Sterling’s post in Ireland ends on March 7, 1934, when he becomes U.S. minister to Bulgaria, a position he remains in until 1936. In 1937, he is appointed to minister roles for both Latvia and Estonia, however he does not accept the post. In 1938, he becomes U.S. minister to Sweden and remains in that role until 1941.
De Valera knows of O’Neill’s reputation as a historian and asks him to undertake the project. A contract is signed with the publishers in 1963, and O’Neill moves to Áras an Uachtaráin to work on the book. He is later joined by Lord Longford as co-author.
O’Neill’s other works include a biography in Irish of James Fintan Lalor and a major study of the Great Famine, which establishes his reputation as a historian.
After the completion of the de Valera work, O’Neill is appointed lecturer and later professor of history in University College, Galway. On his retirement, he returns to live in Dublin, where he renews his association with the National Library, becoming a strong supporter of its expansion.
O’Neill is survived by his wife, Marie, and six children. His funeral Mass takes place at St. Joseph’s Church on March 5, followed by his interment at Shanganagh Cemetery.
(From: “Biographer of de Valera dies at 74,” The Irish Times, Monday, March 4, 1996)
As EU delegates discuss the Union’s budget and Europe‘s farming subsidies, the two prime ministers vow to battle on with the peace deal’s outstanding problems.
“We’re very clear on what we have to do in the Good Friday agreement … we have just got to keep pushing the thing forward as well as we possibly can,” says Blair.
Both Ahern and Blair say the way forward on the outstanding deadlocked issue of paramilitary disarmament is through the official decommissioning commission. Chaired by former Canadian General John de Chastelain, the international commission is working to take arms out of the province’s political arena.
The republican party Sinn Féin insists it is fully cooperating with the commission, which is implementing the final deadline for the handover of arms in May 2000. But some Ulster Unionists oppose further peace moves because of the Irish Republican Army‘s (IRA) failure to begin disarming.
According to Ahern and Blair, the following few weeks will be a key time to try and finalise disarmament issues.
“During the month of March … we can conclude the central aspects,” says Blair.
However, in a separate development on February 26, the chairman of the IRA’s political wing, Sinn Féin’s Mitchel McLaughlin, warns that pressure on disarmament could cause irreparable damage to the fragile peace process. He adds that disarmament should not become a litmus test for progress.
“Those who are now demanding prior decommissioning before we move to setting up the executive are reneging on the Good Friday Agreement,” says McLaughlin in an interview with BBC Radio.
(From BBC News Online Network, Friday, February 26, 1999 | Pictured: Bertie Ahern with Tony Blair at the signing of the Good Friday Agreement in April 1998)
Jordan is educated at St. Paul’s College, Raheny. Later, Jordan attends University College Dublin, where he studies Irish history and English literature. He is raised a Catholic and is quite religious during the early stages of his life. Regarding his current beliefs, he states that “God is the greatest imaginary being of all time. Along with Einstein‘s General Theory of Relativity, the invention of God is probably the greatest creation of human thought.”
When John Boorman is filming Excalibur in Ireland, he recruits Jordan as a “creative associate.” A year later Boorman is executive producer on Jordan’s first feature, Angel, a tale of a musician caught up in the Troubles, starring Stephen Rea who subsequently appears in almost all of Jordan’s films to date. During the 1980s, he directs films that win him acclaim, including The Company of Wolves and Mona Lisa, both made in England. The Company of Wolves becomes a cult favorite.
As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We’re No Angels to a variety of more personal, low-budget arthouse pictures. He is also the driving force behind the cable TV series The Borgias.
Unconventional sexual relationships are a recurring theme in Jordan’s work, and he often finds a sympathetic side to characters that audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, follows two characters who struggle to resist a strong, incestuous attraction, while The Crying Game makes complicated, likable characters out of an IRA volunteer and a transgender woman. Interview with the Vampire, like the Anne Rice book it is based on, focuses on the intense, intimate interpersonal relationship of two undead men who murder humans nightly, accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience’s sympathy despite their predatory nature.
In addition to the unusual sexuality of Jordan’s films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character, both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with The Crying Game being a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such as The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits, Interview with the Vampire, and In Dreams.
The critical success of Jordan’s early pictures leads him to Hollywood, where he directs High Spirits and We’re No Angels. Both are critical and financial disasters. He later returns home to make the more personal The Crying Game, which is nominated for six Academy Awards. Jordan wins the Academy Award for Best Original Screenplay for the film. Its unexpected success leads him back to American studio filmmaking, where he directs Interview with the Vampire. He also directs the crime drama The Brave One starring Jodie Foster.
The Stardust nightclub in Artane, Dublin goes up in flames in the early hours of February 14, 1981. Some 841 people had attended a disco there, of whom 48 die and 214 are injured as a result of the fire.
The fire starts due to an electrical fault in a first-floor storeroom inside the building that is open to the roof space. The non-compliant storage room contains dangerously flammable materials including drums of cooking oil. The staff observes a small fire outbreak on a seat in an alcove behind a curtain and fail in an attempt to extinguish it. This fire apparently starts after fire in the roof space comes through the roof tiles and falls onto the seat. The fire then spreads to tables and chairs and patrons notice smoke. The disc jockey announces that there is a small fire and requests a calm evacuation.
Outside, the fire is first spotted by a lady 200 metres from the Stardust and she calls the Dublin Fire Brigade. Within the same minute of her call, two other calls are made from the Stardust building to tell the Fire Brigade that there is a small fire on a seat in the ballroom. The fire is very small when first seen in the ballroom. Within two minutes a ferocious burst of heat and lots of thick black smoke quickly start coming from the ceiling, causing the material in the ceiling to melt and drip on top of patrons and other highly flammable materials including the seats and carpet tiles on the walls. The fire flashover envelopes the club and the lights fail.
The attendees at a trade union function taking place in the same building make their escape but the escape of some of the Stardust patrons is hampered by a number of obstructions. Some of the main fire exits are padlocked around the push bars and consequently are impossible to open.
The failure of the lighting in the club leads to widespread panic causing mass trampling as many of the patrons instinctively run for the main entrance. Many people mistake the entrance to the men’s toilets for the main entrance doors but the windows there have metal plates fixed on the inside and iron bars on the outside. Firemen attempt in vain to pull off the metal bars using a chain attached to a fire engine. Firemen rescue 25 to 30 of those trapped in the front toilets.
The investigation at the time reports that the cause of the fire is arson. The finding of arson has recently been ruled out by investigators, as there was never any evidence to support the arson finding, even at the time of the tragedy.
There are allegations of a huge cover-up as to the cause of so many fatalities. There is a meeting before the public inquiry in 1981 of all of the experts including the Judge when the concept of arson is determined to be the cause to protect the Dublin Corporation from having to pay out millions in compensation to the victims and families. The Coolock Garda investigation is excellent, but the Tribunal distorts the evidence. The Inquiry Report and the team of experts and coached witnesses conspire to conceal the truth and determine arson to be the cause without any evidence.
The club was located where Butterly Business Park now lies, opposite Artane Castle Shopping Centre.
On February 11, 1922, Irish Republican Army (IRA) volunteers stop a group of Ulster Special Constabulary (USC) constables on a train at Clones, County Monaghan, a short distance into Southern territory in an event recorded in history as the “Clones Ambush.” A gunfight begins in which one IRA officer and four USC constables are killed. The remaining USC constables are captured.
On January 22, the UlsterGaelic Football Final is played in Derry. The previous evening six cars leave Monaghan to bring the Monaghan players to Derry, many of the members of the team being members of the IRA. They are stopped by a B Specials (Ulster Special Constabulary) check point at Dromore station. After a search the Specials discover weapons in the cars and arrest ten of the men. The IRA men are led by Dan Hogan O/C of the Fifth Northern Division. The men are taken to Omagh and interned.
The IRA waits impatiently for a chance at reprisal and on February 11, a group of Irish Republican Army volunteers attempt to ambush a party of Ulster Special Constabulary policemen travelling on a train through Clones. The volunteers enter a carriage of a train and order the Specials to put their hands up. IRA Commandant Matthew Fitzpatrick is shot and killed in the ensuing fight and five members of the Specials, Doherty, McMahon, McCullough, Lewis and McFarland are shot and killed. Several members of the Specials run down the track and cross the border into Fermanagh. The few remaining B Specials on the train decide to surrender and are arrested.
The IRA lifts the body of the Commandant Fitzpatrick and it is attended to by Monsignor E.C. Ward who gives him his Last Rites.
The Clones railway station is on the Dundalk and Enniskillen Railway. The Dundalk and Enniskillen Railway opens the station on June 26, 1858. The station closes on October 1, 1957.
(Photo: Clones Train Station, Co Monaghan, caught in mid-demolition by photographer James O’Dea on November 22, 1960)
Manx2 Flight 7100 (NM7100/FLT400C), a scheduled commercial flight from George Best Belfast City Airport in Belfast, Northern Ireland, to Cork Airport in Cork, County Cork, crashes on February 10, 2011 on its third attempt to land at Cork Airport, which is experiencing dense fog at the time. The aircraft is carrying ten passengers and two crew. Six people, including both pilots, perish in the crash. Six passengers survive, four receiving serious injuries, while two are described as walking wounded.
After two aborted landing attempts, the flight crew enters a holding pattern and maintains an altitude of 3,000 feet. During the hold the flight crew requests weather conditions for Waterford Airport which are below minima. The flight crew nominates Shannon Airport as their alternate and requests the latest weather. Again the weather there is below minima. Weather for Dublin Airport is passed on to the flight crew and is also below minima. Cork Approach informs the flight crew about weather conditions at Kerry Airport which are “good” with 10 km visibility. The decision is made to make a third attempt at Cork Airport.
The approach is continued beyond the Outer Marker (OM), the commander takes over operation of the Power Levers. Descent is continued below the Decision Height (DH). A significant reduction in power and significant roll to the left follows, just below 100 feet, a third go-around is called by the commander which the co-pilot acknowledges. Coincident with the application of go-around power by the commander, control of the aircraft is lost. The aircraft rolls rapidly to the right beyond the vertical which brings the right wingtip into contact with the runway surface. The aircraft continues to roll and impacts the runway inverted. The stall warning sounds continuously during the final seven seconds of the Cockpit Voice Recorder (CVR) recording.
At 09:50:34 following both initial impacts the aircraft continues inverted for an additional 207 yards and comes to a rest in soft ground to the right of the runway. During this time the Emergency Locator Transmitter (ELT) begins to sound in the control tower at Cork Airport. Post impact fires ensue in both engines and from fuel leaking from the outboard right fuel tank. The fires are put out by the Airfield Fire Service (AFS) before they reach the fuselage. A witness inside the airport terminal building states that the fog is so thick that the crashed aircraft could not be seen. The Airport Fire Service extinguish both post impact fires within ten minutes of the accident and begin to remove the casualties from the wreckage. The injured are taken to Cork University Hospital for treatment. As a result of the accident, Cork Airport is closed until the evening of February 11 and all flights are diverted.
The final report on the incident is sent to the bereaved families and the six survivors over a week in advance of its official release on January 28, 2014, almost three years after the crash. The report states that the probable cause of the accident is loss of control during an attempted go-around below decision height in instrument meteorological conditions. It notes that there is an inappropriate pairing of flight crews, inadequate command training and checking and inadequate oversight of the chartered operation by the operator and the operator’s state as contributory factors in the accident.
Coll is born in Gweedore, County Donegal, on July 20, 1908. When he is not quite one year old, the Coll family emigrates to New York in search of a better life. At age 12, he is sent to a reform school. After being expelled from multiple Catholic reform schools, he joins The Gophers street gang. He joins up with Dutch Schultz‘s gang and quickly rises through the ranks. By the late 1920s he is working as an armed guard for the illegal beer delivery trucks of Schultz’s mob.
Coll is a loose cannon, and Schultz soon grows tired of his reckless behavior. In 1929, Coll robs a dairy in the Bronx of $17,000 without Schultz’s permission. When Schultz confronts him about the robbery, rather than being apologetic, Coll demands he be made an equal partner.
By January 1930 Coll has formed his own gang and is engaged in a shooting war with Schultz. One of the earliest victims is Peter Coll, shot dead on May 30, 1931, while driving down a Harlem street. Coll goes into a rage of grief and vengeance. Over the next three weeks he guns down four of Schultz’s men. In all, around 20 men are killed in the bloodletting. The exact figure is hard to pin down as New York is also in the midst of the vicious Castellammarese War at the same time. It is mayhem on the streets of Manhattan and the police often have difficulty in deciding which corpse belongs to which war.
On July 28, 1931, Coll allegedly participates in a kidnapping attempt that results in the shooting death of a child. His target is bootleggerJoseph Rao, a Schultz underling who is lounging in front of a social club. Several children are playing outside a nearby apartment house. A large touring car pulls up to the curb, and several men point shotguns and submachine guns towards Rao and start shooting. Rao throws himself to the sidewalk, however, and four young children are wounded in the attack. One of them, five-year-old Michael Vengalli, later dies at Beth David Hospital. After the Vengalli killing, New York City MayorJimmy Walker dubs Coll a “Mad Dog”.
On October 4, 1931, after an extensive manhunt, New York police arrest Coll at a hotel in the Bronx. He surrenders peacefully. On October 5, a grand jury in New York city indicts Coll in the Vengalli murder. The trial begins in December 1931. He retains famed defense lawyer Samuel Leibowitz. The prosecution case soon falls apart. At the end of December, the judge issues a directed verdict of not guilty.
It was said that both Dutch Schultz and Owney Madden put a $50,000 bounty on Coll’s head. On February 1, 1932, four or five gunmen invade a Bronx apartment which Coll is rumored to frequent and open fire with pistols and submachine guns. Three people, Coll gangsters Patsy Del Greco and Fiorio Basile and bystander Emily Tanzillo, are killed. Three others are wounded. Coll himself does not show up until 30 minutes after the shooting.
At 12:30 AM on February 8, one week after the Bronx shootings, Coll is using a phone booth at a drug store at Eighth Avenue and 23rd Street in Manhattan. He is reportedly talking to Madden, demanding $50,000 from the gangster under the threat of kidnapping his brother-in-law. Madden keeps Coll on the line while it is traced. Three men in a dark limousine soon arrive at the drug store. While one waits in the car, two others step out. One man waits outside while the other walks inside the store. The gunman tells the cashier to stay calm, draws a Thompson submachine gun from under his overcoat and opens fire on Coll in the glass phone booth. He dies instantly. The killers take off in their car and are chased unsuccessfully up Eighth Avenue.
A total of 15 bullets are removed from Coll’s body at the morgue and even more may have passed through him. He is buried next to his brother Peter at Saint Raymond’s Cemetery in the Bronx. Dutch Schultz sends a floral wreath bearing a banner with the message, “From the boys.”
Joan Denise Moriarty, Irish ballet dancer, choreographer, teacher of ballet and traditional Irish dancer and musician, dies on January 24, 1992. She is a key figure in the development of both amateur and professional ballet in Ireland.
Little is known of Moriarty’s early life. Her year of birth is estimated between 1910 and 1913 but no documentation has been found. The place of her birth is also unknown, and even the country is uncertain. She grows up as the daughter of Michael Augustus Moriarty, an alumnus of Stonyhurst College and contemporary of Sir Arthur Conan Doyle, and his wife, Marion (née McCarthy). The Moriartys are originally from Mallow, County Cork, where her grandfather John Moriarty was a successful solicitor.
Moriarty is brought up in England. She studies ballet until her early teens with Dame Marie Rambert. She is an accomplished Irish step-dancer and traditional musician and becomes the champion Irish step-dancer of Britain on April 24, 1931. She also wins a swimming championship. She is a member of the Liverpool branch of the Conradh na Gaeilge.
In the autumn of 1933 Moriarty returns with her family to their native Mallow in County Cork. In 1934, she sets up her first school of dance there. From 1938 she also gives weekly classes in Cork in the Gregg Hall and Windsor School. During the 1930s she takes part in the Cork Feis, annual arts competitions with a focus on traditional dance and music, competing in Irish step-dancing, warpipes and operatic solo singing. She performs on the warpipes in various public concerts and gives at least two broadcasts. In 1938 she is invited by Seán Neeson, lecturer in Irish music at University College Cork, to perform at a summer school which the Music Department organises for primary school teachers.
Moriarty’s mother dies in February 1940. The following November she moves to Cork where she sets up the Moriarty School of Dancing. The early years during the war are very difficult financially. In the early 1940s she performs with her dancers in musicals and variety shows at the Cork Opera House.
In 1945 the composer Aloys Fleischmann invites Moriarty to perform in his Clare’s Dragoons for baritone, war pipes, choir and orchestra, which had been commissioned by the national broadcasting company, Radio Éireann, for the Thomas Davis centenary. Moriarty agrees on condition that his Cork Symphony Orchestra would play for her Ballet Company’s annual performances, which marks the beginning of a lifelong collaboration.
Branches of the Moriarty School of Dance are established in Bandon, Clonmel, Fermoy, Killarney, Mallow, Tralee, Waterford, and Youghal. Moriarty bequeaths her Cork school to Breda Quinn, a long-standing member of the Cork Ballet Company, who runs it with another Moriarty student, Sinéad Murphy, who creates a new dance school, Cork School of Dance, after Breda’s death in 2009.
Moriarty founds the Cork Ballet Group in 1947, the members recruited from her school. It gives its first performance in June of that year at the Cork Opera House. In 1954 the group is registered as a company under the name “Cork Ballet Company.” The company’s final season is 1993, the year following Moriarty’s death.
Irish Theatre Ballet is founded by Moriarty in the summer of 1959, and gives its first performance in December 1959. It is a small touring company of 10 to 12 dancers, which travels all over Ireland, going to some 70 venues annually with extracts from the classical ballets, contemporary works and folk ballets. In an attempt to resolve the constant financial difficulties, the Arts Council in 1963 insists on a merger with Patricia Ryan’s Dublin National Ballet. The amalgamation does not bring a solution to the financial problems besetting both companies and, after one joint season, the amalgamated company, Irish National Ballet, has to be disbanded in March 1964.
In 1973, the Irish government decides to fund a professional ballet company, the Irish Ballet Company, and entrusts it to Moriarty. Like Irish Theatre Ballet, it is a touring company which travels all over Ireland in two annual seasons. The company has a number of striking successes between 1978 and 1981. In 1983 the name of the company is changed to Irish National Ballet. The severe recession in Ireland during the 1980s and shrinking funds force the Irish National Ballet to disband in 1989.
Moriarty spends almost 60 years working for ballet in Ireland. Her amateur Cork Ballet Company is still the longest-lasting ballet company the country’s history. Her two professional touring companies bring ballet to all parts of Ireland for 21 years. She receives numerous awards for her work, among them an honorary doctorate from the National University of Ireland in 1979.
During the last years of her life, Moriarty suffers ill-health, but continues her work with the Cork Ballet Company, bringing the shows to towns in the county. She dies on January 24, 1992, in Dublin.
“Whiskey in the Jar” is the tale of a highwayman or footpad who, after robbing a military or government official, is betrayed by a woman. Whether she is his wife or sweetheart is not made clear. Various versions of the song take place in County Kerry, Kilmoganny, Cork, Sligo, and other locales throughout Ireland. It is also sometimes placed in the American South, in various places among the Ozarks or Appalachians, possibly due to Irish settlement in these places. Names in the song change, and the official can be a Captain or a Colonel, called Farrell or Pepper among other names. The protagonist’s wife or lover is sometimes called Molly, Jenny, Emzy, or Ginny among various other names. The details of the betrayal are also different, being either betraying him to the person he robbed and replacing his ammunition with sand or water, or not, resulting in his killing the person.
The song’s exact origins are unknown. The song first gains wide exposure when the Irish folk band The Dubliners perform it internationally as a signature song and record it on three albums in the 1960s. In the United States, the song is popularized by The Highwaymen, who record it on their 1962 album Encore. Building on their success, the Irish rock band Thin Lizzy hits the Irish and British pop charts with the song in 1973. In 1990 The Dubliners re-record the song with The Pogues with a faster rocky version charting at No.4 in Ireland and No.63 in the UK. The American metal band Metallica brings it to a wider rock audience in 1998 by playing a version very similar to that of Thin Lizzy’s, though with a heavier sound, winning a Grammy Award for the song in 2000 for Best Hard Rock Performance.
Thin Lizzy’s 1972 single stays at the top of the Irish charts for 17 weeks, and the British release stays in the top 30 for 12 weeks, peaking at No. 6, in 1973. This version has since been covered by U2, Pulp (first released on a 1996 various artist compilation album Childline and later on deluxe edition of Different Class in 2006), Smokie, Metallica (Garage Inc. 1998, which wins a Grammy), Belle and Sebastian (The Blues Are Still Blue EP 2006), Gary Moore (2006), Nicky Moore (Top Musicians Play Thin Lizzy 2008), Simple Minds (Searching for the Lost Boys 2009), and Israeli musician Izhar Ashdot. The song is also on the Grateful Dead live compilation So Many Roads(1965-1995) disc five.
seamus dubhghaill 