seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Birth of John Millington Synge, Poetic Dramatist

John Millington Synge, a leading figure in the Irish Literary Revival, is born at Rathfarnham, near Dublin, on April 16, 1871. He is a poetic dramatist of great power who portrays the harsh rural conditions of the Aran Islands and the western Irish seaboard with sophisticated craftsmanship.

After studying at Trinity College and at the Royal Irish Academy of Music in Dublin, Synge pursues further studies from 1893 to 1897 in Germany, Italy, and France. In 1894 he abandons his plan to become a musician and instead concentrates on languages and literature. He meets William Butler Yeats while studying at the Sorbonne in Paris in 1896. Yeats inspires him with enthusiasm for the Irish renaissance and advises him to stop writing critical essays and instead to go to the Aran Islands and draw material from life. Already struggling against the progression of Hodgkin’s lymphoma which is untreatable at the time and eventually causes his death, Synge lives in the islands during part of each year between 1898 and 1902, observing the people and learning their language, recording his impressions in The Aran Islands (1907) and basing his one-act plays In the Shadow of the Glen and Riders to the Sea (1904) on islanders’ stories. In 1905 his first three-act play, The Well of the Saints, is produced.

Synge’s travels on the Irish west coast inspire his most famous play, The Playboy of the Western World (1907). This morbid comedy deals with the moment of glory of a peasant boy who becomes a hero in a strange village when he boasts of having just killed his father but who loses the villagers’ respect when his father turns up alive. In protest against the play’s unsentimental treatment of the Irishmen’s love for boasting and their tendency to glamorize ruffians, the audience riots at its opening at Dublin’s Abbey Theatre. Riots of Irish Americans accompany its opening in New York City in 1911, and there are further riots in Boston and Philadelphia. Synge remains associated with the Abbey Theatre, where his plays gradually win acceptance, until his death. His unfinished Deirdre of the Sorrows, a vigorous poetic dramatization of one of the great love stories of Celtic mythology, is performed there in 1910.

John Millington Synge dies at the Elpis Nursing Home in Dublin on March 24, 1909, at the age of 37, and is buried in Mount Jerome Cemetery and Crematorium, Harold’s Cross, Dublin.

In the seven plays he writes during his comparatively short career as a dramatist, Synge records the colourful and outrageous sayings, flights of fancy, eloquent invective, bawdy witticisms, and earthy phrases of the peasantry from Kerry to Donegal. In the process he creates a new, musical dramatic idiom, spoken in English but vitalized by Irish syntax, ways of thought, and imagery.


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The American Civil War Begins

The American Civil War begins on April 12, 1861. There is perhaps no other ethnic group so closely identified with the Civil War years and the immediate aftermath of the war as Irish Americans.

Of those Irish who come over much later than the founding generations, fully 150,000 of them join the Union army. Unfortunately, statistics for the Confederacy are sketchy at best. Still, one has but to listen to the Southern accent and listen to the sorts of tunes Southern soldiers love to sing to realize that a great deal of the South is settled by Irish immigrants. But because the white population of the Confederate states is more native-born than immigrant during the Civil War years, there does not seem as much of a drive in the Southern army to recognize heritage in the names and uniforms of regiments as there is in the Union forces.

In the Union army there is the fabled Irish Brigade, likely the best known of any brigade organization, organized in 1861 and led by the flamboyant General Thomas Francis Meagher. They go into battle with an emerald green flag with a large golden harp in its center, celebrating their heritage even in the midst of death. The Irish Brigade makes an unusual reputation for dash and gallantry. It belongs to the First Division of the Second Corps and is numbered as the Second Brigade. The Irish Brigade loses over 4,000 men in killed and wounded during the war; more men than ever belong to the brigade at any given time. The Irish Brigade is commanded, in turn, by General Thomas Francis Meagher, Colonel Patrick Kelly (killed), General Thomas A. Smyth (killed), Colonel Richard Byrnes (killed), and General Robert Nugent.

In the North, centers of Irish settlement are Boston and New York, both of which have sizeable Irish neighborhoods. There are major immigration periods in the 1830s, 1840s, and 1850s. The numbers steadily increase until, according to the 1860 census, well over one and a half million Americans claimed to have been born in Ireland. The majority of these live in the North. There are periods of severe economic difficulties both before and after the war when the immigrant Irish are singled out for the distrust and hatred of their fellow Americans. “No Irish Need Apply” is a frequently seen placard sign above the doors of factories, shops, warehouses, and farms.

The Irish are chiefly distrusted because they are Catholic, and there is much opposition in the United States to the Church of Rome. The frustration this prejudice causes leads indirectly to the boil-over of tempers in July 1863, when the first official draft is held. A mob of mostly immigrant laborers gather at the site of the draft lottery, and as names are called and those not wealthy enough to purchase a substitute are required to join up, the mob’s temper flares.

The situation escalates into full-scale rioting. For three days, cities like New York and Boston are caught up in a rampage of looting, burning, and destruction. Many of the rioters are frustrated Irish laborers who cannot get jobs, and their targets are draft officials, as well as free blacks living in the North, who seem able to get jobs that the Irish are denied. It takes the return of armed troops from the fighting at the Battle of Gettysburg to bring the cities back to peace and quiet.

Such events do little to help the image of the Irish in America, until many years after the war. Despite their wartime heroics, many Irish veterans come home to find the same ugly bias they faced before going off to fight for the Union. Many of them choose to go into the post war army.

Still others follow Thomas Meagher into Canada, where they join up in an attempt to free Canada from British domination. Many simply choose to remain in the Eastern cities, hoping matters will improve as time goes by. Eventually things do get better for the Irish, but it is many long years before ugly anti-Irish prejudice fades.


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Death of John O’Mahony, Founder of the Fenian Brotherhood

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John Francis O’Mahony, Gaelic scholar and the founding member of the Fenian Brotherhood in the United States, sister organisation to the Irish Republican Brotherhood, dies in New York City on February 7, 1877.

O’Mahony is born in 1816 in Kilbeheny, County Limerick. His father and uncle were members of the Society of United Irishmen and took part in the Irish Rebellion of 1798. On the death of an elder brother, he inherits a property which yields £300 per annum. He enters Trinity College, Dublin, where he studies Sanskrit, Hebrew, and Irish. He becomes an accomplished Gaelic scholar, and later teaches Greek and Latin, and contributes articles to Irish and French journals. He leaves Trinity without getting a degree.

In 1843, O’Mahony joins Daniel O’Connell‘s movement for the Repeal of the Acts of Union 1800, but quickly becomes dissatisfied with the lack of progress and joins the Young Ireland movement which William Smith O’Brien leads and takes part in the failed Young Ireland Rebellion of 1848. His participation in the rebellion obligates him to leave Ireland, and he settles for a time in Paris, where he lives in great poverty. In 1854, he joins John Mitchel in New York City, and takes part in the Emigrant Aid Association, the Emmet Monument Association, and other Irish organisations.

In 1857, O’Mahony publishes History of Ireland, by Geoffrey Keating, D. D., translated from the Original Gaelic, and Copiously Annotated (New York, 1857). O’Mahony’s notes are copied from John O’Donovan‘s translations of Annals of the Four Masters, and it is on this ground that Hodges & Smith procures an injunction against the sale of the book in the United Kingdom. The mental strain to which O’Mahony is subjected in the preparation of this work, which brings him no pecuniary gain, affects his reasoning and he is removed by his friends for a short time to a lunatic asylum.

In 1860, O’Mahony organises the Fenian Brotherhood, also known as the Irish Republican Brotherhood. The object of the association is to secure the freedom of Ireland. The name is probably derived from O’Mahony’s Gaelic studies, the Fenians having been a military body in pagan Ireland, celebrated in the songs of Ossian. The organisation of the new society is completed at conventions that are held in Chicago in 1864 and in Cincinnati in January 1865.

At the time of the Cincinnati convention, O’Mahony holds the rank of colonel of the 69th Regiment of New York State Militia, recruited mainly from the ranks of the Brotherhood, which has also furnished a large proportion of Thomas Francis Meagher‘s Irish Brigade, Michael Corcoran‘s legion, and Irish regiments engaged in the American Civil War. The rapid growth in membership of the Fenian Brotherhood renders it impossible for O’Mahony to retain the colonelcy of the 69th regiment, which he has held for some time. He resigns in order to give all his attention to the spread of Fenianism.

The close of the civil war in the spring of 1865 gives a great impetus to the Fenians, owing to the number of Irish American soldiers that are disbanded and anxious to see service elsewhere. Money pours into the Fenian exchequer. Many differences occur between O’Mahony and James Stephens and the Central Council relative to the policy to be pursued for the attainment of their object, but O’Mahony remains president of the organisation for several years. He does not take any part personally in the attempted insurrection in Ireland or in the raids on Canada, although his advice counts for much in these enterprises.

He devotes the last years of his life to literary pursuits, but suffers from ill health, and he has a hard struggle to secure the bare means for subsistence. However, visionary may have been his objectives, he is honest, and although thousands have passed through his hands, he is often at a loss for a dollar. When his poverty is discovered, he declines to receive assistance in any form. He dies in New York City on February 7, 1877, and soon after his death his remains are returned to Ireland and interred with the honors of a public funeral in Glasnevin Cemetery in Dublin.


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Founding of the American Irish Historical Society

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The American Irish Historical Society (AIHS), a historical society devoted to Irish American history, is founded in Boston on January 20, 1897. In continuous operation since its founding, the Society has been non-partisan and non-sectarian since its inception. The Society is founded as a response to the establishment in 1889 of the Scotch-Irish Society.

AIHS is relocated to New York City in 1904 by T. H. Murray, then serving as Society’s Secretary-General. Perhaps the most notable member of AIHS at the time is President Theodore Roosevelt. The Society’s formal purpose is “to place permanently on record the story of the Irish in America from the earliest settlement to the present day, justly, impartially, fully, and sympathetically correcting neglect and misrepresentation by certain historians of the part taken in the founding, upbuilding and safeguarding of the Nation by persons of Irish birth and descent.” Notable members through the years have included politician William Bourke Cockran, tenor John McCormack, New York Governor Hugh Carey, and performer/composer George M. Cohan. In 1940, the Society moves its headquarters to a Beaux-Arts townhouse at 991 Fifth Avenue in New York City opposite the Metropolitan Museum of Art. The AIHS remains at this location today.

The Society hosts cultural and historical events, publishes a journal entitled The Recorder, and annually awards a Gold Medal to an Irish American or Irish-national of significant accomplishment. Past honorees have included Bono, George J. Mitchell, Mary Higgins Clark, Wilbur Ross, Michael J. Dowling, and Robert McCann.

During the holiday season of 2016, AIHS is home to the Irish Repertory Theatre‘s production of The Dead, 1904. The show is an adaptation of James Joyce‘s The Dead, by novelist Jean Hanff Korelitz and her husband, Irish poet, Paul Muldoon.


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Death of James Hogun, American Revolutionary War Officer

James Hogun, Irish American military officer who is as one of five generals from North Carolina to serve with the Continental Army during the American Revolutionary War, dies on January 4, 1781.

Born in Ireland around 1721, Hogun migrates to North Carolina, then a British colony, in 1751. Settling in Halifax County, he raises a family and establishes himself as a prominent local figure.

A member of the county’s Committee of Safety, he represents it at the North Carolina Provincial Congress and helps to draft the first Constitution of North Carolina. When North Carolina decides to raise three more regiments for George Washington’s Continental Army, James Hogun is appointed colonel of one of them, the 7th North Carolina. He participates in the battles of Brandywine and Germantown in 1777, where Hogun is cited for “distinguished intrepidity.” The Continental Congress promotes Hogun to brigadier general in 1779, although several congressmen and the North Carolina General Assembly wish to see Thomas Clark of North Carolina promoted instead.

In November 1779, Hogun is sent south in command of the North Carolina Brigade to the aid of General Benjamin Lincoln, who is facing an anticipated British assault at Charleston, South Carolina. The march south, through one of the worst winters ever, is a severe one and Hogun’s numbers are reduced by the time he reached Charleston on March 3, 1780. Before the end of the month, British General Henry Clinton’s men are besieging the city. The Americans, though outnumbered more than two to one, have a few successes but soon they are running low on food and ammunition.

At a council of war May 11, the decision is made to surrender. The surrender the following day is one of the worst American defeats of the war — more than 2,500 men become British prisoners. The British hastily build a prison on Haddrel’s Point, a peninsula in Charleston’s harbor, to hold the prisoners, but the site is incomplete, and conditions are harsh.

Generals McIntosh, Lincoln, and Scott, and other high-ranking officers accept parole from the British and depart. Generals William Moultrie and Hogun refuse, preferring to stay with their men. The British are trying to recruit colonial soldiers to serve them in the West Indies. In spite of his flagging health, Hogun fears some of his men might weaken if he departs.

As winter sets in, Hogun’s condition worsens. On January 4, 1781, he passes away and was buried near the prison. Like so many other Irish-born soldiers before and after him, James Hogun had given his last full measure of devotion to his adopted country.


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Birth of Irish Author Mary Anne Sadlier

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Mary Anne Sadlier, Irish author, is born Mary Anne Madden in Cootehill, County Cavan, on December 30, 1820.

Sadlier publishes roughly sixty novels and numerous stories in her lifetime. She writes for Irish immigrants in both the United States and Canada, encouraging them to attend mass and retain the Catholic faith. In so doing, Sadlier also addresses the related themes of anti-Catholicism, the Great Famine, emigration, and domestic work. Her writings are often found under the name Mrs. J. Sadlier.

Upon the death of her father, Francis, a merchant, Mary Madden emigrates to Sainte-Marthe, Quebec in 1844, where she marries publisher James Sadlier, also from Ireland, on November 24, 1846. Sadlier publishes much of her work in the family’s Catholic magazine, The Tablet. Sadlier experiences her most productive literary period after her marriage and is most creative after the time all of her children are born. While living in Canada, Sadlier publishes eighteen books — five novels, one collection of short stories, a religious catechism, and nine translations from the French — in addition to assorted magazine articles she contributes to the Pilot and American Celt free of charge. In New Lights (1853), Sadlier deals with the Great Famine for the first time. The book proves one of her most popular, going through at least eight editions in fifty years. In this novel, Sadlier focuses a polemical attack on the Protestant practice of converting Irish peasants by promising them soup but condemns peasant retaliation and violence.

In the early 1860s, the couple moves to New York City. The Sadlier’s New York home becomes the hub of literary activity in the Catholic community, and Sadlier also enjoys the company of the brightest Irish writers in the United States and Canada, including New York Archbishop John Hughes, editor Orestes Brownson, and Thomas D’Arcy McGee. She holds weekly salons in her Manhattan home, as well as her summer home on Far Rockaway on Long Island. Her closest friend is D’Arcy McGee, a poet, Irish nationalist exile and Canadian statesman known as one of the founding “Fathers of Confederation” who helps bring about Canada’s independence. McGee and Sadlier share an interest in a “national poetry” that does not only capture the spirit of a people but inspires them to political and national independence. While McGee, as a man, can take part in political rallies and organize Irish American support for Home Rule, Sadlier, as a woman, directs her support for Irish independence into literature. McGee’s biographer notes that Sadlier’s success inspires him to write emigrant novels and is planning a novel on this subject at the time of his assassination by an Irish American radical in 1868. His death is a crushing blow to Sadlier and her husband. Sadlier edits a collection of McGee’s poetry in 1869 in tribute to his memory.

Sadlier remains in New York for nine years before returning to Canada, where she dies in Montreal on April 5, 1903. In later years she loses the copyright to all her earlier works, many of which remain in print. One of Mary Anne’s daughters, Anna Theresa Sadlier, also becomes a writer.


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Annie Moore Departs Queenstown for the United States

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Fifteen-year-old Annie Moore departs Queenstown, now Cobh, County Cork, on December 20, 1891, and becomes the first immigrant to the United States to pass through the Ellis Island facility in New York Harbor.

Her parents, Matthew and Julia Moore, had come to the United States in 1888 and are living at 32 Monroe Street in Manhattan. Moore departs from Queenstown aboard the S.S. Nevada, one of 148 steerage passengers. Accompanied by her brothers, Anthony and Philip, she spends twelve days at sea, including Christmas Day, arriving in New York City on Thursday evening, December 31. It is reported that her arrival is on her 15th birthday, but records in Ireland reveal that her birthday is in May, and she is actually seventeen.

Ellis Island officially opens on January 1, 1892, and, as the first person to be processed at the newly opened facility, Moore is presented with an American $10 gold piece from an American official. All three children are soon reunited with their parents in New York. From 1820 to 1920, more than 4 million people leave their native shores of Ireland bound for the Port of New York and a new life in America.

Moore marries a son of German immigrants, Joseph Augustus Schayer, an employee at Manhattan’s Fulton Fish Market, with whom she has at least eleven children. She dies of heart failure on December 6, 1924, and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish Blue Limestone.

The Irish American Cultural Institute presents an annual Annie Moore Award “to an individual who has made significant contributions to the Irish and/or Irish American community and legacy.” Moore’s story is told in the song “Isle of Hope, Isle of Tears,” written by Brendan Graham. The song has been performed by Ronan Tynan and by The Irish Tenors, of which Tynan was formerly a member. Other artists performing the song include Seán Keane, Sean & Dolores Keane, Daniel O’Donnell, Celtic Thunder, Irish tenor Brian Dunphy, Celtic Woman, and Tommy Fleming.

A woman named “Annie Moore” who died near Fort Worth, Texas in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, established that the Annie Moore in Texas was born in Illinois.


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Birth of Patrick Henry Jones, Postmaster of New York City

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Patrick Henry Jones, American lawyer, public servant, and Postmaster of New York City during the mid-to late 19th century, is born on November 20, 1830, in County Westmeath.

Jones attends grammar school in Dublin for three years until emigrating with his family to the United States in 1840. They settle on a farm in Cattaraugus County, New York where Jones spends most of his childhood. Because of his poor background, he receives only a limited education at the Union School in Ellicottville. In 1850, the 20-year-old Jones becomes involved in journalism and travels as a correspondent throughout the Western States for a leading New York journal. He later becomes the local editor for the Buffalo Republic and one of the editors of the Buffalo Sentinel.

Eventually, Jones decides to pursue a career in law and later studies under the firm of Addison Rice. He is admitted to the bar in 1856 and afterwards practices law with Addison in Ellicottville as a full partner. By 1860, he has established himself as one of the most prominent lawyers in western New York. A lifelong Democrat, he becomes disillusioned by the party’s support of Southern succession from the Union and, in May 1861, decides to join the military in defense of the United States.

Upon the outbreak of the American Civil War, Jones readily joins the Union Army. On July 7, 1861, he enlisted with the 37th New York Volunteers, popularly known as the “Irish Rifles”, under Colonel John H. McCunn. Jones has a successful career serving in the Union Army, being involved in thirty major battles and countless skirmishes, and reaching the rank of brigadier general. He remains at that rank for the rest of the war and resigns on June 17, 1865. He is one of ten Irish Americans to become brigade commanders and one of four Irish-born officers to become a divisional commander.

After his resignation, Jones resumes his law practice in Ellicottville and in November 1865 is elected on the Republican ticket as Clerk of the New York Court of Appeals. On August 13, 1868, Jones is appointed by Gov. Reuben E. Fenton as Register of New York City to fill the vacancy resulting from the death of Charles G. Halpine. On April 1, 1869, Jones is appointed by President Ulysses S. Grant as Postmaster of New York City. From 1875 to 1877, Jones is again Register of New York City, elected in November 1874 on the Republican ticket. Afterwards he resumes his private practice.

In 1878, Jones is involved in the Alexander T. Stewart bodysnatching case when he is contacted by the kidnappers to act as an intermediary between themselves and the Stewart estate. When negotiations stall between the Stewart family’s lawyer Henry Hilton, he assists Stewart’s widow in negotiating for the return of her husband’s body.

Jones suffers serious medical problems in his old age, specifically deafness and chronic diarrhea, which his physician blames on his exposure to artillery fire and his time in the swamps along the Chickahominy River during his military service. He also suffered from constant pain in his right sciatic nerve, attributed to his old war wound suffered at Chancellorsville, as well as his wound in the gluteal region.

In early July 1900, Jones begins suffering from severe gastroenteritis. His condition does not respond to therapeutic treatments as he loses control of his bowels and is unable to keep down solid food, living on scalded milk and brandy. On July 18, 1900, Jones dies from cardiac failure, indirectly caused by his gastroenteritis, at his home in Port Richmond, New York. His funeral is held at St. Mary’s Church two days later and he is buried in St. Peter’s Cemetery.


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Death of Irish American Painter William Harnett

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William Michael Harnett, Irish American painter known for his trompe-l’œil still lifes of ordinary objects, dies at New York Hospital on October 29, 1892.

Harnett is born in Clonakilty, County Cork, on August 10, 1848, during the time of the Great Famine. Shortly after his birth his family emigrates to America, settling in Philadelphia. Becoming a United States citizen in 1868, he makes a living as a young man by engraving designs on table silver, while also taking night classes at the Pennsylvania Academy of the Fine Arts and later, in New York City, at Cooper Union and at the National Academy of Design. His first known oil painting, a still life, dates from 1874.

The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of 17th century Dutch painters, Pieter Claesz for instance, specialize in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.

Harnett paints musical instruments, hanging game, and tankards, but also painted the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.

Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. Harnett’s best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.

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Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one string broken. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.

Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He seeks relief in the waters at Karlsbad and Wiesbaden, Germany and later at Hot Springs, Arkansas. But he continues to worsen and is hospitalized several times. He dies in New York City in 1892.


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1947 All-Ireland Senior Football Championship Final

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For the first and only time, the All-Ireland Senior Football Championship Final is played outside Ireland on September 14, 1947, at the Polo Grounds in Upper Manhattan, New York City, to cater for the large Irish American community there.

The New York final matching Cavan against Kerry is also intended to observe the centenary of the Great Famine that triggered mass Irish emigration to the United States and other countries. Around 30,000 people are in attendance for the final. Cavan travels to the U.S. by air and Kerry by sea. The Ulster team credits their victory partially to their shorter time spent travelling. The Cavan team flight, via the Azores, takes 30 hours. Kerry’s trip by Ocean Liner takes far longer.

Mick Higgins, a key member of the Cavan team that day, recalls later in life, “There was no huge send-off for us in Cavan, but both teams got a good reception in New York when we arrived. I remember the team stayed in the Commodore Hotel, but I stayed with my relatives.” He also remembers the “oppressive heat” during the game itself.

After a slow start, Cavan fights back to lead 2-5 to 2-4 at the break and goes on to win by four points. Peter Donohoe scores eight points from frees and is called “the Babe Ruth of Gaelic football” in the New York press. The match commentary was broadcast by radio across the Atlantic Ocean by Michael O’Hehir.

The Cavan team returns to Ireland aboard the RMS Queen Mary. Higgins recalls, “It was only after we arrived in Southampton that we realised the joy of it all. Large numbers of Cavan people turned up to see us in London and Birmingham. We were treated like kings in Cavan.”