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Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of Oliver Goldsmith, Novelist, Playwright & Poet

Oliver Goldsmith, Irish novelist, playwright, and poet best known for his novel The Vicar of Wakefield (1766), his pastoral poem The Deserted Village (1770), and his plays The Good-Natur’d Man (1768) and She Stoops to Conquer (1771, first performed in 1773), dies in London on April 4, 1774. He is thought to have written the classic children’s tale The History of Little Goody Two-Shoes (1765).

Goldsmith’s birth date and location are not known with certainty, although he reportedly tells a biographer that he was born on November 10, 1728. The location of his birthplace is either in the townland of Pallas, near Ballymahon, County Longford, where his father is the Anglican curate of the parish of Forgney, or at the residence of his maternal grandparents, at the Smith Hill House near Elphin, County Roscommon, where his grandfather Oliver Jones is a clergyman and master of the Elphin diocesan school, which is where Goldsmith studies. When Goldsmith is two years old, his father is appointed the rector of the parish of “Kilkenny West” in County Westmeath. The family moves to the parsonage at Lissoy, between Athlone and Ballymahon, and continues to live there until his father’s death in 1747.

In 1744 Goldsmith enters Trinity College, Dublin. His tutor is Theaker Wilder. Neglecting his studies in theology and law, he falls to the bottom of his class. In 1747, along with four other undergraduates, he is expelled for a riot in which they attempt to storm the Marshalsea Prison. He is graduated in 1749 as a Bachelor of Arts, but without the discipline or distinction that might have gained him entry to a profession in the church or the law. His education seems to have given him mainly a taste for fine clothes, playing cards, singing Irish airs, and playing the flute. He lives for a short time with his mother, tries various professions without success, studies medicine desultorily at the University of Edinburgh from 1752 to 1755, and sets out on a walking tour of Flanders, France, Switzerland, and Northern Italy.

Goldsmith settles in London in 1756, where he briefly holds various jobs, including an apothecary‘s assistant and an usher of a school. Perennially in debt and addicted to gambling, Goldsmith produces a massive output as a hack writer for the publishers of London, but his few painstaking works earn him the company of Samuel Johnson, with whom he is a founding member of “The Club.” There, through fellow Club member Edmund Burke, he makes the acquaintance of Sir George Savile, who later arranges a job for him at Thornhill Grammar School. The combination of his literary work and his dissolute lifestyle leads Horace Walpole to give him the epithet “inspired idiot.” During this period, he uses the pseudonym “James Willington,” the name of a fellow student at Trinity, to publish his 1758 translation of the autobiography of the Huguenot Jean Marteilhe.

Goldsmith is described by contemporaries as prone to envy, a congenial but impetuous and disorganised personality who once planned to emigrate to America but failed because he missed his ship. At some point around this time he works at Thornhill Grammar School, later basing Squire Thornhill on his benefactor Sir George Savile and certainly spending time with eminent scientist Rev. John Mitchell, whom he probably knows from London. Mitchell sorely misses good company, which Goldsmith naturally provides in spades. Thomas De Quincey writes of him “All the motion of Goldsmith’s nature moved in the direction of the true, the natural, the sweet, the gentle.”

His premature death in 1774 is believed to have been partly due to his own misdiagnosis of a kidney infection. Goldsmith is buried in Temple Church in London. There is a monument to him in the centre of Ballymahon and also in Westminster Abbey with an epitaph written by Samuel Johnson.


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Birth of Artist Sarah Henrietta Purser

Sarah Henrietta Purser, Irish artist mainly noted for her work with stained-glass, is born on March 22, 1848, in Kingstown (now Dún Laoghaire) in County Dublin, and raised in Dungarvan, County Waterford. She is educated in Switzerland and afterwards studies at the Metropolitan School of Art in Dublin and in Paris at the Académie Julian.

Purser works mostly as a portraitist. She is also associated with the stained-glass movement, founding a stained-glass workshop, An Túr Gloine, in 1903. Some of her stained-glass work is commissioned from as far as New York City, including a window at Christ Church, Pelham dedicated to the memory of Katharine Temple Emmet and Richard Stockton Emmet, grandson of the Irish patriot, Thomas Addis Emmet. Through her talent and energy and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions, famously commenting, “I went through the British aristocracy like the measles.”

In 1977 Bruce Arnold noted, “some of her finest and most sensitive work was not strictly portraiture, for example, An Irish Idyll in the Ulster Museum, and Le Petit Déjeuner (in the National Gallery of Ireland).”

Sarah Purser becomes wealthy through astute investments, particularly in Guinness. She is very active in the art world in Dublin and is involved in the setting up of the Hugh Lane Municipal Gallery, persuading the Irish government to provide Charlemont House to house the gallery. In 1923 she becomes the first female member of the Royal Hibernian Academy.

Until her death she lives for years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. After her death in Dublin on August 7, 1943, it is demolished and is developed into apartments. She is buried in Mount Jerome Cemetery in Dublin.


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Death of Marie Dolores Eliza Rosanna Gilbert, Dancer & Actress

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Marie Dolores Eliza Rosanna Gilbert, Countess of Landsfeld, Irish dancer and actress better known by the stage name Lola Montez, dies in Brooklyn, New York, on January 17, 1861. She becomes famous as a “Spanish dancer,” courtesan, and mistress of King Ludwig I of Bavaria, who makes her Countess of Landsfeld. She uses her influence to institute liberal reforms. At the start of the German revolutions of 1848-1849, she is forced to flee. She proceeds to the United States via Switzerland, France, and London, returning to her work as an entertainer and lecturer.

Gilbert is born in Grange, County Sligo, on February 17, 1821. Her family makes their residence at King House in Boyle, County Roscommon, until early 1823, when they journey to Liverpool, thence departing for India on March 14. Gilbert spends much of her childhood in India but is educated in Scotland and England. At age 19 she elopes with Lieutenant Thomas James. The couple separates five years later, and, in 1843, Gilbert launches a career as a dancer. Her London debut in June 1843 as “Lola Montez, the Spanish dancer” is disrupted when she is recognized as Mrs. James. The fiasco would probably have ended the career of anyone less beautiful and determined, but Gilbert receives additional dancing engagements throughout Europe. During her travels she reputedly forms liaisons with Franz Liszt and Alexandre Dumas, among many others.

Late in 1846, Gilbert dances in Munich and Ludwig I of Bavaria is so struck by her beauty that he offers her a castle. She accepts, becomes Baroness Rosenthal and Countess of Lansfeld, and remains as his mistress. Under Gilbert’s influence, Louis inaugurates liberal and anti-Jesuit governmental policies, but his infatuation with her helps to bring about the collapse of his regime in the revolution of 1848. In March of that year Ludwig abdicates in favour of his son. Gilbert flees to London, where in 1849 she marries Lieutenant George Heald, although she has never been divorced from James. Heald later leaves her.

From 1851 to 1853 Gilbert performs in the United States. Her third marriage, to Patrick P. Hull of San Francisco in 1853, ends in divorce soon after she moves to Grass Valley, California. There, among other amusements, she coaches young Lotta Crabtree in singing and dancing. She settles in New York City after an unsuccessful tour of Australia in 1855–1856 and gathers a following as a lecturer on such topics as fashion, gallantry, and beautiful women. An apparently genuine religious conversion leads her to take up various personal philanthropies.

Gilbert publishes Anecdotes of Love; Being a True Account of the Most Remarkable Events Connected with the History of Love; in All Ages and among All Nations (1858), The Arts of Beauty, or, Secrets of a Lady’s Toilet with Hints to Gentlemen on the Art of Fascination (1858), and Lectures of Lola Montez, Including Her Autobiography (1858). The international notoriety of her heyday persists long after her death and inspires numerous literary and balletic allusions.

Gilbert spends her last days in rescue work among women. By November 1859 she is showing the tertiary effects of syphilis, and her body begins to waste away. She dies at the age of 39 on January 17, 1861. She is buried in Green-Wood Cemetery in Brooklyn, New York.


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Pope Gregory XIII Commissions the Gregorian Calendar

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Pope Gregory XIII commissions the new Gregorian calendar on February 24, 1582, replacing the Julian calendar introduced by Julius Caesar in 45BCE.

The reason for the reform is that the average length of the year in the Julian calendar is too long. It treats each year as 365 days, 6 hours in length, whereas calculations show that the actual mean length of a year is 365 days, 5 hours, and 49 minutes. As a result, the date of the actual vernal equinox, over the course of 13 centuries, has slowly slipped to March 10, while the calculation of the date of Easter still follows the traditional date of March 21.

These calculations are verified by the observations of mathematician and astronomer Christopher Clavius, and the new calendar is instituted when Gregory decrees on February 24, 1582, that the day after Thursday, October 4, 1582 will not be Friday, October 5, but rather Friday, October 15, 1582. The new calendar duly replaces the Julian calendar and has since come into universal use. Because of Gregory’s involvement, the reformed Julian calendar comes to be known as the Gregorian calendar.

The switchover is bitterly opposed by much of the populace, who fear it is an attempt by landlords to cheat them out of a week and a half of rent. However, the Catholic countries of Spain, Portugal, Poland, and Italy comply almost immediately. France, some states of the Dutch Republic, and various Catholic states in Germany and Switzerland follow suit within a year or two, and Hungary follows in 1587.

More than a century passes before Protestant Europe accepts the new calendar. Denmark, the remaining states of the Dutch Republic, and the Protestant states of the Holy Roman Empire and Switzerland adopt the Gregorian calendar in 1700–1701. Ireland and Great Britain, along with its American colonies, reform in 1752, where Wednesday, September 2, 1752 is immediately followed by Thursday, September 14, 1752. They are joined by the last Protestant holdout, Sweden, on March 1, 1753.

The Gregorian calendar is not accepted in eastern Christendom for several hundred years, and then only as the civil calendar. The Gregorian Calendar is instituted in Russia by the Bolsheviks in 1917. Romania accepts it in 1919 and is followed by Turkey in 1923. The last Orthodox country to accept the calendar is Greece, also in 1923.


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The Death of James Augustine Aloysius Joyce

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James Augustine Aloysius Joyce, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century, dies in Zurich, Switzerland, following surgery for a perforated ulcer on January 13, 1941.

Joyce is born on February 2, 1882, in the wealthy Rathgar suburb of Dublin. The family is initially well off as Dublin merchants with bloodlines that connected them to old Irish nobility in the country. James’ father, John Stanislaus Joyce, is a fierce Irish Catholic patriot and his political and religious influences are most evident in Joyce’s two key works A Portrait of the Artist as a Young Man (1916) and Ulysses (1922).

The Joyce family is repeatedly forced to move to more modest residences due to their steadily diminishing wealth and income. John Joyce’s habitual unemployment as well as his drinking and spending habits make it difficult for the Joyces to retain their social standing. As a young man, Joyce is sent away to the renowned Clongowes Wood College in County Kildare in 1888, a Jesuit institution regarded as the best preparatory school in Ireland. The Clongowes school figures prominently in Joyce’s work, specifically in the story of his recurring character Stephen Dedalus. Joyce earns high marks both at the Clongowes School and at Belvedere College in Dublin where he continues his education. At this point in his life, it seems evident that Joyce is to enter the priesthood, a decision that would please his parents. However, as Joyce makes contact with various members of the Irish Literary Renaissance, his interest in the priesthood wanes. Joyce becomes increasingly critical of Ireland and its conservative elements, especially the Church.

Against his mother’s wishes, Joyce leaves Ireland in 1902 to pursue a medical education in Paris and does not return until the following year upon receiving news of his mother’s debilitation and imminent death. After burying his mother, Joyce continues to stay in Ireland, working as a schoolteacher at a boys’ school, another autobiographical detail that recurs in the story of Stephen Dedalus. After barely spending a year in Dublin, Joyce returns to the Continent, drifting in and out of medical school in Paris before taking up residence in Zurich. It is during this period that Joyce begins writing professionally.

In 1905, Joyce completes a collection of eight stories entitled Dubliners, although it is not actually printed until 1913. During these frustrating and impoverished years, Joyce heavily relies upon the emotional support of Nora Barnacle, his unmarried Irish lover, as well as the financial support of his younger brother, Stanislaus Joyce. Both Nora and Stanislaus remain as protective, supporting figures for the duration of Joyce’s life. During the eight years between Dubliners‘ completion and publication, Joyce and Barnacle have two children, a son named Giorgio, and a daughter named Lucia.

Joyce’s next major work, A Portrait of the Artist as a Young Man, appears in serialized form in 1914 and 1915. Joyce is “discovered” by Ezra Pound and the complete text is printed in New York City in 1916, and in London in 1917. It is with the assistance of Pound, a prominent literary figure of the time, that Joyce comes into contact with Harriet Shaw Weaver, who serves as both editor and patron while Joyce writes Ulysses.

When Ulysses is published in Paris in 1922, many immediately hail the work as genius. With his inventive narrative style and engagement with multiple philosophical themes, Joyce has established himself as a leading Modernist. The novel charts the passage of one day, June 16, 1904, as depicted in the life of an Irish Jew named Leopold Bloom, who plays the role of a Ulysses by wandering through the streets of Dublin. Despite the fact that Joyce is writing in self-imposed exile, living in Paris, Zurich, and Trieste while writing Ulysses, the novel is noted for the incredible amount of accuracy and detail regarding the physical and geographical features of Dublin.

Similar in theme to Joyce’s previous works, Ulysses examines the relationship between the modern man and his myth and history, focusing on contemporary questions of Irish political and cultural independence, the effects of organized religion on the soul, and the cultural and moral decay produced by economic development and heightened urbanization. While Joyce is writing it, there is serious doubt as to whether Ulysses will be completed. Midway through his writing, Joyce undergoes the first of eleven eye operations to salvage his ever-worsening eyesight. At one point, a disappointed Joyce casts the bulk of his manuscript into the fire, but Nora Barnacle immediately rescues it.

While Ulysses is hailed by some, the novel is banned in both the United Kingdom and the United States on obscenity charges. It is not until 1934 that Random House wins a court battle that grants permission to print and distribute Ulysses in the United States. The novel is legalized in Britain two years later.

By this time, Joyce is approaching the end of his public career and has concluded work on his final novel, Finnegan’s Wake (1939). Considered to be far more baffling and convoluted than Ulysses, Finnegan’s Wake is a critical failure. At the outbreak of World War II, Joyce remains in Paris until he is forced to move, first to Vichy, and then to Switzerland. On January 13, 1941, Joyce dies of a stomach ulcer at the age of 58 and is buried in Zurich’s Fluntern Cemetery.