Young is born in Galgorm Castle, Ballymena, County Antrim, daughter and seventh of twelve children born to Grace Charlotte Savage, and John Young who is a prosperous unionist and high sheriff. Despite his position he is a believer in tenant rights. Her younger sister is the writer Ella Young and her brother Willie Young is secretary of the Ulster Unionist League.
Young is educated by governesses until 1884 before completing training as a teacher through Cambridge University. Young also attends Gaelic League classes in 1903 in London while visiting her sister who is living in the city at the time. After visiting the Bodleian Library she becomes committed to the study of the Irish language.
In the early 1900s Young returns to Ireland and continues her study of the Irish language in Belfast at Seán Ó Catháin‘s Irish College and in County Donegal at Coláiste Uladh in Gort an Choirce. Young also stays in Dublin and becomes friends with members of the Gaelic League and meets Margaret Dobbs. Young works with Dobbs on the Feis na nGleann (The Glens Festival), a gathering dedicated to the Irish language.
Young is not involved in nationalism though she is strongly supportive of creating and maintaining a sense of “Irishness” through language and culture. She is also a friend and patron of Roger Casement. She also works with Ellen O’Brien and contributes to O’Brien’s book, The Gaelic Church. She keeps meticulous diaries and becomes interested in Rathlin Island and the Gaelic spoken there.
Rose Young is buried in the Presbyterian churchyard at Ahoghill, County Antrim.
McKenna grows up in Galway, where her father is Professor of Mathematics at University College Galway, and in County Monaghan, speaking fluent Irish. She is still in her teens when she becomes a member of an amateur Gaelic theatre group and makes her stage debut at Galway’s Gaelic theatre, the Taibhdhearc na Gaillimhe, in 1940.
McKenna is remembered for her English language performances at the Abbey Theatre in Dublin where she eventually stars in what many consider her finest role in the George Bernard Shaw play, Saint Joan.
While performing at the Abbey Theatre in the 1940s, she meets actor Denis O’Dea, whom she marries in 1946. Until 1970 they live in Richmond Street South, Dublin. They have one child, a son Donnacha O’Dea, who swims for Ireland at the 1968 Summer Olympics and later wins a World Series of Poker bracelet in 1998.
In 1947, McKenna makes her debut on the London stage in The Chalk Garden. She reprises the role on Broadway in 1955, for which she receives a Tony Award nomination for “Best Actress in a Leading Role, Drama.” In 1956, she appears in the Cambridge Drama Festival production of Saint Joan at the Off-BroadwayPhoenix Theatre. Theatre critic Elliot Norton calls her performance the finest portrayal of Joan of Arc in memory. Siobhán McKenna’s popularity earns her the cover of Life magazine. She receives a second Tony Best Actress nomination for her role in the 1958 play, The Rope Dancers, in which she stars with Art Carney and Joan Blondell.
Although primarily a stage actress, McKenna appears in a number of made-for-television films and dramas. She also appears in several motion pictures such as King of Kings in 1961, as the Virgin Mary. In 1964, she performs in Of Human Bondage and the following year in Doctor Zhivago. She also appears in the miniseries The Last Days of Pompeii as Fortunata, wife of Gaius, played by Laurence Olivier. She stars in the title role of the Tales of the Unexpected episode “The Landlady.”
McKenna is awarded the Gold Medal of the Éire Society of Boston, for having “significantly fulfilled the ideals of the Éire Society, in particular, spreading awareness of the cultural achievements of the Irish people.”
McKenna’s final stage appearance comes in the 1985 play Bailegangaire for the Druid Theatre Company. Despite surgery, she dies of lung cancer on November 16, 1986, in Dublin, at 63 years of age. She is buried at Rahoon Cemetery in County Galway.
The work of Gore-Booth, alongside that of Esther Roper, the English woman who would become her lifelong companion, is responsible for the close link between the struggle for women’s rights in industry and the struggle for women’s right to vote. As a middle-class suffragist representing Manchester, the work of Gore-Booth is mainly recognized in the Lancashire cotton towns from 1899 to 1913. Her struggle begins when she becomes a member of the executive committee of the National Union of Women’s Suffrage Societies. Carrying out work at the Ancoats settlement, Eva becomes co-secretary of the Manchester and Salford Women’s Trade Union Council.
In 1902 Gore-Booth campaigns at the Clitheroe by-election on behalf of David Shackleton, a Labour candidate who promises her that he would show support for the women’s enfranchisement. Shackleton is elected but does not act upon his promise. This leads to the founding of the Lancashire and Cheshire Women Textile and Other Worker’s Representation Committee by Gore-Booth, Esther Roper and Sarah Reddish. When the Women’s Trade Union Council refuses to make women’s suffrage one of its aims, Gore-Booth resigns from the council.
In 1902 Gore-Booth campaigns at the Clitheroe by-election on behalf of David Shackleton, a Labour candidate who promises her that he would show support for the women’s enfranchisement. Shackleton is elected but does not act upon his promise. This leads to the founding of the Lancashire and Cheshire Women Textile and Other Worker’s Representation Committee by Gore-Booth, Esther Roper and Sarah Reddish. When the Women’s Trade Union Council refuses to make women’s suffrage one of its aims, Gore-Booth resigns from the council.
In 1907 Gore-Booth, reluctant to give up hope, contributes an essay “The Women’s Suffrage Movement Among Trade Unionists” to The Case for Women’s Suffrage. In this essay Eva gives a summary of reasons for the methods of the LCWTOW campaign to gain a vote for working women.
When Gore-Booth embarks on her writing career she is visited by William Butler Yeats who is very much taken with her work. Yeats hopes that she will take up his cause of writing Irish tales to enchant and amuse. Instead, Eva takes Irish folklore and put emphasis on the females in the story. Her widely discussed sexuality in later years is never declared but her poetry reflects it quite overtly. Gore-Booth is also one of a group of editors of the magazine Urania that publishes three issues per year from 1916 to 1940. It is a feminist magazine that reprints stories and poems from all over the world with editorial comment.
After years of playing a lead role in the Women’s Suffrage Movement and fighting for equality of women’s rights in the UK as well as staying true to her literary roots, Gore-Booth and Roper relocate to London from Manchester in 1913 due to Gore-Booth’s deteriorating respiratory health.
Just weeks after the 1916 Easter Rising, Gore-Booth travels to Dublin accompanied by Roper and is pivotal in the efforts to reprieve the death sentence of her sister Constance Markievicz awarded for her instrumental role in the rising, which is successfully converted to a life sentence. She further campaigns to abolish the death sentence overall and to reform prison standards. She attends the trial of Irish nationalist and fellow poet Roger Casement thus showing solidarity and support for the overturning of his death sentence.
During the remaining years of her life, which is claimed by cancer on June 30, 1926, Gore-Booth remains devoted to her poetry, dedicates time to her artistic talents as a painter, studies the Greek language and is known as a supporter of animal rights. She dies in her home in Hampstead, London, which she shares with Roper until her passing. She is buried alongside Roper in St. John’s churchyard, Hampstead.
Brosnan is the only child of Thomas Brosnan, a carpenter, and May (née Smith, born circa 1934). He lives in Navan, County Meath for twelve years and considers it his hometown. He goes to Primary School in St. Annes Primary School, Navan. Brosnan’s father abandons the family when he is an infant. When he is four years old, his mother moves to London to work as a nurse. From that point on, he is largely raised by his grandparents, Philip and Kathleen Smith. After their deaths, he lives with an aunt and then an uncle, but is subsequently sent to live in a boarding house. He is educated at Elliott School, now known as Ark Putney Academy, a coeducational secondary school with academy status in southwest London.
Brosnan, after leaving comprehensive school at age sixteen, begins training in commercial illustration. He then goes on to train at Drama Centre London for three years. Following a stage acting career he rises to popularity in the television series Remington Steele (1982–87), which blends the genres of romantic comedy, drama, and detective procedural. After the conclusion of Remington Steele, Brosnan appears in films such as the Cold War spy film The Fourth Protocol (1987) and the comedy Mrs. Doubtfire (1993).
In 1996, along with Beau St. Clair, Brosnan forms Irish DreamTime, a Los Angeles-based production company. In later years, he has become known for his charitable work and environmental activism. He is married to Australian actress Cassandra Harris from 1980 until her death in 1991. He marries American journalist and author Keely Shaye Smith in 2001, and becomes an American citizen in 2004, holding dual citizenship in the United States and Ireland. He has earned two Golden Globe Award nominations, first for the television miniseries Nancy Astor (1982) and next for the dark comedy film The Matador (2005).
In what is known as the Ballyturin House Ambush, an Irish Republican Army (IRA) unit in County Galway ambushes a motor car as it leaves Ballyturin House near Gort on May 15, 1921.
The IRA gets into position at about 1:00 PM. They see Royal Irish Constabulary (RIC) District Inspector Cecil Blake arrive, as they have positively identified him through prior reconnaissance. They take over the gatehouse, and make any passersby prisoner in it, seventeen in all, until Blake’s car is seen about 8:30 PM. Passengers in the car with Blake include his wife Eliza, Captain Cornwallis of the 17 Lancers, Lieutenant McCreery of the 17 Lancers, and the daughter-in-law of Lady Gregory of Coole Park.
The car drives down the long drive to the gate. When they get there, one of the gates is closed, unbeknown to them a ploy by the IRA ambushers to force the car to stop. The car stops and Captain Cornwallis gets out to open the gate. It is at this point that they are ambushed by a group of twenty IRA men.
One of the IRA men in the bushes to the right shouts, “Hands up.” Cornwallis dashes outside the gate to protect himself from the men in the bushes, and fires a couple of revolver shots at the group. He is completely protected from them by the wall, but completely exposed to the men in the gatehouse and is shot and killed.
Mrs. Gregory gets out of the car on the side facing the IRA ambushers, which is believed to have saved her life, as they leave her alone. She works her way around to the back of the car and is led back towards the house by some of the IRA men after the firing stops.
Blake, Mrs. Blake, and Lt. McCreery are apparently killed without firing a shot. The IRA men then move in and remove the guns of their victims.
John and Anna Bagot, who are the owners of Ballyturin House, run down the long drive to the gate when they hear the shooting. Mrs. Gregory was handed over to Miss Molly Bagot. She tells the inquiry that she does not recognise any of the men. John Bagot is held at gunpoint and handed a note which apparently reads, “Volunteer HQ. Sir, if there is any reprisals after this ambush, your house will be set on fire as a return. By Order IRA.”
John Bagot dies on the April 27, 1935. His wife, Anna, lives until January 17, 1963. She dies in London at the age of 96 and is buried at Gresford Church near Wrexham, North Wales. Ballyturin House is abandoned and falls into a total ruin.
The ambush is believed to be in retaliation for an incident in which soldiers or police had tortured three local men for information by forcing them to dig their own graves and then threatening to bury them alive. It is also rumoured in the vicinity, although unsubstantiated, that Lady Gregory conspires with the IRA in planning the ambush which is why her daughter-in-law survives.
(Pictured: Death on a Summer’s evening: The deadly ambush at Ballyturin House on May 15 1921. London Illustrated News May 28 1921)
Wyatt has a prolific and distinguished career, being elected President of the Royal Institute of British Architects (1870–1873) and being awarded its Royal Gold Medal for Architecture in 1873. His reputation during his lifetime is largely as a safe establishment figure, and critical assessment has been less favourable more recently, particularly in comparison with his younger brother, the better-known Matthew Digby Wyatt.
Wyatt’s father, Matthew Wyatt (1773–1831), is a barrister and police magistrate for Roscommon and Lambeth. Wyatt is presumed to have moved to Lambeth with his father in 1825 and then initially embarks on a career as a merchant sailing to the Mediterranean, particularly Malta.
Wyatt marries his first cousin Arabella Montagu Wyatt (1807–1875). She is the second daughter of his uncle Arthur who is agent to the Duke of Beaufort. This consolidates his practice in Wales. He lives at and practises from 77 Great Russell Street in Bloomsbury, London.
Wyatt begins practice on his own account in 1832 when he is appointed District Surveyor for Hackney, a post he holds until 1861. By 1838 he has acquired substantial patronage from the Duke of Beaufort, the Earl of Denbigh and Sidney Herbert and David Brandon join him as partner. This partnership lasts until 1851. Wyatt’s son Matthew (1840–1892) becomes his father’s partner in 1860.
Wyatt works in many styles ranging from the Italianate of Wilton through to the Gothic of many of his churches. His practice is extensive with a large amount of work in Wiltshire largely as a result of his official position and the patronage of the Herbert family and in Monmouthshire through the Beaufort connection.
Thomas Henry Wyatt dies at his Great Russell Street home on August 5, 1880, leaving an estate of £30,000. He is buried at St. Lawrence’s Church, Weston Patrick.
Artist William Conor is born on May 6, 1881, in the Old Lodge Road area of north Belfast, the son of a wrought-iron worker.
Celebrated for his warm and sympathetic portrayals of working-class life in Ulster, Conor studies at the Government School of Design in Belfast in the 1890s. His artistic talents are recognized at the early age of ten when a teacher of music, Louis Mantell, notices the merit of his chalk drawings and arranges for him to attend the College of Art.
Conor is one of the first Academicians when the Belfast Art Society becomes the Ulster Academy of Arts in 1930. He becomes an Associate RHA in 1938 and a full member in 1946. Exhibitions at the Victor Waddington Galleries are held in 1944 and 1948. In 1952 he is awarded the Order of the British Empire (OBE) and in 1957 he is elected President of the Royal Ulster Academy, an office he holds until 1964.
More than 50 works of his in crayon and watercolour are in the permanent collections of the Ulster Museum.
(Pictured: Bronze statue of William Conor at Conor’s Corner, Shankill Road, Belfast)
Edith Anna Œnone Somerville, Irish novelist who habitually signs herself as “E. Œ. Somerville,” is born on May 2, 1858, on the island of Corfu, then part of the United States of the Ionian Islands, a British protectorate where her father is stationed. She writes in collaboration with her cousin “Martin Ross” (Violet Martin) under the pseudonym “Somerville and Ross.” Together they publish a series of fourteen stories and novels, the most popular of which are The Real Charlotte, and The Experiences of an Irish R. M., published in 1899.
In January 1886 she meets her cousin Violet Martin, and their literary partnership begins the following year. Their first book, An Irish Cousin, appears in 1889, under the names Geilles Herring (from the maiden name of her ancestor, the wife of Sir Walter de Somerville of Linton and Carnwath) and Martin Ross, though the pen names are dropped after the first edition. In 1898, Somerville goes to paint at the Etaples art colony, accompanied by Violet. There they profit from their stay by conceiving together the stories later gathered in Some Experiences of an Irish R. M., completed the following year. By the time Violet dies in 1915, they have published fourteen books together. Her cousin’s death stuns Somerville, who continues to write as “Somerville and Ross,” claiming that they keep in contact through spiritualist séances.
Somerville is a devoted sportswoman who in 1903 becomes master of the Carbery West Foxhounds. She is also active in the suffrage movement, corresponding with Dame Ethel Smyth. She is in London still recovering from the shock of Violet’s death when the Easter Rising of 1916 breaks out. On May 9, 1916, she writes a letter to The Times, blaming the British government for the state of affairs in Ireland. After that she tends towards Nationalism, and as an adept musician at parties, she specializes in Irish tunes and Nationalist songs.
She has exhibitions of her pictures in Dublin and in London between 1920 and 1938 and is active as an illustrator of children’s picture books and sporting picture books.
Edith Somerville dies at Castletownshend on October 8, 1949, at the age of 91. She is buried alongside Violet Florence Martin at Saint Barrahane’s Church, Castletownsend, County Cork.
Growing up in London, he excels on stage at the National Youth Theatre, before being accepted at the Bristol Old Vic Theatre School, which he attends for three years. Despite his traditional actor training at the Bristol Old Vic, he is considered to be a method actor, known for his constant devotion to and research of his roles. He often remains completely in character for the duration of the shooting schedules of his films, even to the point of adversely affecting his health. He is one of the most selective actors in the film industry, having starred in only five films since 1998, with as many as five years between roles. Protective of his private life, he rarely gives interviews and makes very few public appearances.
In 2008, while receiving the Academy Award for Best Actor for There Will Be Blood from Helen Mirren, who presented the award, Day-Lewis kneels before her and she taps him on each shoulder with the Oscar statuette, to which he quips, “That’s the closest I’ll come to ever getting a knighthood.” In November 2014, Day-Lewis is formally knighted by Prince William, Duke of Cambridge at Buckingham Palace for services to drama.
Davy Carton, singer, songwriter, and rhythm guitarist, is born in Islington, London, on April 10, 1959. He is best known as a core member of The Saw Doctors, the folk-rock band he co-founds with Leo Moran and others in 1987.
Carton moves permanently to Tuam, County Galway, with his family in 1966. As a teenager he attends Tuam’s Christian Brothers school, where he forms the punk band Blaze X with fellow students Paul Cunniffe, Paul Ralph, and Ja Keating. He works in a local textile factory after leaving school but continues to play with Blaze X until the band dissolves in 1981, the year Carton marries his girlfriend, Trisha.
Working full-time in the textile factory throughout Ireland’s economically bleak 1980s, Carton largely puts his musical career on hold to support his wife and three young sons.
In the late 1980s, Carton gets together for a pint with Leo Moran, formerly of Irish reggae band Too Much for the White Man. Carton and Moran begin gigging around Galway with a handful of their own rootsy-rock compositions.
The duo adopts the name Saw Doctors — travelers who earn money by sharpening saws in old Ireland — until they can think of something better. As the band grows, the opportunity to find a better name never arises.
Carton finally gives up his day job in 1989, when the Saw Doctors rise to prominence and begin touring with bands including The Waterboys, Hothouse Flowers, and The Stunning.
Carton’s achievements with the Saw Doctors include six studio albums, two live albums, a concert DVD, several compilation albums, and extensive tours throughout Europe and the United States. Noted for his witty, rapacious lyrics, Carton has co-written almost all of the band’s songs, including “I Useta Lover,” one of the all-time best-selling singles in Ireland.
The Saw Doctors’ lyrics tend to stay out of political issues. “I’m not a politician, and I never will be a politician,” Carton tells the website PopMatters in 2003. “What I like to do is go into a room of people and make them sing along and whatever. I’m not going to tell them how to vote – there’s enough people doing that already. I’d rather talk about girlfriends and football. We don’t like to write about things we don’t really know about. We know about rejection from girls and all that, so we can write about that.”
seamus dubhghaill 