Drew is born on September 18, 1838, in Victoria Place, Belfast, into the large family of Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton). He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent Londonjournalist and an early champion of women’s rights.
Drew is educated in Belfast and in 1854 articled to the Antrimcounty surveyor and architect Sir Charles Lanyon, before moving to work in Dublin in 1862, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore. From this point forward, church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.
Drew marries Adelaide Anne, sister of William George Murray, in 1871.
Among other projects, Drew is responsible for the design of the Ulster Bank on Dame Street, Rathmines Town Hall and the Graduates’ Building at Trinity College Dublin (TCD). He takes an interest in historic buildings and is the first to draw serious attention to the architectural and historic importance of the St. Audoen’s Church, Dublin’s oldest parish church, in 1866. He produces detailed plans of the church for which he wins the Fitzgerald medal from the Royal Institute of the Architects of Ireland (RIAI), carries out excavations and draws up a paper on the church and its history.
From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.
From 1879 onward Drew lives in Gortnadrew, one half of a pair of semi-detached houses of his own design, on Alma Road in Monkstown, County Dublin. For many years he serves as a commissioner of the local township of Blackrock, Dublin. He dies on March 13, 1910, a month after an unsuccessful operation for appendicitis. He is buried in Dean’s Grange Cemetery in the suburban area of Deansgrange in Dún Laoghaire–Rathdown, County Dublin.
Drew is commemorated in a memorial brass in Christ Church Cathedral, Dublin. His wife survives him by three years and in her will bequeaths back to the RIAI the loving cup presented to her husband in commemoration of his knighthood, and to the Belfast Municipal Museum and Art Gallery (Ulster Museum since 1962) an 1852 portrait of his father Thomas. A portrait of Drew by Walter Osborne is held in the National Gallery of Ireland (NGI) in Dublin.
Drew is the son of the Rev. Thomas Drew, son of a Limerick grocer, and Isabella Drew (née Dalton), daughter of a Dublin attorney. He is one of four sons and eight daughters of the couple, although most of the children die young. His sister, Catherine Drew, is a prominent Londonjournalist and an early champion of women’s rights.
Drew is trained under Sir Charles Lanyon before moving to work in Dublin, where he becomes principal assistant to William George Murray. In 1865, he becomes the diocesan architect of the united dioceses of Down, Connor and Dromore, and from that point forward Church architecture is his principal activity. He is consulting architect for both St. Patrick’s Cathedral and Christ Church Cathedral in Dublin.
Drew marries Adelaide Anne, sister of William George Murray, in 1871.
From 1885 to 1892, Richard Orpen works with Drew as a managing assistant. Drew’s most significant work in Belfast is St. Anne’s Cathedral, completed in 1899.
D’Arcy is born to a Russian-Jewish mother and an Irish Catholic father. She works in small theatres in Dublin from the age of fifteen and later becomes an actress.
D’Arcy is married in 1957 to English playwright and author John Arden. They write several plays together which are highly critical of the British presence in Ireland. They settle in Galway in 1971 and establish the Galway Theatre Workshop in 1976. The couple has five sons, one of whom predeceases his mother.
The couple writes a number of stage pieces and improvisational works for amateur and student players, including The Happy Haven (1960) and The Workhouse Donkey (1964). She writes and produces many plays, including The Non-Stop Connolly Show (1977).
D’Arcy has also written a number of books, including Tell Them Everything (1981), Awkward Corners (with John Arden, 1988), and Galway’s Pirate Women: A Global Trawl (1996).
As an activist, in 1961, D’Arcy joins the anti-nuclear Committee of 100, led by Bertrand Russell. In 1981, her peace-activism results in her incarceration in Armagh Jail, after defacing a wall at the Ulster Museum. Her book Tell Them Everything (Pluto Press, 1981) tells the story of her time during the Armagh and H-Blockdirty protests and is one of the earliest accounts about the Armagh women, their republicanism and imprisonment.
D’Arcy also directs Yellow Gate Women (2007), a film about the attempts by women of Greenham Common Women’s Peace Camp to outwit the British and United States military at RAF Greenham Common with bolt cutters and legal challenges. Challenging censorship since 1987, she runs a women’s kitchen pirate radio from her home in Galway.
In 2011, D’Arcy refuses to stand for a minute’s silence to honour Police Service of Northern Ireland (PSNI) officer Ronan Kerr, killed by dissident republicans, at an Aosdána meeting. Her actions are deliberate, she tells the media afterwards, which attracts fierce criticism of her perceived support for armed republican groups in Northern Ireland.
Along with Niall Farrell, D’Arcy is arrested in October 2012 for scaling the perimeter fence of Shannon Airport, in protest at the use of the airport as a stopover for U.S. military flights. As a consequence of her trespassing on airport property, she is imprisoned in 2014 after she refuses to sign a bond saying that she will not trespass on non-public parts of Shannon Airport.
Married in 1893, Hinkson’s parents initially settle in England, where he studies law and is called to the Inner Temple in 1902. After suffering the loss of their first two sons in infancy, they have two more sons in addition to their daughter, Pamela. During this time her mother earns the main family income, and it is likely that she determines their return to Ireland in 1911. The Hinksons initially settle in Dalkey, County Dublin, before moving to a house called Clarebeg in Shankill. When Henry Hinkson is appointed resident magistrate for south Mayo (Castlebar) in October 1914, the family moves to Claremorris, County Mayo.
Hinkson is educated privately in England and on the Continent, and in Ireland attends a local convent day-school. She is exposed to her mother’s literary milieu which includes prominent writers of the Irish revival, including George William Russell, James Stephens, and Padraic Colum. Her mother’s memoir, The Years of the Shadow (1919), recalls Pamela’s developing talent for writing poetry and her predilection for war themes, as evidenced by The Blind Soldier, one of her first published poems. By the time she turns her hand to short stories, her earnings from writing enable her to buy the latest fashions.
Two key events that consumed Hinkson’s life and later spark her creativity are World War I and the Easter Rising. H. G. Wells describes in the foreword to his war novel Mr. Britling Sees It Through (1916) a conversation he had with her when she was 12, recalling how she had boldly set him straight on the “Irish question.” Her parents send her away to boarding school in County Wicklow in the hope that she will be distracted from her gloomy preoccupations, which are accentuated by the absence of her brothers, serving in the British Army. After the war she is deeply concerned by the redundancy experienced by demobilised and often maimed soldiers and contributes to the welfare work of the Irish servicemen’s Shamrock Club in London. These issues inform two early novels, The Victors (1925) and Harvest (1926), both written in the guise of an ex-serviceman under the pseudonym “Peter Deane.” By masking her identity, she avoids the possibility of her works being discredited because of her gender and lack of first-hand experience of war. Subsequently she writes under her own name for thirty years.
In contrast to her close relationship with her mother, Hinkson deeply dislikes her father. With the exception of her beloved brother Giles A. Hinckson, a correspondent for The Times in Buenos Aires and Santiago, she never meets a man who matches her high ideals. Though briefly engaged to be married, she is ultimately disillusioned by all men, dismissing them as she had her father. After his death early in 1919, she and her mother are left in financial difficulties, and have to resort to friends and boarding houses for accommodation. Without the financial means to embark on a university degree, she remains at her mother’s side. Though she continues to write, she leads a somewhat stifled life. From 1922 onwards they spend several years on the Continent.
Hinkson’s first novel, The End of All Dreams (1923), addresses the decline of the “big house” amid the revolutionary upheavals of recent Irish history, a theme to which she returns in later works, such as The Deeply Rooted (1935) and her last book, The Lonely Bride (1951). During the 1920s she writes much girls’ school fiction, while her novel Wind from the West (1930) is informed by a period spent in France, where she works as a governess. Her transcription of the memoirs of Lady Fingall (Elizabeth Burke-Plunkett), published under the title Seventy Years Young (1937), illustrates the decline of the Anglo-Irish ascendancy. Informed by war and the Irish troubles, her novels characteristically are solemn, and reflect her ambivalent relationship with Ireland. Inspired by the Irish landscape, but never an ardent supporter of Irish independence, she maintains an abiding attachment to England.
The death of Hinkson’s mother in 1931 is a devastating blow that triggers her most forceful and first truly successful novel, The Ladies’ Road (1932). Documenting the lives of the Irish and English ascendancies before, during, and after World War I, this novel, without being explicitly autobiographical, contains many motifs that resonate with her own life story. When published in the United States in 1946 it proves a massive success, selling 100,000 copies in the Penguin Books edition, a rare feat for a World War I novel appearing immediately after World War II. Other notable works are The Light on Ireland (1935) and her sketches of Irish life, Irish Gold (1939), written while she lodges with friends near Lough Derg, County Tipperary.
Hinkson’s visit to India in the late 1930s as a guest of the viceroy, which she recounts in Indian Harvest (1941), results in her appointment to the Ministry of Information in London (1939–45). She lectures on India in the United States during World War II, and also lectures to British troops and local audiences in Germany (1946–47), broadcasts on radio, and contributes to The Observer, The Spectator, New Statesman, The Manchester Guardian, and Time and Tide. Her novel Golden Rose (1944), written in London during The Blitz, romanticises the British colonial presence in India. Forthright in the expression of her numerous strongly held opinions, she argues ardently and controversially for women’s rights, animal welfare, and retention of Northern Ireland in the UK. Devout in her Catholicism, she is none the less critical of certain Catholic precepts.
Hinkson returns to Ireland in 1959 where she suffers poor health for twenty years until her death in Dublin on May 26, 1982.
(From: “Hinkson, Pamela” by Jessica March, Dictionary of Irish Biography, http://www.dib.ie)
Over the years Blackburn and Boucherett work together in a number of endeavours. Both are editors of The Englishwoman’s Review. Together they establish the Women’s Employment Defence League in 1891 to defend women’s working rights against restrictive employment legislation. Together they also edit The Condition of Working Women and the Factory Acts, 1896.
Blackburn joins the National Society for Women’s Suffrage in 1872 and is secretary of the executive committee of the Society from 1874 to 1880. She subsequently holds similar positions in a number of related organisations. She also takes opportunities to study, taking a class in Roman Law at University College London in 1875, and later (1886–88) classes at University College, Bristol. In the early 1890s, she assists Charlotte Carmichael Stopes in her writing of British Freewomen: Their Historical Privilege by supplying her own notes on the subject, then by purchasing the whole of the first edition in 1894. She retires in 1895 to care for her aged father, though later returns to take up her work.
Blackburn inspires and funds two collections. The first is an art collection in 1885 that includes pictures and work done by professional women to show the result of women’s industry. She is insistent that this does not include voluntary or amateurish work but rather show the products of female professionals. This loan exhibition includes portraits of leading women like Florence Nightingale and Mary Carpenter. This is donated to the University of Bristol, but recent enquiries indicate that this work is now lost. Her second collection is focused on a book collection by women. The books are from her collection, friends and from secondhand sources. Bookplates are commissioned and two bookcases which are decorated with paintings of Lydia Becker and Caroline Ashurst Biggs who had been the previous chairs of the Central Committee of the National Society for Women’s Suffrage. These bookcases are given to Girton College, Cambridge and are extant. In 1880 she is secretary of the West of England Suffrage Society in Bristol and is the main organizer of a large demonstration.
Blackburn’s long-term connection with the women’s movement allows her to write her history of the Victorian women’s suffrage campaign, Women’s suffrage: a record of the women’s suffrage movement in the British Isles, with biographical sketches of Miss Becker, finished in 1902, shortly before her death the following year, at Greycoat Gardens, Westminster, on January 11, 1903. She is buried at Brompton Cemetery. She leaves her archives and the decorated book collection to Girton College, Cambridge. Her will also makes provisions for establishing a loan fund for training young women.
A collaboration with Nora Vynne, published in 1903, titled Women under the Factory Act, criticises legislators for treating women as if they have not the intelligence of animals. Blackburn and Vynne argue that women should be allowed to take risks with their health in the workplace or they may find themselves always in need to protection as if they are incapable. The book is noted for its accuracy, but The Economic Journal recognises its authors as Freedom of Labour Defence members and suspects that it may have political motives arguing for the “equality of men and women.”
Tod is born on May 18, 1836, in Edinburgh into a well-known Irish Presbyterian family, her uncle being the Rev. Hope Masterton Waddell, one of the earliest Irish Presbyterian missionaries who served with the Scottish Missionary Society in Jamaica and whose great grandfather is the Rev. Charles Masterton, one of the most distinguished minsters of the General Synod of Ulster who ministers at Connor and Rosemary Street, Belfast. She is very proud of her Presbyterian heritage and of her Scottish ancestry.
The daughter of James Banks Tod, an Edinburgh merchant, Tod spends her early years in Edinburgh. She is educated at home by her mother, Maria Isabella Waddell, who comes from County Monaghan. The family moves to Belfast in the 1850s following the death of her father. She and her mother join Elmwood Presbyterian Church. Her Presbyterian background no doubt contributes to her radical views on social issues and women’s rights. She earns her living from writing and journalism, contributing, for example, to the Dublin University Magazine, an independent literary, cultural and political magazine, and to the Banner of Ulster, a Presbyterian newspaper.
Tod becomes one of the leading pioneers in the fight to improve the position of women. She is the only woman called to give evidence to a Select Committee of Enquiry on the reform of the married women’s property law in 1868 and serves on the executive of the Married Women’s Property Committee in London from 1873 to 1874. She successfully campaigns for the repeal of the Contagious Diseases Acts of 1864, 1866 and 1869 which enacted that a woman suspected of being a prostitute could be arrested and forced to undergo medical examination for venereal disease. She sees this legislation as an infringement of a woman’s civil liberties.
Tod is also a strong supporter of the temperance movement and, along with her friend Margaret Byers, forms the Belfast Women’s Temperance Association in 1874. Perhaps she is best known for her tireless campaign to extend the educational provision for middle-class women. For example, in 1878 she organises a delegation to London to put pressure on the Government to include girls in the Intermediate Education Act of 1878. The Ladies’ Collegiate School in Belfast, Alexandra College in Dublin and the Belfast Ladies Institute owe their existence largely to her. She writes a paper entitled “An Advanced Education for Girls in the Upper and Middle Classes” which is presented in 1867 at a meeting of the National Association for the Promotion of Social Science and is among the pamphlets held in the Presbyterian Historical Society of Ireland library.
Tod is also an active campaigner for women’s right to vote, embarking on her first campaign in 1872 and addressing meetings in Belfast, Carrickfergus, Coleraine and Londonderry. Following a meeting in Dublin a suffrage committee is established that later becomes the Dublin Women’s Suffrage Society and in 1873 she forms the North of Ireland Women’s Suffrage Society. She extends her meetings to London, Glasgow and Edinburgh and is a frequent visitor to London to lobby politicians during the parliamentary session.
Tod is very much a staunch opponent of Home Rule, establishing a branch of the London-based Women’s Liberal Federation in Belfast and the Liberal Women’s Unionist Association. She sees unionism as the way to progress. “I knew that all the social work in which I had taken so prominent a part for 20 years was in danger and most of it could not exist a day under a petty legislature of the character which would be inevitable,” she says. “What we dread is the complete dislocation of all society, especially in regard to commercial affairs and organised freedom of action.”
Tod suffers from ill-health in her later days and dies in Belfast of pulmonary illness on December 8, 1896. She is buried in Balmoral Cemetery in South Belfast.
Edwards, known to his friends as Robin and his students as Dudley, is the son of Walter Dudley Edwards, a journalist who comes to Ireland with his wife, Bridget Teresa MacInerney from Clare, and becomes a civil servant. His mother is a supporter of women’s rights and Edwards recalls that he had a ‘Votes for Women’ flag on his pram. His mother is a suffragette and a member of Cumann na mBan, a women’s organisation designed to support the Irish Volunteers. Members of Cumann na mBan gather intelligence, transport arms, nurse wounded men, provide safe houses, and organise support for Irish Republican Army (IRA) men in prison.
Also in 1933, Edwards marries Sheila O’Sullivan, a folklorist and teacher. They have three children, Mary Dudley Edwards a teacher and rights activist, Ruth Dudley Edwards, a historian, crime novelist, journalist and broadcaster, and Owen Dudley Edwards, a historian at the University of Edinburgh.
Along with Theodore William Moody, Edwards founds the Irish Historical Society in 1936, and its journal Irish Historical Studies is first published in 1938.
In 1937 Edwards is awarded a D.Litt by the National University of Ireland and in 1939 is appointed to a statutory lectureship in Modern Irish History at University College Dublin. He succeeds Mary Hayden to the Chair of Modern Irish History in 1944, which he holds until he retires in 1979. His contribution to the discipline of History in Ireland is substantial and includes the setting up of University College Dublin Archives Department, now part of the School of History.
The introduction to Edwards’ book Age of Atrocity records how the leading Irish history journal, Irish Historical Studies, edited by Edwards and Moody, for the first half-century and more of its existence, systematically avoids the theme of violence, killing and atrocity during the 16th and 17th centuries.
Following his wife’s death in April 1985, Robert Dudley Edwards dies on June 5, 1988, in St. Vincent’s Hospital in Dublin after a short illness.
(Pictured: Robert Walter Dudley Edwards (left) and Theodore William Moody (right).)
Margaret Anna Cusack, founder of the first Poor Clares convent in the west of Ireland and a talented writer who publishes on the issues of social injustice, is born to an aristocratic family of English origin in Coolock, County Dublin on May 6, 1829. Her writings and actions focus on advocacy of women’s rights including equal pay, equal opportunity for education, and legal reform to give women control of their own property.
Cusack is raised in the Anglican church tradition until her conversion to Catholicism in 1858. She enters the Irish Poor Clare Sisters and is among the first group of Sisters sent to found the convent at Kenmare, County Kerry.
During the next 21 years, Cusack, now known as Sister Francis Clare, dedicates herself to writing. Her writings include a wide range of concerns including lives of the saints, local histories, biographies, books and pamphlets on social issues and letters to the press. As the “Nun of Kenmare” she writes on behalf of the liberation of women and children who are victims of oppression. Income from her books and from her famine relief fund is distributed throughout Ireland. While doing all she can to feed the hungry, at the same time she campaigns vigorously against the abuse of absentee landlords, lack of education for the poor and against a whole system of laws which degrade and oppress a section of society.
To broaden the scope of her work Cusack moves to Knock, County Mayo in 1881 with the idea of expanding the ministry of the Poor Clares. She starts an industrial school for young women and evening classes for daytime land-workers. Several women are attracted by this work and in 1884 she decides to found her own community, The Sisters of St. Joseph of Peace.
Later, Cusack travels to the United States to continue her work with immigrant Irish women but is immediately rebuked by ArchbishopMichael Corrigan of New York. Just at that time, New Jersey stretches out a hand of welcome and encouragement as Bishop Winand Wigger of the Archdiocese of Newark invites her to establish homes for young Irish working women there. Within a few years, however, she claims that because of Archbishop Corrigan’s criticism of her among bishops throughout the United States, the work of her new community cannot continue as long as she remains with them.
Physically exhausted, sick and disillusioned with a patriarchal Church, Cusack withdraws from the Sisters of St. Joseph of Peace and leaves behind the sisters she so dearly loved. She eventually returns to her friends in the Church of England. In later years, she keeps in contact with the Sisters and expresses a loving concern for them. She dies on June 5, 1899, and is buried in the cemetery reserved for the Church of England at Leamington Spa, Warwickshire, England.
Cusack passes into obscurity for a long time until, as a result of the Second Vatican Council, religious orders are encouraged to review their roots and the intent of their founders. Since then, there have been a number a studies on Cusack, such as Philomena McCarthy’s The Nun of Kenmare: The True Facts. With the rediscovery of the life and times of Cusack, she has been hailed as a feminist and a social reformer ahead of her time.
Flynn’s family moves to New York in 1900, where she is educated in the local public schools. She grows up being regaled by tales of Irish revolutionaries. According to their oral tradition all four of her great-grandfathers, Flynn, Gurley, Conneran, and Ryan, are members of the Society of United Irishmen, with grandfather Flynn being one of the leaders in County Mayo when the French fleet lands there during the Irish Rebellion of 1798. Her parents introduce her to socialism. When she is only fifteen, she gives her first public speech, “What Socialism Will Do for Women,” at the Harlem Socialist Club.
In 1907, Flynn becomes a full-time organizer for the Industrial Workers of the World. Over the next few years, she organizes campaigns among garment workers in Pennsylvania, silk weavers in New Jersey, restaurant workers in New York, miners in Minnesota, Missoula, Montana, and Spokane, Washington and textile workers in Massachusetts. She is arrested ten times during this period but is never convicted of any criminal activity. It is a plea bargain, on the other hand, that results in her expulsion from the IWW in 1916, along with fellow organizer Joe Ettor.
A founding member of the American Civil Liberties Union (ACLU) in 1920, Flynn plays a leading role in the campaign against the conviction of Nicola Sacco and Bartolomeo Vanzetti. She is particularly concerned with women’s rights, supporting birth control and women’s suffrage. She also criticizes the leadership of trade unions for being male-dominated and not reflecting the needs of women.
Between 1926 and 1936, Flynn lives in southwest Portland, Oregon with birth control activist, suffragette, and WobblyMarie Equi where she is an active and vocal supporter of the 1934 West Coast Longshoremen’s Strike. In 1936, she joins the Communist Party and writes a feminist column for its journal, the Daily Worker. Two years later, she is elected to the national committee. Her membership in the Party leads to her ouster from the board of the ACLU in 1940.
During World War II, Flynn plays an important role in the campaign for equal economic opportunity and pay for women and the establishment of day care centers for working mothers. In 1942, she runs for the United States Congress at-large in New York and receives 50,000 votes. In July 1948, a dozen leaders of the Communist Party are arrested and accused of violating the Smith Act by advocating the overthrow of the U.S. government by force and violence. After they are convicted in the Foley Square trial they appeal to the Supreme Court, which upholds their conviction in Dennis v. United States.
Flynn launches a campaign for their release but, in June 1951, is herself arrested in the second wave of arrests and prosecuted under the Smith Act. After a nine-month trial, she is found guilty and serves two years in Federal Prison Camp, Alderson near Alderson, West Virginia. She later writes a prison memoir, The Alderson Story: My Life as a Political Prisoner.
After her release from prison, Flynn resumes her activities for leftist and Communist causes. She runs for the New York City Council as a Communist in 1957, garnering a total of 710 votes. She becomes national chairwoman of the Communist Party of the United States in 1961 and makes several visits to the Soviet Union.
seamus dubhghaill 