Burke shows an early interest in drawing, displaying a love for depicting the people and land of Connemara. His career in the arts is initiated at the Royal Academy of Arts in London. He exhibits at the Royal Academy and the Royal Hibernian Academy, where he is also Professor of Painting, from 1863 until his death. From 1870 to 1872 he resides in the Netherlands where he illustrates a handful of Dutch scenes. One of the earliest Irish artists to travel to Brittany, Burke exhibits fifteen Breton scenes at the Royal Hibernian Academy between 1876 and 1878. He paints further in his native Ireland, as well as Scotland and England. The 1880s bring Burke to Walberswick in Suffolk to an artist’s colony created by Philip Wilson Steer. A student of Burke, Walter Osborne, paints with him here.
Burke, overcome with grief by his brother Thomas’ murder during the Phoenix Park Murders in 1882, leaves the Royal Hibernian Academy and his position as Professor of Painting. He moves with the remaining members of his family first to England and then to Italy.
Two of Burke’s most famous paintings, Connemara Girl and A Connemara Landscape, hang at the National Gallery of Ireland. His work is relatively rare, mainly because the contents of his studio are destroyed during the fire that engulfs the Abbey Street buildings of the RHA in 1916. Furthermore, many of the paintings lay hidden in a cellar for over ninety years until their recent discovery.
MacGowan spends his early childhood in County Tipperary, before his family moves back to England when he is six years old. He lives in many parts of the southeast of England, including Brighton and London.
MacGowan’s father, Maurice, works for a department store. MacGowan’s mother, Therese, is a singer and traditional Irish dancer, and has worked as a model in Dublin. In 1971, after attending Holmewood House School at Langton Green, Tunbridge Wells, MacGowan earns a literature scholarship and is accepted into Westminster School. He is found in possession of drugs and is expelled in his second year.
MacGowan gets his first taste of fame in 1976 at a concert by British punk band The Clash, when his earlobe is damaged by Jane Crockford, later to be a member of Mo-dettes. A photographer snaps a picture of him covered in blood and it makes the papers, with the headline “Cannibalism at Clash Gig.” Shortly after this, he forms his own punk rock band, The Nipple Erectors, later renamed The Nips.
MacGowan draws upon his Irish heritage when founding The Pogues and changes his early “punk” voice for a more authentic sound with tutoring from his extended family. Many of his songs are influenced by Irish nationalism, Irish history, the experiences of the Irish in London and the United States, and London life in general.
Between 1985 and 1987, he co-writes “Fairytale of New York,” which he performs with Kirsty MacColl. In the coming years MacGowan and The Pogues release several albums.
After The Pogues throw MacGowan out for unprofessional behaviour, he forms a new band, Shane MacGowan & The Popes, recording two studio albums, a live album, three tracks on The Popes Outlaw Heaven (2010) and a live DVD, and touring internationally. From December 2003 until May 2005, Shane MacGowan & The Popes tour extensively in the UK, Ireland, and Europe.
The Pogues and MacGowan reform for a sell-out tour in 2001 and each year from 2004 to 2009 for further tours, including headline slots at GuilFest in England and the Azkena Rock Festival in Basque Country. In May 2005, he rejoins The Pogues permanently.
For many years MacGowan suffers from binge drinking and heroin use. In 2001, Sinéad O’Connor reports MacGowan to the police in London for drug possession in what she says is an attempt to discourage him from using heroin. Initially furious, MacGowan later expresses gratitude towards O’Connor and claims that the incident helped him kick his heroin habit.
MacGowan has long been known for having very bad teeth. He loses the last of his natural teeth around 2008. In 2015, he has 28 new dentures on a titanium frame fitted in a nine-hour procedure which is the subject of an hour-long television programme. Dr. Darragh Mulrooney, the dental surgeon who carries out the procedure, comments that MacGowan recorded most of his great works while he still had some teeth: “We’ve effectively re-tuned his instrument and that will be an ongoing process.”
In the summer of 2015, MacGowan falls as he is leaving a Dublin studio, fracturing his pelvis. He is seen in public on crutches by December 2015, and continues to experience difficulty with general mobility.
Clancy’s parents, Gilbert Clancy and Ellen Killeen, both sing and play concertina, and his father also plays the flute. Clancy’s father has been heavily influenced by local blind piper Garret Barry and passes much of Barry’s music on to his son.
Clancy starts playing the whistle at age five, and later takes up the flute. He first lays eyes on a set of pipes in 1936 when he sees Johnny Doran playing locally. He obtains his first set of pipes two years later. His influences include Leo Rowsome, Séamus Ennis, John Potts, and Andy Conroy. Clancy wins the Oireachtas competition in 1947. Unable to earn a living from music he emigrates to London where he works as a carpenter.
Returning to Milltown Malbay shortly after the death of his father in 1957, Clancy records some influential 78 rpm recordings for the Gael Linn label, among them the classic reel selection “The Old Bush/The Ravelled Hank of Yarn.” He develops a highly distinctive and individual style of piping. From 1957 until 1972 the Summer music sessions in the West Clare town become widely renowned, with Clancy as one of the main attractions. Pipe-making, reed-making, and all things connected with the instrument are explored and advanced by the Clancy influence. He gives many performances on both radio and television as well as live sessions in his local area.
He lives out the remainder of his life in Milltown Malbay. Clancy marries Dóirín Healy in 1962. He dies suddenly in a hospital in Galway on January 24, 1973, and is widely mourned among friends and musicians alike. He is buried in Ballard Cemetary just outside Miltown Malbay.
Later that year the Willie Clancy Summer School is established in his honour by his friends Junior Crehan, Martin Talty, Sean Reid, Paddy Malone, Paddy McMahon, Frankie McMahon, Jimmy Ward, JC Talty, Harry Hughes, Michael O Friel, Séamus Mac Mathúna, and Muiris Ó Rócháin. He is also the subject of a major television documentary “Cérbh É? Willie Clancy” on TG4, first broadcast in November 2009. In this programme, one of a series in which major figures in contemporary traditional music, profile and pay homage to a master of their craft from a bygone age, Peter Browne traces the life and legacy of Clancy.
A statue of Clancy is unveiled on November 9, 2013 on the Main Street in Miltown Malbay.
Eamonn Andrews, radio and television presenter considered to be Ireland’s first media superstar, is born in Synge Street, Dublin, on December 19, 1922.
Andrews is educated at Synge Street CBS and begans his career as a clerk in an insurance office. He is a keen amateur boxer and wins the Irish junior middleweight title in 1944.
In 1946, he becomes a full-time freelance sports commentator, working for Radio Éireann, Ireland’s national broadcaster. In 1950, he begins presenting programmes for the BBC, being particularly well known for boxing commentaries, and soon becomes one of television’s most popular presenters. He begins hosting the game show What’s My Line? in 1951.
Throughout the 1950s, he commentates on the major British heavyweight fights on the BBC Light Programme, with inter-round summaries by W. Barrington Dalby. On January 20, 1956, he reaches No. 18 in the UK Singles Chart with a “spoken narrative” recording named “The Shifting Whispering Sands (Parts 1 & 2),” which is produced by George Martin with musical backing by the Ron Goodwin Orchestra. The song later reappears on Kenny Everett‘s compilation album The World’s Worst Record Show, which is released in June 1978.
Between 1955 and 1964, Andrews presents the long-running Sports Report on BBC’s Light Programme, now Radio 2. In 1965, he leaves the BBC to join the ITV contractor ABC, where he pioneers the talk show format in the UK. He hosts a chat show on ITV, The Eamonn Andrews Show, for five years. He is known for coming up with off-the-cuff linkings that do not work such as, “Speaking of cheese sandwiches, have you come far?” This is parodied by the character Seamus Android on Round the Horne in the 1960s, performed by Bill Pertwee. In the 1960s he presents Thames Television‘s Today news magazine programme.
Andrews is probably best known as the presenter of the UK’s version of This Is Your Life, between its inception in 1955 and his death in 1987, when he is succeeded by Michael Aspel, who had also succeeded Andrews as host of Crackerjack more than two decades earlier. Andrews becomes the very first This Is Your Life subject on British television when he is surprised by the show’s creator, Ralph Edwards. Andrews also creates a long-running panel game called Whose Baby? that originally runs on the BBC and later on ITV. He is a regular presenter of the early Miss World pageants.
Andrews’ chairs the Radio Éireann Authority, now the RTÉ Board, between 1960 and 1964, overseeing the introduction of State television to Ireland and establishing the Irish State broadcaster as an independent semi-state body. About this time, he also acquires a number of business interests in Ireland, including recording studios and a dance hall.
After months of illness during 1987, originally caused by a virus contracted during an airline flight, but which is not recognised at the time, he dies from heart failure on November 5, 1987, at the age of 64, at Cromwell Hospital, London. He had recorded his last edition of This Is Your Life six days previously on October 30, 1987, surprising Crossroads actress Jane Rossington. After his death, the show, and two others that have yet to be broadcast, are postponed until, with his widow’s permission, they are broadcast in January 1988. His widow, Gráinne, whom he married in 1951, dies 18 months later. They had three adopted children.
Grace Evelyn Gifford Plunkett, Irish artist and cartoonist who is active in the Republican movement, dies suddenly in her apartment in South Richmond Street, Portobello, Dublin, on December 13, 1955.
Gifford is the second youngest of twelve children born to Frederick Gifford, a solicitor and Roman Catholic, and Isabella Julia Burton Gifford, a Protestant. She grows up in the fashionable suburb of Rathmines in Dublin. The boys are baptised as Catholics and the girls as Protestant, but effectively the children are all raised as Protestants. The girls attend Alexandra College in Earlsfort Terrace, and the boys attend the The High School in Harcourt St.
At the age of 16, Gifford enters the Dublin Metropolitan School of Art, where she studies under the Irish artist William Orpen. Orpen regards Gifford as one of his most talented pupils. He often sketches her and eventually paints her as one of his subjects for a series on “Young Ireland.” Around this time, Gifford’s talent for caricature is discovered and developed. In 1907 she attends a course in Fine Art at the Slade School of Fine Art, London.
Gifford returns to Dublin in 1908 and, with great difficulty, attempts to earn a living as a caricaturist, publishing her cartoons in The Shanachie, Irish Life, Meadowstreet, and The Irish Review, which is edited from 1913 by Joseph Plunkett. She considers emigrating but gives up the idea. Later that year, she meets Plunkett for the first time at the opening of St. Edna’s School, a new bilingual school in Ranelagh, Dublin. Plunkett is a friend of her brother-in-law, another of the future leaders of the 1916 Easter Rising, Thomas MacDonagh, who is married to Gifford’s sister Muriel.
Her growing interest in the Roman Catholic religion leads to the deepening of Gifford and Plunkett’s relationship. Plunkett proposes to her in 1915. She accepts and takes formal instruction in Catholic doctrine. She is received into the Catholic Church in April 1916. The couple plan to marry on Easter Sunday that year, in a double wedding with his sister and her fiancé.
After the Rising, her brother-in-law Thomas MacDonagh is executed by firing squad along with Patrick Pearse and Thomas Clarke on May 3. That same day, Gifford learns that Plunkett is to be shot at dawn. She purchases a ring in a jeweler’s shop in Dublin city centre and, with the help of a priest, persuades the military authorities to allow them to marry. She and Plunkett are married on the night of May 3, 1916, in the chapel of Kilmainham Gaol, a few short hours before he is executed.
Grace Plunkett decides to devote herself through her art to the promotion of Sinn Féin policies and resumes her commercial work to earn a living. She is elected to the Sinn Féin executive in 1917.
During the Irish Civil War, Plunkett is arrested with many others in February 1923 and interned at Kilmainham Gaol for three months. She is released in May 1923.
When the Civil War ends, Plunkett has no home of her own and little money. Like many Anti-Treaty Republicans, she is the target of social ostracism and has difficulty finding work. She moves from one rented apartment to another and eats in the city-centre restaurants. She befriends many people and has many admirers but has no wish to remarry. Her material circumstances improve in 1932 when she receives a Civil List pension from Éamon de Valera‘s Fianna Fáil government. She lives for many years in a flat in Nassau St. with a balcony overlooking the sports ground of Trinity College.
Plunkett’s in-laws refuse to honour her husband’s will, which leaves everything to his widow. Legally, the will is invalid because there is only one of the required two witnesses and also the marriage takes place after the will is made, automatically revoking it. She begins legal proceedings against her in-laws in 1934. The Count and Countess Plunkett settle out of court and Plunkett is paid £700, plus costs.
From the late 1940s onwards, Plunkett’s health declines. In 1950 she is brought to St. Vincent’s Hospital, then in the city centre. She convalesces in a nursing home, which she does not like because it restricts her freedom.
After her sudden death on December 13, 1955, Grace Gifford Plunkett’s body is removed to St. Kevin’s Church, Harrington Street, and among the attendees at her funeral is President Seán T. O’Kelly. She is buried with full military honours near the republican plot in Glasnevin Cemetery.
Grace Gifford Plunkett is the subject of “Grace,” a song written in 1985 by Frank and Seán O’Meara, which becomes popular in Ireland and elsewhere and has been recorded by many musicians.
Gerald Griffin, Irish novelist, poet, and playwright, born in Limerick on December 12, 1803.
Griffin is the twelfth of the fifteen surviving children in his family. His father, Patrick Griffin, is a brewery farmer, and his mother, Ellen Griffin, of the ancient Gaelic family of the O’Briens, is very cultivated and much interested in literature.
Griffin goes to London in 1823 and becomes a reporter for one of the daily papers. He later turns to writing fiction. One of his most famous works is The Collegians, a novel based on a trial he has reported on, that of John Scanlan, a ProtestantAnglo-Irish man who murdered Ellen Hanley, a young Irish Catholic girl. The novel is adapted to the stage as The Colleen Bawn, by Dion Boucicault.
In September 1838, Griffin informs his family of his intention of joining the Congregation of Christian Brothers. He enters the novitiate at North Richmond Street, Dublin, on September 8. He embarks on his new career with intense dedication, abandoning his literary work entirely. He is then admitted to the religious habit on the feast of St. Theresa and embarks on a two-year novitiate. His distaste for his earlier vocation is allayed to the extent that he is willing to undertake the composition of a few tales of a pious nature, but he is also desperately determined to avoid as much as possible the renewal of old contacts and the reopening of painful associations. Griffin burns most all of his unpublished manuscripts, preserving only a few poems and the tragedy, Gisippus.
Griffin dies at the North Monastery, Cork, from typhus fever on June 12, 1840. He is buried in the community’s graveyard on June 15.
Gerald Griffin has a street named after him in Limerick City and another in Cork City. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.
Dave King, Irish vocalist and primary writer and lyricist for the band Flogging Molly, is born at Beggars Bush, Dublin, on December 11, 1961. He is previously well known as the lead singer for the 1980s hard rock band Fastway.
King grows up in a small two-room flat in a Beggars Bush, Dublin tenement that has once been a British military barracks. When he is around the age of six or seven his parents buy him a guitar. King remembers being called inside by his mother to watch David Bowie perform “Starman” on television, which he cites as one of many influences along with Luke Kelly, Joe Strummer, Johnny Cash, and Freddie Mercury to name a few. King’s father dies when King is 10 years old. He leaves Dublin in his twenties, briefly residing in London and then on to Los Angeles where he first joins hard rock band Fastway.
King starts out as the vocalist for Fastway, featuring guitarist “Fast” Eddie Clarke of the metal band Motörhead, Pete Way, former bassist of UFO, and Jerry Shirley, former drummer of Humble Pie, although Way leaves the band before the release of the first album, and does not appear on the album cover. They record their first four records with King on vocals, as well as a live record.
When Fastway is ostensibly disbanded and Eddie Clarke carries on the name with all new members, King forms Katmandu with Mandy Meyer, former member of the band Krokus, who release one self-titled album. The band has a couple of minor hits but later disbands.
King retains a record deal with Epic Records, who want him to sing for Jeff Beck, but he declines. He starts work forming the band Flogging Molly, along with Ted Hutt, Jeff Peters, and Bridget Regan. King and Flogging Molly introduce new material that has a distinct Irish sound, but retains the hard driving, loud and fast musical style. He asks to be let out of his Epic contract because “they wouldn’t know what to do with the new music anyways.” Since then, Flogging Molly has reached position No. 4 on the Billboard charts top 200 and a No. 1 on the Billboard Indie Chart.
After emigrating to the United States, King is without a “green card” for eight years. King is not able to visit his home or family in Ireland during this time for fear that immigration laws will prevent his return to the United States. This separation from his homeland and his mother is thought to be a contributing factor in many of Flogging Molly’s early song lyrics, with many of the songs alluding to King’s time in “exile.”
King is married to fellow musician and band mate Bridget Regan. After years together, the two marry in a private ceremony in Tokyo, Japan while on tour in 2008.
Kathleen Mary Louise “Kate” O’Brien, novelist and playwright, is born in Limerick, County Limerick, on December 3, 1897. She becomes best known for her 1934 novel The Ante-Room, her 1941 novel The Land of Spices, and the 1946 novel That Lady.
Following the death of her mother when she is five, O’Brien becomes a boarder at Laurel Hill Convent. She graduates in English and French from the newly established University College Dublin, and then moves to London, where she works as a teacher for a year.
In 1922–23, she works as a governess in the Basque Country, in the north of Spain, where she begins to write fiction. Upon her return to England, O’Brien works at the Manchester Guardian. After the success of her play Distinguished Villa in 1926, she takes to full-time writing and is awarded both the 1931 James Tait Black Memorial Prize and the Hawthornden Prize for her debut novel Without My Cloak.
Many of her books deal with issues of female agency and sexuality in ways that are new and radical at the time. Her 1936 novel, Mary Lavelle, is banned in Ireland and Spain, while The Land of Spices is banned in Ireland upon publication. In addition to novels, she writes plays, film scripts, short stories, essays, copious journalism, two biographical studies, and two very personal travelogues.
Throughout her life, O’Brien feels a particular affinity with Spain. While her experiences in the Basque Country inspire Mary Lavelle, she also writes a life of the Spanish mystic Teresa of Ávila, and she uses the relationship between the Spanish king Philip II and Maria de Mendoza to write the anti-fascist novel That Lady.
O’Brien writes a political travelogue, Farewell Spain, to gather support for the leftist cause in the Spanish Civil War, and it is believed that she is close to anarchism in the 1930s. A feminist, her novels promote gender equality and are mostly protagonised by young women yearning for independence. With several of her books including positive gay/lesbian characters, O’Brien’s determination to encourage a greater understanding of sexual diversity makes her a pioneer in gay literary representation. She is very critical of conservatism in Ireland, and by spearheading a challenge to the Irish Censorship Act, she helps bring to an end the cultural restrictions of the 1930s and 1940s in the country. She lives much of her life in England and died in Faversham, near Canterbury, on August 13, 1974.
The Glucksman Library at the University of Limerick holds an important collection of O’Brien’s writings. The Limerick Literary Festival in honour of Kate O’Brien, formerly the Kate O’Brien Weekend, takes place in Limerick every year, attracting academic and non-academic audiences.
In early 1901 he accompanies his father on a special diplomatic mission to announce the accession of King Edward to the governments of Denmark, Sweden and Norway, Russia, Germany, and Saxony.
Spranger Barry, actor, is born in Skinner’s Row, Dublin, on November 23, 1719. Barry is the son of a silversmith, to whose business he is brought up. He takes over the business but is not successful.
His first appearance on the stage is at the Theatre Royal, Smock Alley, Dublin, on the February 5, 1744, and this engagement at once increases its prosperity. His first London appearance is made in 1746 as Othello at the Theatre Royal, Drury Lane. Here his talents are speedily recognized, and in Hamlet and Macbeth he alternates with David Garrick, arousing the latter’s jealousy by his success as Romeo. This results in his leaving Drury Lane for the Covent Garden Theatre in 1750, accompanied by Susannah Maria Cibber, his Juliet. Both houses simultaneously put on Romeo and Juliet for a series of rival performances, and Barry’s Romeo is preferred by the critics to Garrick’s.
In 1758, Barry opens the Crow Street theatre in Dublin, and later a new theatre in Cork. He stages many successful productions but seems to have lived beyond his means. In 1767 he returns to London to play at the Haymarket Theatre, then under the management of Samuel Foote. As his second wife, he marries in 1768 the actress Ann Street Dancer, and he and Mrs. Barry play under Garrick’s management, Barry appearing in 1767, after ten years absence from the London stage, in Othello, his greatest part. In 1774 they both move to Covent Garden, where Barry remains until his death on January 10, 1777.
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