of the Dutch House of Orange to reign over England.
As EU delegates discuss the Union’s budget and Europe‘s farming subsidies, the two prime ministers vow to battle on with the peace deal’s outstanding problems.
“We’re very clear on what we have to do in the Good Friday agreement … we have just got to keep pushing the thing forward as well as we possibly can,” says Blair.
Both Ahern and Blair say the way forward on the outstanding deadlocked issue of paramilitary disarmament is through the official decommissioning commission. Chaired by former Canadian General John de Chastelain, the international commission is working to take arms out of the province’s political arena.
The republican party Sinn Féin insists it is fully cooperating with the commission, which is implementing the final deadline for the handover of arms in May 2000. But some Ulster Unionists oppose further peace moves because of the Irish Republican Army‘s (IRA) failure to begin disarming.
According to Ahern and Blair, the following few weeks will be a key time to try and finalise disarmament issues.
“During the month of March … we can conclude the central aspects,” says Blair.
However, in a separate development on February 26, the chairman of the IRA’s political wing, Sinn Féin’s Mitchel McLaughlin, warns that pressure on disarmament could cause irreparable damage to the fragile peace process. He adds that disarmament should not become a litmus test for progress.
“Those who are now demanding prior decommissioning before we move to setting up the executive are reneging on the Good Friday Agreement,” says McLaughlin in an interview with BBC Radio.
(From BBC News Online Network, Friday, February 26, 1999 | Pictured: Bertie Ahern with Tony Blair at the signing of the Good Friday Agreement in April 1998)
Knowles’ early interest in botany is encouraged by her father, William James Knowles, himself an amateur scientist who takes Matilda and her sister to meetings of the Belfast Naturalists’ Field Club. This is where she first meets Robert Lloyd Praeger who continues to be a lifelong influence. In 1895 she is introduced to the Derry botanist Mary Leebody and together they work on a supplement to Samuel Alexander Stewart‘s and Thomas Hughes Corey‘s 1888 book the Flora of the North-east of Ireland.
Knowles then volunteers to help with the crowdsourcing of material about the plants of County Tyrone. While completing this work Knowles publishes her own first paper about Tyrone’s flowering plants in 1897. She eventually sends in over 500 examples that are considered for inclusion in the Irish Topographical Botany, which Praeger publishes in 1901.
In 1902, after attending the Royal College of Science for Ireland for a year, Knowles is appointed a temporary assistant in the then Botanical Section of the National Science and Art Museum. She works closely with Professor Thomas Johnson to continue the development of the Herbarium collection. She also co-authors with him the Hand List of Irish Flowering Plants and Ferns (1910).
One of Knowles’ first works is The Maritime and Marine Lichens of Howth, which the Royal Dublin Society publishes in 1913. Knowles had gathered the knowledge and experience to do this while diligently assisting with a survey of Clare Island as suggested by Praeger. This novel survey involves not only Irish but also several European scientists including prominent UK lichenologist, Annie Lorrain Smith. This is claimed as the most extensive piece of field work at the time. As a result, Knowles is able to create a foundation for her later specialism in lichens.
Knowles publishes more than thirty scientific papers on a wide range of botanical subjects between 1897 and 1933. It is while studying the lichens of Howth that she discovers how lichens by the shore grow in distinct tidal zones that can be distinguished by their colour: black, orange and grey.
Her major work is The Lichens of Ireland which adds over 100 species of lichen to the Irish List and records the distribution of the eight hundred species identified in Ireland. She achieves this task with the collaboration of thirty other natural scientists. It is published in 1929 and includes twenty lichens that had previously not been identified as Irish.
Professor Thomas Johnson retires in 1923, allowing Knowles to take over curatorship, working with Margaret Buchanan. As she becomes older Knowles’ hearing begins to fail such that she has to rely on an ear trumpet. Despite her deafness she still attends meetings. She cares for and adds to the National Museum Herbarium collection although never gets the credit she deserves. In 1933 she plans to retire but pneumonia ends her life before she ends her career. Knowles dies in Dublin on April 27, 1933.
Knowles is honoured with a commemorative plaque by the Irish National Committee for Science and Engineering in October 2014 to mark the 150th anniversary of her birth.
Harrington is educated locally at the Convent of Mercy in Kinsale, where she is one of only two girls in her class to sit the Leaving Certificate examination. Before entering politics, she works as a civil servant with the Department of Posts and Telegraphs. She marries Dan Desmond in 1958.
Desmond is elected to the European Parliament at the 1979 European Parliament election for the Munster constituency. However, her time in Europe is short-lived, as she returns to domestic politics when she is offered a position as Minister and the chance to impact upon national legislation. At the 1981 general election she switches her constituency to Cork South-Central. A Fine Gael–Labour Party coalition comes to power, and she is appointed Minister for Health and Social Welfare.
Desmond’s cabinet appointment is historic, as she is only the second woman to be a member of cabinet since the foundation of the state in 1922, and the first in any Fine Gael or Labour Party cabinet. Countess Markievicz had held the cabinet post of Minister for Labour in the revolutionary First Dáil in 1919, but only one woman had held cabinet office after the foundation of the state, Máire Geoghegan-Quinn of Fianna Fáil who was appointed as Minister for the Gaeltacht in 1979.
Desmond retires from full-time politics at the 1987 general election for health reasons. She dies suddenly in Cork, County Cork on January 6, 2005.
Kuno Meyer, German scholar distinguished in the field of Celticphilology and literature, is born in Hamburg, Germany on December 20, 1858. He was considered first and foremost a lexicographer among Celtic scholars but is known by the general public in Ireland rather as the man who introduced them to Selections from Ancient Irish Poetry (1911). His brother was the distinguished classical scholar, Eduard Meyer.
Meyer then takes up the post of lecturer in Teutonic languages at the new University College, Liverpool, the precursor of the University of Liverpool, which is established three years earlier.
In 1903, Meyer founds the School of Irish Learning in Dublin, and the next year creates its journal Ériu of which he is the editor. Also in 1904, he becomes Todd Professor in the Celtic Languages at the Royal Irish Academy. In October 1911, he follows Heinrich Zimmer as Professor of Celtic Philology at Friedrich Wilhelm University in Berlin. The following year, a volume of Miscellany is presented to him by pupils and friends in honour of his election, and he is made a freeman of both Dublin and Cork.
At the outbreak of World War I, Meyer leaves Europe for the United States, where he lectures at Columbia University, University of Illinois at Urbana-Champaign, and elsewhere. A pro-German speech he gives in December 1914 to Clan na Gael on Long Island causes outrage in Britain and some factions among the Irish, and as a result, he is removed from the roll of freemen in Dublin and Cork and from his Honorary Professorship of Celtic at Liverpool. He also resigns as Director of the School of Irish Learning and editor of Ériu. Harvard University also had extended an invitation to Meyer to lecture on campus, but it subsequently cancels the invitation in the fall of 1914 on account of Meyer’s propagandist activity.
Meyer nevertheless accepts candidacy for the post of exchange professor at Harvard, at the recommendation of German professors there. However, when the April 1915 issue of The Harvard Advocate awards first prize to an anti-German satirical poem “Gott mit Uns” written by an undergraduate, Meyer sends the university and the press a letter of protest, rebuking the faculty members who served as judges for failure to exercise neutrality. Meyer also declines his candidacy from the exchange professorship in the letter. In a reply, President Abbott Lawrence Lowell says, in explaining Harvard’s policy, that freedom of speech includes pro-German and pro-Allied voices alike.
Meyer is injured in a railway collision in 1915 and meets 27-year-old Florence Lewis while he is recovering in a California hospital. They marry shortly afterwards. He returns to Germany in 1917 and dies in Leipzig on October 11, 1919.
Posthumously, in 1920, Meyer’s name is restored, both by Dublin and Cork, in their Rolls of Honorary Freemen. The restoration occurs on April 19, 1920, in Dublin, where Sinn Féin had won control of the City Council three months earlier, rescinding the decision taken in 1915 by the Irish Parliamentary Party. The restoration in Cork follows on May 14, 1920.
Balfe is born in Dublin on May 15, 1808, where his musical gifts become apparent at an early age. He receives instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moves to Wexford when he is a child.
In 1817, Balfe appears as a violinist in public, and in this year composes a ballad, first called “Young Fanny” and afterwards, when sung in Paul Pry by Lucia Elizabeth Vestris, “The Lovers’ Mistake”. In 1823, upon the death of his father, he moves to London and is engaged as a violinist in the orchestra of the Theatre Royal, Drury Lane. He eventually becomes the leader of that orchestra. While there, he studies violin with Charles Edward Horn and composition with Charles Frederick Horn.
While still playing the violin, Balfe pursues a career as an opera singer. He debuts unsuccessfully at Norwich in Carl Maria von Weber‘s Der Freischütz. In 1825, Count Mazzara takes him to Rome for vocal and musical studies and introduces him to Luigi Cherubini. In Italy, he also pursues composing, writing his first dramatic work, a ballet, La Perouse. He becomes a protégée of Gioachino Rossini‘s, and at the close of 1827, he appears as Figaro in The Barber of Seville at the Italian opera in Paris.
Balfe soon returns to Italy, where he is based for the next eight years, singing and composing several operas. In 1829 in Bologna, he composes his first cantata for the soprano Giulia Grisi, then 18 years old. He produces his first complete opera, I rivali di se stessi, at Palermo in the carnival season of 1829—1830.
Balfe returned to London in May 1835. His initial success takes place some months later with the premiere of The Siege of Rochelle on October 29, 1835, at Drury Lane. Encouraged by his success, he produces The Maid of Artois in 1836, which is followed by more operas in English. In July 1838, Balfe composes a new opera, Falstaff, for The Italian Opera House, based on The Merry Wives of Windsor, with an Italian libretto by S. Manfredo Maggione.
In 1841, Balfe founds the National Opera at the Lyceum Theatre, but the venture is a failure. The same year, he premieres his opera, Keolanthe. He then moves to Paris, presenting Le Puits d’amour in early 1843, followed by his opera based on Les quatre fils Aymon for the Opéra-Comique and L’étoile de Seville for the Paris Opera. Meanwhile, in 1843, he returns to London where he produces his most successful work, The Bohemian Girl, on November 27, 1843, at the Theatre Royal, Drury Lane. The piece runs for over 100 nights, and productions are soon mounted in New York, Dublin, Philadelphia, Vienna, Sydney, and throughout Europe and elsewhere.
From 1846 to 1852, Balfe is appointed musical director and principal conductor for the Italian Opera at Her Majesty’s Theatre. There he first produces several of Giuseppe Verdi‘s operas for London audiences. He conducts for Jenny Lind at her opera debut and on many occasions thereafter.
In 1851, in anticipation of The Great Exhibition in London, Balfe composes an innovative cantata, Inno Delle Nazioni, sung by nine female singers, each representing a country. He continues to compose new operas in English, including The Armourer of Nantes (1863), and writes hundreds of songs. His last opera, nearly completed when he dies, is The Knight of the Leopard and achieves considerable success in Italian as Il Talismano.
In all, Balfe composes at least 29 operas. He also writes several cantatas and a symphony. His only large-scale piece that is still performed regularly today is The Bohemian Girl.
Dolores Keane, folk singer and occasional actress, is born on September 26, 1953, in the small village of Sylane, near Tuam, in rural County Galway. She is a founding member of the successful group De Dannan and has since embarked on a very successful solo career, establishing herself as one of the most loved interpreters of Irish song.
Keane is raised from the age of four by her aunts Rita and Sarah Keane, who are also well-known sean-nós singers. She starts her singing at a very young age, due to the influence of her musical aunts. She makes her first recording for Radio Éireann in 1958 at the age of five. This early start sets her on the path to a career in music. Her brother, Seán, also goes on to enjoy a successful music career.
In 1975, Keane co-founds the traditional Irish band De Dannan, and they release their debut album Dé Danann in that same year. The group gains international recognition and enjoys major success in the late 1970s in the United States. She tours with the band and their single “The Rambling Irishman” is a big hit in Ireland. In early 1976, after a short two-year spell, she leaves De Dannan and is replaced by Andy Irvine, who records live with the band on April 30, 1976, during the 3rd Irish Folk Festival in Germany. Soon thereafter, she marries multi-instrumentalist John Faulkner, with whom she subsequently records three albums of folk music.
Keane lives and works in London for several years with Faulkner before they move to Ireland in the early 1980s. They work on a series of film scores and programmes for the BBC and form two successful bands, The Reel Union and Kinvara. During this period, she records her first solo album, There Was a Maid in 1978. This is followed by two other releases, Broken Hearted I’ll Wander (1979) and Farewell to Eirinn (1980), which gives credit to Faulkner. In the mid-1980s she rejoins De Dannan and records the albums Anthem and Ballroom with them.
Keane turns her attention, once again, to her solo career in 1988. It sees the release of the eponymous Dolores Keane album. Her follow-up album, A Lion in a Cage (1989), features a song written by Faulkner called “Lion in a Cage” protesting the imprisonment of Nelson Mandela. It serves as Keane’s second Irish number one, and she performs the hit at the celebration of his release. This exposure expands her reputation and popularity worldwide. A new facet is added to her career when she plays the female lead in the Dublin production of Brendan Behan‘s The Hostage. The opening night is attended by Mary Robinson, the President of Ireland at the time.
In 1992, Keane is among the many female Irish singers to lend their music to the record-smashing anthology A Woman’s Heart. The album goes on to become the biggest-selling album in Irish history. A Woman’s Heart Vol.2 is released in late 1994 and emulates its predecessor in album charts the world over. Also in 1994, a solo album, Solid Ground, is released on the Shanachie Records label and receives critical acclaim in Europe and America.
In August 1995, Keane is awarded the prestigious Fiddler’s Green Hall of Fame award in Rostrevor, County Down, for her “significant contribution to the cause of Irish music and culture.” In that same year, she takes to the stage in the Dublin production of John Millington Synge‘s The Playboy of the Western World. She contributes to the RTÉ/BBC television production “Bringing It All Back Home,” a series of programmes illustrating the movement of Irish music to America.
In August 1997, Keane goes to number one again in the Irish album charts with a compilation album with her most loved songs. And another studio album, Night Owl, is released in 1998. It sees her returning to her traditional Irish roots and it does well in Europe and America. Despite a healthy solo career, she goes on tour with De Dannan again in the late 1990s, where she plays to packed audiences in venues such as Birmingham, Alabama and New York City.
Keane puts an end to recording and touring in the late 1990s, due to depression and alcoholism, for which she receives extensive treatment. As of June 2014, she is given the all clear after suffering from cancer.
seamus dubhghaill 