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Birth of David Hammond, Singer & Folklorist

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, is born on December 5, 1928, in Miss Kell’s nursing home on the Castlereagh Road in Belfast, Northern Ireland.

Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


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Death of Francis MacManus, Novelist & Broadcaster

Francis MacManus, Irish novelist and broadcaster, dies in Dublin on November 27, 1965.

MacManus is born in Kilkenny, County Kilkenny on March 8, 1909. He is educated in the local Christian Brothers school and later at St. Patrick’s College, Dublin and University College Dublin (UCD). After teaching for eighteen years at the Synge Street CBS in Dublin, he joins the staff of Radio Éireann, precursor to the Irish national broadcasting entity RTÉ, in 1948 as Director of Features.

MacManus begins writing while still teaching, first publishing a trilogy set in Penal times and concerning the life of the Gaelic poet Donncha Rua Mac Conmara comprising the novels Stand and Give Challenge (1934), Candle for the Proud (1936) and Men Withering (1939). A second trilogy follows which turns its attention to contemporary Ireland: This House Was Mine (1937), Flow On, Lovely River (1941), and Watergate (1942). The location is the fictional “Dombridge,” based on Kilkenny, and deals with established themes of Irish rural life including obsessions with land, sexual frustration, and the trials of emigration and return. Other major works include the novel The Greatest of These (1943), concerning religious conflict in nineteenth-century Kilkenny, and the biographies Boccaccio (1947) and Saint Columban (1963). In his last two novels, he descends into the depths of theological debate: The Fire in the Dust (1950) is followed by American Son (1959), a remarkable dialogue between conflicting modes of belief which reveals the strong influence of Roman Catholicism on the author.

Francis MacManus dies of a heart attack at the age of 56 in Dublin on November 27, 1965.

The RTÉ Francis MacManus Short Story Award is established in his memory in 1985. The competition is run by RTÉ, Ireland’s national broadcaster, and is open to entries written in Irish or English from authors born or resident in Ireland. The total prize fund is €6000, out of which the winning author receives €3,000. Sums of €2,000 and €1,000 are awarded to the second and third prize winners.


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Death of Joe Lynch, Comedy & Drama Actor

Joseph Laurence Lynch, Irish actor who has a long career in both comedy and drama, dies on August 1, 2001, in Alicante, Spain. He provides voice work for children’s animated series, in particular Chorlton and the Wheelies. He is also a singer and songwriter, performing in the film Johnny Nobody (1961). He also records work by other songwriters, including Leo Maguire‘s “The Whistling Gypsy” and Dick Farrelly‘s “Cottage by the Lee,” one of his biggest 1950s recordings.

Born in Mallow, County Cork, on July 16, 1925, Lynch attends the North Monastery Christian Brothers School. He has a number of other jobs before moving into acting and broadcasting full time.

Initially acting part-time with the Cork Shakespearean Company and at the Cork Opera House, by 1947 Lynch is acting full-time.

Lynch is a founding member of the Radio Éireann Players and appears in productions of Teresa Deevy plays among others. During the 1950s he is responsible for a Radio Éireann show Living with Lynch, broadcast on Sunday nights, the first comedy series on Radio Éireann. Between 1967–81, he acts onstage with the Abbey Theatre.

Lynch appears in the popular ABC/Thames Television sitcom Never Mind the Quality, Feel the Width (1968–70), and its spin-off feature film in 1973. Other notable film roles include The Siege of Sidney Street (1960), The Running Man (1963), Girl with Green Eyes (1964), The Face of Fu Manchu (1965), Ulysses (1967), Loot (1970), The Mackintosh Man (1973), The Outsider (1980), If You Go Down in the Woods Today (1981) and Eat the Peach (1986). In the 1970s, he makes regular guest appearances as Elsie Tanner‘s boyfriend in the long-running Granada Television soap Coronation Street.

In 1962, and again in 1977, Lynch wins a Jacob’s Award for his acting on RTÉ television.

By 1979, Lynch is back in Ireland, and makes his first appearances as Dinny Byrne in the RTÉ soap Bracken. Later the Byrne character would feature in the long-running RTÉ soap Glenroe.

Lynch quits Glenroe after he claims to have been “shamefully treated” and offered “small potatoes” when he asked for a pay rise. He is also upset that he is not to get a pension. RTÉ disputes those claims. He criticised RTÉ for preventing him from doing other acting work alongside Glenroe. “I was terrible restricted in RTÉ, they wouldn’t let me off for anything, even commercials.”

Lynch voices the main antagonist, Grundel the Toad, in the Don Bluth film Thumbelina, his final audio work before his death seven years later.

Lynch dies suddenly on August 1, 2001, in Alicante, Spain, where he had been living since leaving Glenroe.


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Birth of John Bowman, Broadcaster & Presenter

John Bowman, Irish historian and a long-standing broadcaster and presenter of current affairs and political programmes with Raidió Teilifís Éireann (RTÉ), is born in Dublin on July 28, 1942. He chairs the audience-participation political programme Questions and Answers on RTÉ One for 21 years.

Bowman is brought up in Ballsbridge in south Dublin. His father works for Great Southern Railways (later CIÉ) and his mother is a nurse, originally from County Monaghan. He is educated at Belvedere College and Trinity College Dublin where he receives a bachelor’s degree in history and political science in 1970 and a PhD in political science in 1980. He joins Radio Éireann in 1962, later becoming the presenter and commentator on numerous current affairs programmes, as well as an analyst of political developments and interviewer of politicians on radio and later on television. In the 1980s, he presents the current affairs programme Today Tonight, the precursor to Prime Time.

Bowman wins Jacob’s Awards in 2013 and 2016 for his radio broadcasting, the former for his presentation of the current affairs programme, Day by Day. In April 2008, he comments on RTÉ television coverage of the state funeral of Patrick Hillery, a former President of Ireland.

Bowman chairs the audience-participation political programme Questions and Answers on RTÉ One television for 21 years, the final edition airing on June 29, 2009. He is the presenter of Bowman: Sunday: 8.30 (previously Bowman Saturday) on radio, a weekly compilation of material from broadcasting archives at home and abroad.

In May 2011, Bowman fronts RTÉ television coverage of Queen Elizabeth II’s visit to the Republic of Ireland.

Bowman writes a history of RTÉ Television called Window and Mirror. RTÉ Television: 1961-2011. It is launched by Taoiseach Enda Kenny at the National Museum of Ireland in Dublin on November 23, 2011.

In January 2019, Bowman is awarded the Freedom of the City of Cork.

Bowman serves a two-year term as president of The Irish Association for Cultural, Economic and Social Relations from 1991 and of Comhar, an environmental pressure group, from 1999 until 2004.

Bowman is married to psychiatrist Eimer Philbin Bowman and they have have four children: Jonathan, Emma, Abie and Daniel. His eldest son, Jonathan Philbin Bowman, a journalist, television and radio presenter, dies in an accident in March 2000. His daughter, Emma Philbin Bowman, works in Dublin as a psychotherapist. His middle son, Abie Philbin Bowman, is a columnist for The Dubliner magazine and a stand-up comedian, while in 2005 his youngest son, Daniel, initiates Be Not Afraid, a charity wristband campaign which raises over €80,000 in aid of Turning the Tide of Suicide and the Irish Red Cross and later sets up a youth marketing firm, Spark.


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Birth of Cecil Ffrench Salkeld, Painter, Critic & Writer

Cecil Ffrench Salkeld, Irish painter, printmaker, critic and writer, is born in Assam, India on July 9, 1904.

Salkeld’s parents are Henry Lyde Salkeld, a member of the Indian Civil Service (ICS), and Blanaid Salkeld (née Mullen), a poet. He returns to Ireland with his mother in 1910 following the death of his father in 1909. He attends Mount St. Benedict’s, Gorey, County Wexford, and the Dragon School in Oxford, England. He wins a scholarship to Oundle School in Oundle, North Northhamptonshire, but returns to Dublin where he enters the Dublin Metropolitan School of Art in 1919 to study under Seán Keating and James Sleator. He marries Irma Taesler in Germany in 1922. They have two daughters, Celia and Beatrice. The latter marries Brendan Behan in 1954.

Salkeld works in tempera and oil, as well as etching and wood engraving. In 1921 he travels to Germany to study under Ewald Dulberg at the Kassell Kunstschule. He attends the Union of Progressive International Artists in Düsseldorf in May 1922, and is exhibited at the Internationale Kunstausstellung. Upon his return to Dublin in 1924, he holds his first solo exhibition in the Society of Dublin Painters gallery. He becomes a member of the Dublin Painters in 1927. With Francis Stuart, he co-edits the first two issues of To-morrow in 1924. His studio is in a converted labourer’s cottage at Glencree, County Wicklow. He also exhibits with the New Irish Salon and the Radical Painters’ Group.

Salkeld wins the 1926 Royal Dublin Society‘s Taylor scholarship, and has his first exhibited work with the Royal Hibernian Academy (RHA) in 1929. He lives in Berlin for a year in 1932. He exhibits in Daniel Egan’s Gallery in Dublin in 1935. He has a wide circle of literary friends, including Samuel Beckett and Flann O’Brien. In O’Brien’s At Swim-Two-Birds, the character of Michael Byrne is designed for Salkeld, reflecting his debilitating alcoholism. He also teaches at the Dublin Metropolitan School of Art, teaching artists such as Reginald Gray.

From 1937 to 1946 Salkeld runs a private press called Gayfield Press. This is co-founded with his mother, and operates from a garden shed at their home, 43 Morehampton Road. The press is a small Adana wooden hand press. He illustrates her 1938 The Engine Left Running, as well as Ewart Milne‘s Forty North Fifty West (1938) and Liam O’Flaherty‘s Red Barbara and Other Stories (1928). In 1951, he loans the press to Liam and Josephine Miller to found the Dolmen Press.

Salkeld’s most famous public work is his 1942 three-part mural in Davy Byrne’s pub. He is a co-founder of the Irish National Ballet School in the 1940s in his capacity as a pianist. In 1946 he is appointed an associate member of the RHA. In 1953 his play Berlin Dusk is staged at 37 Theatre Club, Dublin. During the 1950s he is a broadcaster with Radio Éireann as well as a director of cultural events for An Tóstal. He dies on May 11, 1969, in St. Laurence’s Hospital, Dublin.

The National Gallery of Ireland holds a portrait by Salkeld of his daughter, Celia.

(Pictured: “Figures In Moonlight” by Cecil Ffrench Salkeld, oil on canvas)


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Death of Bill O’Herlihy, Broadcaster & Public Relations Executive

Bill O’Herlihy, Irish television broadcaster and public relations executive, dies in Dublin on May 25, 2015. He is best known for his broadcasts for Raidió Teilifís Éireann (RTÉ), primarily in the sporting arena.

Born and raised in Glasheen in Cork, County Cork, O’Herlihy is the son of a local government official and the grandson of William O’Herlihy, a news editor for The Cork Examiner. He is educated at Glasheen boys’ national school and later at St. Finbarr’s College, Farranferris.

After finishing his schooling at fifteen, O’Herlihy follows his grandfather into journalism and secures a job in the reading room of The Cork Examiner. He is only seventeen years-old when he subsequently becomes sub-editor of the Evening Echo, a position he holds for five years. He also graduates to the positions of news, features and sports reporter.

In the early 1960s O’Herlihy begins his broadcasting career when he starts to do local association football reports from Cork for Radio Éireann. In 1965, he makes his first television broadcast in a programme commemorating the sinking of the RMS Lusitania off the Cork coast. After three years O’Herlihy is asked to join RTÉ’s current affairs programme 7 Days to add the required field-reporting skills to the studio-based interviews. The programme has a reputation for its hard-hitting investigative reporting, and he reports on many varying stories from illegal fishing in Cork to the outbreak of the crisis in Northern Ireland. In November 1970, the 7 Days programme comes into controversy when O’Herlihy reports a story on illegal money lending. The report is unconventional as it is one of the first television pieces to use hidden cameras, it claims the government is not responding to illegal moneylending. A tribunal of inquiry follows, and O’Herlihy is forced to move away from current affairs.

Following this controversy, while O’Herlihy is not sacked as he has fifteen months left on his contract with RTÉ, he is moved to the RTÉ Sports department. There he works under Michael O’Hehir, who dislikes him and his broadcasting style. In spite of this O’Herlihy fronts RTÉ’s television coverage of the Olympic Games that year. He also becomes involved in the production of various sports programmes.

O’Herlihy is not long in the RTÉ Sports department when he becomes a regular presenter for such programmes as Sunday Sport and Sports Stadium. In 1978 he becomes RTÉ Soccer host alongside Eamon Dunphy and, in 1984, Johnny Giles joins the panel and Liam Brady follows in 1998. Since 1974 O’Herlihy becomes RTÉ’s chief sports presenter for such events as all Olympic Games until 2012, FIFA World Cups until 2014, UEFA European Football Championships until 2012 and European and World Track and Field Championships. He hosts RTÉ highlights of the Ryder Cup in 2006 when it is at the K Club in County Kildare and continues to present coverage of Ireland’s soccer internationals for RTÉ, along with Dunphy, Giles and Brady.

O’Herlihy hosts RTÉ’s coverage of rugby union in the 1980s and early 1990s. However, when RTÉ attains the rights to cover the English Premier League in 1992, Tom McGurk takes over as host of RTÉ’s coverage of rugby union. O’Herlihy covers the Premier League, Irish Internationals and The Champions League before dropping the Premier League in 2008. He continues to cover the Olympic Games and International Athletic Championships such as the European and World Athletics. He presents the first Rugby World Cup on RTÉ television in 1987 and, with Jim Carney, co-presents the first edition of The Sunday Game in 1979.

In 2012, while covering Chloe Magee‘s progress at the 2012 Summer Olympics O’Herlihy remarks that badminton was once considered “a mainly Protestant sport.” RTÉ subsequently receives a number of complaints, and while Magee criticises the remarks, the argument is made that the incident inadvertently reflected a complex historical reality.

O’Herlihy presents RTÉ Sport‘s coverage of the 2010 FIFA World Cup, his ninth FIFA World Cup. He fronts 18 European Championships and FIFA World Cups for RTÉ, the last of which comes in 2014. This proves to be the final tournament with O’Herlihy at the helm. He retires at its conclusion and dies the following year.

O’Herlihy attends the 12th Irish Film & Television Awards on Sunday, May 24, 2015. He dies peacefully in his sleep at his home the following day at the age of 76 nearly a year after his retirement. He is survived by wife Hillary and daughters Jill and Sally. Giles, Brady and Dunphy appear on The Late Late Show in tribute later that week. At the time of his death O’Herlihy is working on a sports version of Reeling in the Years, which RTÉ immediately cancels.


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Birth of Vincent O’Brien, Organist, Composer & Teacher

Vincent O’Brien, Irish organist, music teacher and composer, is born in Dublin on May 9, 1871, where he lived all his life. He is an important figure in early 20th-century Irish music. For some, he is mainly known as the first teacher of singers such as John McCormack, Margaret Burke Sheridan and the writer James Joyce.

O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.

O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.

O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.

Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.

In 1932, O’Brien receives a doctorate honoris causa from the National University of Ireland (NUI).

Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.

Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.


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Birth of Seóirse Bodley, Composer & Associate Professor of Music at UCD

Seóirse Bodley, Irish composer and former associate professor of music at University College Dublin (UCD), is born George Pascal Bodley in Dublin on April 4, 1933. In 2008, he is the first composer to become a Saoi of Aosdána. He is widely regarded as one of the most important composers of twentieth-century art music in Ireland, having been “integral to Irish musical life since the second half of the twentieth century, not just as a composer, but also as a teacher, arranger, accompanist, adjudicator, broadcaster, and conductor.”

Bodley’s father is George James Bodley (1879–1956), an employee in the Dublin office of the London Midland & Scottish Railway Company, and later of the Ports and Docks Board. His mother, Mary (née Gough, 1891–1977), works for the Guinness Brewery. He attends schools in the Dublin suburbs of Phibsborough and Glasnevin before he moves at the age of nine to an Irish-speaking Christian Brothers school at Parnell Square. He later studies at the School of Commerce in Rathmines, where he obtains his Leaving Certificate.

Music is encouraged in his parents’ home, and Bodley receives initial lessons on the mandolin from his father and on the piano from his mother. He studies the piano, harmony and counterpoint at the Royal Irish Academy of Music and obtains a Licentiate in piano from Trinity College London (TCL). From the age of 13, he also enrolls for a time at the Brendan Smith Academy of Acting. While he is still at school, he receives his first lessons in composition privately from the Dublin-based German choral conductor Hans Waldemar Rosen (1904–94), which continues, on and off, until 1956. From his student days he performs as an accompanist to singers and takes part in chamber music performances. An important element in his musical education is the twice-weekly free concerts given by the Radio Éireann Symphony Orchestra in the Phoenix Hall, Dame Court, where he has the opportunity to hear leading Irish and international performers and conductors presenting both classics and modern repertory.

From 1952 Bodley studies for a Bachelor of Music degree from University College Dublin, mainly with Anthony Hughes. He obtains the degree in 1955. From 1957 to 1959 he studies composition (with Johann Nepomuk David) and conducting at the Württembergische Hochschule für Musik in Stuttgart, Germany, and a year later he obtains a Doctorate in Music from UCD. He also takes classes in conducting with Hans Müller-Kray and Karl Maria Zwißler, and in piano with Alfred Kreutz. He returns to Germany several times in the early 1960s to participate in courses at the Darmstädter Ferienkurse, which significantly expands his knowledge of avant-garde techniques.

From 1959 until his retirement in 1998, Bodley lectures at the university’s music department, becoming associate professor in 1984. During the 1960s, he is conductor of the Culwick Choral Society.

Bodley’s development as a composer sees several distinct phases. In the 1970s he merges avant-garde styles with elements from Irish traditional music and becomes a figure of national importance. He receives several prestigious commissions for large-scale works, such as Symphony No. 3 (1981), written for the opening of the National Concert Hall.

In 1982 Bodley becomes a founder-member of Aosdána and President Mary McAleese confers the distinction of Saoi on him in November 2008. McAleese says that Bodley “has helped us to recast what it means to be an artist in Ireland.”


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The Execution of IRA Member George Plant

George Plant, member of the Irish Republican Army (IRA), is executed by the Irish Government on March 5, 1942.

Plant is born into a Church of Ireland farming family in Fethard, County Tipperary, on January 5, 1904, the second eldest child and son in a family of six children. His parents are John William Albert Plant, a farmer, and Catherine Hayden.

One Sunday in 1916, George and his older brother Jimmy are arrested by the Royal Irish Constabulary (RIC) after being seen speaking to two well-known republicans, Seán Hayes and Dan Breen. In custody the two brothers are beaten and mistreated resulting in a hatred of the RIC. He serves with the Irish Republican Army during the Irish War of Independence and with the Anti-Treaty IRA in the Irish Civil War.

In 1923, George and Jimmy leave Ireland for Canada and the United States but continue as active IRA members. In 1929 they return to Ireland and carry out a bank raid in Tipperary on behalf of the IRA. They are arrested two days later at the family farm and subsequently sentenced to seven years in prison. They are released in a general amnesty after the Fianna Fáil and Éamon de Valera election victory in 1932. He is a strong supporter of Seán Russell. In 1939 following the outbreak of World War II, known in Ireland as The Emergency, de Valera is determined to maintain Irish neutrality and is not going to allow the IRA to jeopardize this. The IRA links with Germany and campaign in Britain are severely straining Anglo-Irish relations so emergency legislation is introduced.

Russell, the IRA Chief of Staff, dies in August 1940 after taking ill on board a U-boat and Stephen Hayes from County Wexford becomes IRA Chief of Staff. In late August 1940 an address on Lansdowne Road, Dublin, is raided by the Garda Síochána. Among the men arrested is Michael Devereux, a 24-year-old married truck driver from County Wexford who is also Quartermaster of the IRAs Wexford Brigade. He is released after three days without charge. Shortly afterwards Gardaí in County Wexford find an IRA arms dump. Many in the IRA suspect that Devereux had turned informer, so Stephen Hayes orders Devereux’s execution. George Plant and another man, Michael Walsh from County Kilkenny, are ordered to carry out the order. Devereux meets Plant and Walsh who tell Devereux that Tom Cullimore, the Wexford Brigade’s OC is blamed for the arms dump and that they have shot him. They order Devereux to drive them to an IRA safe house at Grangemockler in south County Tipperary. Devereux, believing he is the prime suspect in a murder, stays willingly at the safe house. A week later, on September 27, 1940, Devereux is invited to go for a walk with Plant and Paddy Davern, the owner of the safe house. Somewhere along the walk Plant accuses Devereux of being an informer and shoots him dead. Plant is arrested nine weeks later on suspicion of IRA membership and brought before the Special Criminal Court in Dublin. On February 10, 1941, Radio Éireann broadcasts a radio appeal for Michael Devereux on behalf of his wife.

In September 1941, Stephen Hayes is accused of being an informer by a group of Northern IRA members led by Seán McCaughey. He manages to escape to a garda station. Shortly afterwards a large force of Garda Síochána and Irish Army descend on the area around the Davern farmhouse where they find Devereux’s car buried under an onion bed and eventually discover Devereux’s body, a year to the day after his death. Two weeks later, Plant, already in prison on IRA membership charges, is charged with Devereux’s murder. A trial is held with a senior IRA officer, Joseph O’Connor, also charged with Devereux’s murder. The first trial collapses after two days when Paddy Davern and Micheal Walsh, two of the prosecution witnesses, refuse to give evidence. This result leads to the court issuing a nolle prosequi order which should have meant the end of the affair, however both men are rearrested and recharged with the same offence, under Emergency Order 41f. Minister for Justice Gerald Boland transfers the case to a Special Military Court with army officers acting as judges. In addition to Plant, Paddy Davern and Michael Walsh are also now charged with Devereux’s murder. The second trial begins at Collins Barracks, Dublin in February 1942 with Seán MacBride, a former IRA Chief of Staff and future government minister as the defendant’s barrister. Davern states his original statement was given at gunpoint but under the new order even statements given under duress are admissible. The court only has two sentencing options – death or acquittal. Joseph O’Connor is acquitted and despite MacBride’s best efforts the other three are sentenced to death. Davern and Walsh have their sentences commuted to life imprisonment and are both released in 1946.

Just one week after sentence is passed, Plant is executed on March 5, 1942, in Portlaoise Prison by a six-man firing squad drawn from the Irish Army. Much bitterness is caused by the treatment of Plant’s relatives. Neither his wife or mother or infant son are allowed to visit him in the week before his execution. Censorship ensures there is little mention in the newspapers, so his family only learns of his execution from a brief radio broadcast shortly before they receive a telegram. He is buried in the grounds of Portlaoise Prison, but is reinterred in 1948, when he is buried with full IRA military honours in his local church St. Johnstown in County Tipperary, and a Celtic cross is erected over his grave.

Plant’s wife moves to the United States where she remarries. His brother Jimmy dies in London in 1978. The Plant’s family farm is now part of the Coolmore Estate.


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Death of Radio Éireann’s Agony Aunt, Frankie Byrne

Frankie Byrne, Irish public relations consultant, broadcaster and Radio Éireann’s own agony aunt, dies in St. Vincent’s Hospital, Dublin, on December 11, 1993.

Byrne is born into a successful family of journalists from Dublin. Cared for by servants, from a young age Byrne feels like she isn’t loved as much as the other children in the family. She is the middle child with two brothers and two sisters. She attends boarding school in Rathfarnham and has a limited relationship with her parents. Her father is a racing journalist and broadcaster who lives in the Gresham Hotel on O’Connell Street where his job at Radio Éireann is located. She becomes addicted to nicotine and alcohol. Two of her siblings die from alcoholism.

In the late 1940s, Byrne works at the Brazilian embassy in Dublin. She is a pioneer in Irish radio and her program, “Agony Aunt,” leads to public confessionals on the radio. She writes an Agony Aunt column for the Evening Press during the same period. She is best known for her 22 years of the radio program ‘Dear Frankie.’ On the show she gives relationship advice to listener requests. Dear Frankie, sponsored by Jacob’s, paves the way for the contemporary radio programs such as The Gerry Ryan Show and RTÉ Radio 1’s Liveline with Joe Duffy.

Dear Frankie is broadcast from 1963 to 1985. It opens with the words, ‘Welcome to Women’s Page, a program for and about you.’ The program begins as a 15-minute question and answer format on household issues but soon becomes a radio program that allows people to share confidences and seek advice. She shares household problems with her listeners ranging from jealous husband to lovelorn teenagers. She claims to know nothing about domestic science but that she does know about love. She advises on domestic relationships while living a life of turmoil. The most unique feature of Dear Frankie is that the program sets people to talking and helps begin a national conversation on the lonely struggles of generations of Irish women.

Byrne never marries but has a 25+ year relationship with Frank Hall, the satirist and columnist for the Evening Herald. Their relationship has been disputed by some family members who deny they had a child together and that the couple were just good friends. Nevertheless, in the middle of this relationship, she becomes pregnant in the mid-1950s, giving birth to their daughter Valerie on July 12, 1956. She wants to keep the baby but ultimately gives her up to St. Clare’s Orphanage in Stamullen. She frequently visits her baby daughter until she is eventually adopted some 15 weeks later, going to a family who goes on to adopt four more children. Her relationship with Frank Hall comes to an end in the mid-1970s. Although she had struggled with alcoholism for many years, she stops drinking in the mid-1970s but is subsequently prescribed Valium and is addicted to the drug for the remainder of her life.

Byrne and her daughter are reunited on December 13, 1983, a decade before her death. The last time Valerie sees her mother is exactly ten years later, on December 13, 1993, in the mortuary in St. Vincent’s Hospital.

Byrne dies at the age of 71 from Alzheimer’s disease in St. Vincent’s Hospital, Dublin, on Saturday, December 11, 1993. Tributes are paid by colleagues and friends including the RTÉ assistant Director-General, Bobby Gahan, who describes her voice as “one of the greatest sounds of radio.” Others who pay public tribute to her include fellow broadcasters Larry Gogan and Gay Byrne.

Byrne is remembered as an influential force during the time of her radio show, and it has been said that an entire generation can hum the signature tune to her radio program. Following her death there is an outburst of support. Gay Byrne describes her as having been “a national institution who had been loved by everyone.” Dear Frankie is often credited as the first ‘agony aunt’ radio show program format in Ireland.

Byrne’s talk show and life inspire numerous pieces of literature including a stage production in 2010 and 2012, authored by Niamh Gleeson and produced by the Five Lamps Theater Company, which tells the story of her ‘tragic and secretive life.’ She is also the subject of a book published in 1998, which compiles the advice which she gave on Dear Frankie. In 2006, RTÉ airs a documentary on Byrne, in which they explore her life following the show, and include interviews with her family and friends, including her daughter Valerie.

Byrne is also famous for having been the first woman to found a public relations company in 1963, that works almost exclusively in promoting Jacob’s.