Educated at home in the upper-class style and by herself, Martin becomes fluent in Irish, English, French and a number of other languages. According to Maria Edgeworth, who meets her during her tour of Connemara in 1833, she is courted in 1834 by Count Adolphe de Werdinsky, whom she had met in London earlier in the year. She refuses to marry and de Werdinsky feigns a suicide attempt at Ballynahinch.
Martin publishes her first novel, St. Etienne, a Tale of the Vendean War, in 1845.
In 1847, Martin marries a cousin, Colonel Arthur Gonne Bell. He takes the name of Martin on marriage, by Royal Licence. In the same year, her father dies of famine fever contracted while visiting his tenants in the Clifdenworkhouse.
On the death of her father, Martin inherits a heavily encumbered estate of 200,000 acres. In the following two years, her remaining fortune is destroyed in the famine as she attempts to alleviate its effects on her tenants. Penniless, she emigrates with her husband to Belgium. There she contributes to a number of periodicals, notably Encyclopaedie Des Gens Du Monde.
In 1850, Martin’s autobiographical novel, Julia Howard: A Romance, is published. Martin and her husband sail to the United States in 1850, but she dies at the Union Place Hotel in New York City on November 7, 1950, ten days after arrival due to complications of premature childbirth in which the baby does not survive.
Martin’s husband returns to England. He arranges for the posthumous publication of her novel, Deed, not Words (1857). In 1883, he is killed in a railway accident.
After moving to Houston in 1994, Devlin tends bar in Irish pubs and music venues for a number of years before starting his first band. From his perspective behind the bar, he realizes there is a local demand for Irish rock music that nobody is fulfilling. In 1996, to this end he forms a band called On the Dole. Although the band does well for several years, opening for legendary Irish touring acts like The Wolfe Tones and The Saw Doctors, eventually he decides it is time to clear the decks and start again.
In 2003, while hosting a weekly open mic at an Irish pub, Devlin meets bassist and singer Chad Smalley, son of Nobel laureateRichard Smalley and a veteran of the Houston music scene who had recently returned from New York and is looking for a new project. The two of them soon begin singing and performing together every week, developing a tight vocal harmony style.
In July 2004, Devlin and Smalley form Blaggards, along with violinist Turi Hoiseth and drummer Brian Vogel. Hoiseth and Vogel have since left the band, leaving Devlin and Smalley as the only original members.
The song “Big Strong Man” from Blaggards’ first album Standards (2005) appears in the 2010 British film The Kid, directed by Nick Moran.
“Big Strong Man” and “Drunken Sailor” (also from Standards) are both featured in episode 86 of the CBS series The Good Wife, aired on March 24, 2013.
Blaggards’ second album, Live in Texas, is released in 2010. It is a recording of a live performance at Houston’s Continental Club on June 13, 2009. The band’s latest album, Blagmatic, is released on July 14, 2021.
Blaggards, with Arizona-based fiddle player Heide Riggs and drummer Kevin “Turbo” Newton in the current lineup, continue to maintain a rigorous schedule, playing constantly throughout Texas and touring nationally several times a year. Beginning in 2010 (excluding the COVID years), the band does a 10-day Ireland tour every year in the early fall.
Charles Brady, American-born painter who spends most of his life in Ireland, dies in Dublin on August 1, 1997.
Brady is born on July 27, 1926, in New York City, the son of Arthur Brady, an industrial hardware merchant. He is best known for small-scale paintings of still life and landscape. At the end of World War II, while serving with the United States Navy, he suffers an accident which results in his discharge. As a result of this, he has the opportunity of pursuing further study. In 1948, he enrolls at the Art Students League of New York. Founded in 1875 and distinguished by its progressive approach to art education, it is one of the most important art schools in the United States in the early twentieth century.
Initially, Brady studies design and fashion before studying fine art under John Groth and Morris Kantor. In 1949, he becomes Groth’s assistant. In 1950, his work is included in the exhibition “American Painting 1950,” held at the Metropolitan Museum of Art, New York, where he is employed as a guard at the time. Around this time, he meets artists associated with abstract expressionism such as Franz Kline, Willem de Kooning, and Jackson Pollock, and exhibits with them in exhibitions such as the “9th Street Show” (1951). Four years later, his first solo exhibition is held at the Urban Gallery, New York. By this time, his father, mother, and a younger brother have all died. In 1956 he decides to leave New York and spend some time in Ireland.
On his arrival, Brady bases himself in Lismore, County Waterford, where the landscapes he begins to paint are in contrast to the abstract style he had developed in New York. In May 1956, he joins his aunt and uncle on a tour that include London and Paris. He remains in Ireland until early in 1958 and during this time becomes acquainted with such figures as Camille Souter, Frank Morris and Desmond McAvock. Though he spends the next year in the United States, he soon decides to return to Ireland. In 1959 he is living in Dublin, where, along with artists such as Noel Sheridan and Patrick Pye, he is involved in founding the Independent Artists group. His work is included in the group’s first exhibition in 1960.
Also in 1960, Brady marries Eelagh Noonan, and the couple go to live in Spain. On their return to Ireland in 1961, they settle in Dún Laoghaire, where he begins to produce still lifes of objects such as envelopes and boxes painted in muted tones. Though figurative, the painterly quality of these works and the way in which they assert the flat nature of the picture plane suggest something of his experience of postwar American abstract art. Soft, hazy light, another key characteristic of his work, can also be seen in his paintings of Sandymount Strand, which might be compared with the work of Nathaniel Hone the Younger, whose work Brady had seen on his first trip to Ireland. He also works in other media, producing lithographs and, from the mid-1980s, small bronzes of such mundane objects as discarded bus tickets.
From 1976 to 1983 Brady lectures in painting at the National College of Art and Design. In 1981 he becomes a member of Aosdána and in 1994 he is elected an honorary member of the Royal Hibernian Academy (RHA). He exhibits regularly in Ireland at venues such as the RHA. He receives a number of awards including the P. J. Carroll award at the Irish Exhibition of Living Art as well as the Douglas Hyde Gold Medal and the landscape award at the Oireachtas exhibitions of 1973 and 1989 respectively.
(From: “Brady, Charles” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “Charles Brady, 1967,” oil on board by Koert Delmonte)
McCourt comes to New York as a young man to live for a time with Frank, ten years his elder. He finds work wherever he can and eventually owns two restaurants in Manhattan. In 1975, he marries Lynn Rockman, with whom he has a daughter, Allison.
For twenty years, from 1993 until he retires in 2013, McCourt works for the Penn South Co-op in the Chelsea neighborhood of Manhattan, in charge of apartment restorations in the 2,800-unit residential complex.
Brendan Keany, general manager of Penn South, recalls meeting McCourt in the late 1980s at Allison’s, a restaurant named for his daughter. The restaurant on Eighth Avenue near Penn South closes after a time, but McCourt goes on to run Los Panchos on Columbus Avenue near 71st Street. However, as a man with a family, running bars and restaurants is not ideal, so he finds the job at Penn South, inspecting apartments and directing their restoration.
The author of short stories, newspaper essays, songs, and verse, McCourt, in 2008, publishes a memoir, A Long Stone’s Throw. Surveying the range of jobs he had taken on in a review of that memoir in Manhattan Express’ sister publication The Villager, the late Jerry Tallmer writes, “Working on a great glop-a-da-glop mainframe computer on Wall Street; issuing tickets for British and Irish Railways; a one-day job as bellhop in a Montreal hotel; a bank teller in Montreal; an encyclopedia salesman — for a month; working at the Army and Air Force Exchange Service on 14th Street as a buyer of luggage and musical instruments, knowing nothing about luggage and less about musical instruments; filing clerk; and, oh yes, teacher.”
Lynn McCourt recalls first meeting her future husband. “We were friends for a long time before we were married,” she says. “He was working as a bartender at the White Horse Tavern when I came in with a writer friend. He told me that he ‘saw the light behind’ me when I came in. He could twist words and turn something ordinary into something poignant. Just before he went to California around 1970, we spent a whole night walking and talking. He came back from California in 1974 and we got married in 1975.”
Then, recalling the devoted relationship McCourt has with Allison, Lynn continues, “Our daughter has special needs and has learning and speech problems. Alphie sang to her every night as a baby and eventually she sang back to him. They were inseparable. He’d have breakfast with her every morning. He was a great father — he, who hadn’t seen his own father very much. When we went to Ireland in 1980, he went north to find his father, and he did find him. I’m a Jewish girl from the Bronx who wanted to marry an Irishman with a brogue, and I did.”
Joe Hurley, of Joe Hurley’s Allstar Irish Rock Review, says McCourt, in his later years, had gotten into singing with the group, performing tunes from “The Great Irish Songbook,” like “The Auld Triangle.” He recalls, “He just performed with us at the Highline Ballroom in March. He loved being around young people. The place was full of young people and rock and roll, and then Alphie comes out — you could hear a pin drop. He would talk about how he had these incredible older brothers… fantastic storyteller. He never tooted his own horn.”
McCourt dies suddenly on July 2, 2016, at his home on the Upper West Side while taking an afternoon nap, just 27 days before his 76th birthday. His brother Michael dies the previous September, nine months earlier. He is survived by his brother Malachy.
Keating is the youngest of six surviving children of Michael Keating, baker, and his wife Johanna, a native of County Kerry. He was educated at a local school and was an active member of the Gaelic Athletic Association (GAA), playing football and hurling. After the 1916 Easter Rising, he leaves school at the age of thirteen to join the Irish Volunteers, which later becomes the IRA, serving in the 4th Cork Brigade. He is arrested by British troops in November 1920 and badly beaten. He spends a month in the Cork jail and is then interned for a year in Ballykinlar internment camp until December 1921. While interned he participates in several hunger strikes and makes several escape attempts. Following his release, he opposes the Anglo-Irish Treaty and serves in the Fianna Cork 4th Brigade on the Republican side under Seán Moylan during the Irish Civil War.
Keating emigrates to New York City in 1927 and becomes involved in Irish cultural organizations and Democratic party politics. He is a founder of American Friends of Irish Neutrality, which opposes Irish involvement in World War II, ostensibly fearing it will result in British re-occupation of Ireland.
Following World War II, Keating is chairman of the executive council of the 1947 Irish Race Convention and president of the American League for an Undivided Ireland, lobbying in support of the Fogarty Amendment, which unsuccessfully attempts to tie the release of Marshall Plan funds to British withdrawal from Northern Ireland.
Between the 1940s and 1960s, Keating serves as president of the County Corkmen Association, president of the United Irish Counties Association, and president of the Irish Institute. In 1956, he serves as Grand Marshal of the New York City St. Patrick’s Day Parade.
Keating serves in various positions under New York City mayors William O’Dwyer, Vincent R. Impellitteri, and Robert F. Wagner, Jr., rising to the position of Deputy Mayor, under Wagner. He is reportedly the first to publicly introduce future President Kennedy as “the next President of the United States” at an Irish Institute event in 1957. He is appointed Regional Director of the United States Postal Service by President Kennedy and serves in that position from 1961 until his retirement in 1966.
In retirement, Keating returns to Kanturk and continues to advocate for the reunification of Ireland. Keating dies at his home in Kanturk on July 2, 1976, and is buried in a local cemetery with military honors. He represents an emigrant political and social milieu which is often treated dismissively by later, more cosmopolitan Irish commentators, but his career reflects not only his own considerable talents but the ways in which this milieu sustains a generation of immigrants, and the contribution of Irish America to Irish development in the post-war decades.
Jack “Legs” Diamond, an Irish Americangangster in Philadelphia and New York City during the Prohibition era also known as John Nolan and Gentleman Jack, is born in Philadelphia on July 10, 1897, to Sara and John Moran, who emigrated from Ireland to Philadelphia in 1891. A bootlegger and close associate of gambler Arnold Rothstein, he survives a number of attempts on his life between 1916 and 1931, causing him to be known as the “clay pigeon of the underworld.” In 1930, his nemesis Dutch Schultz remarks to his own gang, “Ain’t there nobody that can shoot this guy so he don’t bounce back?”
In 1899, Diamond’s younger brother Eddie is born. He and Eddie both struggle through grade school, and their mother suffers from severe arthritis and other health problems. She passes away on December 24, 1913, following complications brought on by a bacterial infection and a high fever. John Moran then moves his family to Brooklyn, New York.
Diamond soon joins a Manhattan street gang called the Hudson Dusters. His first arrest for burglary occurs when he breaks into a jewelry store on February 4, 1914. He serves in the United States Army in World War I but is convicted and jailed for desertion in 1918 or 1919. He serves two years of a three- to five-year sentence at Leavenworth Military Prison. After being released in 1921, he becomes a hired thug and later personal bodyguard for crime boss Arnold Rothstein.
Diamond is known for leading a rather flamboyant lifestyle. He is an energetic individual, his nickname “Legs” derived either from his being a good dancer or from how fast he could escape his enemies. His wife Alice is never supportive of his life of crime but does not do much to dissuade him from it. He is a womanizer, with his best-known mistress being a showgirl and dancer, Marion “Kiki” Roberts.
In the late 1920s, Prohibition is in force, and the sale of beer and other alcoholic beverages is illegal in the United States. Diamond travels to Europe to acquire beer and narcotics but fails. However, he does obtain liquor, which is dumped overboard in partially full barrels that float to Long Island as ships enter New York Harbor. He pays children a nickel for every barrel they bring to his trucks.
Following the death of Jacob “Little Augie” Orgen, Diamond oversees illegal alcohol sales in downtown Manhattan via the Hotsy Totsy Club, an establishment partly owned by Diamond on Broadway. This work brings him into conflict with Dutch Schultz, who wants to move beyond his base in Harlem. He also runs into trouble with other gangs in the city. On July 14, 1929, he and fellow gang member Charles Entratta shoot three drunken brawlers in the Hotsy Totsy Club. Two of the brawlers, William Cassidy and Simon Walker, are killed, while the survivor, Peter Cassidy, is severely wounded. The club’s bartender, three waiters, and the hat check girl vanish, with one of them being found shot dead in New Jersey. He is not charged but is forced to close the club.
In 1930, Diamond and two henchmen kidnap truck driver Grover Parks in Cairo, New York, demanding to know where he had obtained his load of hard cider. When Parks denies carrying anything, Diamond and his men beat and tortured Parks, eventually letting him go. A few months later, he is charged with the kidnapping of James Duncan. He is sent to Catskill, New York, for his first trial, but is acquitted. However, he is convicted in a federal case on related charges and sentenced to four years in jail. He is tried in December 1931 in Troy, New York, also for kidnapping, and is once again acquitted.
On August 23, 1930, Diamond, under the false name John Nolan, boards the ocean liner SS Belgenland, bound for Europe. The New York City Police Department (NYPD) suspect that he might have left the U.S. aboard RMS Olympic or RMS Baltic, but he is not found on either ship when they reach Europe. The NYPD then sends a wireless telegraph message to the crew of SS Belgenland, who reply that a man similar to Diamond’s description is among the passengers. Diamond spends much of the voyage in the ship’s smoking-room playing poker, with one report claiming that he won thousands of dollars in this game. The SS Belgenland‘s officers, however, refute this, saying his winnings were small.
The NYPD telegraphs police in England, France and Belgium with the warning that Diamond is an undesirable character. When SS Belgenland reaches Plymouth on August 31, Scotland Yard officers tell Diamond he will not be allowed to land in England. He tells reporters that he wants to travel to the French spa town of Vichy for “the cure.” He disembarks in Antwerp on September 1, where Belgian police take him to their headquarters. Eventually, he agrees to voluntarily leave Belgium and is put on a train to Germany. When his train reaches Aachen, German police arrest him. On September 6, the German government decides to deport Diamond. He is driven to Hamburg and put on the cargo ship Hannover for passage to Philadelphia.
On September 23, Hannover arrives in Philadelphia, and Diamond is immediately arrested by the Philadelphia police. At a court hearing that day, the judge says he will release him if he leaves Philadelphia within the hour. Diamond agrees.
On October 24, 1924, Diamond is shot and wounded by shotgun pellets, reportedly after trying to hijack liquor trucks belonging to a rival crime syndicate.
On October 16, 1927, Diamond tries to stop the murder of “Little Augie” Orgen. His brother Eddie is Orgen’s bodyguard, but Diamond substitutes for Eddie that day. As Orgen and he are walking down a street on Manhattan’s Lower East Side, three young men approach them and start shooting. Orgen is fatally wounded, and Diamond is shot twice below the heart. He is taken to Bellevue Hospital, where he eventually recovers. Police interview him in the hospital, but he refuses to identify any suspects or help the investigation in any way. Police initially suspect that he is an accomplice and charge him with homicide, but the charge is dropped. The assailants are supposedly hired by Lepke Buchalter and Jacob “Gurrah” Shapiro, who are seeking to encroach on Orgen’s garment-district labor rackets.
On October 12, 1930, Diamond is shot and wounded at the Hotel Monticello on Manhattan’s West Side. Two men force their way into his room and shoot him five times. Still in his pajamas, he staggers into the hallway and collapses. When asked later by the police commissioner how he managed to walk out of the room, he says he drank two shots of whiskey first. He is rushed to the Polyclinic Hospital, where he eventually recovers. He is discharged from Polyclinic on December 30, 1930.
On April 21, 1931, Diamond is arrested in Catskill on assault charges for the Parks beating in 1930. Two days later, he is released from the county jail on $25,000 bond. Five days later, he is again shot and wounded at the Aratoga Inn, a roadhouse near Cairo. After eating in the dining room with three companions, he is shot three times and collapses by the front door. A local resident drives him to a hospital in Albany, where he eventually recovers. On May 1, while he is still in the hospital, the New York State Police seize over $5,000 worth of illegal beer and alcohol from his hiding places in Cairo and at the Aratoga Inn.
In August 1931, Diamond and Paul Quattrocchi go on trial for bootlegging. The same month, he is convicted and sentenced to four years in state prison. In September 1931, he appeals his conviction.
On December 18, 1931, Diamond’s enemies finally catch up with him. He is staying in a rooming house on Dove Street in Albany while on trial for kidnapping in Troy. On the night of his acquittal, December 17, he and his family and friends visit a restaurant in Albany. At 1:00 a.m., he and mistress, Marion “Kiki” Roberts, entertain themselves at the Rain-Bo Room of the Kenmore Hotel on North Pearl Street.
At 4:30 a.m., Diamond drunkenly goes back to the rooming house and passes out on his bed. Two gunmen enter his room about an hour later. One man holds Diamond down and the other shoots him three times in the back of the head.
There is much speculation as to who is responsible for the murder. Likely candidates include Schultz, the Oley Brothers, the Albany Police Department, and relatives of Red Cassidy, another Irish American gangster at the time. According to author William Kennedy in his book O Albany, Dan O’Connell, who runs the local Democraticpolitical machine, orders Diamond’s execution, which is carried out by the Albany police.
Given the power that the O’Connell machine holds in Albany and its determination to prevent organized crime, other than their own, from threatening their monopoly of vice in the city, some accept this account of the story. For those believing this theory, William Fitzpatrick’s promotion to chief of police is said to be a reward for executing Diamond. In 1945, Chief Fitzpatrick is shot and killed in his own office by John McElveney, an Albany police detective. McElveney is sentenced to 20 years to life in prison. He is released in 1957 when his sentence is commuted by GovernorW. Averell Harriman.
On December 23, 1931, Diamond is buried at Mount Olivet Cemetery in Maspeth, Queens. There is no church service or graveside ceremony. Family and spectators numbering 200 attend the interment. No criminal figures are spotted.
On July 1, 1933, Alice Kenny Diamond, Diamond’s 33-year-old widow, is found shot to death in her Brooklyn apartment. It is speculated that she is shot by Diamond’s enemies to keep her quiet.
Kathleen Hayes Rollins Snavely, the world’s oldest ever Irish-born woman, dies on July 6, 2015, at the age of 113 years and 140 days in a nursing home in Syracuse, New York, her hometown since leaving Ireland as a 19-year-old immigrant in 1921. Her grandniece attributes her long life to hard work, love, family and the odd Manhattan cocktail.
Born on February 16, 1902, Snavely is the 16th oldest person in the world at the time of her death and the sixth oldest in the United States.
A native of Feakle, County Clare, Snavely is listed on the 1911 Irish Census as an eight-year-old scholar. Her father Patrick (42) is described as an agricultural labourer and there are three other members at her family home: mother Ellen and her sisters Anna May (9) and Lena (1).
A successful businesswoman, Snavely founds and runs a dairy in Syracuse with her first husband, Roxie Rollins. She outlives him by 47 years and her second husband, Jesse Snavely, by 27 years. She also outlives some of her second husband’s children. She has none of her own but has an extended close family.
“She was a pull-yourself-up person,” her grandniece Donna Moore tells The Irish Times. “She came over to a whole new world at 19 and left everything she knew and loved behind.” Asked about the secret of her aunt’s long life, Moore says, “Her spirit, hard work and two good loves – her two wonderful husbands, a wonderful family and maybe the occasional Manhattan.”
Snavely arrives in New York City on September 30, 1921, on the Scythia, from Queenstown, now Cobh, in County Cork, according to the immigration records at Ellis Island, then a hub for new emigrants.
Snavely marries Rollins, a young cook, in 1924 and they open the Seneca Dairy in 1933 during the depths of the Great Depression. She lives through two world wars and eighteen American presidents.
Moore says she and her husband Bruce meet her grandaunt for the last time in April 2015. Still business savvy at the age of 113, Snavely chides her grandniece for not selling another relative’s house more quickly to avoid the costs of holding on to the property. “She yelled at me for not selling the house,” she says. “She always had a laugh.”
Moore says that Snavely continues to check her financial statements on monthly visits from her lawyer right up to her death. “She was a wonderful lady, sharp as a tack,” she says. “She was very quick-witted and a very nice, very caring person. Everybody liked her. She just had a way about her. It is the end of an era in our family.”
(From: “Oldest Irish person Kathleen Snavely dies a 113” by Simon Carswell, The Irish Times, http://www.irishtimes.com, July 7, 2015)
Edward Maturin, novelist and poet, is born in Dublin on June 18, 1812. He is naturalised as an American and works as a professor of Greek. His fiction and poetry generally deal with historical themes, while his work as a Gothic novelist often has an Irish background.
The Maturin family is descended from a Huguenot clergyman who fled to Ireland after the revocation of the Edict of Nantes. Edward’s father, Reverend Charles Robert Maturin, is curate of St. Peter’s Church, Dublin, and well known as a preacher, as well as a poet and Gothic novelist. Born the second son, Edward enters Trinity College Dublin at the age of fifteen and graduates at twenty. Immediately afterward he emigrates to the United States in 1832 with letters of introduction from the poet Thomas Moore and other Irish writers. Having studied law under Charles O’Conor, he is called to the bar but later becomes professor of Greek at South Carolina College and applies for American naturalisation in 1837. He marries Harriet Lord Gailiard in 1842 and has three children by her. In 1848, he returns to New York, where for upward of thirty years he fills professorships in Greek, Latin and belles-lettres. His mastery of Greek is such that he is selected in 1850 by the American Bible Union as one of their revisers and works on the gospel of St. Mark.
All of Maturin’s work is written in the United States and for the most part concentrates on historical themes or Irish fantasy. His first book contains the interconnected stories of Sejanus and Other Roman Tales (1839) and is dedicated to Washington Irving. They concern incidents during the reigns of the Roman emperors from Tiberius to Nero. Self-consciously literary, the dialogue is written in an imitation of Shakespearean English. This is followed by the two-volume romance, Montezuma, the Last of the Aztecs (1845) and then two works on Spanish themes. The long series of “Spanish Ballads” that originally appears in The United States Magazine and Democratic Review during 1845 are eventually collected with his other poems in Lyrics of Spain and Erin (1850). They are followed by the romance Benjamin, the Jew of Grenada (1847), a story of the fall of the Moslem empire in Spain.
After his move to New York, Maturin’s prose work becomes more Gothic. It includes The Irish Chieftain, or The Isles of Life and Death (1848) which is later to be dismissed as “a wild story without foundation in history … melodramatic, sentimental, extravagant,” and the two-volume Eva, or the Isles of Life and Death (1848). His later Bianca, a tale of Erin and Italy (1852) is set in more modern times but is equally condemned as “an outlandish story, full of murders, characters – mostly illegitimate – with terrible secrets, a duel between brothers, banshees, mysterious lady-prophetesses, fee-faw-fum.” A final offering is his four-act play Viola (1858).
Maturin dies in New York City on May 25, 1881.
(Pictured: “Montezuma: The Last of the Aztecs” by Edward Maturin, Paine & Burgess, New York, 1845)
Patterson is born on October 5, 1938, in Clonmel, County Tipperary. As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988, he is featured host in a Saint Patrick’s Day celebration of music and dance at New York City’s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumor. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
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