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Tag Archives: St. Stephen’s Green


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Death of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).


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Death of Landscape Artist Dairine Vanston

Dairine (Doreen) Vanston, Irish landscape artist who works in a Cubist style, dies in Enniskerry, County Wicklow on July 12, 1988.

Vanston is born in Dublin on October 19, 1903. She is the daughter of solicitor John S. B. Vanston, and sculptor Lilla Vanston (née Coffey). She attends Alexandra College, going on to study at Goldsmith’s College, London under Roger Bissière. She then goes to Paris to the Académie Ranson, being sent there following the advice of Paul Henry. While in Paris she meets Guillermo Padilla, a Costa Rican law student at the University of Paris. They marry in 1926 and she takes the name Vanston de Padilla. The couple lives for a time in Italy, before moving to San José, Costa Rica. The marriage breaks down in the early 1930s, at which point she returns to Paris with her son and studies with André Lhote. She is living in France at the outbreak of World War II with Jankel Adler, but is able to escape to London in 1940, and later to Dublin.

Vanston’s time in Paris leaves a lasting impression on her work, including use of primary colours and a strong Cubist influence. She belongs to what critic Brian Fallon calls the “Franco-Irish generation of painters who looked to Paris,” along with Mainie Jellett, Evie Hone, and Norah McGuinness. Her time spent living in Costa Rica in the late 1920s and early 1930s imbues her work with tropical and highly toned colours. In Dublin in 1935, she exhibits 17 paintings, largely Costa Rican landscapes, at Daniel Egan’s gallery on St. Stephen’s Green. This is the closest thing to a solo show she would mount, with this show also featuring Grace Henry, Cecil Ffrench Salkeld, and Edward Gribbon.

Meeting the English artist Basil Rakoczi, who is also living in Dublin during World War II, leads Vanston to become associated with The White Stag group. In November 1941, she exhibits for the first time at a group show with 24 other artists, including Patrick Scott. One work that is shown at this exhibition is the painting Keel dance hall, which demonstrates that she spends time in the west of Ireland. The most important event staged by the group is the Exhibition of subjective art, which takes place at 6 Lower Baggot St. in January 1944. The Dublin Magazine notes her work at this show as the most effective of the experimental vanguard. This work, Dying animal, is a Cubist work with semi-representation forms rendered in bold colours. In 1945, her work is featured in a White Stag exhibition in London of young Irish painters at the Arcade gallery, Old Bond St.

In 1947, Vanston spends almost a year in Costa Rica where she paints primarily in watercolours. Apart from this period, she lives and works in Dublin, living at 3 Mount Street Crescent near St. Stephen’s Church. At the inaugural Irish Exhibition of Living Art in 1943, she exhibits five works. At the first Exhibition of Independent Artists in 1960, of which she is a founder, she exhibits three landscapes and a work entitled War. She largely exhibits with the Independent Artists, the Irish Exhibition of Living Art, and the Oireachtas na Gaeilge, and does not exhibit with the Royal Hibernian Academy. Later in life, she exhibits with the Figurative Image exhibitions in Dublin, and is amongst the first painters chosen for Aosdána. A number of her works are featured in the 1987 exhibition, Irish women artists, from the eighteenth century to the present arranged by the National Gallery of Ireland and The Douglas Hyde Gallery.

Vanston dies on July 12, 1988, in a nursing home in Enniskerry, County Wicklow. Her work is greatly admired, but has received little by way of critical attention, which may have been to do with her slow rate of output. A number of her works have proved difficult to trace. She was a private person, even refusing to cooperate with the Taylor Galleries in the 1980s when they wanted to mount a retrospective of her work. The National Self-Portrait Collection in Limerick holds a work by Vanston.

(Pictured: “Landscape with Lake and Hills” (1964), oil on paper (monotype) by Dairine Vanston)


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Birth of Architect Sir Thomas Newenham Deane

Sir Thomas Newenham Deane, Irish architect, is born in Dundanion, County Cork on June 15, 1828. He is the son of Sir Thomas Deane and Eliza Newenham, and the father of Sir Thomas Manly Deane. His father and son are also architects.

Deane is educated at Trinity College, Dublin, from 1845 to 1849. On January 29, 1850, he marries Henrietta Manly, daughter of Joseph H. Manly of Ferney, County Cork. He and his wife have several children.

Deane joins his father’s architecture practice in 1850, and in 1851, he becomes a partner along with Benjamin Woodward. Their work is primarily a Gothic style influenced by the principles of John Ruskin, and include the museum at Trinity College, Dublin, the Oxford University Museum of Natural History, the Pitt Rivers Museum, the Kildare Street Club in Dublin, and Queen’s College Cork, now University College Cork. He is known as a conservation architect, involved in the restoration, including the incorporation of the original twelfth-century Romanesque chancel, of St. Mary’s Cathedral, Tuam.

Deane’s work on the conservation of St. Canice’s Cathedral, Kilkenny, is less successful and brings him into conflict with the dean and chapter, and in particular with the treasurer James Graves. It is possibly his interest in the restoration of medieval buildings which leads to his appointment as the first Inspector of National Monuments under the Irish Board of Works after the disestablishment of the Church of Ireland brought ruined buildings under their care. His work includes St. Cronan’s Church, Roscrea, County Tipperary.

In contemporary circles, Deane’s partner Woodward is seen as the creative influence behind the business, and their practice suffers after his early death on May 15, 1861. Nevertheless, Deane continues to work with his son, Thomas Manly Deane, designing the National Museum of Ireland and National Library of Ireland in Kildare Street, Dublin. He is knighted in 1890.

On November 8, 1899, Deane dies suddenly in his office on St. Stephen’s Green, into which he had only just moved. He is buried in Deans Grange Cemetery, where his son Thomas designs and erects a cross in his memory.


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Birth of Architect George Coppinger Ashlin

George Coppinger Ashlin, Irish architect particularly noted for his work on churches and cathedrals, is born in County Cork on May 28, 1837. He becomes President of the Royal Institute of the Architects of Ireland.

Ashlin is the son of J. M. Ashlin, J.P. He receives his early education at the Collège de St. Servais in Liège, Belgium. He later enrolls at St. Mary’s College, Oscott (1851-55) where he is subsequently a pupil of Edward Welby Pugin. It is during this time that he develops an interest in architecture. By 1858, he enters the Royal Academy Schools, London.

When Pugin receives the commission for SS Peter and Paul’s, Carey’s Lane, Cork, in 1859, he makes Ashlin a partner with responsibility for their Irish work. This partnership lasts until late 1868. In 1861 they open their office at St. Stephen’s Green, Dublin. The practice is primarily ecclesiastical, designing some 25 religious buildings. Their churches and Cathedrals are mainly located in the counties of Wexford, Cork and Kerry, and are all of similar design. By far the most important commission undertaken by this partnership is the building of St. Colman’s Cathedral, Cobh for Bishop William Keane.

In 1867 Ashlin marries Mary Pugin (1844-1933), sister of Edward Welby Pugin and daughter of Augustus Welby Pugin, the Gothic revivalist. Their only daughter, Miriam, is born ten years later.

The partnership with Pugin is dissolved in 1870. Thereafter Ashlin practises in his own right, branching out to cover the entire island nation. His works of this period include Ballycotten (1901), Ballybunion (1892), Church of the Most Holy Rosary, Midleton (1893) and the Munster & Leinster Bank, both of Midleton, and finally Kildare (1898).

Ashlin is a member of the Royal Hibernian Academy and Fellow of the Royal Institute of British Architects.

George Coppinger Ashlin dies at the age of 84 on December 10, 1921. He is buried at Glasnevin Cemetery in Dublin.


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Birth of John Gore, 1st Baron Annaly

John Gore, 1st Baron Annaly, Irish politician and peer, is born on March 2, 1718.

Gore is the second son of George Gore, judge of the Court of Common Pleas (Ireland), who in turn is the son of Sir Arthur Gore, 1st Baronet. His mother is Bridget Sankey, younger daughter of John Sankey. His mother brings his father a fortune and the manor of Tenelick in County Longford, which comes to John on the death of his brother Arthur in 1758.

Gore is called to the Bar by King’s Inns and works as barrister-at-law. He is Counsel to the Commissioners of Revenue and also a King’s Counsel from 1749. From 1747 and 1760, he sits as Member of Parliament (MP) for Jamestown. Subsequently, he sits for Longford County in the Irish House of Commons until 1765.

In 1760 Gore is appointed Solicitor-General for Ireland, a post he holds until 1764, when he becomes Lord Chief Justice of the King’s Bench for Ireland. In the same year he is sworn of the Privy Council of Ireland. On January 17, 1766, he is elevated to the Peerage of Ireland as Baron Annaly, of Tenelick in the County of Longford. In the following year he is elected Speaker of the Irish House of Lords.

Gore is a popular, witty and unassuming man, and a keen sportsman. In politics he is considered a strong reactionary, arguing that the Crown has the right to keep Parliament sitting indefinitely, and he is opposed to any extension of the powers of the Irish Parliament. In his later years he is inclined to denounce the Irish people as “idle and licentious.” Irish author and legal historian F. Elrington Ball notes however that Henry Grattan likes and admires Gore despite their strongly opposed political views. His judicial qualities are viciously attacked in an anonymous satire: “Without judgement, a judge makes justice unjust.” Ball on the other hand argues that his judgements and speeches in the House of Commons show that he does not lack ability.

In 1747, Gore marries Frances Wingfield, second daughter of Richard Wingfield, 1st Viscount Powerscourt of the third creation. Their marriage is childless. He dies on April 3, 1784 at St. Stephen’s Green in Dublin and is buried in the family vault in the church of Taghshinny in County Longford. With his death the barony becomes extinct, but is revived for his brother Henry, first and last Baron Annaly of the second creation. Lady Annaly dies in 1794 and is buried at St. Marylebone Parish Church, London.


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Death of Arthur Edward Guinness, 1st Baron Ardilaun

Arthur Edward Guinness, 1st Baron Ardilaun, Irish businessman, politician, and philanthropist, best known for giving St. Stephen’s Green back to the people of Dublin, dies on January 20, 1915.

Guinness is born on November 1, 1840 at St. Anne’s, Raheny, near Dublin, the eldest son of Sir Benjamin Guinness, 1st Baronet, and elder brother of Edward Guinness, 1st Earl of Iveagh. He is the great-grandson of Arthur Guinness. He is educated at Eton College and Trinity College Dublin and, in 1868, succeeds his father as second Baronet.

In the 1868 United Kingdom general election Guinness is elected Conservative Member of Parliament for Dublin City, a seat he holds for only a year. His election is voided because of his election agent’s unlawful efforts, which the court finds were unknown to him. He is re-elected the following year in the 1874 United Kingdom general election.

A supporter of Benjamin Disraeli‘s one-nation conservatism, Guinness’s politics are typical of “constructive unionism,” the belief that the union between Ireland and Britain should be more beneficial to the people of Ireland after centuries of difficulties. In 1872 he is a sponsor of the “Irish Exhibition” at Earlsfort Terrace in Dublin, which is arranged to promote Irish trade. Correcting a mistake about the exhibition in the Freeman’s Journal leads to a death threat from a religious extremist, which he does not report to the police. In the 1890s he supports the Irish Unionist Alliance.

After withdrawing from the Guinness company in 1876, when he sells his half-share to his brother Edward for £600,000, Guinness is in 1880 raised to the peerage as Baron Ardilaun, of Ashford in County Galway. His home there is at Ashford Castle on Lough Corrib, and his title derives from the Gaelic Ard Oileáin, a ‘high island’ on the lake.

Between 1852 and 1859, Guinness’s father acquires several large Connacht estates that are up for sale. With these purchases, he becomes landlord to 670 tenants. With his father’s death in 1868, Guinness continues in his father’s footsteps, purchasing vast swaths of Galway. When his acquisitions are combined with those of his father, total acreage for the Ashford estate is 33,298 acres, with Guinness owning most of County Galway between Maam (Maum) Bridge and Lough Mask.

Like many in the Guinness family, Guinness is a generous philanthropist, devoting himself to a number of public causes, including the restoration of Marsh’s Library in Dublin and the extension of the city’s Coombe Lying-in Hospital. In buying and keeping intact the estate around Muckross House in 1899, he assists the movement to preserve the lake and mountain landscape around Killarney, now a major tourist destination.

In his best-known achievement, Guinness purchases, landscapes, and donates to the capital, the central public park of St. Stephen’s Green, where his statue commissioned by the city can be seen opposite the Royal College of Surgeons in Ireland. To do so he sponsors a private bill that is passed as the Saint Stephen’s Green (Dublin) Act 1877, and after the landscaping it is formally opened to the public on July 27, 1880. It has been maintained since then by the Commissioners of Public Works in Ireland, now the Office of Public Works.

Guinness dies on January 20, 1915 at his home at St. Anne’s, Raheny, and is buried at All Saints Church, Raheny, whose construction he had sponsored. Those present at the funeral include representatives of the Royal Dublin Society, of which he is president for many years, the Royal Horticultural Society of Ireland, the Irish Unionist Alliance, and the Primrose League. His barony becomes extinct at his death, but the baronetcy devolves upon his nephew Algernon.


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Birth of Alice Stopford Green, Historian & Nationalist

NPG x74642,Alice Stopford Green (nÈe Alice Sophia Amelia Stopford),by Henry Herschel Hay Cameron (later The Cameron Studio)

Alice Stopford Green, Irish historian and nationalist, is born in Kells, County Meath on May 30, 1847. She is noted for proving the Irish had a rich culture before English rule. A strong supporter of the Anglo-Irish Treaty of 1921, she is nominated to the first Seanad Éireann in December 1922.

Stopford Green is born Alice Sophia Amelia Stopford. Her father, Edward Adderley Stopford, is Rector of Kells and Archdeacon of Meath. Her paternal grandfather is Edward Stopford, the Church of Ireland Bishop of Meath, and she is a cousin of Stopford Brooke and Mother Mary Clare. From 1874 to 1877 she lives in London where she meets the historian John Richard Green. They are married in Chester on June 14, 1877; however, he dies in 1883. John Morley publishes her first historical work, Henry II, in 1888.

In the 1890s Stopford Green becomes interested in Irish history and the nationalist movement as a result of her friendship with John Francis Taylor. She is vocal in her opposition to English colonial policy in South Africa during the Boer Wars and supports Roger Casement‘s Congo Reform movement. Her 1908 book The Making of Ireland and its Undoing argues for the sophistication and richness of the native Irish civilisation. She is active in efforts to make the prospect of Home Rule more palatable to Ulster Unionists. She is closely involved in the Howth gunrunning.

Stopford Green moves to Dublin in 1918 where her house at 90 St. Stephen’s Green becomes an intellectual centre. She supports the pro-Treaty side in the Irish Civil War and is among the first nominees to the newly formed Seanad Éireann in 1922, where she serves as an independent member until her death in Dublin on May 28, 1929, two days shy of her 82nd birthday. She is one of four women elected or appointed to the first Seanad in 1922.


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Murder of George Clancy, Mayor of Limerick

george-clancy

George Clancy, Irish nationalist politician and Mayor of Limerick, is shot in his home by Royal Irish Constabulary (RIC) Auxiliaries and dies on March 7, 1921, during the Irish War of Independence.

Clancy is born at Grange, County Limerick in 1881 to a family with a strong republican tradition. He is educated at Crescent College, Limerick, and thereafter at the Catholic University in St. Stephen’s Green, now University College, Dublin. Among his friends at the university are James Joyce, Francis Sheehy-Skeffington, Tomás Mac Curtain and Terence MacSwiney. He helps form a branch of the Gaelic League at college and persuades his friends, including Joyce, to take lessons in the Irish language. He plays hurling and is a good friend of Michael Cusack. With Arthur Griffin he joins the Celtic Literary Society. It is said that he is the model for the character of Michael Davin in Joyce’s A Portrait of the Artist as a Young Man.

Clancy graduates in 1904 and finds a position teaching the Irish language at Clongowes Wood College and is active in the Gaelic Athletic Association. Due to ill health he has to return to his home at Grange. In 1908 he comes to Limerick to teach Irish. In 1913 he joins the Irish Volunteers. In 1915 he marries Máire Killeen, a teacher. After the 1916 Easter Rising, he is arrested and imprisoned in Cork, but is released before he comes to trial following a hunger strike.

Clancy helps in Éamon de Valera‘s election campaign in East Clare. He nearly dies of Spanish flu during the 1918 epidemic but recovers and, in January 1921, he is elected Sinn Féin Mayor of Limerick.

On the night of March 6, 1921, three Auxiliaries come to Clancy’s house and one of them shoots him, injuring him fatally. His wife is also injured in the attack. The previous Mayor, Michael O’Callaghan, is also murdered on the same night by the same group.

Suspicion immediately falls upon members of the Black and Tans, but a British inquiry into the murder, like most such inquiries through the years, absolve Crown forces of any blame. One of Clancy’s killers is later said to be George Nathan who dies in the Spanish Civil War in July 1937.


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The Capture of Robert Emmet

robert-emmet

Robert Emmet, one of the most famous revolutionaries in Irish history, is captured by the British at the home of a Mrs. Palmer in Harold’s Cross, outside Dublin on August 25, 1803.

Emmet is born at 109 St. Stephen’s Green in Dublin on March 4, 1778. He is the youngest son of Dr. Robert Emmet, a court physician, and his wife Elizabeth Mason. He attends Oswald’s school in Dopping’s-court, off Golden-lane and enters Trinity College, Dublin, in October 1793 at the age of fifteen. In December 1797, he joins the College Historical Society, a debating society.

While he is in college, his brother Thomas and some of his friends become involved in political activism. Emmet becomes secretary of a secret United Irish Committee in college and is expelled in April 1798 as a result. That same year he flees to France to avoid the many British arrests of nationalists that are taking place in Ireland. While in France, he garners the support of Napoleon, who promises to lend support when the upcoming revolution starts.

After the Irish Rebellion of 1798, Emmet is involved in reorganising the defeated Society of United Irishmen. In April 1799, a warrant is issued for his arrest. He escapes and soon after travels to the continent in the hope of securing French military aid. His efforts are unsuccessful, as Napoleon is concentrating his efforts on invading England. He returns to Ireland in October 1802.

In March of the following year, Emmet begins to prepare a new rebellion, with fellow Anglo-Irish revolutionaries Thomas Russell and James Hope. The revolutionaries conceal their preparations, but a premature explosion at one of Emmet’s arms depots kills a man, forcing Emmet to advance the date of the rising before the authorities’ suspicions are aroused.

Despite being unable to secure help from Michael Dwyer‘s Wicklow rebels and many rebels from Kildare turning back due to the scarcity of firearms, the rising begins in Dublin on the evening of July 23, 1803. Failing to seize the lightly defended Dublin Castle, the rising amounts to a large-scale disturbance in the Thomas Street area. Emmet witnesses a dragoon being pulled from his horse and piked to death, the sight of which prompts him to call off the rising to avoid further bloodshed. However, sporadic clashes continue into the night until finally quelled by British military forces.

Emmet flees into hiding, moving from Rathfarnham to Harold’s Cross so that he can be near his sweetheart, Sarah Curran. He is captured on August 25 and taken to Dublin Castle, then later removed to Kilmainham Gaol. Vigorous but ineffectual efforts are made to procure his escape.

Emmet is tried for and found guilty of high treason on September 19, 1803. Chief Justice John Toler, 1st Earl of Norbury sentences Emmet to be hanged, drawn, and quartered, as is customary for conviction of treason. The following day, Emmet is executed in Thomas Street near St. Catherine’s Church. He is hanged and beheaded after his death. Out of fear of being arrested, no one comes forward to claim his remains.

Emmet’s remains are first delivered to Newgate Prison and then returned to Kilmainham Gaol, where the jailer is under instructions to be bury the remains in a nearby hospital’s burial grounds if no one claims them. No remains have been found there and though not confirmed, it appears that he was secretly removed and reinterred in St. Michan’s Church, a Dublin church with strong United Irish associations. There is also speculation that the remains are buried secretly in the vault of a Dublin Anglican church. When inspected in the 1950s, a headless corpse is found in the vault but cannot be identified. The widely accepted theory is that Emmet’s remains are transferred to St. Peter’s Church in Aungier St. under cover of the burial of his sister in 1804. In the 1980s the church is deconsecrated, and all the coffins are removed from the vaults. The church has since been demolished.


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Death of Máire Ni Scolai, Singer & Actress

maire-ni-scolai

Máire Ni Scolai, Irish language singer and actress, dies on June 29, 1985.

Ní Scolaí is born in May 24, 1909 in Dublin. She is the daughter of Michael Scully, a commercial traveler and Mary Scully (née Kavanagh). She attends the Central Model Schools, were she learns Irish through the pilot Irish language courses. She studies Irish further at Ring College, County Waterford. She moves to Galway with her sister Mona as a young adult, and begins teaching Irish singing and dancing. With the Irish language theatre, An Taibhdhearc, she plays a number of leading roles. In Micheál Mac Liammóir‘s 1928 production of Diarmaid agus Gráinne, she plays Gráinne.

Ní Scolaí’s interpretation of traditional Irish songs gains her fame, and she sings many times on 2RN as well as radio in France, Italy, the United States and the United Kingdom. She trains as a mezzo-soprano and licentiate of the Trinity College of Music, London, and is noted as one of the few people who combines classical music with sean-nós singing successfully. She wins awards at feiseanna such as Feis Chonnacht and Feis Shligigh, later becoming a judge. She is also an award winner at Aonach Tailteann, as well at the Welsh Eisteddfod, the Scottish mòd, the Manx Tynwald, and the Breton Bretagne celebrations. She performs at London’s Covent Garden and Queen’s Hall. She travels around Gaeltacht areas in Ireland to collect and save songs that might have otherwise been lost. The traditional singers she collects from included Cáit Uí Chonláin in Spiddal and Labhras “Binn” Ó Cadhla. HMV records and releases her performances of Seacht ndolas na Maighduine Mhuire, Caoineadh na dtrí Muire, and Eibhlín a Rún.

On September 9, 1931 she marries Liam Ó Buachalla at University Church, St. Stephen’s Green, Dublin. She dies on June 29, 1985, and is buried in Galway.

(Pictured: Ciarán Mac Mathúna and Máire Ní Scolaí (1976))