By early 1978, the British Army forces involved in Operation Banner have recently replaced their aging Bell H-13 Sioux helicopters for the more versatile Aérospatiale Gazelles. The introduction of the new machines increases the area covered on a reconnaissancesortie as well as the improved time spent in airborne missions. In the same period, the Provisional IRA receives its first consignment of M60 machine guns from the Middle East, which are displayed by masked volunteers during a Bloody Sunday commemoration in Derry. Airborne operations are crucial for the British presence along the border, especially in south County Armagh, where the level of IRA activity means that every supply and soldier has to be ferried in and out of their bases by helicopter since 1975.
The Royal Green Jackets have been in South Armagh since December 1977, and have already seen some action. Just a few days after arrival, two mortar rounds hit the C Company base at Forkhill, injuring a number of soldiers. In the aftermath of the attack, two Royal Ulster Constabulary (RUC) officers are wounded by a booby trap while recovering the lorry where the mortar tubes are mounted. Two days later, a patrol near the border suffers a bomb and gun attack, leaving the commanding sergeant with severe head wounds. The sergeant is picked up from the scene by helicopter. He is later invalided from the British Army as a result of his injuries.
On January 17, 1978, a Royal Green Jackets observation post deployed around the village of Jonesborough begins to take heavy fire from the “March Wall,” which draws parallel with the Irish border to the east, along the Dromad woods. The soldiers return fire, but the short distance to the border and the open ground prevents them from advancing.
The Commanding Officer, Lieutenant Colonel Ian Corden-Lloyd, along with Captain Philip Schofield and Sergeant Ives fly from the battalion base at Bessbrook Mill to assess the situation and provide information to the troops. They are escorted by a Scout helicopter with an Airborne Reaction Force (ARF), comprising a medic and three soldiers from the 2nd Battalion Light Infantry. While hovering over the scene of the engagement, the Aérospatiale Gazelle receives a barrage of 7.62 mm tracer rounds. The pilot loses control of the aircraft during a turn at high speed to avoid the stream of fire. The Aérospatiale Gazelle hits a wall and crashes in a field, some 2 km from Jonesborough. According to the crew and passengers of the Scout, the Aérospatiale Gazelle hits the ground twice after losing power, with its rotor blades trashing into the soil following the second impact, and then cartwheels across the field. The Scout lands the ARF while still under IRA fire. The soldiers rush to the wrecked helicopter, some 100 metres away from the site of the initial crash.
Corden-Lloyd is killed and the other two passengers are wounded. The machine comes to rest on its right side. The pilot remains trapped inside the wreckage, but he survives thanks to his helmet. The IRA later claim they had shot at the helicopter with an M60 machine gun. The IRA unit vanishes into the Dromad woods to the Republic of Ireland. Some Gardaí witness the attack from the other side of the border.
The gun battle and Aérospatiale Gazelle shootdown is displaced from the headlines by the deaths of twelve civilians in the La Mon restaurant bombing on the same day, some of whom are burned to death. Initially the British Army downplays the IRA’s claim as published by An Phoblacht, that the helicopter was shot down, on the basis that no hits were found on the wreckage, but finally they acknowledged that the IRA action had caused the crash.
The death of Corden-Lloyd, a former Special Air Service officer, is deeply regretted by the British Army, who regarded him as promising. He is awarded a posthumous mentioned in despatches “in recognition of gallant and distinguished service in Northern Ireland.” In 1973, Irish republicans had accused Corden-Lloyd and his subordinates of brutality against Belfast Catholics during an earlier tour of the Royal Green Jackets in 1971, at the time of Operation Demetrius.
Luke is born at 4 Lewis Street in Belfast on January 19, 1906, the fifth of seven sons and one daughter of James Luke and his wife Sarah, originally from Ahoghill, County Antrim. He attends the Hillman Street National School and in 1920 goes to work at the York Street Flax Spinning Company. He goes on soon after to become a riveter at the Workman, Clark shipyard. While working there he enrolls in evening classes at the Belfast School of Art.
Luke excells at the college under the tutelage of Seamus Stoupe and Newton Penpraze. His contemporaries include Romeo Toogood, Harry Cooke Knox, George MacCann and Colin Middleton. In 1927 he wins the coveted Dunville Scholarship which enables him to attend the Slade School of Fine Art in London, where he studies painting and sculpture under the celebrated Henry Tonks, who greatly influences his development as a draughtsman.
Luke remains at the Slade School of Fine Art until 1930, in which year he wins the Robert Ross Scholarship. On leaving the Slade School he stays in London, intent on establishing himself in the art world. For a time he shares a flat with fellow Ulsterman F. E. McWilliam, and enrolls as a part-time student of Walter Bayes at the Westminster School of Art to study wood engraving. He begins to exhibit his work and in October 1930 shows two paintings, Entombment and Carnival, in an exhibition of contemporary art held at Leger Galleries. The latter composition, depicting a group of masked merry-makers, is singled out by the influential critic, Paul George Konody of the Daily Mail (October 3, 1930), as “one of the most attractive features of the exhibition.” But the economic climate is deteriorating and a year later, at the end of 1933, he is driven back to Belfast by the recession. He remains in Belfast, apart from a time during World War II when he goes to Killylea, County Armagh.
Luke paints in the style known as Regionalism, whose main proponents are Thomas Hart Benton, Grant Wood, John Steuart Curry and Harry Epworth Allen. His painting technique is painstakingly slow, his manner precise. “I’m afraid I’m very much a one job man,” he once writes to John Hewitt, continuing, “my strength lies in making the most of one job at a time, in sustained thought and effort, to bring it to the highest level of organisation and completeness I desire: the other way I lead to disintegrate in looseness and frustration with its inevitable weakness.” The precision characteristic of his work is manifested, too, in his appearance and personal manner. Dark haired, in stature he is erect and spare of build. Always tidy, his clothes brushed, his hair short, he is, in Hewitt’s words, “not at all close to the romantic stereotype of the artist.”
Apart from Luke’s work as a practising artist, he teaches from time to time in the Belfast School of Art, where he influences a generation of students “especially in the matter of drawing,” as he once puts it. Although principally a painter, throughout his career he occasionally makes sculptures, such as the Stone Head, Seraph of c. 1940 (Ulster Museum). Indeed it is for sculpture that he wins the Robert Ross Prize at the Slade School of Fine Art. He is also much interested in philosophical theories of art. In the 1930s, for example, as John Hewitt records, topical books such as Roger Fry’s Vision and Design, Clive Bell’s Art and R. H. Wilenski‘s Modern Movement in Art direct his thinking.
From the late 1930s until 1943, when Luke produces Pax, there is a gap in his output, occasioned, no doubt, by his move to County Armagh in order to escape Belfast after the Blitz. In 1946, he holds his first one-man exhibition at the Belfast Museum and Art Gallery, and this is followed two years later by a similar show, held under the aegis of CEMA, nearby at number 55A Donegal Place. In 1950, to celebrate the Festival of Britain the following year, he is commissioned to paint in Belfast City Hall, a mural representing the history of the city, a work which brings his name to the attention of a wider audience. In later years, other commissions follow for murals in the Masonic Hall, Rosemary Street, in 1956, and the College of Technology at Millfield in the 1960s. He also carves in relief coats of arms for the two Governors of Northern Ireland, John Loder, 2nd Baron Wakehurst (1959) and John Erskine, 1st Baron Erskine of Rerrick (1965). He is also a member of the Royal Ulster Academy.
Having been in declining health for some years, Luke dies, unmarried, at the Mater Infirmorum Hospital in Belfast on February 4, 1975, just a month into his sixty-ninth year. A retrospective exhibition of his work is held, in association with the Arts Councils of Ireland, in the Ulster Museum in 1978, and is accompanied by a short monograph on his life and career written by John Hewitt. Since that time his reputation has grown enormously, his loss rekindling memories in many of his former students of a fastidiously arranged life-room in the College of Art, his coat folded to perfection and his soft, gentle manner of instruction.
The funerals of eleven of those killed on Bloody Sunday take place on February 2, 1972. Prayer services are held across Ireland. In Dublin, over 30,000 march to the British Embassy, carrying thirteen replica coffins and black flags. They attack the Embassy with stones and bottles followed by petrol bombs. The building is eventually burned to the ground.
On the morning of Bloody Sunday, January 30, 1972, the 1st Battalion of the British Parachute Regiment enters Derry to assume their positions. The planned march is due to start at Bishop’s Field in the Cregganhousing estate and continue to the Guildhall in the city center, where the day is to end in a peaceful rally. Ten to fifteen thousand people set off at 2:45 p.m.
The march makes its way down William Street, but when it approaches the city center, the protestors find their way blocked by the British Army. At approximately 3:45 p.m., the organizers tell the protestors to change the direction of the march to go down Rossville Street, intending to hold the rally at Free Derry Corner instead. Most of the marchers follow the organizers’ instructions. At this point, some protestors break away from the march and start throwing stones at the soldiers handling the barriers. The soldiers fire rubber bullets, tear gas, and water cannons at the breakaway contingent. At this stage, witnesses report that the discord is no more violent than usual. Some of the rioters continue throwing rocks at the soldiers, but they are not close enough to the military men to inflict any damage. At about 3:55 p.m., the paratroopers start firing at the protestors. More than one hundred rounds are fired by the soldiers, who do not issue a warning before they open fire. In total, of the 26 civilians who are shot, 13 died that day, and one dies more than four months later.
On February 2, 1972, the funerals of eleven of the dead are held. Thousands of mourners gather at St. Mary’s Church for a mass funeral, with Northern IrelandMPBernadette Devlin in attendance. The event is a significant demonstration of the civil rights movement’s commitment to the cause of the victims and their families. The funeral procession is a symbol of the ongoing struggle for civil rights and justice in Northern Ireland.
The Republic of Ireland holds a national day of mourning, while a general strike is held the same day. The strike is the largest that Europe has seen since World War II in relation to the size of Ireland’s population. Catholic and Protestant churches as well as synagogues hold memorial services across Ireland. In Dublin, between 30,000 and 100,000 march to the British Embassy carrying thirteen coffins and black flags. A crowd later attacks the embassy, burning the Chancery down to the ground.
The Kingsmill massacre, also referred to as the Whitecross massacre, is a mass shooting that takes place on January 5, 1976, near the village of Whitecross in south County Armagh, Northern Ireland. Gunmen stop a minibus carrying eleven Protestant workmen, line them up alongside it and shoot them. Only one victim survives, despite having been shot 18 times. A Catholic man on the minibus is allowed to go free. A group calling itself the South Armagh Republican Action Force claims responsibility. It says the shooting is retaliation for a string of attacks on Catholic civilians in the area by Loyalists, particularly the killing of six Catholics the night before. The Kingsmill massacre is the climax of a string of tit for tat killings in the area during the mid-1970s, and is one of the deadliest mass shootings of the Troubles.
On January 5, 1976, just after 5:30 p.m., a red Ford Transit minibus is carrying sixteen textile workers home from their workplace in Glenanne. Five are Catholics and eleven are Protestants. Four of the Catholics get out at Whitecross and the bus continues along the rural road to Bessbrook. As the bus clears the rise of a hill, it is stopped by a man in combat uniform standing on the road and flashing a torch. The workers assume they are being stopped and searched by the British Army. As the bus stops, eleven gunmen in combat uniform and with blackened faces emerge from the hedges. A man “with a pronounced English accent” begins talking. He orders the workers to get out of the bus and to line up facing it with their hands on the roof. He then asks, “Who is the Catholic?” The only Catholic is Richard Hughes. His workmates, now fearing that the gunmen are loyalists who have come to kill him, try to stop him from identifying himself. However, when Hughes steps forward the gunman tell him to “get down the road and don’t look back.”
The lead gunman then says, “Right,” and the others immediately open fire on the workers. The eleven men are shot at very close range with automatic rifles, which includes Armalites, an M1 carbine and an M1 Garand. A total of 136 rounds are fired in less than a minute. The men are shot at waist height and fall to the ground, some falling on top of each other, either dead or wounded. When the initial burst of gunfire stops, the gunmen reload their weapons. The order is given to “Finish them off,” and another burst of gunfire is fired into the heaped bodies of the workmen. One of the gunmen also walks among the dying men and shoots them each in the head with a pistol as they lay on the ground. Ten of them die at the scene: John Bryans (46), Robert Chambers (19), Reginald Chapman (25), Walter Chapman (23), Robert Freeburn (50), Joseph Lemmon (46), John McConville (20), James McWhirter (58), Robert Walker (46) and Kenneth Worton (24). Alan Black (32) is the only one who survives. He had been shot eighteen times and one of the bullets had grazed his head. He says, “I didn’t even flinch because I knew if I moved there would be another one.”
After carrying out the shooting, the gunmen calmly walk away. Shortly after, a married couple comes upon the scene of the killings and begin praying beside the victims. They find the badly wounded Alan Black lying in a ditch. When an ambulance arrives, Black is taken to a hospital in Newry, where he is operated on and survives. The Catholic worker, Richard Hughes, manages to stop a car and is driven to Bessbrook Royal Ulster Constabulary (RUC) station, where he raises the alarm. One of the first police officers on the scene is Billy McCaughey, who had taken part in the Reavey killings. He says, “When we arrived it was utter carnage. Men were lying two or three together. Blood was flowing, mixed with water from the rain.” Some of the Reavey family also come upon the scene of the Kingsmill massacre while driving to hospital to collect the bodies of their relatives. Johnston Chapman, the uncle of victims Reginald and Walter Chapman, says the dead workmen were “just lying there like dogs, blood everywhere”. At least two of the victims are so badly mutilated by gunfire that immediate relatives are prevented from identifying them. One relative says the hospital mortuary “was like a butcher’s shop with bodies lying on the floor like slabs of meat.”
Nine of the dead are from the village of Bessbrook, while the bus driver, Robert Walker, is from Mountnorris. Four of the men are members of the Orange Order and two are former members of the security forces: Kenneth Worton is a former Ulster Defence Regiment (UDR) soldier while Joseph Lemmon is a former Ulster Special Constabulary (USC) officer. Alan Black is appointed a Member of the Order of the British Empire (MBE) in the 2021 New Year Honours, for his cross-community work since the massacre.
The next day, a telephone caller claims responsibility for the attack on behalf of the “South Armagh Republican Action Force” or “South Armagh Reaction Force.” He says that it was retaliation for the Reavey–O’Dowd killings the night before, and that there will be “no further action on our part” if loyalists stop their attacks. He adds that the group has no connection with the Irish Republican Army (IRA). The IRA denies responsibility for the killings as it is on a ceasefire at the time.
However, a 2011 report by the Historical Enquiries Team (HET) concludes that Provisional IRA members were responsible and that the event was planned before the Reavey and O’Dowd killings which had taken place the previous day, and that “South Armagh Republican Action Force” was a cover name. Responding to the report, Sinn Féin spokesman Mitchel McLaughlin says that he does “not dispute the sectarian nature of the killings” but continues to believe “the denials by the IRA that they were involved”. Social Democratic and Labour Party (SDLP) Assemblyman Dominic Bradley calls on Sinn Féin to “publicly accept that the HET’s forensic evidence on the firearms used puts Provisional responsibility beyond question” and to stop “deny[ing] that the Provisional IRA was in the business of organising sectarian killings on a large scale.”
The massacre is condemned by the British and Irish governments, the main political parties and Catholic and Protestant church leaders. Merlyn Rees, the British Secretary of State for Northern Ireland, condemns the massacre and forecasts that the violence will escalate, saying “This is the way it will go on unless someone in their right senses stops it, it will go on.”
The British government immediately declares County Armagh a “Special Emergency Area” and deploys hundreds of extra troops and police in the area. A battalion of the Ulster Defence Regiment (UDR) is called out and the Spearhead Battalion is sent into the area. Two days after the massacre, the British Prime MinisterHarold Wilson announces that the Special Air Service (SAS) is being sent into South Armagh. This is the first time that SAS operations in Northern Ireland are officially acknowledged. It is believed that some SAS personnel had already been in Northern Ireland for a few years. Units and personnel under SAS control are alleged to be involved in loyalist attacks.
The Kingsmill massacre is the last in the series of sectarian killings in South Armagh during the mid-1970s. According to Willie Frazer of Families Acting for Innocent Relatives (FAIR), this is a result of a deal between the local UVF and IRA groups.
(Pictured: The minibus carrying the textile factory workers is left peppered with bullet holes and blood stains the ground after the massacre, as detectives patrol the scene of the murders)
Since the Troubles began, the South Armagh area—especially around Crossmaglen and other similar republican strongholds—is one of the most dangerous places for the British security forces, and the IRA’s South Armagh brigade carries out numerous ambushes on the British Army and Royal Ulster Constabulary (RUC). This includes the 1975 Drummuckavall ambush and the 1978 downing of a British Army Gazelle helicopter which leads to the death of one British soldier and four others being seriously injured.
A number of British security force members are killed in Crossmaglen during 1978. On March 4, British soldier Nicholas Smith (20), 7 Platoon, B Company, 2nd Royal Green Jackets, is killed by an IRA booby trap bomb while attempting to remove an Irish flag from a telegraph pole in Crossmaglen. On June 17, William Turbitt (42) and Hugh McConnell (32), both Protestant RUC officers, are shot by the IRA while on mobile patrol near Crossmaglen. McConnell is killed at the scene, but Turbitt is kidnapped. The next day, a Catholic priest, Fr. Hugh Murphy, is kidnapped in retaliation but later released after appeals from Protestant clergy. The body of Turbitt is found on July 10, 1978.
On December 21, 1978, when the patrol is near Rio’s Bar coming around a bend, a red Royal Mail-type van is spotted by the patrols commander Sergeant Richard Garmory. The van is fitted with armor plating and is facing away from the patrol. Garmory believes the van is in a suspicious place on the other side of the street. He notes what appear to be boxes in the back of the van, which actually provide cover for the IRA Volunteers. IRA members open fire from the back of the van with an M60 machine gun which is fitted down onto the floor in the back of the van. Three other IRA volunteers armed with AR-15-style rifles and another Volunteer with an AK-47 open up on the patrol. The British soldiers on patrol return fire but do not claim any hits. A handful of Christmas shoppers scramble for cover. Three soldiers at the front of the patrol are fatally wounded. They are treated by staff at a nearby health center and then taken to Musgrave Park Hospital but are declared dead on arrival. The soldiers killed are Graham Duggan (22), Kevin Johnson (20) and Glen Ling (18). All are members of the British Armies Grenadier Guards regiment. The patrol commander, Richard Garmory, says of the ambush:
On coming round the bend near the Rio Bar, I saw 40 yards away what looked like a British Rail parcel delivery van parked partly on the pavement on the left facing away from us. It had an 18-inch tailboard with a roll shutter that could be pulled down. The van immediately struck me as highly suspicious because I saw what looked like cardboard boxes piled to the top in the back, all flush with the tailboard so they would fall out if the van moved off fast. I instantaneously put my magnifying sight to my to my eye and saw four firing slits, two above the other two, among the boxes. I immediately opened fire.
Four months later the South Armagh brigade strikes again at British security forces, this time near Bessbrook which is several miles from Crossmaglen. Four RUC officers are killed in the 1979 Bessbrook bombing, when a 1,000 lb. land mine is detonated when the RUC patrol is passing by the bomb, killing all the officers outright.
(Pictured: South Armagh Brigade, Provisional Irish Republican Army, manning a temporary checkpoint close to Crossmaglen, 1978)
The attacks are linked to the Glenanne gang, a group of loyalist militants who are either members of the UVF, the Ulster Defence Regiment (UDR), the Royal Ulster Constabulary (RUC) and the closely linked UVF paramilitary the Red Hand Commando (RHC). Some of the Glenanne gang are members of two of these organisations at the same time, such as gang leaders Billy Hanna, who is in both the UVF and the UDR and who fights for the British Army during the Korean War, and John Weir from County Monaghan, who is in the UVF and is a sergeant in the RUC. At least 25 UDR men and police officers are named as members of the gang. The Red Hand Commando claim to have carried out both attacks.
The attacks are planned at the Glenanne farm of RUC reserve officer James Mitchell which is where most terrorist acts are planned by the gang and the farm also acts as a UVF arms dump and bomb-making site. After the attacks are finished everyone involved in both attacks is to meet at Mitchell’s farm. Then if there is any heat, Mitchell can claim the bombers and shooters were with him when the attacks happened.
The first phase of the plan starts at around 6:15 p.m. along Crowe Street in Dundalk when a 100-pound no-warning bomb explodes in a Ford sports car just outside Kay’s Tavern. The blast kills Hugh Watters, who is a tailor and has just dropped into the pub to deliver some clothes he has altered for the pub’s owner, almost instantly. Jack Rooney, who is walking past the town hall on the opposite side of the street, is struck in the head by flying shrapnel and dies three days later. A further 20 people are injured in the explosion, several of them very seriously. The car bomb is fitted with fake southern registration plates and placed in one of the busiest streets in Dundalk in the hope of causing maximum death and injury. According to Joe Tiernan, UVF commander Robin Jackson plants the bomb and along with other members of his unit escapes across the border in a blue Hillman Hunter around the time the bomb goes off.
At around 9:00 p.m., about three hours after the Dundalk bombing, the second phase of the coordinated plan begins. It is led by McConnell and takes place at Donnelly’s Bar & Filling Station in the small Armagh village Silverbridge, close to Crossmaglen.
The unit arrives in two cars and come unusually fast toward the pub. The publican’s son, Michael Donnelly (14), is serving petrol to a customer. He notices the strange speed of the cars. He tries to run toward the pub, but McConnell jumps out of one of the cars and shoots the teenage boy dead with a Sten gun. McConnell then shoots the man Michael Donnelly had been serving petrol to in the head. Although the man survives the shooting, he is maimed for life.
Then a second gunman, believed to be Billy McCaughey, a UVF volunteer and member of the RUC Special Patrol Group, shoots dead a second person, local man Patrick Donnelly (no relation to the pub owner’s family) who has been waiting for petrol. McConnell then goes inside the pub and sprays the bar with his Sten SMG, killing a third man, Trevor Bracknell, and seriously injuring three more people.
As McConnell withdraws to his car, two other members of the unit carry a 25-pound cylinder bomb inside the pub. As McConnell’s unit flees back to Mitchell’s farm, the bomb detonates inside the pub. However, by this time most of the people have already fled.
(Pictured: Photograph of the destruction at Kay’s Tavern after the loyalist car bomb explosion on December 19, 1975. Members of the Garda and Dundalk fire service are seen in the foreground. Also present are a number of visiting government ministers from Dublin.)
Since the beginning of its campaign in 1970, the Provisional IRA has carried out many improvised land mine and roadside bomb attacks on British forces in the region. In September 1972, three British soldiers are killed when their armoured vehicle is blown up by an IRA land mine at Sanaghanroe, near Dungannon. In March 1974, two IRA members are killed on the Aughnacloy Road near Dungannon when a land mine they are planting explodes prematurely.
The Dungannon attack occurs just months after the Warrenpoint ambush on August 27, 1979, where the IRA kills eighteen British soldiers with roadside bombs in south County Down — the deadliest single attack on British forces during The Troubles.
On December 16, 1979, two armoured British Army Land Rovers are driving along Ballygawley Road, about two miles outside Dungannon. A unit of the IRA had planted a 600–1,000-pound (270–450 kg) improvised land mine in a culvert under the road at Glenadush. When the second vehicle reaches the culvert, the land mine is detonated by remote control from a concealed location, showcasing their evolving tactics in guerrilla warfare and ambush strategy. The blast is powerful enough to launch the armoured Land Rover into the air and killing four soldiers from the Royal Regiment of Artillery outright: William Beck (23), Keith Richards (22), Simon Evans (19), and Allan Ayrton (23).
Blanchflower is born on February 10, 1926, in the Bloomfield district of Belfast, the first of five children born to John and Selina Blanchflower. He is educated at Ravenscroft public elementary school and is awarded a scholarship to Belfast College of Technology. He leaves school early to become an apprentice electrician at Gallaher’s cigarette factory in Belfast. He also joins the Air Raid Precautions (ARP) and, in 1943, joins the Royal Air Force after lying about his age. By 1946, after a trainee navigator course at the University of St. Andrews in Scotland and further training in Canada, he is back at Gallaher’s in Belfast and building a reputation as an outstanding footballer.
Blanchflower signs with Glentoran F.C. in 1946 before crossing the Irish Sea and signing with Barnsley F.C. for £6000 in 1949 at the age of 23. He transfers from Barnsley to Aston Villa F.C. for a fee of £15,000 and makes his First Division debut in March 1951. He makes 155 senior appearances for Villa before being bought by Tottenham Hotspur F.C. in 1954 for a fee of £30,000. During his ten years playing at White Hart Lane he makes 337 League appearances and 382 total appearances.
The highlight of Blanchflower’s time with the Spurs comes in the 1960–61 season, while serving as captain, the Spurs win their first 11 games and eventually win the league by 8 points. They beat Leicester City F.C. in the final of the FA Cup, becoming the first team in the 20th century to win the League and Cup double and a feat not achieved since Aston Villa in 1897.
In 1962, Blanchflower again captains the Spurs team to victory in the FA Cup in 1962, narrowly missing out on a second double when they finish a close third in the league behind Ipswich Town F.C. and Burnley F.C. In 1963, he captains the team to victory over Atlético Madrid in the final of the European Cup Winners’ Cup, making Spurs the first English team to win a European trophy.
Between 1949 and 1963, Blanchflower earns 56 caps for Northern Ireland, often playing alongside his brother Jackie until the younger Blanchflower’s playing career is cut short as a result of injuries sustained in the Munich air disaster of February 1958. In 1958, he captains his country when they reached the quarter-finals of the FIFA World Cup.
On December 4, 1957, Blanchflower captains the Northern Ireland team against Italy in Belfast in a bad tempered game that comes to be known as the “Battle of Belfast.” He attempts to keep the peace as the game turns nasty.
Blanchflower announces his retirement as a player on April 5, 1964, having played nearly 400 games in all competitions for the Spurs and captains them to four major trophies.
Following his retirement as a player, Blanchflower coachs for the Spurs for a number of years. Manager Bill Nicholson intends for Blanchflower to be his successor but, when Nicholson resigns in 1974, Blanchflower is passed over in favour of Terry Neill. He leaves the Spurs and becomes manager of Northern Ireland for a brief spell in 1978 before being appointed boss of Chelsea F.C. The team wins only three of fifteen games under his charge and he leaves the team in September 1979.
On May 1, 1990, Tottenham holds a testimonial match for Blanchflower at White Hart Lane, but at this point he is in the early stages of what is later diagnosed as Alzheimer’s disease and Parkinson’s disease. He is eventually placed in a nursing home in Staines-upon-Thames where he dies as a result of pneumonia on December 9, 1993, at the age of 67.
Blanchflower’s hometown of Belfast has honoured him with an Ulster History Circle plaque, located at his childhood home at 49 Grace Avenue, recognising the late sportsman as one of the greatest players in the history of Tottenham Hotspur FC.
The gunmen, who are wearing workmen’s overalls, escape in a car afterward, killing Ken Campbell, a caretaker, as they leave. The people with whom Bradford had been meeting, most of them elderly, dive under tables for cover, and dozens of teenagers dancing nearby break into hysterical tears, but there are no injuries.
The killing is part of an escalation of IRA violence, both in London and in Northern Ireland, after the collapse of the prison hunger strike the previous month. The previous night an IRA bomb damages the London home of Britain’s Attorney General for Northern Ireland, Michael Havers. The home is empty and no one is seriously injured.
Bradford, a 40-year-old Methodist minister who is married and has a 6-year-old daughter, is shot several times, according to witnesses, and he dies almost immediately. His brother, Roy, who lives near the scene of the killing, in South Belfast, is at his side within moments. “But he was unconscious when I reached him, and he only lived for about a minute,” Roy Bradford says. News of the killing arouses fears of a Protestant reaction that could lead to serious civil unrest in Northern Ireland.
John “Jack” Hermon, the Chief Constable of the Royal Ulster Constabulary, issues an appeal to both the Protestant majority and the Roman Catholics to show “good sense and restraint.” He says security is being tightened in the province as a precautionary measure. He orders a wide-ranging search for the gunmen, who number at least three and possibly four, a point upon which the witnesses differ.
Bradford, who has been in Parliament since 1974, is an outspoken critic of the Irish nationalist guerrillas. He repeatedly calls for the reimposition of capital punishment in the province and for other strong deterrent measures.
With the Rev. Ian Paisley, another hard-line Member of Parliament, Bradford had planned to visit the United States In early 1982 to counteract the publicity of the IRA, which depends heavily on the money it receives from its American sympathizers. “There is a need for Americans to recognize that Ulster is not an occupied country,” Bradford says the previous month, “and that our political history is one of which we can be proud.”
The IRA, in a statement claiming responsibility for the killing, calls Bradford “one of the key people responsible for winding up the loyalistparamilitarysectarian machine in the North.” All twelve of Northern Ireland’s Members of Parliament – ten Protestants and two Catholics – are considered likely targets in the sectarian struggle that has claimed 2,100 lives in the province since 1969.
Henry is born in Belfast on January 15, 1902, the daughter of the tea merchant George Adams Henry. She attends Mount Pottinger National School, and Victoria College, before expanding her studies at night classes at the Belfast School of Art.
Henry completes an apprenticeship at Clokey Stained Glass Studios founded by Walter Francis Clokey where she is to work for over fifty years designing stained glass windows. Her appointment in the autumn of 1919 comes by a chance visit to Victoria College by the firm’s owner who is seeking a suitable apprentice. She retires from the firm at Easter 1972.
Henry exhibits at the Belfast Art Society for the first time in 1928. She exhibits four works, all landscapes in oil, and then a further two works in the following year. In 1931, she shows a further two works with the successor to the Belfast Art Society, the Ulster Academy of Arts. In 1932, she shows A Derbyshire Village, described by one critic as “a delightful English rural scene.” Between 1931 and 1942 she shows with more than twenty paintings at the Ulster Academy of Arts, exhibiting at each annual show in that time.
Henry has a keen interest in photography from an early age and wins various awards for her photographs. In 1934, she wins the August prize from the Photographic Dealers’ Association for a shot of a child playing with toys in the bath, having received a consolation prize of five shillings in September of the previous year for a shot of a traditional market scene in Boulogne. She goes on to write a regular column for Amateur Photographer throughout the 1930s.
In January 1935, Henry is appointed leader of a local sketching group by the Youth Hostel Association. In December 1935, she is commended for a sketch called River Pool, submitted to a competition judged by James Humbert Craig on behalf of the Youth Hostel Association, presented alongside Port Muckin a show with the sketching group. Maurice Canning Wilks contributes Skernaghan Point, Brown’s Bay to the same show.
The Robinson and Cleaver Art Gallery stages a display of works from Four Ulster Artists in 1936 consisting of paintings from Henry, her sister Marjorie, Theo Gracey and F. H. Hummel. She contributes Green Boat, which she had presented earlier in the year to the Ulster Academy of Arts, and includes Off the Scilly Isles among pictures from Brittany and Bavaria. The reviewer in Belfast’s News Letter refers to her style as “Post-Impressionism.”
In 1937, Henry is elected an Associate of the Ulster Academy of Arts and presents three watercolours to the institution the following year. The exhibition is opened by Oliver St. John Gogarty with participants such as John Luke, Maurice Wilks, James Humbert Craig, Rosamund Praeger and Colin Middleton, who shows three Surrealist works including Angelus.
The Royal Hibernian Academy displays two small works, Flight, 1941 and Lakeside, among an unusually large contingent of Ulster artists in the annual exhibition in the spring of 1942. The Ulster Academy of Arts is united in their commitment to raise funds for the bomb damaged Ulster Hospital for Children and Women in their Spring Exhibition of 1942. Henry displays a sense of humour in her use of black-out paint, roadblocks and air raid shelters in one of the watercolours on show.
Henry is a regular exhibitor with the Water Colour Society of Ireland, and contributes more than one hundred works to their exhibitions between 1943 and 1986.
Henry joins Violet McAdoo in a joint exhibition at the Belfast Museum and Art Gallery in 1944. McAdoo presents with watercolours, however, Henry also presents oils. The paintings are primarily of landscapes but included a number urban scenes.
In 1945, Henry and her sister Margaret join Arthur and George Campbell, Colin Middleton, Gladys and Max Maccabe, Thomas Carr, Maurice Wilks, James McIntyre and others, in the only official exhibition from the Ulster branch of the Artists’ International Association sponsored by the Council for the Encouragement of Music and the Arts (NI) at the Belfast Museum.
The MacGaffin Gallery at Pottinger’s Entry is the venue for a group exhibition of experimental and modernist works with Nevill Johnson, Aaron McAfee and the MacCabes in 1946, where Henry exhibits seven paintings. Quayside is one of three pictures that she presents at the Ulster Academy in 1946. She also shows it with the Water Colour Society of Ireland in the following year and at CEMA’s Some Ulster Paintings exhibition in that same year.
In 1946, the Council for the Encouragement of Music and Art (CEMA) purchases a painting by Henry, in addition to works by other contemporary Ulster artists. Twenty-four of the works from the CEMA collection, including her painting, are later presented at their Donegall Place gallery in 1954.
Henry debuts at the 1948 Irish Exhibition of Living Art with one painting and returns in each of the subsequent ten years with a total of 20 paintings. She is also elected as an Honorary Academician of the Ulster Academy of Arts in 1948.
Henry displays one work, Harbour, Northern Ireland, with Violet McAdoo at the 88th exhibition of the Society of Women Artists at the Royal Institute Galleries in London during the summer of 1949. Just a few months later her work is back in London for the United Society of Artists annual exhibition where she shows Gossip and Shell and Sail.
Henry is awarded a travel scholarship from the Soroptomists of Belgium in 1957, which enables her to study stained glass in the country. She is the President of Soroptomist Club of Belfast from 1960 to 1961, where she had been a member since its foundation in 1932.
Upon her return from Belgium, CEMA stages a solo exhibition with thirty-five of Henry’s oils and watercolours at their Belfast gallery. The exhibition is arranged at short notice when another is unexpectedly cancelled. Writer Nesca Robb opens the exhibition where it is claimed a new painting technique, “monopainting,” is revealed, described as paint drawn through a gauze over glass. The exhibition includes a ‘Breton’ series, Kerry Tangle, Ship Pattern, Barrack Shapes, Lough Shapes, and Backs. In addition, she displays In the Park, an oil previously seen at the Royal Ulster Academy in 1955 and at the Irish Exhibition of Living Art in 1956, and a second oil, City Lunch Hour, exhibited at the Royal Ulster Academy in 1956.
The Ulster Society of Women Artists is founded in 1957 by Gladys Maccabe with the support of Henry and a number of others at a time when no arts societies are accepting female artists into their ranks. The main objective is to ensure the development of quality art and women artists in Ulster. The organisation begins with ten invited artists. Henry exhibits with the society throughout her life.
Henry receives a mention in the local press referring to her exhibits in the Royal Ulster Academy show of 1959 with Kenneth Jamison comparing her work with that of Deborah Brown, “Olive Henry is more decadent by instinct, a fine formaliser. Her pictures Man and Ropes and Riviera Port, well defined and carefully abstracted, contrast in form with Deborah Brown’s freer Oil Over Tempra,[sic] 1959.”
A group exhibition in 1964 at the New Gallery in Belfast includes work from Henry alongside Neil Shawcross, Max Maccabe, Kathleen Bell, Richard Croft and Helen Ross. Among other works she shows Easter and Long Garden.
In 1981, the Ulster Society of Womens Artists elects Henry as President. A retrospective of her studio works is hosted by the Shambles Gallery in Hillsborough, County Down in 1986, some thirty years since her last solo exhibition. Henry shows at the Royal Ulster Academy Annual Exhibition in 1987 for the last time.
Henry dies on November 8, 1989, at Crawfordsburn, County Down. Her paintings are held in the collections of the Northern Ireland Civil Service, Ulster Museum, Irish Linen Centre & Lisburn Museum, and the Royal Ulster Academy of Arts Diploma Collection.
(Pictured: “The Gardener,” watercolour by Olive Henry)
seamus dubhghaill 