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Death of Mary Carryl, Servant of the Ladies of Llangollen

Mary Carryl, an Irish-born loyal servant and friend of the celebrated Ladies of Llangollen, dies on November 22, 1809. She serves them up to her death. When the Ladies die, they share the same grave.

Carryl is brought up in a poor family in Ross, County Wexford. Little is known about her until she is employed by Lady Elizabeth “Betty” and Sir William Fownes, 2nd Baronet, at the Woodstock Estate near Inistioge, County Kilkenny. He inherits the baronetcy from his father Sir William Fownes, 1st Baronet, the Lord Mayor of Dublin, and over 21,000 acres from his grandfather. When Fownes marries Elizabeth Ponsonby, he receives £4,000 as a dowry and the couple builds the six-bayed, three-story Woodstock House in County Kilkenny in 1745-47. In 1769, the Fownes have a thirteen-year-old guest to stay for some time named Sarah Ponsonby, who is Elizabeth’s cousin and the orphaned daughter of Chambré Brabazon Ponsonby. She attends school at Kilkenny.

Sarah develops a friendship with Eleanor Butler, which is not approved of by the Fownes nor by Eleanor’s family guardians. When the friendship begins, Sarah is an unhappy thirteen-year-old orphan. She is captivated by the well-educated Eleanor Butler, a 30-year-old spinster no longer considered marriageable. Sarah is also receiving unwanted attention from Sir William, her guardian.

When Eleanor Butler runs away from home, she is hidden in Sarah’s room and Carryl smuggles in food for her stowaway. Eventually Butler and Ponsonby agree that they can leave Ireland together. They go to Llangollen in Wales where they set up home in a cottage called Plas Newydd. Meanwhile Carryl, who is known as Mary the Bruiser, has been fired after throwing a candlestick that wounds another servant. Her prospects are saved when Eleanor and Sarah send for her to come to Llangollen.

In time Eleanor and Sarah become notorious as “The Ladies of Llangollen,” and Carryl becomes both their servant and the head of the household. She is loyal to her employers. She is said to have “masculine qualities” and Lady Eleanor’s diary records how she gives as good as she gets as she bargains loudly with the fishermen, the butchers and the inebriated.

The lifestyle of the Ladies of Llangollen attracts attention. They receive notable visitors including the Arthur Wellesley, 1st Duke of Wellington; the poets William Wordsworth and Anna Seward; enlightenment leaders Erasmus Darwin and Josiah Wedgwood; and writers including Sir Walter Scott.[3]

Carryl dies at Plas Newydd on November 22, 1809, and is buried in the churchyard of St. Collen’s Church, Llangollen. She leaves a shilling to her brother and sister, but leaves the field she owns to Sarah. When in time the Ladies of Llangollen die, they are buried beside their faithful servant.

The memorial monument to Mary Carryl, Eleanor Butler and Sarah Ponsonby in the churchyard of St. Collen’s Church is erected in 1810. The inscription on Carryl’s part of the monument reads: “In Memory of / Mrs Mary Carryl / Deceased 22 November 1809 / This monument is erected by Eleanor Butler, / and Sarah Ponsonby, of Plasnewydd in this Parish. / Released from Earth and all its transient woes, / She whose remains beneath this stone repose, / Stedfast in Faith resigned her parting breath, / Looked up with Christian joy, and smiled in Death! / Patient, Industrious, Faithful, Generous, Kind, / Her Conduct left the proudest far behind, / Her Virtues dignified her humble birth, / And raised her mind above this sordid earth, / Attachment (Sacred bond of grateful breasts) / Extinguished but with life, this Tomb attests, / Reared by Two Friends who will her loss bemoan, / ‘Till with Her Ashes…Here shall rest, Their own.”

(Pictured: A portrait of Mary Carryl from the Welsh Portrait Collection at the National Library of Wales)


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Death of Esther Johnson, Close Friend of Jonathan Swift

Esther Johnson, an Englishwoman known as “Stella” and known to be a close friend of Jonathan Swift, dies on January 28, 1728. Whether or not she and Swift are secretly married, and if so, why the marriage is never made public, is a subject of debate.

Johnson is born in Richmond, Surrey, England, on March 13, 1681, and spends her early years at Moor Park, Farnham, home of Sir William Temple, 1st Baronet. Here, when she is about eight, she meets Swift, who is Temple’s secretary. He takes a friendly interest in her from the beginning and apparently supervises her education.

Johnson’s parentage has been the subject of much speculation. The weight of evidence is that her mother acts as companion to Temple’s widowed sister, Martha, Lady Giffard, and that Johnson, her mother and her sister Anne are regarded as part of the family. Her father is said to have been a merchant who died young. Gossip that she is Temple’s illegitimate daughter seems to rest on nothing more solid than the friendly interest he shows in her. There are similar rumours about his supposed relationship with Swift.

When Swift sees Johnson again in 1696, he considers that she has grown into the “most beautiful, graceful and agreeable young woman in London.” Temple, at his death in 1699, leaves her some property in Ireland, and it is at Swift’s suggestion that she move to Ireland in 1702 to protect her interests, but her long residence there is probably due to a desire to be close to Swift. She generally lives in Swift’s house, though always with female companions like Rebecca Dingley, a cousin of Temple whom she has known since childhood. She becomes extremely popular in Dublin and an intellectual circle grows up around her, although it was said that she finds the company of other women tedious and only enjoys the conversation of men.

In 1704, their mutual friend, the Reverend William Tisdall, tells Swift that he wishes to marry Johnson, much to Swift’s private disgust, although his letter to Tisdall, which outlines his objections to the marriage, is courteous enough, making the practical point that Tisdall is not in a position to support a wife financially. Little is known about this episode, other than Swift’s letter to Tisdall. It is unclear if Tisdall actually proposes to her. If he does, he seems to have been met with a firm rejection, and he marries Eleanor Morgan two years later. He and Swift, after a long estrangement, become friends once more after Johnson’s death.

Johnson’s friendship with Swift becomes fraught after 1707 when he meets Esther Vanhomrigh, daughter of the Dutch-born Lord Mayor of Dublin, Bartholomew Van Homrigh. Swift becomes deeply attached to her and invents for her the name “Vanessa.” She in turn becomes infatuated with him and after his return to Ireland follows him there. The uneasy relationship between the three of them continues until 1723 when Vanessa, who is by now seriously ill from tuberculosis, apparently asks Swift not to see Johnson again. This leads to a violent quarrel between them, and Vanessa, before her death in June 1723, destroys the will she had made in Swift’s favour, leaving her property to two men, George Berkeley and Robert Marshall, who though eminent in their respective callings are almost strangers to her.

Whether Swift and Johnson are married has always been a subject of intense debate. The marriage ceremony is allegedly performed in 1716 by St. George Ashe, Bishop of Clogher, with no witnesses present, and it is said that the parties agree to keep it secret and live apart. Johnson always describes herself as a “spinster” and Swift always refers to himself as unmarried. Rebecca Dingley, who lives with Johnson throughout her years in Ireland, says that Johnson and Swift were never alone together. Those who know the couple best are divided on whether a marriage ever took place. Some, like Mrs. Dingley and Swift’s housekeeper Mrs. Brent laugh at the idea as “absurd.” On the other hand, Thomas Sheridan, one of Swift’s oldest friends, believes that the story of the marriage is true. He reportedly gives Johnson herself as his source. Historians have been unable to reach a definite conclusion on the truth of the matter. Bishop Ashe dies before the story first becomes public, and there are no other witnesses to the supposed marriage.

A collection of Johnson’s witticisms is published by Swift under the titles of “Bon Mots de Stella” as an appendix to some editions of Gulliver’s Travels. A Journal to Stella, a collection of 65 letters from Swift to Johnson, is published posthumously.

In 1722, Martha, Lady Giffard, dies and leaves money to Johnson and Swift’s sister, Mrs. Fenton, who had been her companion in 1711.

Johnson’s health begins to fail in her mid-forties. In 1726, she is thought to be dying and Swift rushes back from London to be with her but finds her better. The following year it becomes clear that she is gravely ill. After sinking slowly for months, she dies on January 28, 1728, and is buried in St. Patrick’s Cathedral, Dublin. Swift is inconsolable at her death and writes The Death of Mrs. Johnson in tribute to her. When Swift dies in October 1745, he is buried beside her at his own request. A ward in St. Patrick’s University Hospital is named “Stella” in her memory.

In the 1994 film Words Upon the Window Pane, based on the play by William Butler Yeats, Johnson is played by Bríd Brennan. The plot turns on a séance in Dublin in the 1920s, where the ghosts of Swift, Johnson and Vanessa appear to resume their ancient quarrel.

In the 1982 Soviet film The House That Swift Built, Johnson is played by Aleksandra Zakharova.


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Birth of Novelist & Screenwriter Brian Moore

brian-moore

Brian Moore, novelist and screenwriter who is acclaimed for the descriptions in his novels of life in Northern Ireland after World War II, is born in Belfast, Northern Ireland on August 25, 1921. He has been described as “one of the few genuine masters of the contemporary novel.”

Moore is born into a large Roman Catholic family. His father, James Bernard Moore, is a prominent surgeon and the first Catholic to sit on the senate of Queen’s University Belfast. His mother, Eileen McFadden Moore, a farmer’s daughter from County Donegal, is a nurse. His uncle is the prominent Irish nationalist, Eoin MacNeill, founder of Conradh na Gaeilge and Professor of Irish at University College Dublin. He is educated at St. Malachy’s College, Belfast. He leaves the college in 1939, having failed his senior exams.

Moore is a volunteer air raid warden during World War II and serves during the Belfast Blitz in April and May 1941. He goes on to serve as a civilian with the British Army in North Africa, Italy and France. After the war ends, he works in Eastern Europe for the United Nations Relief and Rehabilitation Administration.

In 1948 Moore emigrates to Canada to work as a reporter for the Montreal Gazette and becomes a Canadian citizen. While eventually making his primary residence in California, he continues to live part of each year in Canada up to his death.

Moore lives in Canada from 1948 to 1958, where he meets his first wife, Jacqueline (“Jackie”) Sirois, a French Canadian and fellow journalist. They marry in 1952. He moves to New York City in 1959 to take up a Guggenheim Fellowship and remains there until his divorce in October 1967. He then moves to the west coast of the United States, settling in Malibu, California, with his new wife Jean Denney, a former commentator on Canadian TV. There he teaches creative writing at UCLA.

Moore writes his first novels in Canada. His earliest novels are thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan. His first novel outside the genre, Judith Hearne, remains among his most highly regarded. The book is rejected by ten American publishers before being accepted by a British publisher. It is made into a film, with British actress Maggie Smith playing the lonely spinster who is the book/film’s title character.

Other novels by Moore are adapted for the screen, including Intent to Kill, The Luck of Ginger Coffey, Catholics, Black Robe, Cold Heaven, and The Statement. He co-writes the screenplay for Alfred Hitchcock‘s Torn Curtain, and writes the screenplay for The Blood of Others, based on the novel Le Sang des autres by Simone de Beauvoir.

Some of Moore’s novels feature staunchly anti-doctrinaire and anti-clerical themes, and in particular he speaks strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. At the same time, several of his novels are deeply sympathetic and affirming portrayals of the struggles of faith and religious commitment, Black Robe most prominently.

Moore dies at his Malibu home, which is celebrated in Seamus Heaney‘s poem Remembering Malibu, on January 11, 1999, from pulmonary fibrosis. His widow, Jean, lives on in the house until it is destroyed in 2018 in the Woolsey Fire.

At the time of his death, Moore is working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. His last published work before his death is an essay entitled “Going Home.” It is a reflection inspired by a visit he made to the grave in Connemara of his family friend, the Irish nationalist Bulmer Hobson. The essay is commissioned by Granta and published in The New York Times on February 7, 1999.

In 1996, the Brian Moore Short Story Awards is launched by the Creative Writers Network in Northern Ireland and is open to all authors of Irish descent. Previous judges have included Glenn Patterson, Lionel Shriver, Carlo Gébler and Maeve Binchy.

In 1975 Moore arranges for his literary materials, letters and documents to be deposited in the Special Collections Division of the University of Calgary Library, an inventory of which is published by the University of Calgary Press in 1987. His archives, which include unfilmed screenplays, drafts of various novels, working notes, a 42-volume journal (1957–1998), and his correspondence, are housed at the Harry Ransom Center at the University of Texas at Austin.