seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Monthly Archives: October 2025


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The Founding of the Wexford Festival Opera

Wexford Festival Opera (Irish: Féile Ceoldráma Loch Garman), an opera festival that takes place in the town of Wexford in southeastern Ireland, first takes place on October 21, 1951.

Tom Walsh, an avid opera lover, dreamed of staging an opera production in his hometown Wexford. He starts the Wexford Opera Study Circle in 1950, and invites Sir Compton Mackenzie, the founder of the magazine Gramophone and a writer on music, for the inaugural lecture for the circle. Mackenzie and Walsh discuss the idea of a local opera festival, and Mackenzie becomes the first President of the Wexford Festival of Music and the Arts.

The result is that a group of opera lovers, including Dr. Tom Walsh who becomes the festival’s first artistic director, plan a “Festival of Music and the Arts” (as the event is first called) from October 21 to November 4, 1951. The highlight is a production of the 19th century Irish composer Michael William Balfe‘s 1857 The Rose of Castille, a little-known opera whose composer had lived in Wexford.

Setting itself aside from the well-known operas during its early years places Wexford in a unique position in the growing world of opera festivals, and this move is supported by well-known critics such as the influential Desmond Shawe-Taylor of The Sunday Times, who communicates what is happening each autumn season.

During its first decade, Wexford offers an increasingly enthusiastic and knowledgeable audience such rarities as Albert Lortzing‘s Der Wildschütz and obscure works (for the time) such as Vincenzo Bellini‘s La sonnambula is staged, with Marilyn Cotlow as Adina and Nicola Monti as Elvino. Bryan Balkwill, Charles Mackerras and John Pritchard are among the young conductors, working with subsequently famous producers and designers like Micheál Mac Liammóir. For the time, the results are astounding, and the festival is soon attracting leading operatic talent, both new and established.

Albert Rosen, a young conductor from Prague, begins a long association with the company in 1965, and he goes on to conduct eighteen Wexford productions. He is later appointed Principal Conductor of the RTÉ Symphony Orchestra and is Conductor Laureate at the time of his death in 1997.

In 1967, Walter Legge, the EMI recording producer and founder of the Philharmonia Orchestra is asked to take over the running of the festival, but within a month of the appointment he suffers a severe heart attack and is obliged to withdraw. The 26-year-old former Trinity College Dublin (TCD) student Brian Dickie takes over the running of the Festival. A new era of outstanding singing emerges, with the first operas in Russian and Czech plus a new emphasis on the French repertory as represented by Léo Delibes’ Lakmé in 1970 and Georges Bizet‘s Les pêcheurs de perles in 1971.

Dickie is persuaded to return to Glyndebourne, but his successor in 1974 is Thomson Smillie who comes from the Scottish Opera. In 1976, Benjamin Britten‘s The Turn of the Screw is presented along with a rarity in Domenico Cimarosa‘s one-man piece Il maestro di cappella. Other rare Italian operas of the 18th century are presented in 1979 and subsequent years.

In subsequent years the festival is run by Adrian Slack (1979-81), Elaine Padmore (1982-94), Luigi Ferrari (1995-2004), David Agler (2005-19) and Rosetta Cucchi (2020-present).

The festival’s home of so many years, the Theatre Royal, is demolished and replaced by the Wexford Opera House on the same site. The opera house is officially opened on September 5, 2008, in a ceremony with the Taoiseach Brian Cowen, followed by a live broadcast of RTÉ‘s The Late Late Show from the O’Reilly Theatre. The first opera in the new building opens on October 16, 2008. Wexford Opera House provides the festival with a modern venue with a 35% increase in capacity by creating the 771-seat O’Reilly Theatre and a second, highly flexible Jerome Hynes Theatre, with a seating capacity up to 176. The architect is Keith Williams with the Office of Public Works. The acoustics and structure are designed by Arup.

In 2006, because of the closure of the Theatre Royal, a reduced festival takes place in the Dún Mhuire Hall on Wexford’s South Main Street. Only two operas are staged over a period of two weeks, instead of the usual three operas over three weeks. In 2007, the festival takes place in the summer in a temporary theatre on the grounds of Johnstown Castle, a stately home roughly 5 km from the town centre.

The building is officially renamed as Ireland’s National Opera House by the Minister for Arts, Heritage, Regional, Rural and Gaeltacht Affairs, Heather Humphreys, at the opening of the 2014 Wexford Festival.


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Death of William FitzGerald, 2nd Duke of Leinster

William Robert FitzGerald, 2nd Duke of Leinster, KP, PC (Ire), an Irish liberal politician and landowner, dies at Carton House in Maynooth, County Kildare, on October 20, 1804.

FitzGerald is born on March 13, 1749, in Arlington Place, Piccadilly, London, the second son of nine sons and ten daughters of James Fitzgerald, 20th Earl of Kildare and later 1st Duke of Leinster, and his wife, Lady Emily Lennox. He is educated at Eton College (1758–63). He is the elder brother of the 1790s revolutionary Lord Edward FitzGerald, and is a first cousin of the English liberal politician Charles James Fox.

FitzGerald makes his Grand Tour between 1768 and 1769. During the same time, he is also a Member of Parliament (MP) for Kildare Borough. He then sits in the Irish House of Commons for Dublin City until 1773, when he inherits his father’s title and estates. He is appointed High Sheriff of Kildare for 1772. Politically he is a liberal supporter of Henry Grattan‘s Irish Patriot Party and he co-founds the Irish Whig Club in 1789. He controls about six Kildare members of the Irish House of Commons. In 1779, he is elected colonel of the Dublin Regiment of the Irish Volunteers.

In November 1775, FitzGerald marries Emilia Olivia Usher, daughter of the 1st Baron Saint George and Elizabeth Dominick and sole grand daughter of Sir Christopher Dominick. They have three sons and six daughters.

In 1770, FitzGerald is chosen Grandmaster of the masonic Grand Lodge of Ireland, a post he holds for two years. He is re-elected for another year in 1777. In 1783, he is among the first knights in the newly created Order of St. Patrick.

In 1788–89, FitzGerald is Master of the Rolls in Ireland. In theory a senior judicial office, it is then largely a sinecure, but so blatant a choice of a man who is wholly unqualified for it gives rise to unfavourable comment, and a few years later it becomes the rule that the Master must be a lawyer of repute.

FitzGerald is a supporter of Catholic emancipation and helps to found the Royal College of St. Patrick at Maynooth on land he donates, in 1795. Withdrawing from Parliament with Grattan in 1797, he moves to England to be with his sick wife and remains there during the Irish Rebellion of 1798.

FitzGerald’s homes are at Carton and Kilkea Castle in County Kildare, and at Leinster House in Dublin (now the home of the Oireachtas). He is a founder member of the Order of St. Patrick in 1783 and of the Royal Irish Academy in 1785, and is a large investor in the Royal Canal company launched in 1790. His family’s estates of 60,000 acres (25,000 Ha) in Kildare are in three main parts, around Maynooth, Rathangan and Athy. He rebuilds the main bridge in Athy over the River Barrow.

FitzGerald dies of strangury, a urinary tract disorder, at Carton House on October 20, 1804. He is buried in Kildare Abbey. His funeral is so well attended that the mourners reach across The Curragh. He is succeeded by his second, but eldest surviving, son, Augustus Frederick Fitzgerald, as 3rd Duke of Leinster.


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Birth of Dairine Vanston, Landscape Artist

Dairine (Doreen) Vanston, Irish landscape artist who works in a Cubist style, is born in Dublin on October 19, 1903.

Vanston is the daughter of solicitor John S. B. Vanston, and sculptor Lilla Vanston (née Coffey). She attends Alexandra College, going on to study at Goldsmiths College, London under Roger Bissière. She then goes to Paris to the Académie Ranson, being sent there following the advice of Paul Henry. While in Paris she meets Guillermo Padilla, a Costa Rican law student at the University of Paris. They marry in 1926 and she takes the name Vanston de Padilla. The couple lives for a time in Italy, before moving to San José, Costa Rica. The marriage breaks down in the early 1930s, at which point she returns to Paris with her son and studies with André Lhote. She is living in France at the outbreak of World War II with Jankel Adler, but is able to escape to London in 1940, and later to Dublin.

Vanston’s time in Paris leaves a lasting impression on her work, including use of primary colours and a strong Cubist influence. She belongs to what critic Brian Fallon calls the “Franco-Irish generation of painters who looked to Paris,” along with Mainie Jellett, Evie Hone, and Norah McGuinness. Her time spent living in Costa Rica in the late 1920s and early 1930s imbues her work with tropical and highly toned colours. In Dublin in 1935, she exhibits 17 paintings, largely Costa Rican landscapes, at Daniel Egan’s gallery on St. Stephen’s Green. This is the closest thing to a solo show she would mount, with this show also featuring Grace Henry, Cecil Ffrench Salkeld, and Edward Gribbon.

Meeting the English artist Basil Rakoczi, who is also living in Dublin during World War II, leads Vanston to become associated with The White Stag group. In November 1941, she exhibits for the first time at a group show with 24 other artists, including Patrick Scott. One work that is shown at this exhibition is the painting Keel dance hall, which demonstrates that she spends time in the west of Ireland. The most important event staged by the group is the Exhibition of subjective art, which takes place at 6 Lower Baggot St. in January 1944. The Dublin Magazine notes her work at this show as the most effective of the experimental vanguard. This work, Dying animal, is a Cubist work with semi-representation forms rendered in bold colours. In 1945, her work is featured in a White Stag exhibition in London of young Irish painters at the Arcade gallery, Old Bond Street.

In 1947, Vanston spends almost a year in Costa Rica where she paints primarily in watercolours. Apart from this period, she lives and works in Dublin, living at 3 Mount Street Crescent near St. Stephen’s Church. At the inaugural Irish Exhibition of Living Art in 1943, she exhibits five works. At the first Exhibition of Independent Artists in 1960, of which she is a founder, she exhibits three landscapes and a work entitled War. She largely exhibits with the Independent Artists, the Irish Exhibition of Living Art, and the Oireachtas na Gaeilge, and does not exhibit with the Royal Hibernian Academy. Later in life, she exhibits with the Figurative Image exhibitions in Dublin, and is amongst the first painters chosen for Aosdána. A number of her works are featured in the 1987 exhibition, Irish women artists, from the eighteenth century to the present arranged by the National Gallery of Ireland and The Douglas Hyde Gallery.

Vanston dies on July 12, 1988, in a nursing home in Enniskerry, County Wicklow. Her work is greatly admired, but has received little by way of critical attention, which may have been to do with her slow rate of output. A number of her works have proved difficult to trace. She was a private person, even refusing to cooperate with the Taylor Galleries in the 1980s when they wanted to mount a retrospective of her work. The National Self-Portrait Collection in Limerick holds a work by Vanston.

(Pictured: Dairine Vanston with Guillermo Padilla in Paris)


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Birth of Anna Manahan, Stage, Film & Television Actress

Anna Maria Manahan, Irish stage, film and television actress, is born on October 18, 1924, in County Waterford in what is at the time the Irish Free State (now the Republic of Ireland).

Manahan receives two Tony Award for Best Featured Actress in a Play nominations for her performances in the 1968 production of Lovers and the 1998 production of The Beauty Queen of Leenane, the latter for which she wins at the 52nd Tony Awards.

Manahan is also nominated for two Drama Desk Awards, a Laurence Olivier Award, and an Outer Critics Circle Award in a career that spans more than 60 years. She interprets the works of, among others, Seán O’Casey, John B. Keane, John Millington Synge, Oscar Wilde, James Joyce, Martin McDonagh, Christy Brown, and Brian Friel.

Manahan’s career begins when, as a young woman, she is recruited by the legendary Irish impresarios and theatrical directors Micheál Mac Liammóir and Hilton Edwards. She later marries stage director Colm O’Kelly, who dies not long afterward of polio, which he contracts after swimming in the Nile during a theatre tour of Egypt. They have no children and she never remarries. She is known professionally by her maiden name. In 1946 she appears in a production by Irish playwright Teresa Deevy, The Wild Goose, where she plays the part of Eileen Connolly. This is performed by Equity Productions in the Theatre Royal, Waterford.

In 1957, Manahan plays Serafina in the first Irish production of Tennessee Williams‘s The Rose Tattoo and achieves unexpected notoriety when she and several other members of the cast are arrested for the possession of a condom on stage.

Manahan plays a minor role in the Irish cult soap opera The Riordans (1960s), and as Mrs. Mary Kenefick in the TV comedy Me Mammy (1970s). She also plays the lead in the Irish comedy series, Leave It To Mrs O’Brien (1980s) and Mrs. Cadogan in The Irish R.M. (1980s). Most recently she plays Ursula in Fair City, for which her niece, Michele Manahan (daughter of Michael Manahan), is a writer.

Manahan has an extensive theatre portfolio having played at theatres throughout Ireland including the Abbey Theatre, the United Kingdom, continental Europe, the United States and Australia. She wins the Tony Award for Best Featured Actress in a Play for her role as Mag in Martin McDonagh’s The Beauty Queen of Leenane on Broadway. She previously receives a Tony nomination in 1969 for Brian Friel’s Lovers.

The Irish playwright John B. Keane writes the play Big Maggie specifically for Manahan. In 2001 she stars in Keane’s The Matchmaker with veteran Irish actor Des Keogh. In 2005 she stars in Sisters, a new play by Declan Hassett that is also written for her and for which she is nominated for a Drama Desk Award in the category of Outstanding Solo Performance. The production tours Ireland and is staged at the International Festival of World Theatre in Colorado and also plays at the 59E59 Theater in New York City in 2006.

Manahan appears in films starring, among others, Laurence Olivier, Peter Cushing, Kenneth More, Christopher Walken, Maggie Smith, Albert Finney and Brenda Fricker, and with John Gielgud in A Portrait of the Artist as a Young Man (1977).

Manahan receives the Gold Medal of the Éire Society of Boston in 1984 and thus joins the company of past recipients such as John F. Kennedy, and film makers John Ford and John Huston. She receives an honorary doctorate in letters from the University of Limerick in 2003. She is granted the freedom of the city of Waterford in 2002 in recognition of her life’s achievement in the arts. She thus becomes the 28th Freeman of Waterford since Isaac Butt in 1877.

In 2004 Manahan starts to play the role of Ursula in Fair City. All About Anna (2005), a documentary on her life and work is made by Charlie Mc Carthy/Icebox Films for RTÉ Television. In 2008, she becomes the first ever patron of the Active Retirement Ireland organization.

Manahan dies of multiple organ failure on March 8, 2009 in Waterford. She had suffered from a longterm illness.

Her funeral is held on March 11, officiated by her “longtime friend” the psychoanalyst, poet, and priest Bernard Kennedy. “As the final curtain falls, the lights dim, the auditorium becomes silent, we remember her” he says. Describing her as a woman of faith (who “sought to bring the word of God alive”), he says she had brought everyone together to be present at “her last great exit from this great stage of life,” saying her life’s work had drawn people from all over the world. “Anna believed in the empty tomb of the Resurrection and she believed the empty tomb could be filled by hearing the word take the place of the emptiness,” he says. “She knew the bedsits which preceded the Tony nomination.”

Manahan is buried in Ballygunner Cemetery, Knockboy, County Waterford.


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Birth of Sir Arthur Rawdon, Soldier & Horticulturist

Sir Arthur Rawdon, 2nd Baronet, soldier, and horticulturalist, is born on October 17, 1662. He builds a large part of Moira, County Down in the seventeenth century. Known as the “Father of Irish Gardening” and “The Cock of the North,” he is a keen botanist, and brings over 400 different species of plants to Moira from Jamaica.

Rawdon plays an active role in the Williamite War in Ireland. Following the Glorious Revolution he is involved in the raising of the Army of the North, a Protestant force opposed to the Jacobite Irish Army.

Rawdon’s father is Sir George Rawdon, 1st Baronet. His mother is George’s second wife, Dorothy, daughter of Edward Conway, 2nd Viscount Conway. He is a Member of Parliament for County Down, and a general in the army of King William III of England. Besieged at Derry, he falls ill, but manages to escape, though his military career is at an end.

Rawdon marries Ellen Graham, daughter of Sir James Graham of Congleton in Cheshire. They have at least two children, John and Isabella.

Rawdon inherits the lands at Moira after his father dies. He rebuilds a mansion, surrounded by trees, sheep and huge gardens. On this estate, he builds the first hothouse in Europe.

Rawdon is a botanist and imports 400 plant species from Jamaica, earning the name “Father of Irish Gardening.” His garden has a labyrinth, ponds, and canals. The trees include the “Locust of Virginia” which is 30 feet high and has a trunk of at least a foot and a half in diameter. For two generations the garden is maintained.

Rawdon dies on October 17, 1695, his thirty-third birthday, and John succeeds to the baronetcy and estate as a minor. The plant collections, perhaps inevitably, decline after his death, though his wife and sisters share his interest in natural history. Some of his plant specimens are still preserved in Hans Sloane‘s herbarium in the Natural History Museum, London.

Today in Moira many places are named after Sir Arthur Rawdon, including Rawdon Court, off Main Street. Off Meeting Street there is Rawdon Place which is a housing street. Parts of the remains of his mansion are still visible.


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Birth of Sam Hanna Bell, Novelist, Playwright & Broadcaster

Sam Hanna Bell, Scottish-born Northern Irish novelist, short story writer, playwright, and broadcaster, is born in Glasgow to Ulster Scots parents on October 16, 1909.

Following the sudden death of his father in 1918, Bell is brought at the age of seven to live near Raffery in the Strangford Lough area of County Down. He lives with his mother and two brothers in a cottage with no electricity or running water. This is the setting of his acclaimed novel of Ulster rural life, December Bride (1951). He moves to Belfast in 1921, where he works at a variety of manual jobs before securing a post with the BBC in 1945. He is a co-founder of the left-leaning literary journal, Lagan, in 1943.

Bel’s first collection of short stories, Summer Loanen and Other Stories, is published in 1943. His novels include December Bride (1951), The Hollow Ball (1961), A Man Flourishing (1973) and Across the Narrow Sea (1987).

Bell is recruited to the BBC in 1946, along with fellow writer, W. R. Rodgers, by poet and radio producer, Louis MacNeice. Some of his work as a radio producer is highly innovative. This is Northern Ireland, An Ulster Journey (1949) is a classic radio feature incorporating actuality, poetry, music and narration. In later work, Bell incorporates the voices of “ordinary people” in his attempt to paint a picture of Ulster as rooted in the lives and traditions of its people. His collaboration with W. R. Rodgers, The Return Room (1955), is one of the most important post-war Irish radio features and shows the influence of Dylan Thomas on Rodgers, the poet.

In the 1940s, along with his BBC colleague John Boyd, the essayist (and anti-Partition activist) Denis Ireland, actors Joseph Tomelty and J. G. Devlin, poets John Hewitt and Robert Greacen, and the Rev. Arthur Agnew, Bell is one of an intellectual set, “the club of ten” Linen Hall Library members that meets weekly next to the library in Campbell’s cafe.

In 1977, Bell is honoured with an MBE in recognition of his contribution to the cultural life of Northern Ireland.

December Bride is made into an acclaimed film in 1990. Reviewing the film, The Irish Times columnist and literary critic Fintan O’Toole says it is “not just a remarkable artistic achievement, but also a remarkable political one…restoring a richness and complexity to a history that has been deliberately narrowed.” In April 1999, December Bride is selected by award-winning novelist and critic Colm Tóibín and publisher, writer and critic Dame Carmen Callil, for inclusion in The Modern Library: The 200 Best Novels in English Since 1950 (Picador).

Bell dies on February 9, 1990, at 190 King’s Road, Knock, Belfast, aged 80, shortly before the premiere of the film of December Bride. On October 15, 2009, the eve of what would have been Bell’s centenary, a blue plaque is unveiled by Northern Ireland Minister of Culture, Arts and Leisure Nelson McCausland on the Belfast house where Bell had written December Bride. Such plaques are erected to commemorate and honour notable people.


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Founding of the Criminal Assets Bureau

The Criminal Assets Bureau (CAB) (Irish: An Biúró um Shócmhainní Coiriúla), a law enforcement agency, is established in Ireland on October 15, 1996. The CAB has the powers to focus on the illegally acquired assets of criminals involved in serious crime. The aims of the CAB are to identify the criminally acquired assets of persons and to take the appropriate action to deny such people these assets. This action is taken particularly through the application of the Proceeds of Crime Act 1996. The CAB is established as a body corporate with perpetual succession and is founded on the multi-agency concept, drawing together law enforcement officers, tax officials, social welfare officials as well as other specialist officers including legal officers, forensic analysts and financial analysts. This multi-agency concept is regarded by some as the model for other European jurisdictions.

The CAB is not a division of the Garda Síochána (police) but rather an independent body corporate although it has many of the powers normally given to the Gardaí. The Chief Bureau Officer is drawn from a member of the Garda Síochána holding the rank of Chief Superintendent and is appointed by the Garda Commissioner. The remaining staff of the CAB are appointed by the Minister for Justice, Home Affairs and Migration. CAB members retain their original powers as if they were working within their separate entities and have direct access to information and databases that their original organisations are allowed by law. This ability to share information is described by the Garda Síochána Inspectorate in its Crime Investigation Report of October 2014 as “a good model that could be replicated outside of CAB.”

The CAB reports annually to the Minister through the Commissioner of the Garda Síochána and this report is laid before the Houses of the Oireachtas. The Minister for Justice, in publishing the 2011 CAB Annual Report, states: “The work of the bureau is one of the key law enforcement responses to tackling crime and the Government is very much committed to further strengthening the powers of the bureau through forthcoming legislative proposals.” In publishing the Bureau’s 2012 report, the Minister for Justice sets out: “The Annual Report provides an insight into the workings of the Bureau and highlights the advantage of adopting a multi-agency and multi-disciplinary approach to the targeting of illicit assets. The Bureau is an essential component in the State’s law enforcement response to serious and organised crime and the Government is fully committed to further strengthening its powers through future legislative reform.”

The Minister for Justice sets out that Ireland, through the work of the Bureau, has established itself as a jurisdiction that is responding to that challenge and the work of the Bureau is internationally recognised as a best practice approach to tackling criminality and the illicit monies it generates.

The CAB has been effective against organised criminals, especially those involved in the importation and distribution of drugs. It has also been used against corrupt public officials and terrorists.


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Birth of Éamon de Valera, Third President of Ireland

Éamon de Valera, Irish politician and patriot, is born George de Valero on October 14, 1882, in Lennox Hill, a neighborhood on the Upper East Side of Manhattan in New York City. He serves as Taoiseach (1932–48, 1951–54, 1957–59) and President of Ireland (1959–73). An active revolutionary from 1913, he becomes president of Sinn Féin in 1917 and founds the Fianna Fáil party in 1926. In 1937, he makes his country a sovereign state, renamed Ireland, or Éire. His academic attainments also inspire wide respect. He becomes chancellor of the National University of Ireland in 1921.

De Valera is the son of Catherine Coll, who is originally from Bruree, County Limerick, and Juan Vivion de Valera, described on the birth certificate as a Spanish artist born in 1853. His father dies when he is two years old. He Is then sent to his mother’s family in County Limerick, and studies at the local national school and at Blackrock College, Dublin. He graduates from the Royal University of Ireland and becomes a teacher of mathematics and an ardent supporter of the Irish language revival. In 1913, he joins the Irish Volunteers, which had been organized to resist opposition to Home Rule for Ireland.

In the 1916 Easter Rising in Dublin, de Valera commands an occupied building and is the last commander to surrender. Because of his American birth, he escapes execution by the British but is sentenced to penal servitude. Released in 1917 but arrested again and deported in May 1918 to England, where he is imprisoned, he is acclaimed by the Irish as the chief survivor of the uprising and in October 1917 is elected president of the Irish republican and democratic socialist Sinn Féin political party, which wins three-fourths of all the Irish constituencies in December 1918.

After a dramatic escape from HM Prison Lincoln in February 1919, de Valera goes in disguise to the United States, where he collects funds. He returns to Ireland before the Irish War of Independence ends with the truce that takes effect on July 11, 1921, and appoints plenipotentiaries to negotiate in London. He repudiates the Anglo-Irish Treaty of December 6, 1921, that they signed to form the Irish Free State, however, primarily because it imposes an oath of allegiance to the British crown.

After Dáil Éireann ratifies the treaty by a small majority in 1922, de Valera supports the republican resistance in the ensuing Irish Civil War. W. T. Cosgrave’s Irish Free State ministry imprisons him, but he is released in 1924 and then organizes a republican opposition party that does not sit in Dáil Éireann. In 1927, however, he persuades his followers to sign the oath of allegiance as “an empty political formula,” and his new Fianna Fáil (“Soldiers of Destiny”) party then enters the Dáil, demanding abolition of the oath of allegiance, of the governor-general, of the Seanad Éireann (senate) as then constituted, and of land-purchase annuities payable to Great Britain. The Cosgrave ministry is defeated by Fianna Fáil in 1932, and de Valera, as head of the new ministry, embarks quickly on severing connections with Great Britain. He withholds payment of the land annuities, and an “economic war” results. Increasing retaliation by both sides enables de Valera to develop his program of austere national self-sufficiency in an Irish-speaking Ireland while building up industries behind protective tariffs. In the new Constitution of Ireland, ratified by referendum in 1937, the Irish Free State becomes Ireland, a sovereign, independent democracy tenuously linked with the British Commonwealth (under the Executive Authority (External Relations) Act 1936) only for purposes of diplomatic representation.

De Valera’s prestige is enhanced by his success as president of the council of the League of Nations in 1932 and of its assembly in 1938. He also enters negotiations with British Prime Minister Neville Chamberlain in which he guarantees that he will never allow Ireland to be used as a base for attacking Britain in the event of war. This culminates in the Anglo-Irish defense agreement of April 1938, whereby Britain relinquishes the naval bases of Cobh, Berehaven, and Lough Swilly (retained in a defense annex to the 1921 treaty), and in complementary finance and trade treaties that end the economic war. This makes possible de Valera’s proclamation in September 1939, upon the outbreak of World War II, that Ireland will remain neutral and will resist attack from any quarter. In secret, however, de Valera also authorizes significant military and intelligence assistance to both the British and the Americans throughout the war. He realizes that a German victory will imperil Ireland’s independence, of which neutrality is the ultimate expression. By avoiding the burdens and destruction of the war, de Valera achieves a relative prosperity for Ireland in comparison with the war-torn countries of Europe, and he retains office in subsequent elections.

In 1948, a reaction against the long monopoly of power and patronage held by de Valera’s party enables the opposition, with the help of smaller parties, to form an interparty government under John A. Costello. Ironically, this precarious coalition collapses within three years after Ireland becomes a republic by means of the repeal of the Executive Authority (External Relations) Act 1936 and the severance of all ties with the British Commonwealth, an act de Valera had avoided. De Valera resumes office until 1954, when he appeals unsuccessfully for a fresh mandate, and Costello forms his second interparty ministry. No clearly defined difference now exists between the opposing parties in face of rising prices, continued emigration, and a backward agriculture. De Valera claims, however, that a strong single-party government is indispensable and that all coalitions must be weak and insecure. On this plea he obtains, in March 1957, the overall majority that he demands.

In 1959, de Valera agrees to stand as a candidate for the presidency. He resigns his position as Taoiseach and leader of the Fianna Fáil party. In June he is elected president, and is reelected in 1966. He retires to a nursing home near Dublin in 1973 and dies there on August 29, 1975.

De Valera’s career spans the dramatic period of Ireland’s modern cultural and national revolution. As an anticolonial leader, a skillful constitutionalist, and a symbol of national liberation, he dominates Ireland in the half century following the country’s independence.

(From: “Éamon de Valera, president of Ireland,” Encyclopedia Britannica, http://www.britannica.com, last updated August 14, 2025)


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Birth of Pádraig de Brún, Catholic Priest & Linguist

Pádraig de Brún, also called Patrick Joseph Monsignor Browne, a Roman Catholic priest, linguist, Classicist, and Celticist, is born in Grangemockler, County Tipperary, on October 13, 1889. With regard to his contribution to modern literature in Irish, he, who Louis de Paor terms in 2014 “one of the most distinguished literary figures of his time,” is also a writer of Irish poetry in the Irish language and the literary translator of many of the greatest works of the Western canon into Modern Irish. He serves as President of University College, Galway (UCG), and is known in friendly and informal circles as Paddy Browne.

De Brún is the son of a primary school teacher, Maurice Browne. He is educated locally, at Rockwell College, Cashel, and at Holy Cross College, Drumcondra, Dublin (at both he is tutored in mathematics by Éamon de Valera). In 1909, he is awarded a BA from the Royal University of Ireland. He is awarded an MA degree by the National University of Ireland, and wins a traveling scholarship in mathematics and mathematical physics, enabling him to pursue further studies in Paris. He is ordained as a Catholic priest at the Irish College in Paris in 1913, the same year he earns his D.Sc. in mathematics from the University of Paris under Émile Picard.

After a period at the University of Göttingen, de Brún is appointed professor of mathematics at St. Patrick’s Pontifical University, Maynooth, in 1914. In April 1945, he is elected by the Senate of the National University of Ireland to succeed John Hynes as President of University College, Galway, an office he holds until his retirement in 1959. His friend Thomas MacGreevy refers to de Brún as, “Rector Magnificus,” and praises his, “Olympian capacity to appreciate the most exalted works of art and literature, ancient and modern.”

The School of Mathematics, Mathematical Physics and Statistics is based in Áras de Brún, a building named in de Brún‘s honour. He subsequently becomes Chairman of the Arts Council of Ireland, a position he holds until his death in 1960. He also serves as chairman of the Council of the Dublin Institute for Advanced Studies (DIAS).

De Brún is close friend of 1916 Easter Rising leader Seán Mac Diarmada and is deeply affected by the latter’s execution.

De Brún was a prolific writer of Irish poetry in the Irish language, including the well-known poem “Tháinig Long ó Valparaiso.” He further translates into Modern Irish many great works of the Western canon, including Homer‘s Iliad and Odyssey, Sophocles‘ Antigone and Oedipus Rex, and Plutarch‘s Parallel Lives, as well as French stage plays by Jean Racine and Dante Alighieri‘s Divine Comedy. With regards to his importance to modern literature in Irish, he is recently termed “one of the most distinguished literary figures of his time.”

The French Government awards de Brún the title of Chevalier of the Legion d’Honneur in 1949, and in 1956, the order Al Merito della Repubblica Italiana is conferred on him by the President of Italy. He is created a Domestic Prelate (a Monsignor) by Pope Pius XII in 1950.

De Brún purchases land at Dunquin in the Dingle Peninsula Gaeltacht. In the 1920s, he also builds a house there known as Tigh na Cille, where his sister and her children often visit and stay at length. Through his literary mentorship of his niece, the future poet Máire Mhac an tSaoi, he has been credited with having an enormous influence upon the future development of modern literature in Irish.

After suffering a heart attack at his house at Seapoint, Dún Laoghaire, into which he had recently moved, de Brún dies on June 5, 1960, in St. Vincent’s nursing home, Leeson Street, Dublin.


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Birth of John Cuffe, 3rd Earl of Desart

John Otway O’Conner Cuffe, 3rd Earl of Desart, an Irish Conservative politician styled Viscount Castlecuffe until 1820, is born on October 12, 1818. He serves as Under-Secretary of State for War and the Colonies between March and December 1852 in the first administration of Edward Smith-Stanley, 14th Earl of Derby.

Cuffe is the son of John Otway Cuffe, 2nd Earl of Desart, and Catherine, daughter of Maurice O’Connor. He succeeds in the earldom in November 1820, aged two, on the early death of his father. He is educated at Eton College and enters Christ Church, Oxford in 1836 but takes no degree.

Cuffe sits in the House of Commons of the United Kingdom as Member of Parliament for Ipswich between June and July 1842, when his election is declared void. He does not stand in the subsequent by-election. In 1846 he is elected an Irish representative peer and thus takes a seat in the House of Lords, which he holds until his death in 1865. He serves as Under-Secretary of State for War and the Colonies in Lord Derby’s short-lived protectionist government of 1852.

Cuffe marries Lady Elizabeth Lucy Campbell, daughter of John Campbell, 1st Earl Cawdor, in 1842. They have three sons and a daughter. He dies at the age of 46 at his home in Belgravia, City of Westminster, Greater London on April 1, 1865, due to a fall suffered during an attack of paralysis. He is buried in Castleinch Cemetery, Kilkenny, County Kilkenny. He is succeeded in the earldom by his son, William. The Countess of Desart dies in April 1898, aged 76.