In 2017, award-winning artist Vera Klute is commissioned by the National Gallery of Ireland to create a portrait of Hynes as part of the 2015 Hennessey Portrait Prize. The bust, made of porcelain, concrete and timber (with a dimension of 164cm x 54cm x 45cm), is unveiled to the public in April 2017 and is currently on display as part of the Gallery’s National Portrait Collection.
In 1998 Hynes wins the Tony Award for Direction for The Beauty Queen of Leenane, the first woman to receive the award. She is a recipient of many other Theatre Awards, including The Irish Times/ESB Irish Theatre Award for Best Director (2002) and a The Irish Times Special Tribute Award for her contribution to Irish Theatre in February 2005.
Born on November 3, 1896, in County Roscommon, O’Donovan is an explosives expert and reputedly invents the “Irish War Flour” (named after the flour sacks in which it was smuggled into Dublin aboard ships) and “Irish Cheddar” devices. He subsequently becomes IRA Director of Chemicals in 1921. During the Irish War of Independence, he is imprisoned in Mountjoy Prison and Kilmainham Gaol and later interned in Newbridge, County Kildare.
In addition to fighting in the Irish War of Independence, O’Donovan fights on the Anti-Treaty side during the Irish Civil War. In 1930 he becomes manager at Electricity Supply Board (ESB) headquarters in Dublin.
In August 1938, at the request of IRA Chief of StaffSeán Russell, O’Donovan writes the S-Plan, a bombing campaign targeting the United Kingdom. In his unpublished memoirs he writes that he “conducted the entire training of cadre units, was responsible for all but locally derived intelligence, carried out small pieces of research and, in general, controlled the whole explosives and munitions end” of S-Plan. During this time, he and Russell are the only GHQ members of the old IRA still in the organisation.
As “Agent V-Held”, O’Donovan visits Germany three times in 1939 on behalf of the IRA. On February 28 he negotiates an arms and radio equipment delivery at the Abwehrstelle in Hamburg. On April 26 he concludes a new arms deal with the Abwehrstelle and establishes, with the help of a Breton, a secret courier connection to Ireland via France. On August 23, he receives the last instructions for the event of war.
On February 9, 1940, Abwehr II agent Ernst Weber-Drohl lands at Killala Bay, County Sligo aboard U-37. He is equipped with an ‘Ufa’ transmitter, cash, and instructions for O’Donovan, who by this time is the chief IRA contact for Abwehr I/II. The transmitter is lost upon landing, but when Weber-Drohl reaches O’Donovan at Shankill, Killiney, County Dublin, he is able to deliver new transmission codes, $14,450 in cash, and a message from “Pfalzgraf Section” asking that the IRA concentrate its S-Plan attacks on military rather than civilian targets.
O’Donovan becomes increasingly enamoured of Nazi ideology during this time, and visits Germany three times. In 1942 he writes an article arguing that Ireland’s future lay in an alliance with a victorious Germany and attacks Britain and the United States for being “centres of Freemasonry, international financial control and Jewry.” Even long after the pact with the Germans falls apart, he continues to express his sympathy for the Nazi regime. His son, Gerard O’Donovan, recalls that every Saturday night a visitor would come to the family home and send messages to Germany.
O’Shea is discovered in the 1950s by Harry Dillon, who runs the 37 Theatre Club on the top floor of his shop, the Swiss Gem Company, 51 Lower O’Connell Street, Dublin. Early in his career he tours with the theatrical company of Anew McMaster.
O’Shea begins acting on the stage, then moves into film in the 1960s. He becomes popular in the United Kingdom, as a result of starring in the BBC sitcom Me Mammy alongside Yootha Joyce. In 1967–68 he appears in the drama Staircase, co-starring Eli Wallach and directed by Barry Morse, which stands as Broadway‘s first depiction of homosexual men in a serious light. For his role in that drama, he is nominated for the Tony Award for Best Actor in a Play in 1968.
Other stage appearances include Mass Appeal (1981) in which he originates the role of Father Tim Farley, for which he is nominated for the Tony Award for Best Actor in a Play in 1982, the musical Dear World in which he plays the Sewer Man opposite Angela Lansbury as Countess Aurelia, Corpse! (1986) and a 1994 Broadway revival of Philadelphia, Here I Come!.
O’Shea’s first wife is Maureen Toal, an Irish actress, with whom he has two sons, Colm and Steven. They divorce in 1974. His second wife is Irish actress Kitty Sullivan, whom he meets in Italy, where he is filming Barbarella and she is auditioning for Man of La Mancha. The couple occasionally act together, such as in a 1981 Broadway revival of My Fair Lady. O’Shea and Sullivan have no children together. They both adopt United States citizenship and reside in New York City, where they both live from 1976.
O’Shea dies on April 2, 2013, in New York City following a short illness at the age of 86. He is buried at Deans Grange Cemetery.
Trevor is born to a middle-class, Anglo-IrishProtestant family. They move several times to other provincial towns, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official. He is educated at St. Columba’s College, Dublin, and at Trinity College, Dublin, from which he receives a degree in history. He works as a sculptor under the name Trevor Cox after his graduation from Trinity College, supplementing his income by teaching. He marries Jane Ryan in 1952 and emigrates to Great Britain two years later, working as a copywriter for an advertising agency. It is during this time that he and his wife have their first son.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson of London, but has little critical success. He later disowns this work and, according to his obituary in The Irish Times, “refused to have it republished.” It was, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor wins the Hawthornden Prize for Literature for The Old Boys. The win encourages him to become a full-time writer. He and his family then move to Devon in South West England, where he resides until his death. In 2002, he makes honorary KBE for services to literature. Despite having spent most of his life in England, he considers himself to be “Irish in every vein.”
Trevor writes several collections of short stories that are well received. His short stories often follow a Chekhovian pattern. The characters in his work are typically marginalised members of society. The works of James Joyce influence his short-story writing, and “the odour of ashpits and old weeds and offal” can be detected in his work, but the overall impression is not of gloominess since, particularly in his early work, his wry humour offers the reader a tragicomic version of the world. He adapts much of his work for stage, television and radio. In 1990, Fools of Fortune is made into a film directed by Pat O’Connor, along with a 1999 film adaptation of Felicia’s Journey, which is directed by Atom Egoyan.
Trevor’s stories are set in both England and Ireland. They range from black comedies to tales based on Irish history and politics. His early books are peopled by eccentrics who speak in a pedantically formal manner and engage in hilariously comic activities that are recounted by a detached narrative voice. Instead of one central figure, the novels feature several protagonists of equal importance, drawn together by an institutional setting, which acts as a convergence point for their individual stories. The later novels are thematically and technically more complex. The operation of grace in the world is explored, and several narrative voices are used to view the same events from different angles.
Maude is reared in the Irish language. Her mother, Máire Nic an Iomaire, is a school teacher from Ballyfinglas. She receives her primary education from her mother on a small island off the coast of Rosmuc, Connemara. Her father, John Maude, is from Cill Bhriocáin in Rosmuc. She attends University College Galway, where she excels in French. She becomes a teacher, working in schools in Counties Kildare, Mayo, and Wicklow. She also works in other capacities in London and Dublin.
Maude is widely praised as an actor. She acts at the University, at An Taibhdhearc in Galway and the Damer in Dublin, and is particularly successful in a production of An Triail by Máiréad Ní Ghráda in 1964, in which she plays the protagonist of the story, Máire Ní Chathasaigh. She herself is a playwright and co-authors An Lasair Choille with poet Michael Hartnett.
Maude begins writing poetry in Irish in secondary school and develops a lyrical style closely attuned to the rhythms of the voice. Though not conventionally religious, she says in an interview that she has a deep interest in the spiritual and that this leaves its mark on her poetry. She is noted as a highly effective reciter of her own verse. Géibheann is the best-known of her poems, and is studied at Leaving Certificate Higher Level Irish in the Republic of Ireland. A posthumous collected edition, Caitlín Maude, Dánta, is published in 1984, Caitlín Maude: file in 1985 in Ireland and Italy, and Coiscéim in 1985.
As a member of the Dublin Irish-speaking community Maude is active in many campaigns, including the establishment of the Gaelscoil (Irish-medium primary school) Scoil Santain in Tallaght, County Dublin.
Maude is a sean-nós singer of distinction. She makes one album in this genre, Caitlín, released in 1975 on Gael Linn Records and now available as a CD. It contains both traditional songs and a selection of her poetry.
Maude marries Cathal Ó Luain in 1969. They have one child, their son Caomhán.
Maude dies of complications from cancer at the age of 41 on June 6, 1982. She is buried in Bohernabreena graveyard overlooking the city on the Dublin Mountains.
In 2001, a new writers’ centre in Galway, Ionad Schribhneoiri Chaitlin Maude, Gaillimh, is named in her memory.
Queen Elizabeth II spends the last of her four days in Ireland visiting Cork on May 20, 2011, where she once again is greeted warmly. Despite initial concerns about security, the visit proves to be a huge success for both countries. The Queen’s apology at Dublin Castle for the treatment her government meted out to Ireland over many years is received with enormous positive, emotional response.
Large crowds line the streets in Cork city centre and the Queen is given a tour of the city’s English Market by the Lord Mayor of Cork, Terry Shannon. She meets some stall owners and speaks to members of the public after she leaves the market. There is a carnival atmosphere on the streets of Cork and the visit is more relaxed than many engagements in Dublin.
The Queen indicates she would like to return to Ireland for another visit. TaoiseachEnda Kenny says he invited her to return as she boarded her flight at Cork Airport. Kenny says the Queen told him she and the royal party enjoyed the visit. He pays tribute to everyone involved in the State visit. He says Ireland responded magnificently to the visit, from the President right down to ordinary people, who showed restraint and understanding.
Kenny says the Queen had received a real Irish welcome, which he says demonstrates the importance of a new beginning for both islands. He says that Ireland has measured up to the highest global standards and the county can be proud.
Tánaiste and Minister for Foreign AffairsEamon Gilmore says the visit has enhanced Ireland’s reputation abroad at a time when there are only negative headlines. He says that, because of the visit, the world is finally getting a picture of a country that does things well and that is working through its difficulties.
Sinn Féin President Gerry Adams says that, while expressing concerns about Queen Elizabeth’s visit, he also hopes some good will come from it.
At Cork Airport she walks to her plane passing an army guard of honour and Taoiseach Enda Kenny is there to bid her farewell. The plane departs bringing an end to her four-day State visit.
(From: “Queen Elizabeth II concludes Irish visit,” RTÉ.ie, the website of Raidió Teilifís Éireann, May 20, 2011)
McClean is born on February 12, 1941. Having been abandoned as a baby, he starts life as an orphan at Bethany Home in Dublin. He spends much of his teenage years working on a farm until he becomes bored and enlists in the British Army. After Chay Blyth and John Ridgway row the Atlantic in 1966, he announces to both that he is going to complete this alone.
McClean starts his military career in the Parachute Regiment and then progresses into the Special Air Service (SAS). Following his retirement from military service, he gains fame for numerous feats of endurance. He holds the world record as the first man to row solo across the Atlantic Ocean from west to east which he does in 1969. In 1982 he sails across the Atlantic in the smallest boat to accomplish that crossing. The self-built boat measures 9-feet and 9-inches, and because of the weight of the food takes seven weeks to cross. His record is broken three weeks later by a sailor manning a 9-feet and 1-inch long boat. In response, McClean uses a chainsaw to cut two feet off his own vessel, making it 7-feet and 9-inches long. During the return trip he loses his mast and the journey takes even longer than his first attempt but he regains the record.
He is a survival expert who lives on the island of Rockall from May 26 to July 4, 1985 to affirm the United Kingdom‘s claim to it. This is the third longest human occupancy of the island, surpassed in 1997 by a team from Greenpeace which spends 42 days on the island, and in 2014 by Nick Hancock who spends 45 days there. Two years later, the then 44-year-old McClean sets about regaining his transatlantic rowing record and achieves his goal crossing the Atlantic in 54 days, a record still held.
In 1990 McClean completes a west-east crossing in a 37-foot bottle-shaped vessel, which had been constructed at Market Harborough by Springer Engineering, a firm with a past history of steel fabrication and narrowboat construction. The Typhoo Atlantic Challenger sails from New York to Falmouth, England. This vessel is now preserved at Fort William Diving Centre.
McClean’s most recent feat is the construction, in 1996, of a boat shaped like a giant whale, which completes a circumnavigation of Great Britain. The boat, ‘Moby’ Prince of Whales, stands 25-feet high and 65-feet long. It has a spout which can launch water as high as 6 metres in the air. The Moby Dick, as of 2017, is in the process of conversion to electric power for an Atlantic crossing.
In 1904, Flanagan emigrates to the United States and becomes a US citizen in 1919. He attends Mount St. Mary’s University in Emmitsburg, Maryland, where he receives a Bachelor of Arts degree in 1906 and a Master of Arts degree in 1908. He studies at Saint Joseph’s Seminary in Dunwoodie, Yonkers, New York. He continues his studies in Italy and at the University of Innsbruck in Austria where he is ordained a priest on July 26, 1912. His first parish is in O’Neill, Nebraska, where from 1912 he serves as an assistant pastor at St. Patrick’s Catholic Church. He then moves to Omaha, Nebraska, to serve as an assistant pastor at St. Patrick’s Church and later at St. Philomena’s Church.
In 1917, Flanagan founds a home for homeless boys in Omaha. Bishop Jeremiah James Harty of the Diocese of Omaha has misgivings but endorses Flanagan’s experiment. Because the downtown facilities are inadequate, he establishes Boys Town, ten miles west of Omaha in 1921. Under his direction, Boys Town grows to be a large community with its own boy-mayor, schools, chapel, post office, cottages, gymnasium, and other facilities where boys between the ages of 10 and 16 can receive an education and learn a trade.
Boys Town, a 1938 film starring Spencer Tracy based on Flanagan’s life, wins Tracy an Academy Award for Best Actor for his performance. Mickey Rooney also stars as one of the residents. Tracy spends his entire Oscar acceptance speech talking about Flanagan. Without confirming it with Tracy, an overzealous MGM publicity representative announces incorrectly that Tracy is donating his Oscar to Flanagan. The Academy of Motion Picture Arts and Sciences hastily strikes another inscription, so Tracy keeps his statuette and Boys Town gets one as well. A sequel also starring Tracy and Rooney, Men of Boys Town, is released in 1941.
Flanagan himself appears in a separate 1938 MGM short, The City of Little Men, promoting Boys Town and giving a tour of its facilities. The actor Stephen McNally plays Flanagan in a 1957 episode of the ABC religion anthology series, Crossroads.
Flanagan receives many awards for his work with the delinquent and homeless boys. Pope Pius XI names him a Domestic Prelate with the title Right Reverend Monsignor in 1937. He serves on several committees and boards dealing with the welfare of children and is the author of articles on child welfare. Internationally known, he travels to the Republic of Ireland in 1946, where he is appalled by the children’s institutions there, calling them “a national disgrace.” When his observations are published after returning to Omaha, instead of improving the horrid conditions, vicious attacks are leveled against him in the Irish print media and the Oireachtas. He is invited by General Douglas MacArthur to Japan and Korea in 1947 to advise on child welfare, as well as to Austria and Germany in 1948. While in Germany, he dies of a heart attack on May 15, 1948. He is interred at Dowd Memorial Chapel of the Immaculate Conception Parish in Boys Town, Nebraska.
On February 25, 2012, the Catholic Archdiocese of Omaha, Nebraska opens the canonization process of Flanagan. At a March 17, 2012 prayer service at Boys Town’s Immaculate Conception Church, he is given the title “Servant of God,” the first of three titles bestowed before canonization as a Catholic saint. The investigation is completed in June 2015 and the results forwarded to the Vatican. If the Vatican approves the local findings, Flanagan will be declared venerable. The next steps will be beatification and canonization.
There is a portrait statue dedicated to Fr. Edward J. Flanagan in Ballymoe, County Galway.
Seán Patrick Michael Sherrard, Irish singer and composer better known by his stage name Johnny Logan, is born in the Melbourne suburb of Frankston, Victoria, Australia on May 13, 1954. He is known as being the only performer to have won the Eurovision Song Contest twice, in 1980 and 1987. He also composes the winning song in 1992.
Logan is born while his father, Charles Alphonsus Sherrard, is a Derry-born Irish tenor known by the artistic name Patrick O’Hagan, is touring Australia. The family moves back to Ireland when he is three years old. He learns the guitar and begins composing his own songs by the age of thirteen. On leaving school he apprentices as an electrician, while performing in pubs and cabaret. His earliest claim to fame is starring as “Adam” in the 1977 Irish musical Adam and Eve and “Joseph” in Joseph and the Amazing Technicolor Dreamcoat.
Logan adopts the stage name Johnny Logan after the main character of the film Johnny Guitar and releases his first single in 1978. He first attempts to participate in the Eurovision Song Contest in 1979, when he places third in the Irish National Final with the song “Angie.” Readers of The Connaught Telegraph in Ireland vote him as “Best New Male Artist.”
In 1980, Logan again enters the Irish National selection for the Eurovision Song Contest with the Shay Healy song “What’s Another Year,” winning the Irish final on March 9 in Dublin. Representing Ireland in the Netherlands, he wins the Eurovision Song Contest on April 19. The song becomes a hit all over Europe and reaches number one in the UK.
In 1987, Logan makes another attempt at Eurovision and with his self-penned song, “Hold Me Now,” representing Ireland at the Eurovision Song Contest in Belgium. The song wins the contest, and he becomes the first person to win the contest twice.
Having composed the Irish Eurovision Song Contest 1984 entry for Linda Martin, “Terminal 3” (which finishes in second place), Logan repeats the collaboration in 1992 when he gives Martin another of his songs, “Why Me?” The song becomes the Irish entry at the finals in Sweden. The song takes the title and cements Logan as the most successful artist in Eurovision history with three wins.
Logan continues to perform and write songs. He is sometimes referred to as “Mister Eurovision” by fans of the contest and the media at large. He has continued his love of participating in musical theatre, having toured Norway with Which Witch, an opera-musical originating in that country. He continues to have success, particularly in the Scandinavian countries. His 2007 album, The Irish Connection, goes platinum in Denmark, twice platinum in Norway and gold in Sweden. He performs in the Celtic rock opera Excalibur from 2009 to 2011.
“Barry’s is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else in its diamond-like hardness, its humour, and sometimes, its violence.” He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his television operaThe Triumph of Beauty and Deceit:
“It seemed to me unprecedented: the combination of the ferociously objective treatment of the material and the intense passion of the working-out, and both at an extreme of brilliance. And the harmony – that there was harmony at all, and that it was so beautiful and lapidary. It functions, again, irrationally, but powerfully, to build tension and to create structure. It wasn’t just repetitive. It builds. And the virtuosity, the display of it, that combination of things seemed, to me, to be new, and a major way forward.”
Barry’s most recent opera, The Importance of Being Earnest, has become a huge success after its world premiere at Los Angeles and European premiere at the Barbican Centre, London. A critic comments:
“He writes ‘what he likes’ in the way Strindberg does, not trying to characterise his characters, but letting them perform his own specialties, a kind of platform for his own musical specialties. As in Strindberg where you feel every sentence stands for itself and the characters are sort of borrowed for the use of saying them (borrowed to flesh out the text, rather than the other way round), that they’ve been out for the day. In Gerald’s opera the whole apparatus – for that’s what it is – takes on a kind of surrealistic shape, like one person’s torso on someone else’s legs being forced to walk, half the characters in the opera and half the composer.”
It is written in The Irish Times that “no other Irish composer springs to mind who carries the same aura of excitement and originality or whose music means so much to such a wide range of listeners. Certainly, there has been no Irish premiere that has made the impression of The Conquest of Ireland since Barry’s opera The Intelligence Park was seen at the Gate Theatre in 1990.”
In a 2013 guide to Barry’s musical output, Tom Service of The Guardian praises Chevaux-de-frise (1988), The Bitter Tears of Petra von Kant (2005), Lisbon (2006), Beethoven (2008), and The Importance of Being Earnest (2012).
seamus dubhghaill 