Seán Patrick Michael Sherrard, Irish singer and composer better known by his stage name Johnny Logan, is born in the Melbourne suburb of Frankston, Victoria, Australia on May 13, 1954. He is known as being the only performer to have won the Eurovision Song Contest twice, in 1980 and 1987. He also composes the winning song in 1992.
Logan is born while his father, Charles Alphonsus Sherrard, is a Derry-born Irish tenor known by the artistic name Patrick O’Hagan, is touring Australia. The family moves back to Ireland when he is three years old. He learns the guitar and begins composing his own songs by the age of thirteen. On leaving school he apprentices as an electrician, while performing in pubs and cabaret. His earliest claim to fame is starring as “Adam” in the 1977 Irish musical Adam and Eve and “Joseph” in Joseph and the Amazing Technicolor Dreamcoat.
Logan adopts the stage name Johnny Logan after the main character of the film Johnny Guitar and releases his first single in 1978. He first attempts to participate in the Eurovision Song Contest in 1979, when he places third in the Irish National Final with the song “Angie.” Readers of The Connaught Telegraph in Ireland vote him as “Best New Male Artist.”
In 1980, Logan again enters the Irish National selection for the Eurovision Song Contest with the Shay Healy song “What’s Another Year,” winning the Irish final on March 9 in Dublin. Representing Ireland in the Netherlands, he wins the Eurovision Song Contest on April 19. The song becomes a hit all over Europe and reaches number one in the UK.
In 1987, Logan makes another attempt at Eurovision and with his self-penned song, “Hold Me Now,” representing Ireland at the Eurovision Song Contest in Belgium. The song wins the contest, and he becomes the first person to win the contest twice.
Having composed the Irish Eurovision Song Contest 1984 entry for Linda Martin, “Terminal 3” (which finishes in second place), Logan repeats the collaboration in 1992 when he gives Martin another of his songs, “Why Me?” The song becomes the Irish entry at the finals in Sweden. The song takes the title and cements Logan as the most successful artist in Eurovision history with three wins.
Logan continues to perform and write songs. He is sometimes referred to as “Mister Eurovision” by fans of the contest and the media at large. He has continued his love of participating in musical theatre, having toured Norway with Which Witch, an opera-musical originating in that country. He continues to have success, particularly in the Scandinavian countries. His 2007 album, The Irish Connection, goes platinum in Denmark, twice platinum in Norway and gold in Sweden. He performs in the Celtic rock opera Excalibur from 2009 to 2011.
“Barry’s is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else in its diamond-like hardness, its humour, and sometimes, its violence.” He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his television operaThe Triumph of Beauty and Deceit:
“It seemed to me unprecedented: the combination of the ferociously objective treatment of the material and the intense passion of the working-out, and both at an extreme of brilliance. And the harmony – that there was harmony at all, and that it was so beautiful and lapidary. It functions, again, irrationally, but powerfully, to build tension and to create structure. It wasn’t just repetitive. It builds. And the virtuosity, the display of it, that combination of things seemed, to me, to be new, and a major way forward.”
Barry’s most recent opera, The Importance of Being Earnest, has become a huge success after its world premiere at Los Angeles and European premiere at the Barbican Centre, London. A critic comments:
“He writes ‘what he likes’ in the way Strindberg does, not trying to characterise his characters, but letting them perform his own specialties, a kind of platform for his own musical specialties. As in Strindberg where you feel every sentence stands for itself and the characters are sort of borrowed for the use of saying them (borrowed to flesh out the text, rather than the other way round), that they’ve been out for the day. In Gerald’s opera the whole apparatus – for that’s what it is – takes on a kind of surrealistic shape, like one person’s torso on someone else’s legs being forced to walk, half the characters in the opera and half the composer.”
It is written in The Irish Times that “no other Irish composer springs to mind who carries the same aura of excitement and originality or whose music means so much to such a wide range of listeners. Certainly, there has been no Irish premiere that has made the impression of The Conquest of Ireland since Barry’s opera The Intelligence Park was seen at the Gate Theatre in 1990.”
In a 2013 guide to Barry’s musical output, Tom Service of The Guardian praises Chevaux-de-frise (1988), The Bitter Tears of Petra von Kant (2005), Lisbon (2006), Beethoven (2008), and The Importance of Being Earnest (2012).
Quinn founds the national supermarket chain Superquinn (originally Quinn’s Supermarkets), of which he remains non-executive president for some years after his family sells out their interest in August 2005 for over €400 million. Superquinn is known for its focus on customer service and pioneers a number of innovations, including Ireland’s first supermarket loyalty card in 1993, SuperClub. It also introduces self-scanning of goods by customers in a number of its outlets. Superquinn becomes the first supermarket in the world to guarantee the absolute traceability of all its beef from pasture to plate, using DNA TraceBack, a system developed at Trinity College, Dublin by IdentiGEN.
Quinn becomes the chairman of the Interim Board for Posts and serves as chairman of its successor An Post (the Irish postal administration) until 1989. He also serves on several other public authorities and boards. From 1993 to 1998, he chairs the steering committee which oversees the development of the Leaving Certificate Applied. In 2006, he is appointed an Adjunct Professor in Marketing at National University of Ireland Galway. He is also chairman of Springboard Ireland.
Quinn is a former President of EuroCommerce, the Brussels-based organisation which represents the retail, wholesale and international trade sectors in Europe. He also serves on the board of directors of CIES, the Food Business Forum based in Paris, as well as the American-based Food Marketing Institute.
In 2009, Quinn works with independent shops and helps them to revamp, modernise and stave off stiff competition from multi-national retailers. It airs as RTÉ‘s six-part television series, Feargal Quinn’s Retail Therapy. A second series airs in 2011, and a third series airs in 2012. In 2011, he fronts RTÉ’s Local Heroes campaign in Drogheda, County Louth, which is an assembled team of experts to kick-start the local economy. It airs as RTÉ One‘s six-part television series, Local Heroes – A Town Fights Back.
Quinn is first elected as a senator in 1993 from the National University of Ireland constituency and is re-elected in 1997, 2002, 2007 and 2011. He is a member of the Joint Oireachtas Committee on European Affairs, the Joint Committee on Finance and Public Service and is an Oireachtas member of the National Economic and Social Forum, along with the Joint Committee on Jobs and Innovation.
Quinn is one of the co-founders and is a driving force behind Democracy Matters – a civil society group that is formed to oppose the Government’s plans to abolish Seanad Éireann. In May 2013, with Senators Katherine Zappone and Mary Ann O’Brien, he introduces the Seanad Bill 2013 to reform the system of electing the elected members of Seanad Éireann (as provided for in Article 18.10 of the Constitution of Ireland) through a one-person, one vote franchise. The Seanad Bill 2013 succeeds in being passed at Second Stage in the Seanad. During the Seanad abolition referendum campaign, the Bill demonstrates to the electorate, in a very palpable way, that reform of the Seanad is achievable if they vote for its retention. In a referendum held in October 2013 on the Abolition of Seanad Éireann, the people vote to retain the Seanad by 51.7%.
In 2014, Quinn reveals that since being first elected to Seanad Éireann, he has donated his entire salary to charity and in more recent years he has refused to accept any salary. In March 2015, he opposes the Marriage Equality bill in the Seanad, and votes ‘No’ in the referendum. He serves as Chairman of the Independent Alliance. He does not contest the 2016 Seanad election.
Quinn dies peacefully at his home in Howth, County Dublin, on April 24, 2019, following a short illness. His funeral Mass takes place at St. Fintan’s Church in Sutton, Dublin. In attendance is PresidentMichael D. Higgins, a representative for TaoiseachLeo Varadkar, Minister for Children Katherine Zappone, Senator Michael McDowell, and a host of other current and former politicians, business figures, and past colleagues of the “Superquinn family.” Fittingly, the coffin is carried from the church to the tune of Frank Sinatra’s “My Way.”
The contract to build USS The Sullivans is awarded to Bath Iron Works in Bath, Maine on April 8, 1992, and her keel is laid down on July 27, 1994. She is launched on August 12, 1995, and sponsored by Kelly Ann Sullivan Loughren, granddaughter of Albert Sullivan. The ship is commissioned on April 19, 1997, with Commander Gerard D. Roncolato in command. Upon her commissioning, the ship is given the motto that is thought to have been spoken by the brothers when asked to separate during World War II, “We Stick Together.”
On April 26, 1997, USS The Sullivans departs New York City for Norfolk, Virginia, where, after arriving on April 27, the crew completes underway replenishment qualifications with USS Platte (AO-186). The warship then sails for Naval Station Mayport in Jacksonville, Florida, on April 29 and arrives in her new homeport on May 2. After completing two days of gunnery trials in mid-May, USS The Sullivans embarks upon her shakedown deployment to the West Indies on May 27.
Members of al-Qaeda attempt an attack on USS The Sullivans while in port at Aden, Yemen on January 3, 2000, as a part of the 2000 millennium attack plots. The plan is to load a boat full of explosives and detonate it near USS The Sullivans; however, the boat is so overladen that it sinks. Later, al-Qaeda attempts the same type of attack a second time, successfully bombing USS Cole (DDG-67) on October 12, 2000.
In February 2002 USS The Sullivans deploys with the USS John F. Kennedy carrier battle group to the Arabian Sea in support of Operation Enduring Freedom.
On September 14, 2020, it is announced that USS The Sullivans will be part of HMS Queen Elizabeth‘s Task Group for the GROUPEX and Joint Warrior exercises. On January 19, 2021, a declaration confirms that USS The Sullivans will form part of the escort for HMS Queen Elizabeth during her first active deployment as part of the UK Carrier Strike Group in 2021.
(Photo: U.S. Navy photo of USS The Sullivans on the Mediterranean Sea in July 2002 by Photographer’s Mate 1st Class Jim Hampshire)
Margaret Hassan, Irish-born aid worker also known as “Madam Margaret,” is born Margaret Fitzsimons in Dalkey, County Dublin on April 18, 1945. She works in Iraq for many years until she is abducted and murdered by unidentified kidnappers in Iraq in 2004. Her remains have never been recovered.
Soon after the end of World War II Hassan’s family moves to London, where she spends most of her early life and where her younger siblings are born. At the age of 27, she marries Tahseen Ali Hassan, a 29-year-old Iraqi studying engineering in the United Kingdom. She moves to Iraq with him in 1972, where she begins work with the British Council of Baghdad, teaching English. Eventually she learns Arabic and becomes an Iraqi citizen.
During the early 1980s, Hassan becomes the assistant director of studies at the British Council, later becoming director. Meanwhile, her husband works as an economist. She remains in Baghdad during the 1991 Gulf War, although the British Council suspends operations in Iraq, and she is left jobless at the end of it.
Hassan joins humanitarian relief organisation CARE International in 1991. Sanitation, health, and nutrition become major concerns in the sanctioned Iraq. She is crucially involved in bringing leukemia medicine to child cancer victims in Iraq in 1998. She becomes a vocal critic of the United Nations restrictions. She is opposed to the United States invasion of Iraq in 2003, arguing that the Iraqis are already “living through a terrible emergency. They do not have the resources to withstand an additional crisis brought about by military action.”
By 2004, Hassan is head of Iraqi operations for CARE. Well known in many of Baghdad’s slums and other cities, she is especially interested in Iraq’s young people, whom she calls “the lost generation.” Her presence draws large crowds of locals.
Hassan is kidnapped in Baghdad on October 19, 2004, and is killed some weeks later on November 8. In a video released of her in captivity she pleads for help and begs British Prime MinisterTony Blair to remove British troops from Iraq. She adds that she does not “want to die like Mr. Bigley,” a reference to Kenneth Bigley, who had been executed in Iraq only weeks earlier.
Patients of an Iraqi hospital take to the streets in protest against the hostage takers’ actions. On October 25, between 100 and 200 Iraqis protest outside CARE’s offices in Baghdad, demanding her release. Prominent elements of the Iraqi insurgency and Iraqi political figures condemn the kidnapping and call for her release. On November 2, Al Jazeera reports that the kidnappers threatened to hand her over to the group led by Abu Musab al-Zarqawi and who is responsible for the execution of Bigley. On November 6, a statement purportedly from al-Zarqawi appears on an Islamist website calling for the release of Hassan unless the kidnappers have information she is aligned with the invading coalition. The statement cannot be authenticated and Hassan’s whereabouts in the video are unknown.
On 15 November, U.S. Marines in Fallujah uncover the body of an unidentified blonde- or grey-haired woman with her legs and arms cut off and throat slit. The body cannot be immediately identified, but is thought unlikely to be Hassan, who has brown hair. There is one other western woman known missing in Iraq at the time the body is discovered, Teresa Borcz Khalifa, a Polish-born long-time Iraqi resident. Khalifa is released by her hostage takers on November 20.
On November 16, CNN reports that CARE has issued a statement indicating that the organisation is aware of a videotape showing Hassan’s execution. Al-Jazeera reports that it has received a tape showing Hassan’s murder but is unable to confirm its authenticity. The video shows Hassan being shot with a handgun by a masked man. It is not known who is responsible for Hassan’s abduction and murder. The group holding her never identifies itself in the hostage videos.
CARE International suspends operations in Iraq because of Hassan’s kidnapping. At least eight other women kidnapped by insurgents during the conflict are released unharmed by their captors. It is unclear why Hassan, who was opposed to the war, lived in Iraq for many years, held Iraqi citizenship, was married to an Arab Muslim and spoke fluent Arabic was killed.
On May 1, 2005, three men are questioned by Iraqi police in connection with the murder. On June 5, 2006, news reports emerge that an Iraqi man by the name of Mustafa Salman al-Jubouri has been sentenced to life imprisonment for “aiding and abetting the kidnappers” but two other men are acquitted. Al-Jubouri appeals this sentence and is given a shorter imprisonment.
An Iraqi man named Ali Lutfi Jassar al-Rawi, also known as Abu Rasha, an architect from Baghdad, is arrested by Iraqi and U.S. forces in 2008 after contacting the British Embassy in Baghdad and attempting to extort 1 million dollars in return for disclosing the location of Hassan’s body. Though Jassar signs statements confessing to the charges, he pleads not guilty, stating he was forced to sign them after receiving beatings and electrical shocks during questioning.
On June 2, 2009, the Press Association reports that Jassar is given a life sentence by Baghdad’s Central Criminal Court for being involved in Hassan’s abduction and murder, and for attempting to blackmail the British Embassy. Hassan’s family welcomes the court’s decision but pleads with Jassar to tell them where her body is so they can return her to Britain for burial. On July 14, 2010, a day before Jassar is due to appear in court for retrial, it is reported that he could not be located in the prison facility where he was being held. He had been missing for a month.
Herzog joins the British Army during World War II, operating primarily in Germany as a tank commander in the Armoured Corps. There, he is given his lifelong nickname of “Vivian” because the British could not pronounce the name, “Chaim.” A Jewish soldier had volunteered that “Vivian” is the English equivalent of “Chaim.”
After leaving the army, Herzog opens a private law practice. He returns to public life when the Six-Day War breaks out in 1967, serving as a military commentator for Kol Yisrael radio news. Following the capture of the West Bank, he is appointed Military Governor of East Jerusalem, and Judea and Samaria.
Herzog enters politics in the 1981 elections, winning a Knesset seat as a member of the Alignment. Two years later, in March 1983, he is elected to the largely ceremonial role of President. He serves two five-year terms before retiring in 1993. He dies on April 17, 1997, and is buried on Mount Herzl, Jerusalem. His son, Isaac Herzog, leads the Israeli Labour Party and the parliamentary Opposition in the Knesset from 2013 to 2018.
The play is the first in O’Casey’s “Dublin Trilogy” – the other two being Juno and the Paycock (1924) and The Plough and the Stars (1926). It is set in Dublin in May 1920 during the Irish War of Independence and centres on the mistaken identity of a building tenant who is thought to be an Irish Republican Army (IRA) assassin. Each act takes place in Seumus Shield’s room in a tenement in Hilljoy Square.
Donal Davoren is a poet who has come to room with Seumus Shields in a poor, Dublin tenement slum. Many of the residents of the tenement mistake Donal for an IRA gunman on the run. Donal does not refute this notoriety, especially when it wins him the affection of Minnie Powell, an attractive young woman in the tenement. Meanwhile, Seumus’ business partner, Mr. Maguire, drops a bag off at Seumus’ apartment before participating in an ambush in which he is killed. Seumus believes the bag to contain household items for re-sale. The city is put under curfew as a result of the ambush. The Black and Tans raid the tenement and, at that point, Donal and Seumus discover the bag is full of Mills bombs. Minnie Powell takes the bag and hides it in her own room. The Black and Tans find nothing of note in Seumus’ room, but arrest Minnie Powell, who is later shot and killed trying to escape.
In the music video for Northern Irish rock/pop band The Adventures song “Send My Heart” (1984), the lead character is seen trying out for a version of the play.
Donovan is born in Galway in 1966. He organises and is first to complete the inaugural South Pole Marathon in January 2002, then completes the first marathon-length run at the North Pole in April of that year in a time of 3:48:12. He uses the publicity from this to launch his North Pole Marathon venture, offering runners an adventure tourism experience, with the 2018 event costing €16,000.
Between January 30 and February 5, 2009, Donovan claims a world’s best for running seven marathons, on seven different continents, in fewer than seven days. Starting February 1, 2012 he improves on this by completing the 7 on 7 in under 120 hours.
Donovan also completes transcontinental runs across North America in 2015 and Europe in 2016, adding South America in 2017. In addition to the North Pole Marathon, he organizes a number of other commercial events.
After the Irish Free State is formed and the Irish Civil War is concluded, the new state sets up a single radio channel named 2RN in 1926, launched by Douglas Hyde. The channel, operating out of Dublin, largely serves the Anglosphere population and at best reaches as far as County Tipperary, a situation that does not change until more powerful transmitters are adopted in the 1930s at Athlone.
In 1943, de Valera, at the time serving as Taoiseach and whose wife Sinéad Ní Fhlannagáin is a keen Conradh na Gaeilge activist, promotes the idea of a Gaeltacht station, but there is no breakthrough. By this time, 2RN has become Radio Éireann and still only has one channel, with limited broadcasting hours, often in competition for listeners with BBC Radio and Radio Luxembourg.
In the 1950s, a general liberalisation and commercialisation, indeed Americanisation begins to occur in Ireland, as a push is made to move Ireland from a rural-agrarian society with a protectionist cultural policy towards a market economy basis, with supply and demand the primarily basis of public communications. In 1960, RTÉ is established, and direct control of communications moves from a government ministry position to a non-governmental RTÉ Director-General position, first filled by Edward Roth
Gerry Collins, the Minister for Posts and Telegraphs, announces in Dáil Éireann in February 1971 that a new radio station for the Gaeltacht will be created. Raidió na Gaeltachta begins broadcasting at 3:00 PM on April 2, 1972, as part of an Easter Sunday programming. During the very first broadcast, the main station at Casla, County Galway is not yet finished and the studios in County Kerry and County Donegal are still under construction, so the broadcast originates from Galway. The first Ceannaire (Controller) Pádraic Ó Raghallaigh opens the show, which is followed by a recording from President Éamon de Valera. A recording of Seán Ó Riada‘s Irish language Mass, Ceol an Aifrinn, from the Seipéal Mhic Dara at Carraroe is also played.
At foundation, the station begins with a staff of seven, including six former teachers and a businessman, and broadcasts for only two hours a day and is only available in or near the three largest Gaeltacht districts. The local studio at Derrybeg in Gweedore, County Donegal aids the native Irish music scene there. In the 1970s, Raidió na Gaeltachta gives early coverage to Clannad and Mairéad Ní Mhaonaigh, later the singer for Altan. These groups gain popularity not only in Ireland, but on the international stage, selling millions of records during the 1980s especially. The station is dedicated to bringing the listener general news, both national and international, as well as Gaelic sports coverage and more localised affairs of significance to the community in the Gaeltacht.
For many years RnaG is the only Irish language broadcaster in the country. In recent years it has been joined by a television service, Telefís na Gaeilge (TG4), and by regional community radio stations Raidió na Life in Dublin, Raidió Fáilte in Belfast, and Raidió Rí-Rá.
O’Nolan writes prodigiously during his years as a student at University College, Dublin (UCD), where he is an active, and controversial, member of the well-known Literary and Historical Society. He contributes to the student magazine Comhthrom Féinne (Fair Play) under various guises, in particular the pseudonym Brother Barnabas. Significantly, he composes a story during this same period titled “Scenes in a Novel (probably posthumous) by Brother Barnabas”, which anticipates many of the ideas and themes later to be found in his novel At Swim-Two-Birds.
In 1934 O’Nolan and his student friends found a short-lived magazine called Blather. The writing here, though clearly bearing the marks of youthful bravado, again somewhat anticipates O’Nolan’s later work, in this case his Cruiskeen Lawn column as Myles na gCopaleen. Having studied the German language in Dublin, he may have spent at least parts of 1933 and 1934 in Germany, namely in Cologne and Bonn, although details are uncertain and contested.
A key feature of O’Nolan’s personal situation is his status as an Irish government civil servant, who, as a result of his father’s relatively early death, is obliged to support ten siblings, including an elder brother who is an unsuccessful writer. Given the desperate poverty of Ireland in the 1930s to 1960s, a job as a civil servant is considered prestigious, being both secure and pensionable with a reliable cash income in a largely agrarian economy. The Irish civil service is fairly strictly apolitical, prohibiting Civil Servants above the level of clerical officer from publicly expressing political views. This fact alone contributes to his use of pseudonyms, though he had started to create character-authors even in his pre-civil service writings. He rises to be quite senior, serving as private secretary to Seán T. O’Kelly and Seán McEntee.
Although O’Nolan is a well-known character in Dublin during his lifetime, relatively little is known about his personal life. On December 2, 1948, he marries Evelyn McDonnell, a typist in the Department of Local Government. On his marriage he moves from his parental home in Blackrock to nearby Merrion Street, living at several further locations in South Dublin before his death. The couple has no children.
O’Nolan is an alcoholic for much of his life and suffers from ill health in his later years. He suffers from throat cancer and dies from a heart attack in Dublin on the morning of April 1, 1966. He is buried in Deans Grange Cemetery in Dublin.
