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Birth of Cathal O’Byrne, Antiquarian, Writer & Entertainer

Cathal O’Byrne, an antiquarian, writer, and entertainer, is born on June 1, 1876, in Kilkeel, County Down.

O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.

O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.

O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).

In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.

In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.

During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.

After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.

O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.

O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.

O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.

There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”

O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”

(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of James Duffy, Author & Publisher

James Duffy, prominent Irish author and publisher, dies at his home at Clontarf, Dublin, on July 4, 1871.

Duffy is born in 1809 probably in County Cavan, at either Shercock or Kingscourt, and is educated locally at a hedge school. He has at least two brothers and two sisters. He first makes a living as a pedlar in County Cavan and County Meath, dealing with Bryan Geraghty, a bookseller in Anglesea Street, Dublin, with whom he exchanges Irish manuscripts for Catholic prayer books. He also buys up Bibles distributed in Ireland by Protestant missionaries for resale in Great Britain. When aged about thirty he sets up in business in Anglesea Street as a publisher, printer and bookseller, specialising in low-priced Catholic books, such as A pocket missal for the use of the laity (1838) and a new edition of the Catechism (1848) by Andrew Donlevy, made possible by the invention of the stereotype. He moves his business to Wellington Quay in 1846. He also prints and distributes public statements by Catholic prelates, and is able to call himself “bookseller to the cardinal archbishop of Dublin.”

At the request of the editor of The Nation, Charles Gavan Duffy (to whom he is not related), he republishes an anthology of nationalistic ballads, The spirit of the nation (1843; 59th ed., 1934), a successful venture that links him to the Young Ireland movement and expands into the publication of numerous popular historical writings, beginning with Gavan Duffy’s Library of Ireland series. He publishes several periodicals for Catholic readers, which combine pietism and patriotism with hagiography: Duffy’s Irish Catholic Magazine (1847–8), Duffy’s Fireside Magazine (1850–54), and Duffy’s Hibernian Magazine (1860–64).

Judged by the distinction of his authors (who include William Carleton, Thomas Davis, John Mitchel, James Clarence Mangan and Richard Robert Madden, the number and popularity of his productions, and their formative influence on Catholic popular opinion, he can be considered the most important Irish publisher in the middle decades of the nineteenth century. He is particularly significant in providing the Young Ireland movement with a cheap and reliable publisher for the dissemination of their writings. Charles Gavan Duffy describes him as “a man of shrewd sense and sly humour but without cultivation or judgment in literature.” He never takes a holiday and, though a kindly employer, never allows his staff to take holidays. The Irish American newspaper Irish American Weekly credits him with providing employment for 500 people and with having bought enough land to give him an income of £5,000 a year. It also notes that his ruthlessness had made him unpopular within his trade.

In 1840 Duffy marries Frances Lynch in Kingscourt, County Cavan. They have five sons and five daughters. The family susceptibility to pulmonary illnesses takes a dreadful toll: none of the sons live beyond the age of twenty-three, three dying from tuberculosis, while one of his daughters dies of pneumonia at the age of fourteen and another two daughters succumb as relatively young adults to tuberculosis.

Duffy dies at the age of 62 on July 4, 1871, at his home at Clontarf, Dublin. He is buried at Glasnevin Cemetery. His will, which disposes of an estate worth almost £25,000, is contested unsuccessfully in court by the younger of his two surviving sons. His son-in-law, Edmund Burke, becomes managing director of James Duffy and Company Limited, but after his death in 1901 the company passes out of the control of its founder’s family.

(From: “Duffy, James” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Charles Patrick Meehan, Priest & Historian

Charles Patrick Meehan, priest and historian, is born on July 12, 1812, at 141 Great Britain Street (now Parnell Street), Dublin.

Meehan’s father, a native of Manorhamilton, County Leitrim, is a prosperous farmer at Ballymahon, County Longford. He receives his early education in a hedge school and from a local curate at Ballymahon. In 1828 he enters the Pontifical Irish College in Rome, where he is a brilliant student, acquiring fluency in several languages. As a child he had loved to listen to stories of the Flight of the Earls and the Flight of the Wild Geese, and during his time in Rome he discovers the neglected graves of Hugh O’Neill and Hugh O’Donnell in the church of San Pietro in Montorio. He begins his lifelong research on the seventeenth century by locating and transcribing hitherto unstudied documents held in Roman repositories. Ordained in 1835, he is appointed curate at Rathdrum, County Wicklow in August and five months later is transferred to the parish of Saints Michael and John, Dublin. He is an excellent preacher and a strong advocate of temperance, and zealously discharges his parish duties.

A supporter of Daniel O’Connell and the repeal movement, Meehan is particularly attracted by the ideals of Young Ireland and becomes friendly with the principal writers of The Nation, especially Charles Gavan Duffy and James Clarence Mangan. He is Mangan’s confessor and attends his deathbed in 1849. The Young Irelanders often meet in his presbytery in Lower Exchange Street. From 1842 he contributes occasional verse and translations to The Nation using the pseudonym ‘Clericus’ and the initials ‘C. P. M.’ He defends the Young Irelanders from accusations of irreligion. During the debates on physical force in Conciliation Hall in July 1846 he supports the Young Ireland position and is shouted down by O’Connellites.

He secedes with the Young Irelanders from the Repeal Association and becomes a member of their Irish Confederation on its foundation in January 1847. Later that year he becomes president of the St. Patrick’s Confederate Club and delivers lectures to it on Irish history. A strong believer in the importance of history in creating national pride and awareness, he contributes The Confederation of Kilkenny (1846) and a translation of Daniel O’Daly, The Geraldines, their Rise, Increase and Ruin (1847) to The Nation‘s Library of Ireland historical series. He publishes a translation, with a valuable introduction and notes, of John Lynch‘s Latin life of Francis Kirwan, bishop of Killala 1645–61, as Portrait of a Christian Bishop (1848). In 1848 he resigns his presidency of the St. Patrick’s Confederate Club in the hope of becoming librarian or professor of modern languages at Queen’s College Galway but is unsuccessful.

For the rest of his life Meehan devotes himself to parish work and historical research, occasionally publishing articles and poems in the Hibernian Magazine and Irish Catholic Magazine. He also edits six volumes of the second series of James Duffy‘s Duffy’s Hibernian Magazine (1862–65). Having acquired a vast store of anecdotes and curious information from his research, he is an interesting companion who loves the company of poets and scholars and forms friendships with many young nationalist writers, including Denis Florence MacCarthy, John Keegan Casey and John Francis O’Donnell.

Most of Meehan’s research is devoted to Irish history, but he occasionally tackles other subjects, such as his translation from the Italian of Vincenzo Marchese’s Lives of the most eminent sculptors and architects of the order of St Dominic (2 vols, 1852). Although his work is marked by a strong sympathy for Catholicism and Irish nationalism, he is among the more scholarly historians associated with the Young Ireland movement. He is elected Member of the Royal Irish Academy (MRIA) in February 1865. Gavan Duffy lauds his efforts and ranks him with the great patriotic clerical scholars of the past who had devoted their lives to the study of Irish history.

Meehan repeatedly takes the opportunity to amend and expand his published works, producing revised editions of The Geraldines (as The Geraldines, their Rise, Increase and Ruin (reprinted 1878)), Confederation of Kilkenny (1882), and Lynch’s Life of Kirwan (1884). His other important publications are The Fate and Fortunes of the Earls of Tyrone (Hugh O’Neill) and Tyrconnel (Rory O’Donel), their flight from Ireland and death in exile (1868), and Rise and Fall of the Irish Franciscan Monasteries and Memoirs of the Irish Hierarchy in the Seventeenth Century (1870). He edits the essays of the Young Irelanders in The Spirit of the Nation (1882) and publishes editions of the poetry of Mangan in The Poets and Poetry of Munster (1883), with an important biographical memoir. His last scholarly work is to re-edit Literary Remains of the United Irishmen (1887) to include material left in manuscript by Richard R. Madden.

A small man, Meehan always wears a monocle attached to a silk ribbon, a tall silk hat, and a stout blackthorn stick. He suffers badly from indigestion for most of his life, and this aggravates a testy personality and a waspish tongue. He regularly falls out with friends, and few parishioners are foolhardy enough to brave his confessional. He retains strong anti-English views all his life. In the 1880s he encounters the young Arthur Griffith pulling down a union flag from a lamppost in Dublin and astounds the boy by congratulating rather than chastising him. His Young Ireland nationalism and irascible personality ensure that he never progresses beyond the position of curate in his forty-five years at Saints Michael and John. Here, he works alongside Fr. James Healy, a renowned wit, and the two men delight in trading caustic remarks. Healy is present at Meehan’s deathbed and admits to brushing away a tear – the only thing, he remarks, that had been brushed in that room for many years.

Meehan dies on March 14, 1890, at his presbytery in Dublin, and is buried in Glasnevin Cemetery. He is survived by two brothers, one of whom is also a priest. He is commemorated by a mural tablet erected by his parishioners in the church of Saints Michael and John.

(From: “Meehan, Charles Patrick” by James Quinn and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie)


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Death of Poet James Clarence Mangan

James Clarence Mangan (Irish: Séamus Ó Mangáin), Irish poet, weakened by poverty, alcoholism and malnutrition, dies of cholera on June 20, 1849.

Mangan is born on May 1, 1803, in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.

Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.

Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.

Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.

Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.

Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.

Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.

Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.

(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)


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Birth of David James O’Donoghue, Biographer & Editor

David James O’Donoghue, Irish biographer, editor, and bookseller, is born in Chelsea, London, England on July 22, 1866.

O’Donoghue is born to Irish parents and grows up in the Hans Town area of Chelsea. He is the son of John O’Donoghue, a bricklayer from Kilworth, County Cork, and Bridget Griffin, who is from County Tipperary. He is the third of nine children, and has four brothers, Thomas, John, James, and Edmund, and four sisters, Mary, Ellen, Katherine, and Agnes. He is first an upholsterer‘s apprentice from the age of sixteen before becoming a journalist and author.

O’Donoghue attends a Catholic school and furthers his education at the British Museum. He begins his journalistic work by writing for the Dublin papers upon subjects relating to Irish music, art, and literature. A founder-member of the Irish Literary Society in London, he is also vice president of the National Literary Society, Dublin, and the compiler of a biographical dictionary, The Poets of Ireland (1891–93; revised edition, 1912), with entries on 2,000 authors. His published works also include Irish Poetry of the Nineteenth Century (1894), Humor of Ireland (1894), List of 1300 Irish Artists (1894), The Life and Writings of James Clarence Mangan (1897), Bibliographical Catalogue of Collections of Irish Music (1899), and Geographical Distribution of Irish Ability (1906).

O’Donoghue publishes an edition of James Fintan Lalor‘s writings (1895) and an edition of William Carleton‘s Traits and Stories of the Irish Peasantry (four volumes, 1896–97). He edits the works of Samuel Lover (six volumes, 1898–99) and the prose works (1903) and poems (1904) of James Clarence Mangan. He writes biographies on William Carleton (1896), Richard Pockrich (1899), and Robert Emmet (1902).

In 1896 O’Donoghue moves to Dublin. In 1909 he becomes librarian of University College Dublin. He is co-editor of Catalogue of the Gilbert Library (in Dublin; 1918). William Butler Yeats writes of him in his Autobiographies of William Butler Yeats (1938).

O’Donoghue dies suddenly on June 27, 1917, at his home on Auburn Avenue, Donnybrook, Dublin. He is buried in Dublin’s Glasnevin Cemetery.


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Birth of Poet James Clarence Mangan

Mangan bust

James Clarence Mangan, Irish poet, is born on May 1, 1803, in Dublin. His poetry fits into a variety of literary traditions. Most obviously, and frequently, his work is read alongside such nationalist political authors as John Mitchel, as they appear in The Nation, The Vindicator and the United Irishman newspapers or as a manifestation of the 19th-century Irish Cultural Revival. He is also frequently read as a Romantic poet.

Mangan is the son of James Mangan, a former hedge school teacher and native of Shanagolden, County Limerick, and Catherine Smith from Kiltale, County Meath. Following his marriage to Smith, James Mangan takes over a grocery business in Dublin owned by the Smith family, eventually becoming bankrupt as a result. Mangan describes his father as having “a princely soul but no prudence,” and attributes his family’s bankruptcy to his father’s suspect business speculations and tendency to throw expensive parties. Thanks to poor record keeping, inconsistent biographies, and his own semi-fictional and sensationalized autobiographical accounts, his early years are the subject of much speculation. However, despite the popular image of him as a long-suffering, poor poet, there is reason to believe that his early years are spent in middle class comfort.

Mangan is educated at a Jesuit school where he learns Latin, Spanish, French, and Italian. He attends three schools before the age of fifteen. Obliged to find a job in order to support his family, he then becomes a lawyer’s clerk, and is later an employee of the Ordnance Survey and an assistant in the library of Trinity College, Dublin.

Mangan’s first verses are published in 1818. From 1820 he adopts the middle name Clarence. In 1830 he begins producing translations – generally free interpretations rather than strict transliterations – from German, a language he had taught himself. Of interest are his translations of Johann Wolfgang von Goethe. From 1834 his contributions begin appearing in the Dublin University Magazine. In 1840 he begins producing translations from Turkish, Persian, Arabic and Irish. He is also known for literary hoaxes as some of his “translations” are in fact works of his own, like Twenty Golden Years Ago, attributed to a certain Selber.

Mangan is friends with the patriotic journalists Thomas Davis and John Mitchel, who ultimately writes his biography. His poems are published in their newspaper The Nation.

Although Mangan’s early poetry is often apolitical, after the Great Famine he begins writing patriotic poems, including influential works such as Dark Rosaleen, a translation of “Róisín Dubh,” and A Vision of Connaught in the Thirteenth Century.

Mangan’s best known poems include Dark Rosaleen, Siberia, Nameless One, A Vision of Connaught in the Thirteenth Century, The Funerals, To the Ruins of Donegal Castle, Pleasant Prospects for the Land-eaters and Woman of Three Cows. He writes a brief autobiography, on the advice of his friend Charles Patrick Meehan, which ends mid-sentence. This is apparently written in the last months of his life, since he mentions his narrative poem of the Italian Gasparo Bandollo, which is published in the Dublin University Magazine in May 1849.

Mangan is a lonely and often difficult man who suffers from mood swings, depression and irrational fears, and becomes a heavy drinker and opium user. His appearance grows eccentric, and he is described by the artist WF Wakeman as frequently wearing “a huge pair of green spectacles,” padded shirts to hide his malnourished figure and a hat which “resembled those which broomstick-riding witches are usually represented with.” On June 20, 1849, weakened by poverty, alcoholism and malnutrition, he succumbs to cholera at the age of 46. He is buried in Glasnevin Cemetery in Dublin.

(Pictured: Memorial bust of James Mangan in St. Stephen’s Green, sculpted by Oliver Sheppard)


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Death of Cathal Crobhdearg Ua Conchobair, the King of Connacht

Cathal Crobhdearg Ua Conchobair, the King of Connacht and youngest son of the Irish High King Tairrdelbach mac Ruaidri Ua Conchobair, dies on May 27, 1224. This finally opens the way for the Norman occupation of Connacht.

Ua Conchobair is born in 1153 and serves as King of Connacht from 1189 to 1199, and is re-inaugurated on the stone at Clonalis about 1201, reigning until 1224. He first succeeds his elder half brother Ruaidri‘s son Conchobar Máenmaige Ua Conchobair as ruler of Connacht. Conchobar Máenmaige’s son Cathal Carrach Ua Conchobair then rules from 1199 to 1202, with Cathal Crobhdearg back in power from then.

From his base west of the River Shannon he is forced to deal with the Norman invaders. He is a competent leader despite problems, avoiding major conflicts and winning minor skirmishes. Ua Conchobair attempts to make the best of the new situation with Ireland divided between Norman and Gaelic rulers. His long reign is perhaps a sign of relative success. He is the subject, as Cáhal Mór of the Wine Red Hand, of the poem A Vision of Connaught in the Thirteenth Century by the 19th-century Irish nationalist James Clarence Mangan.

Ua Conchobair founds Ballintubber Abbey in 1216, and is succeeded by his son, Aedh Ua Conchobair. His wife, Mor Ní Briain, is a daughter of King Domnall Mór Ua Briain of Thomond, dies in 1218.

In 1224 Ua Conchobair writes to Henry III as Lord of Ireland, asking that his son and heir Od (Aedh) be granted all of Connacht, in particular those parts, Kingdom of Breifne, owned by William Gorm de Lacy.

An account of Ua Conchobair’s inauguration has been preserved, written down by Donogh Bacach Ó Maolconaire, the son of O’Connor’s very inaugurator Tanaide Ó Maolconaire, who is also his historian.

(Pictured: Ruins of the 12th century Cistercian Knockmoy Abbey which contains the burial site of King Cathal Crobhdearg Ua Conchobair)