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Tag Archives: RTÉ


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First Assassination by “The Squad”

On July 30, 1919, the first assassination authorised by Michael Collins is carried out by The Squad, also known as the Twelve Apostles, when Detective Sergeant “the Dog” Smith is shot near Drumcondra, Dublin.

The Squad is an Irish Republican Army (IRA) unit founded by Collins to counter British intelligence efforts during the Irish War of Independence, mainly by means of assassination.

On April 10, 1919, the First Dáil announces a policy of ostracism of Royal Irish Constabulary (RIC) men. At the time Sinn Féin official policy is against acts of violence. Boycotting, persuasion and mild intimidation succeed against many officers. However, others escalate their activities against republicans and in March 1920 Collins asks Dick McKee to select a small group to form an assassination unit.

When The Squad is formed, it comes directly under the control of the Director of Intelligence or his deputy and under no other authority. The Squad is commanded by Mick McDonnell.

The original “Twelve Apostles” are Mick McDonnell, Tom Keogh, Jimmy Slattery, Paddy Daly, Joe Leonard, Ben Barrett, Vincent Byrne, Sean Doyle, Paddy Griffin, Eddie Byrne, Mick Reilly and Jimmy Conroy. After some time, The Squad is strengthened with members Ben Byrne, Frank Bolster, Mick Keogh, Mick Kennedy, Bill Stapleton and Sam Robinson. Owen Cullen, a member of 2nd Battalion, is driver for a short time, and Paddy Kelly of County Clare for a short time. They are employed full-time and received a weekly wage.

Sometimes, as occasion demands, The Squad is strengthened by members of the IRA Intelligence Staff, the Active Service Unit, munition workers and members of the Dublin Brigade, Tipperary Flying Column men, Dan Breen, Séumas Robinson, Seán Treacy and Seán Hogan, and also Mick Brennan and Michael Prendergast of County Clare. The IRA Intelligence Staff consists of the Director of Intelligence Michael Collins, the Deputy Director of Intelligence Liam Tobin, the Second Deputy Director of Intelligence Tom Cullen, the Third Director of Intelligence Frank Thornton, and members Joe Dolan, Frank Saurin, Ned Kelleher, Joe Guilfoyle, Paddy Caldwell, Paddy Kennedy, Charlie Dalton, Dan McDonnell and Charlie Byrne. The munitions workers include Mat Furlong, Sean Sullivan, Gay McGrath, Martin O’ Kelly, Tom Younge and Chris Reilly.

Other members include Mick Love, Gearoid O’Sullivan, Patrick Caldwell, Charlie Dalton, Mick O’Reilly, Sean Healy, James Ronan, Paddy Lawson, John Dunne, Johnny Wilson and James Heery. Seán Lemass and Stephen Behan, the father of Irish writers Brendan and Dominic Behan, have also been listed as members of the Apostles. There is no hard evidence to support the inclusion of many of the names, but those who subsequently serve in the Irish Army have their active service recorded in their service records held in the Military Archives Department in Cathal Brugha Barracks, Rathmines. Andrew Cooney is also reported to have been associated with The Squad. Stephen Behan’s involvement is first made public in 1962, when the BBC broadcasts an episode of This Is Your Life dedicated to Behan. During the broadcast, remaining members of the squad joined Behan on the set of the show.

Following “The Dog” Smith’s assassination, The Squad continues to target plainclothes police, members of the G Division of the Dublin Metropolitan Police, and, occasionally, problematic civil servants. Organisationally it operates as a subsection of Collins’ Intelligence Headquarters. Two of the executions by The Squad are the killing on January 21, 1920, of RIC Inspector William Redmond of the DMP “G” Division and on March 2, 1920, a British double agent John Charles Byrnes.

One of the Apostles’ particular targets is the Cairo Gang, a deep-cover British intelligence group, so called since it has either been largely assembled from intelligence officers serving in Cairo or from the Dublin restaurant called The Cairo, which the gang frequents. Sir Henry Wilson brings in the Cairo Gang in the middle of 1920, explicitly to deal with Michael Collins and his organization. Given carte blanche in its operations by Wilson, the Cairo Gang adopts the strategy of assassinating members of Sinn Féin unconnected with the military struggle, assuming that this will cause the IRA to respond and bring its leaders into the open.

The most well-known operation executed by the Apostles occurs on what becomes known as Bloody Sunday, November 21, 1920, when British MI5 officers, linked to the Cairo Gang and significantly involved in spying, are shot at various locations in Dublin with fourteen killed and six wounded. In addition to the The Squad, a larger number of IRA personnel are involved in this operation. The only IRA man captured during the operation is Frank Teeling. In response to the killings, the Black and Tans retaliate by shooting up a Gaelic football match between Dublin and Tipperary at Croke Park, the proceeds from which are for the Irish Republican Prisoners Fund. Fourteen civilians are killed including one of the players, Michael Hogan, and 68 are wounded. The Hogan stand at Croke Park is named after Hogan.

The elimination of the Cairo Gang is seen in Dublin as an intelligence victory, but British Prime Minister David Lloyd George comments dismissively that his men “… got what they deserved, beaten by counterjumpers…”. Winston Churchill adds that they were “.. careless fellows … who ought to have taken precautions.”

Some members of The Squad are hanged in 1921 for the killings on Bloody Sunday, including Thomas Whelan and Patrick Moran. Moran had killed a vet, Patrick MacCormack, who seems to have been an innocent victim.

In May 1921, after the IRA’s Dublin Brigade takes heavy casualties during the burning of the Custom House, The Squad and the Brigade’s Active Service Unit are amalgamated into the Dublin Guard, under Paddy Daly. Under the influence of Daly and Michael Collins, most of the Guard take the Free State side and join the National Army in the Irish Civil War of 1922–23. During this conflict some of them are attached to the Criminal Investigation Department and are accused of multiple assassinations of Anti-Treaty fighters. They are also involved in several atrocities against Republican prisoners, particularly after the death of Collins, due to many of them having personal ties with him.

Bill Stapleton goes on to become a director in Bord na Móna, Charles Dalton and Frank Saurin become directors in the Irish Sweepstakes. In October 1923, Commandant James Conroy is implicated in the murder of two Jewish men, Bernard Goldberg and Emmanuel ‘Ernest’ Kahn. He avoids arrest by fleeing to Mexico, returning later to join the Blueshirts. A later application for an army pension is rejected. The killings are the subject of a 2010 investigative documentary by RTÉ, CSÍ: Murder in Little Jerusalem.


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Birth of Máire de Paor, Historian & Archaeologist

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Máire de Paor, Irish historian and archaeologist who also works as a researcher and presenter for national broadcaster RTÉ, is born on May 6, 1925, in Buncrana, County Donegal.

De Paor is born Máire MacDermott to Eamonn MacDermott and Delia MacVeigh. She is educated in the Convent of Mercy in Buncrana before going to University College Dublin, where she completes a master’s degree and a doctorate on early Christian archaeology and metalwork.

De Paor works in the Department of Archeology at UCD from 1946 to 1958. She marries Liam de Paor in 1946, and they have a daughter and four boys. They collaborate on a number of publications. She publishes her papers in the Proceedings of the Royal Irish Academy, Archaeologia, Seanchas Armagh and Comhar. Her husband also works at the university and, as a result of policies about married women, she is forced to leave. Initially she lectures in the United States, Canada, Scandinavia, France and the United Kingdom. She works as lecturer in archaeology at Trinity College, Dublin. The de Paors spend a year in Nepal on a UNESCO project in 1963.

De Paor works as a freelance researcher for Raidió Teilifís Éireann until she is given a full-time position in the 1970s.

De Paor is elected a member of the Royal Irish Academy in 1960 and is a member of the Arts Council from 1973. She becomes a member of Conradh na Gaeilge from 1962. From 1968 she is working with Cumann Merriman, the Irish cultural organisation named after Brian Merriman, working with the group as a director of the schools and spends four years as chairperson. In 1992 she is appointed to the board of Amharclann de hÍde.

Máire de Paor dies on December 6, 1994, at the age of 69.

University College Dublin has created the Dr. Máire de Paor Award for best PhD thesis. Her biographer identifies her as a committed republican, socialist and feminist.


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Death of Dermot Morgan, Comedian & Actor

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Dermot John Morgan, Irish comedian and actor who achieves international renown for his role as Father Ted Crilly in the Channel 4 sitcom Father Ted, dies of a heart attack on February 28, 1998, in Hounslow, London, England.

Morgan is born in Dublin on March 31, 1952. Educated at Oatlands College, Stillorgan, and University College, Dublin (UCD), Morgan comes to prominence as part of the team behind the highly successful RTÉ television show The Live Mike. Morgan makes his debut in the media on the Morning Ireland radio show produced by Gene Martin. Between 1979 and 1982 Morgan, who has been a teacher at St. Michael’s College, Ailesbury Road, plays a range of comic characters who appear between segments of the show, including Father Trendy, an unctuous trying-to-be-cool Catholic priest given to drawing ludicrous parallels with non-religious life in two-minute ‘chats’ to camera.

Morgan’s success as Father Trendy and other characters leads him to leave teaching and become a full-time comedian.

Morgan’s biggest Irish broadcasting success occurs in the late 1980s on the Saturday morning radio comedy show Scrap Saturday, which mocks Ireland’s political, business, and media establishment. The show’s treatment of the relationship between the ever-controversial Taoiseach Charles Haughey and his press secretary P.J. Mara prove particularly popular. When RTÉ axes the show in the early 1990s a national outcry ensues. Morgan lashes the decision, calling it “a shameless act of broadcasting cowardice and political subservience.”

Already a celebrity in Ireland, Morgan’s big break comes in Channel 4‘s Irish sitcom Father Ted, which runs for three series from April 21, 1995, until May 1, 1998. Writers Graham Linehan and Arthur Mathews audition many actors for the title role, but Morgan’s enthusiasm wins him the part.

Father Ted centres on three disparate characters. Father Ted Crilly, played by Morgan, lives a frustrated life trapped on the fictional Craggy Island. Irish TV comedy actor Frank Kelly plays Father Jack Hackett, a foul-mouthed and apparently brain-damaged alcoholic, while child-minded Father Dougal McGuire is played by comedian Ardal O’Hanlon. The three priests are looked after by their housekeeper, Mrs. Doyle, played by Pauline McLynn, with whom Morgan had worked on Scrap Saturday. Father Ted enjoys widespread popularity and critical acclaim. In 1998, the show wins a BAFTA award for the best comedy, Morgan wins a BAFTA for best actor, and McLynn is named best actress.

On February 28, 1998, one day after recording the last episode of Father Ted, Morgan has a heart attack while hosting a dinner party at his home in southwest London. He is rushed to hospital but dies soon afterwards. Morgan’s Requiem Mass in St. Therese’s Church in Mount Merrion, south Dublin, is attended by the President of Ireland Mary McAleese, her predecessor, Mary Robinson, and by political and church leaders, many of whom had been the targets of his humour in Scrap Saturday. He is cremated at Glasnevin Cemetery and his ashes are buried in the family plot in Deansgrange Cemetery.


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Birth of Micheál Mac Liammóir, Actor, Writer & Poet

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Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.


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Irish Celtic Rock Band Horslips Disbands

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Horslips, the Irish Celtic rock band regarded as the “founding fathers of Celtic rock,” disbands on October 12, 1980. The name originates from a spoonerism on The Four Horsemen of the Apocalypse which becomes “The Four Poxmen of The Horslypse.”

Barry Devlin, Eamon Carr and Charles O’Connor meet when they work at the Ark advertising company in Dublin. They are cajoled into pretending to be a band for a Harp Lager commercial but need a keyboard player. Devlin says he knows a Jim Lockhart who would fit the bill. The four enjoy the act so much that they decide to try being proper rock performers. They join guitarist Declan Sinnott, a colleague of Eamon Carr’s from Tara Telephone and, briefly, Gene Mulvaney to form Horslips (originally Horslypse) in 1970.

The band goes professional on St. Patrick’s Day 1972 having shed Mulvaney and released a single, “Johnny’s Wedding”, on their own record label, Oats. Declan Sinnott leaves soon after, primarily due to his annoyance at the group appearing in an advert for Mirinda orange drink. He is replaced by Gus Guest briefly, then Johnny Fean.

Following the release of six studio albums between 1972 and 1977, the ever-ambitious band tries to make it in the United States. In 1977 they produce Aliens, about the experience of the Irish in nineteenth-century America, which includes very little folk music. The Man Who Built America (1978), produced by Steve Katz of Blood, Sweat & Tears and The Blues Project fame, concerns Irish emigration to the United States and is commercially their most successful album. The heavier sound does bring some acceptance in America, but they lose their folk base and their freshness. Short Stories, Tall Tales (1979) is their last studio album and is panned by the record company and critics alike.

At a time when The Troubles are at its peak, Horslips plays gigs in both Northern Ireland and the Republic of Ireland without prejudice and are accepted everywhere. Their last recordings are from live performances at the Whitla Hall at Queen’s University Belfast in April and May 1980. A few months later, on October 12, 1980, they play their final gig in the Ulster Hall. They make no public announcement. They simply give an encore, The Rolling Stones‘ song “The Last Time,” and the final act is Charles O’Connor throwing his mangled fiddle into the audience. Ten years after they formed, they disband.

Although Horslips has limited commercial success when the band is playing in the 1970s, there is a revival of interest in their music in the late 1990s and they come to be regarded as one of the defining bands of the Celtic rock genre. There have since been small scale reunions including appearances on The Late Late Show and RTÉ‘s Other Voices. The band reforms for two Irish shows in the Odyssey Arena in Belfast and the 3Arena in Dublin at the end of 2009 and have continued to play shows since then.


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Death of Archbishop Luciano Storero

Michael Sullivan US Ambassado

Archbishop Luciano Storero, former Apostolic Nuncio in Ireland and Archbishop of the Titular See of Tigimma, dies in Dublin on October 1, 2000.

Storero is born in Pinasca, Italy on September 26, 1926. He is ordained into the priesthood on June 29, 1949. On November 22, 1969, he is appointed Titular Archbishop of Tigimma and the same day is appointed an Apostolic Delegate. He is appointed Apostolic Nuncio on December 24, 1970, to the Dominican Republic. He serves as Pro-Nuncio to Gabon and Cameroon from 1973. He is the Apostolic Nunciature to India from 1976 to 1981. He also serves as Apostolic Nunciature to Venezuela from 1981. On November 15, 1995, he is appointed the tenth Apostolic Nunciature to Ireland. He remains in that position until his death.

It is reported in the United States in January 2011, as Nuncio to Ireland in 1997, Storero signed a two-page letter that warns the Irish bishops against implementing a policy “that included ‘mandatory reporting’ of suspected abusers to civil authorities.” The policy, which had been approved by the Irish bishops, put the Irish church in opposition to Storero and the Vatican.

That opposition is not reversed at least until Cardinal Joseph Aloisius Ratzinger (the future Pope Benedict XVI) is put in charge of the Congregation for the Doctrine of the Faith by Pope John Paul II in 2001. At that time the Vatican begins to tip the balance in canon law in favour of the victims. “But has [the Pope] done enough?” asks a report earlier in 2011 on the Irish television network RTÉ. “The Vatican has yet to acknowledge its contribution in creating the problem in the first place … [when] they put the reputation of the Church and the avoidance of scandal over the concerns for the victims [under Storero and before].”

Luciano Storero dies of cancer at Mater Private Hospital in Dublin on October 1, 2000. His remains are removed from the hospital to the St. Mary’s Pro-Cathedral in Dublin where Requiem Mass is celebrated at noon on October 3, 2000, before being transferred to Dublin Airport under Army escort for transport to Italy where he is interred in his hometown of Pinasca.


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Premier of RTÉ One Drama Series “Glenroe”

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The first episode of Glenroe, a television drama series broadcast on RTÉ One, airs on September 11, 1983. The series runs for eighteen years, ending in May 2001.

A spin-off from Bracken, a short-lived RTÉ drama itself spun off from The Riordans, Glenroe is broadcast, generally from September to May, each Sunday evening at 8:30 PM. It is created, and written for much of its run, by Wesley Burrowes, and later by various other directors and producers including Paul Cusack, Alan Robinson and Tommy McCardle. Glenroe is the first show to be subtitled by RTÉ, with a broadcast in 1991 starting the station’s subtitling policy.

Glenroe centers on the lives of the people living in the fictional rural village of the same name in County Wicklow. The real-life village of Kilcoole is used to film the series. The series is also filmed in studio at RTÉ and in various other locations when directors see fit.

The main protagonists are the Byrne and McDermott/Moran families, related by the marriage of Miley Byrne to Biddy McDermott, colloquially known as Biddy and Miley. Other important characters include Teasy McDaid, the proprietor of the local pub, Tim Devereux, the Roman Catholic priest, George Black, the Church of Ireland Rector of the village, Fidelma Kelly, a cousin of Biddy, Blackie Connors, George Manning and Stephen Brennan.

Glenroe is noted for its original title sequence, which features the words “Gleann Rua” in Gaelic script morphing into “Glenroe” over a series of rural images. The original title sequence is used from the 1983-1984 season to the end of the 1992-1993 season. It is replaced with a more up-to-date title sequence at the start of the 1993-1994 season.

Glenroe‘s original theme tune is a traditional Irish song called “Cuaichín Ghleann Néifinn” and is arranged by Jim Lockhart of the Celtic rock band Horslips. A newly recorded version, arranged by Máire Ní Bhraonáin of the band Clannad, is introduced at the start of the 1993-1994 season.

In 2000 it seems the series is going into inevitable decline. On January 19, 2001, despite claims four years previously that it could run for another ten years, RTÉ announces that Glenroe is to end after eighteen seasons. The final episode of the series is broadcast on May 6, 2001.


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Birth of Stage & Screen Actress Marie Kean

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Marie Kean, actress of stage and screen whose career spanned over 40 years, is born in the village of Rush, County Dublin on June 27, 1918. The Stage calls her one of Ireland’s most impressive actresses, and “an artist of considerable emotional depth and theatrical command.”

Kean grows up in Rush and is educated at Loreto College, North Great George’s Street, Dublin. She learns her craft at the Gaiety School of Acting and is part of the Abbey Theatre company until 1961.

Kean’s leading role as the kindly matriarch, Mrs. Kennedy, in the RTÉ Radio serial drama, The Kennedys of Castleross, makes her famous throughout Ireland. She stars in the programme for the duration of its 18-year run.

In 1968, Kean wins a Jacob’s Award for her performance as Winnie in RTÉ television’s production of Samuel Beckett‘s play Happy Days, a role she had previously performed on stage and which she describes later as her favourite part. Among her other television roles is that of Mrs. Conn Brickley, Bridget’s mother, in an episode of The Irish R.M. called “The Boat’s Share.”

Kean’s many stage appearances include performances in the plays of John Millington Synge, Seán O’Casey and Brian Friel. She takes the lead role of Maggie Polpin in the 1969 world première of John B. Keane‘s play Big Maggie at the Cork Opera House. In 1978 she wins the State of New York best actress award for her performance in what has become Keane’s most successful play.

Arguably her most memorable film role is as Barry’s scheming mother in Stanley Kubrick‘s Barry Lyndon. She also plays a bigoted Irish shopkeeper in David Lean‘s Ryan’s Daughter. Her final movie appearance is in John Huston‘s The Dead (1987), in which she plays the part of Mrs. Malins.

Marie Kean dies in Donnybrook, Dublin at the age of 75 on December 30, 1993. Her husband, William Mulvey, predeceases her in 1977.


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Death of Broadcaster Derek Davis

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Irish broadcaster Derek Davis dies in Dublin on May 13, 2015. On television, he co-hosts Live at 3, presents Davis at Large and Out of the Blue and wins Celebrity Bainisteoir.

Davis is born on April 26, 1948, in Bangor, County Down, Northern Ireland to a Protestant father and a Roman Catholic mother. He attends St. MacNissi’s College, a Catholic boarding school in County Antrim and describes his early childhood life as ecumenical. During his childhood he acquires a love of boats which later provide the inspiration for the TV series Out of the Blue.

Davis starts as a news reporter with the American network ABC and BBC Northern Ireland before spending 11 years in the newsroom at RTÉ. In the early 1980s he becomes a newsreader for The Six-o-clock News and begins to become well-known due to his sometimes-off-the-cuff comments on news stories.

Davis impersonates Big Tom on the RTÉ satirical programme Hall’s Pictorial Weekly and, as a result, is offered a part in a showband in Cork. After a ballroom tour, he joins RTÉ proper in 1975, initially to work as a television news reporter, eventually becoming newsreader on the nine o’clock news. In the mid-1980s, he hosts his own talk show, Davis at Large. It is on this show, which is screened live, that he is attacked and hurled across the studio by a guest female body builder. In addition to this he has an interactive summer current affairs show, simply called Davis. In 1986, he begins co-hosting (with Thelma Mansfield) RTÉ 1’s afternoon programme Live at 3, a role he fills for eleven years.

Davis presents the Rose of Tralee twice in 1995 and 1996, the first of these when Gay Byrne is taken ill at short notice. He memorably thanks the providers of the air conditioning while wiping sweat from his brow. Live at 3 comes to an end in 1997. Davis returns to the screen in the late 1990s with a marine programme devoted to boats and the waters around Ireland called Out of the Blue, which runs for four series, the last of which is broadcast in 2001.

In 2000, Davis presents a radio quiz show called A Question of Food. During the summer season he takes over RTÉ Radio 1‘s mid-morning slot usually occupied by Today with Pat Kenny, and he also hosts the radio phone-in show, Liveline, when regular presenter Joe Duffy is on holiday. Later, he presents Sunday Magazine with Davis on 4 on 4fm.

In 2005, Davis hosts a show called Time on Their Hands, a travel series for older people. One of his last television appearances is on the second season of Celebrity Bainisteoir in 2009, in which he and seven other Irish celebrities manage an intermediate Gaelic football club team from their home county in an official GAA tournament. Davis’s team wins the tournament.

During the 2010s, Davis makes frequent guest appearances on TV3‘s Tonight with Vincent Browne, where he and another guest preview the following morning’s papers.

After a short illness Derek Davis dies on May 13, 2015, at the age of 67. His funeral takes place in the Victorian Chapel, Mount Jerome Cemetery and Crematorium in Harold’s Cross, Dublin.


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Birth of Hugh Leonard, Dramatist, Writer & Essayist

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Hugh Leonard, Irish dramatist, television writer and essayist, is born in Dublin on November 9, 1926. In a career that spans 50 years, he writes nearly 30 full-length plays, 10 one-act plays, three volumes of essays, two autobiographies, three novels and numerous screenplays and teleplays, as well as writing a regular newspaper column.

After birth, Leonard is put up for adoption. Raised in Dalkey, a suburb of Dublin, by Nicholas and Margaret Keyes, he changes his name to John Keyes Byrne. For the rest of his life, despite the pen name of “Hugh Leonard” which he later adopts and becomes well known by, he invites close friends to call him “Jack.”

Leonard is educated at the Harold Boys’ National School, Dalkey, and Presentation College, Glasthule, winning a scholarship to the latter. He works as a civil servant for fourteen years. During that time, he both acts in and writes plays for community theatre groups. His first play to be professionally produced is The Big Birthday, which is mounted by the Abbey Theatre in Dublin in 1956. His career with the Abbey Theatre continues until 1994. After that his plays are produced regularly by Dublin’s theatres.

Leonard moves to Manchester for a while, working for Granada Television before returning to Ireland in 1970. There he settles in Dalkey.

During the 1960s and 1970s, Leonard is the first major Irish writer to establish a reputation in television, writing extensively for television including original plays, comedies, thrillers and adaptations of classic novels for British television. He is commissioned by RTÉ to write Insurrection, a 50th anniversary dramatic reconstruction of the Easter Rising of 1916. His Silent Song, adapted for the BBC from a short story by Frank O’Connor, wins the Prix Italia in 1967. He writes the script for the RTÉ adaptation of Strumpet City by James Plunkett.

Three of Leonard’s plays have been presented on Broadway: The Au Pair Man (1973), which stars Charles Durning and Julie Harris, Da (1978) and A Life (1980). Of these, Da, which originates off-off-Broadway at the Hudson Guild theatre before transferring to the Morosco Theatre, is the most successful, running for 20 months and 697 performances, then touring the United States for ten months. It earns Leonard both a Tony Award and a Drama Desk Award for Best Play. It is made into a film in 1988, starring Martin Sheen and Barnard Hughes, who reprises his Tony Award-winning Broadway performance.

Leonard writes two volumes of autobiography, Home Before Night (1979) and Out After Dark (1989). Some of his essays and journalism are collected in Leonard’s Last Book (1978) and A Peculiar People and Other Foibles (1979). In 1992 the Selected Plays of Hugh Leonard is published. Until 2006 he writes a humorous weekly column, “The Curmudgeon,” for the Irish Sunday Independent newspaper. He has a passion for cats and restaurants, and an abhorrence of broadcaster Gay Byrne.

Even after retiring as a Sunday Independent columnist, Leonard displays an acerbic humour. In an interview with Brendan O’Connor, he is asked if it galls him that Gay Byrne is now writing his old column. His reply is, “It would gall me more if he was any good at it.” He is a patron of the Dublin Theatre Festival.

In 1994, Leonard appears in a televised interview with Gerry Adams, president of Sinn Féin, an Irish political party associated with the Provisional Irish Republican Army. He has long been an opponent of political violence and a critic of the IRA. However, on the show and afterwards he is criticised for being “sanctimonious and theatrical” towards Adams. At one point he refers to Sinn Féin as “dogs.”

Hugh Leonard – Odd Man In, a film on his life and work is shown on RTÉ in March 2009. Leonard’s final play, Magicality, is not performed during his lifetime. A rehearsed reading of the second act is staged at the Dalkey Castle and Heritage Centre in June 2012.

Hugh Leonard dies after a long illness on February 12, 2009, in his hometown of Dalkey at the age of 82, leaving €1.5 million in his will.