Fitzgerald is born into an Irish Catholicmiddle-class family on September 24, 1896, in Saint Paul, Minnesota. His mother, Mary McQuillan Fitzgerald, is of Irish descent and his father, Edward Fitzgerald, has Irish and English ancestry. He is best known for his novels depicting the flamboyance and excess of the Jazz Age, a term he popularized. During his lifetime, he publishes four novels, four collections of short stories, and 164 short stories. Although he achieves temporary popular success and fortune in the 1920s, he receives critical acclaim only after his death and is now widely regarded as one of the greatest American writers of the 20th century.
Fitzgerald is raised primarily in New York. He attends Princeton University but owing to a failed relationship with socialite Ginevra King and a preoccupation with writing, he drops out in 1917 to join the United States Army. While stationed in Alabama, he romances Zelda Sayre, a Southern debutante who belongs to Montgomery‘s exclusive country-club set. Although she rejects Fitzgerald initially, because of his lack of financial prospects, she agrees to marry him after he publishes the commercially successful This Side of Paradise (1920). The novel becomes a cultural sensation and cements his reputation as one of the eminent writers of the decade.
Fitzgerald’s second novel, The Beautiful and Damned (1922), propels him further into the cultural elite. To maintain his affluent lifestyle, he writes numerous stories for popular magazines such as The Saturday Evening Post, Collier’s: The National Weekly, and Esquire. During this period, he frequents Europe, where he befriends modernist writers and artists of the “Lost Generation” expatriate community, including Ernest Hemingway. His third novel, The Great Gatsby (1925), receives generally favorable reviews but is a commercial failure, selling fewer than 23,000 copies in its first year. Despite its lackluster debut, The Great Gatsby is now widely praised, with some labeling it the “Great American Novel.” Following the deterioration of his wife’s mental health and her placement in a mental institute for schizophrenia, he completes his final novel, Tender Is the Night (1934).
Struggling financially because of the declining popularity of his works amid the Great Depression, Fitzgerald turns to Hollywood, writing and revising screenplays. While living in Hollywood, he cohabits with columnist Sheilah Graham, his final companion before his death. After a long struggle with alcoholism, he attains sobriety only to die of a heart attack on December 21, 1940, at the age of 44. His friend Edmund Wilson completes and publishes an unfinished fifth novel, The Last Tycoon (1941), after Fitzgerald’s death.
At the time of his death, the Roman Catholic Church denies the family’s request that Fitzgerald, a non-practicing Catholic, be buried in the family plot in the Catholic St. Mary’s Cemetery in Rockville, Maryland. He is buried instead with a simple Protestant service at Rockville Union Cemetery. When Zelda Fitzgerald dies in a fire at the Highland Mental Hospital in 1948, she is originally buried next to him at Rockville Union. In 1975, Fitzgerald’s daughter, Scottie, successfully petitions to have the earlier decision revisited, and her parents’ remains are moved to the family plot in St. Mary’s Cemetery.
The Molly Maguires is an Irish secret society that is allegedly responsible for some incidents of vigilante justice in the coalfields of eastern Pennsylvania. They defend their actions as attempts to protect exploited Irish American workers. They are, in fact, often regarded as one of the first organized labor groups.
In the first five years of the Great Famine in Ireland that begins in 1845, 500,000 immigrants come to the United States from Ireland — nearly half of all immigrants to the United States during these years. The tough economic circumstances facing the immigrants lead many Irish men to the anthracite fields in the mountains of eastern Pennsylvania. Miners work under dangerous conditions and are severely underpaid. Small towns owned by the mining companies further exploit workers by charging rent for company housing. In response to these abuses, secret societies like the Molly Maguires spring up, leading sporadic terrorist campaigns to settle worker/owner disputes.
Members of the Molly Maguires are accused of murder, arson, kidnapping, and other crimes. Industry owners become increasingly concerned about the threat posed by the Molly Maguires. Franklin B. Gowen, president of the Philadelphia and Reading Railroad, hires the Pinkerton Detective Agency to infiltrate the secret society and find evidence that can be used against them. James McParland, who later becomes the most celebrated private detective of the era, takes the high-risk assignment and goes undercover within the organization. For more than two years, he establishes his place in the Molly Maguires and builds trust among his fellow members.
Eventually, several Molly Maguires confess their roles in a murder to McParland. When he is finally pulled out of the society in February 1876, his information leads to the arrest and conviction of nineteen men.
In June 1877, ten Molly Maguires are hanged on a single day in what becomes known as “Pennsylvania’s Day of the Rope.” In December of the following year, Kehoe is arrested and hanged for the 1862 murder of Frank W. S. Langdon, a mine foreman, despite the fact that it is widely believed he is wrongly accused and not actually responsible for anyone’s death. Although the governor of Pennsylvania, John F. Hartranft, believes Kehoe’s innocence, he signs the death warrant anyway. Kehoe’s hanging at the gallows is officially hailed as “the Death of Molly-ism.”
Though the deaths of the vigilante Molly Maguires help quell the activity of the secret society, the increased assimilation of the Irish into mainstream society and their upward mobility out of the coal jobs is the real reason that protective secret societies like the Molly Maguires eventually fade into obscurity.
In 1979, Pennsylvania Governor Milton Shapp grants a posthumous pardon to Kehoe after an investigation by the Pennsylvania Board of Pardons. The request for a pardon is made by one of Kehoe’s descendants. Kehoe proclaims his innocence until his death. The Board recommends the pardon after investigating Kehoe’s trial and the circumstances surrounding it. Shapp praises Kehoe, saying the men called “Molly Maguires” are “martyrs to labour” and heroes in the struggle to establish a union and fair treatment for workers.
Mary G. Harris Jones, known as Mother Jones, an Irish-born American schoolteacher and dressmaker who becomes a prominent union organiser, community organiser, and activist, dies in Silver Spring, Maryland, on November 30, 1930. She is once deemed “the most dangerous woman in America” because of her union activities.
Jones is the daughter of Richard Harris, a Roman Catholictenant farmer and railway labourer, and Ellen (née Cotter) Harris. She is baptised on August 1, 1837, in Cork, County Cork. Her exact date of birth is uncertain. She and her family are victims of the Great Famine, as are many other Irish families of the time. The famine forces more than a million families, including the Harrises, to immigrate to North America when she is ten years old. She lives in the United States and Canada, where she attends and later teaches in a Roman Catholic normal school in Toronto. In the United States she teaches in a convent school in Monroe, Michigan and works as a seamstress. In 1861 she marries George Jones, an iron-moulder and labour union member in Memphis, Tennessee. After the death of her husband and their four children in a yellow fever epidemic in 1867, she relocates to Chicago, Illinois, where she becomes involved with an early industrial union, the Knights of Labor. Her seamstress shop is destroyed in the Great Chicago Fire of 1871.
In the 1890s Jones becomes known as ‘Mother’ Jones and begins a long association with socialist causes and the United Mine Workers of America. She attends the founding convention of Social Democracy of America, later known as the Cooperative Brotherhood, in 1897 and in the same year organises support and publicity for striking bituminous coal miners in West Virginia, including a children’s march and parades of farmers delivering food to the miners’ camp. These types of defiant mass action become her trademark. Notable activities include organising women in support of an 1899 anthracite coal strike in eastern Pennsylvania, directing strikes of young women working in textile mills, a 1903 ‘children’s crusade’ against child labour which includes a ninety-mile march from Philadelphia to New York City, participating in 1905 in the founding convention of the Industrial Workers of the World, a radical labour union committed to the organisation of unskilled workers, campaigning for the release of Mexican revolutionaries imprisoned in American jails, and testifying in 1915 in congressional hearings against the abuse of corporate power by Rockefeller interests.
Jones reportedly meets with James Connolly, Irish socialist and labour organiser, in New York City in 1910. She is arrested for the first time for violating a federal injunction during a miners’ strike in West Virginia in 1902. In 1904, during a Colorado miners’ campaign, she has to avoid the authorities to escape possible deportation. During a 1914 strike in Ludlow, Colorado, she is imprisoned without trial for nine weeks. In 1919 she is arrested in Pennsylvania during a steelworkers’ strike for defending freedom of speech and the right of workers to organise unions. She remains active in the labour movement and radical causes into her nineties.
During her later years, Jones lives with her friends Walter and Lillie May Burgess on their farm in what is now Adelphi, Maryland. She celebrates her self-proclaimed 100th birthday there on May 1, 1930, and is filmed making a statement for a newsreel.
In 1932, about 15,000 Illinois mine workers gather in Mount Olive to protest against the United Mine Workers, which soon becomes the Progressive Mine Workers of America. Convinced that they have acted in the spirit of Mother Jones, the miners decide to place a proper headstone on her grave. By 1936, the miners have saved up more than $16,000 and are able to purchase “eighty tons of Minnesota pink granite, with bronze statues of two miners flanking a twenty-foot shaft featuring a bas-relief of Mother Jones at its center.” On October 11, 1936, also known as Miners’ Day, an estimated 50,000 people arrive at Mother Jones’s grave to see the new gravestone and memorial. Since then, October 11 is not only known as Miners’ Day but is also referred to and celebrated in Mount Olive as “Mother Jones’s Day.”
The farm where she died begins to advertise itself as the “Mother Jones Rest Home” in 1932, before being sold to a Baptist church in 1956. The site is now marked with a Maryland Historical Trust marker, and a nearby elementary school is named in her honor.
Three years after moving to the United States, Moloney co-founds Green Fields of America, an ensemble of Irish musicians, singers, and dancers which tour across the country on several occasions. He also serves as the artistic director for several major arts tours. One of these is the 1985 festival in Manhattan titled “Cherish the Ladies” to highlight female musicians in the area of Irish traditional music, which had been dominated by men until that decade. He produces an album for the female group by the same name titled Irish Women Musicians in America. The group’s leader, Joanie Madden, is one of several future fellows of the National Endowment for the Arts (NEA) to be mentored by Moloney. He produces and performs on over 70 albums and serves as advisor for numerous festivals and concerts across America, with ethnomusicologist and musician Daniel T. Neely putting the figure as high as 125 albums.
In addition to music performance, Moloney writes Far from the Shamrock Shore: The Story of Irish American History Through Song, which is published by Crown Publications in February 2002 with a supplementary CD on Shanachie Records. He hosts three nationally syndicated series covering folk music on American Public Television (APT). He works as a consultant, performer, and interviewee on the RTÉ special Bringing It All Back Home, and is also a participant, consultant, and music arranger for Out of Ireland, a documentary film by PBS. He performs on the PBS special The Irish in America: Long Journey Home.
Moloney is married three times over the course of his life. His first marriage is to Miriam Murphy. His second marriage is to Philomena Murray. Together, they have one child but eventually divorce. His third marriage to Judy Sherman also ends in divorce. He is in a domestic partnership with Sangjan Chailungka at the time of his death. During his later years, he divides his time between Bangkok, where he resides with Chailungka, and his apartment in Greenwich Village. In Bangkok, he volunteers as a music therapist and teacher for abandoned children with HIV at the Mercy Center in the Khlong Toei district, which is founded by the Redemptorist priest Joseph H. Maier.
Moloney dies at the age of 77 on July 27, 2022, at his home in Manhattan, having played at the Maine Celtic Festival less than a week before. The cause of death is not announced.
Reid is born on April 4, 1818, in Ballyroney, a hamlet near Katesbridge, County Down, in present day Northern Ireland, the son of the Rev. Thomas Mayne Reid, a Presbyterian minister and later a senior clerk of the General Assembly of the Presbyterian Church in Ireland, and his wife, a daughter of the Rev. Samuel Rutherford. He is educated at the Royal Belfast Academical Institution. He rebels against his father’s plans for him and decides not to pursue a career in the church. He briefly runs a school at Ballyroney before emigrating to the United States in 1839. Arriving in New Orleans, Louisiana, he finds a job as a corn factor’s clerk in the corn market. After six months he leaves because he refuses to whip slaves. Travelling across America, he works as a teacher, a clerk and an Indian-fighter, and anonymously publishes his first poem in August 1843. Later that year he meets Edgar Allan Poe in Philadelphia and the two become close friends. Poe later admits that Reid was “a colossal but most picturesque liar,” but was impressed by his brilliant story-telling abilities.
With the outbreak of the Mexican-American War in 1846 Reid enlists in the 1st New York Infantry Regiment and is commissioned second lieutenant. Contributing a series of reports from the front under the pseudonym ‘Ecolier,’ he performs with great bravery in the Battle of Chapultepac on September 13, 1847. Wounded during the battle, he is promoted to first lieutenant three days later. Following his discharge from the army in 1848 he claims to have reached the rank of captain, but this is another of his inventions.
Reid’s first play, Love’s Martyr, is staged at the Walnut Street Theatre, Philadelphia, for five nights in October 1848, and the following year he publishes an embellished account of his experiences in Mexico entitled War Life. All of his works are published under the name ‘Captain Mayne Reid.’ In July 1849 he sails to England with a group of Hungarian radicals but decides against accompanying them to the Continent. Returning briefly to Ireland, he settles in London in 1850 and writes a novel, The Rifle Rangers. It is an immediate success and is followed quickly by The Scalp Hunters (1851), The Desert Home (1852), and The Boy Hunters (1853). While in England in 1851 he meets and falls in love with a 13-year-old girl, Elizabeth Hyde, daughter of his publisher, G. W. Hyde, an English aristocrat. When he discovers her age, he tells her that she is “getting old enough to have a lover, and you must have me.” Two years later he continues with his suit, and this time is successful as they marry in 1853. He is immensely proud of his young bride and later writes a semi-autobiographical novel The Child Wife (1868), based on their relationship.
Establishing a reputation as one of the most popular novelists of his generation, Reid does much to enhance the romantic image of the American West. His internationally successful books include The White Chief (1855), Bush Boys (1856), Oceola (1859), and The Headless Horseman (1865), and his novel about miscegenation, The Quadroon (1856), is later plagiarised by Dion Boucicault for The Octoroon (1859). A champion croquet player, he writes a treatise on the subject in 1863.
Disaster strikes in November 1866 when Reid is declared bankrupt. He had squandered all his money on the construction of “The Ranche,” a Mexican-style hacienda in England. To raise money, he returns to the United States and embarks on a successful lecturing tour. Settling at Newport, Rhode Island, he writes another novel, The Helpless Hand (1868), which is a huge success and alleviates some of his difficulties. His wife hates America, however, and after he is briefly hospitalised in 1870, they decide to return to England.
Ill health, artistic doubts, and financial insecurity plagued Reid’s final years. Diagnosed with acute depression, he is unable to recapture his earlier audience and, despite a pension from the U.S. government, he struggles for money. He dies at Ross-on-Wye in Herefordshire on October 22, 1883, and is buried at Kensal Green Cemetery in London.
Although not regarded as an important novelist, Reid none the less has a significant influence on subsequent writers. The young Vladimir Nabokov is deeply impressed by his adventure stories, and one of his own first works is a poetic recreation of The Headless Horseman in French alexandrine. Both Robert Louis Stevenson and Arthur Conan Doyle are admirers, and politicians as diverse as Theodore Roosevelt and Leon Trotsky also make reference to his varied output. In total, Reid publishes over sixty novels, which are printed in ten languages.
The Great Chicago Fire, a conflagration that destroys roughly 3.3 square miles of Chicago, Illinois, including over 17,000 structures, kills approximately 300 people and leaves more than 100,000 residents homeless, starts at about 8:30 p.m. on October 8, 1871, in or around a small barn belonging to the Irish immigrant O’Leary family that borders the alley behind 137 W. DeKoven Street.
The shed next to the barn is the first building to be consumed by the fire. City officials never determine the cause of the blaze, but the rapid spread of the fire due to a long drought in that year’s summer, strong winds from the southwest, and the rapid destruction of the water pumping system, explain the extensive damage of the mainly wooden city structures. There has been much speculation over the years on a single start to the fire. The most popular tale blames Catherine O’Leary‘s cow, who allegedly knocked over a lantern; others state that a group of men were gambling inside the barn and knocked over a lantern. Still other speculation suggests that the blaze was related to other fires in the Midwest that day.
The fire’s spread is aided by the city’s use of wood as the predominant building material in a style called balloon framing. More than two-thirds of the structures in Chicago at the time of the fire are made entirely of wood, with most of the houses and buildings being topped with highly combustible tar or shingle roofs. All of the city’s sidewalks and many roads are also made of wood. Compounding this problem, Chicago receives only 1 inch of rain from July 4 to October 9, causing severe drought conditions before the fire, while strong southwest winds help to carry flying embers toward the heart of the city.
In 1871, the Chicago Fire Department has 185 firefighters with just 17 horse-drawn steam pumpers to protect the entire city. The initial response by the fire department is timely, but due to an error by the watchman, Matthias Schaffer, the firefighters are initially sent to the wrong place, allowing the fire to grow unchecked. An alarm sent from the area near the fire also fails to register at the courthouse where the fire watchmen are, while the firefighters are tired from having fought numerous small fires and one large fire in the week before. These factors combined to turn a small barn fire into a conflagration.
When firefighters finally arrive at DeKoven Street, the fire has grown and spread to neighboring buildings and is progressing toward the central business district. Firefighters hope that the South Branch of the Chicago River and an area that had previously thoroughly burned would act as a natural firebreak. All along the river, however, are lumber yards, warehouses, and coal yards, and barges and numerous bridges across the river. As the fire grows, the southwest wind intensifies and becomes superheated, causing structures to catch fire from the heat and from burning debris blown by the wind. Around midnight, flaming debris blows across the river and lands on roofs and the South Side Gas Works.
With the fire across the river and moving rapidly toward the heart of the city, panic sets in. About this time, Mayor Roswell B. Mason sends messages to nearby towns asking for help. When the courthouse catches fire, he orders the building to be evacuated, and the prisoners jailed in the basement to be released. At 2:30 a.m. on October 9, the cupola of the courthouse collapses, sending the great bell crashing down. Some witnesses report hearing the sound from a mile away.
As more buildings succumbed to the flames, a major contributing factor to the fire’s spread is a meteorological phenomenon known as a fire whirl. As overheated air rises, it comes into contact with cooler air and begins to spin, creating a tornado-like effect. These fire whirls are likely what drives flaming debris so high and so far. Such debris is blown across the main branch of the Chicago River to a railroad car carrying kerosene. The fire has jumped the river a second time and is now raging across the city’s north side.
Despite the fire spreading and growing rapidly, the city’s firefighters continue to battle the blaze. A short time after the fire jumps the river, a burning piece of timber lodges on the roof of the city’s waterworks. Within minutes, the interior of the building is engulfed in flames and the building is destroyed. With it, the city’s water mains go dry and the city is helpless. The fire burns unchecked from building to building, block to block.
Finally, late into the evening of October 9, it starts to rain, but the fire has already started to burn itself out. The fire had spread to the sparsely populated areas of the north side, having thoroughly consumed the densely populated areas.
Once the fire has ended, the smoldering remains are still too hot for a survey of the damage to be completed for many days. Eventually, the city determines that the fire destroyed an area about 4 miles long and averaging 3⁄4 mile wide, encompassing an area of more than 2,000 acres. Destroyed are more than 73 miles of roads, 120 miles of sidewalk, 2,000 lampposts, 17,500 buildings, and $222 million in property, which is about a third of the city’s valuation in 1871.
On October 11, 1871, General Philip H. Sheridan comes quickly to the aid of the city and is placed in charge by a proclamation, given by mayor Roswell B. Mason.
To protect the city from looting and violence, the city is put under martial law for two weeks under Gen. Sheridan’s command structure with a mix of regular troops, militia units, police, and a specially organized civilian group “First Regiment of Chicago Volunteers.”
For two weeks Sheridan’s men patrol the streets, guard the relief warehouses, and enforce other regulations. On October 24, the troops are relieved of their duties and the volunteers are mustered out of service.
Of the approximately 324,000 inhabitants of Chicago in 1871, 90,000 residents (about 28% of the population) are left homeless. One hundred twenty bodies are recovered, but the death toll is believed to possibly exceed 300. The county coroner speculates that an accurate count is impossible, as some victims may have drowned or been incinerated, leaving no remains.
In the days and weeks following the fire, monetary donations flow into Chicago from around the country and abroad, along with donations of food, clothing, and other goods. These donations come from individuals, corporations, and cities.
Almost from the moment the fire breaks out, various theories about its cause begin to circulate. The most popular and enduring legend maintains that the fire began in the O’Leary barn as Mrs. O’Leary is milking her cow. The cow kicks over a lantern (or an oil lamp in some versions), setting fire to the barn. The O’Leary family denies this, stating that they were in bed before the fire started, but stories of the cow begin to spread across the city. Catherine O’Leary seems the perfect scapegoat: she is a poor, Irish Catholic immigrant. During the latter half of the 19th century, anti-Irish sentiment is strong in Chicago and throughout the United States. This is intensified as a result of the growing political power of the city’s Irish population.
Furthermore, the United States has been distrustful of Catholics since its beginning, carrying over attitudes in England in the 17th century. As an Irish Catholic, Mrs. O’Leary is a target of both anti-Catholic and anti-Irish sentiment. This story is circulating in Chicago even before the flames die out and is noted in the Chicago Tribune‘s first post-fire issue. In 1893, the reporter Michael Ahern retracts the “cow-and-lantern” story, admitting it is fabricated, but even his confession is unable to put the legend to rest. Catherine O’Leary turns into a recluse after the fire and dies in 1895. Although the O’Learys are never officially charged with starting the fire, the story becomes so engrained in local lore that Chicago’s city council officially exonerates them — and the cow — in 1997.
(Pictured: A Currier & Ives lithograph showing people fleeing across the Randolph Street Bridge)
Smith is born at 174 South Street, New York City, on December 30, 1873, and raised in the Fourth Ward on the Lower East Side of Manhattan. He resides there for his entire life. His mother, Catherine (née Mulvihill), is the daughter of Maria Marsh and Thomas Mulvihill, who are immigrants from County Westmeath, Ireland. His father, baptised Joseph Alfred Smith in 1839, is a Civil War–veteran and the son of Emanuel Smith, an Italian marinaro.
Although Smith remains personally untarnished by corruption, he — like many other New York Democrats — is linked to the notorious Tammany Hallpolitical machine that controls New York City politics during his era. He serves in the New York State Assembly from 1904 to 1915 and holds the position of Speaker of the Assembly in 1913. He also serves as sheriff of New York County from 1916 to 1917. He is first elected governor of New York in 1918, loses his 1920 bid for re-election, and is elected governor again in 1922, 1924, and 1926. He is the foremost urban leader of the efficiency movement in the United States and is noted for achieving a wide range of reforms as the New York governor in the 1920s.
Smith is the first Roman Catholic to be nominated for president of the United States by a major party. His 1928 presidential candidacy mobilizes both Catholic and anti-Catholic voters. Many Protestants, including German AmericanLutherans and Southern Baptists, fear his candidacy, believing that the Pope in Rome would dictate his policies. He is also a committed “wet” (i.e., an opponent of Prohibition in the United States) and as New York governor, he repeals the state’s prohibition law. As a “wet,” he attracts voters who want beer, wine and liquor without having to deal with criminal bootleggers, along with voters who are outraged that new criminal gangs have taken over the streets in most large and medium-sized cities. Incumbent RepublicanSecretary of CommerceHerbert Hoover is aided by national prosperity, the absence of American involvement in war and anti-Catholic bigotry, and he defeats Smith in a landslide in 1928.
Smith then enters business in New York City and becomes involved in the construction and promotion of the Empire State Building. He seeks the 1932 Democratic presidential nomination but is defeated by Franklin D. Roosevelt, his former ally and successor as governor of New York. During the Roosevelt presidency, he becomes an increasingly vocal opponent of Roosevelt’s New Deal.
Smith is an early and vocal critic of the Nazi regime in Germany. He supports the Anti-Nazi boycott of 1933 and addresses a mass-meeting at Madison Square Garden against Nazism in March 1933. His speech is included in the 1934 anthology Nazism: An Assault on Civilization. In 1938, he takes to the airwaves to denounce Nazi brutality in the wake of Kristallnacht. His words are published in The New York Times article “Text of the Catholic Protest Broadcast” of November 17, 1938.
Like most New York City businessmen, Smith enthusiastically supports American military involvement in World War II. Although he is not asked by Roosevelt to play any role in the war effort, he is an active and vocal proponent of FDR’s attempts to amend the Neutrality Act in order to allow “Cash and Carry” sales of war equipment to be made to the British. He speaks on behalf of the policy in October 1939, to which FDR responds directly: “Very many thanks. You were grand.”
Smith is memorialized by The Alfred E. Smith Foundation, founded by CardinalFrancis Spellman. Today it is a significant fund raiser for charity. Each election year, presidential candidates are expected to attend, make witty remarks, and profound commentary about Smith. In 2008, then candidate Barack Obama speaks eloquently of “a man who fought for many years to give Americans nothing more than fair shake and a chance to succeed. He touched the lives of millions as a result.”
(Pictured: Official Gubernatorial portrait of Alfred E. “Al” Smith by Douglas Volk)
Patrick J. Killoran, Irish traditional fiddle player, bandleader and recording artist is born on September 21, 1903, in Emlaghgissan (also spelled “Emlagation”), a townland in the civil parish of Emlaghfad near the town of Ballymote, County Sligo. He is regarded, along with James Morrison and Michael Coleman, as one of the finest exponents of the south Sligo fiddle style in the “golden age” of the ethnic recording industry of the 1920s and 1930s.
Killoran’s father Patrick plays the flute and his mother Mary the concertina, but he is also influenced by local fiddle master Philip O’Beirne, who had earlier tutored Michael Coleman. As a teenager, he is a volunteer with the Ballymote-based 3rd Battalion of the south Sligo Brigade of the Irish Republican Army (IRA) during the Irish War of Independence.
In 1925, Killoran emigrates to New York City, arriving on May 19 on the Cunard liner Scythia. Within a few months, he officially declares his intention to become a citizen of the United States, listing his address as 227 East 126th Street in east Harlem and his occupation as “laborer.” He later lodges with fellow Sligo fiddler James Morrison in a Columbus Avenue apartment on Manhattan‘s Upper West Side. A 1927 newspaper ad for “Morrison’s Orchestra” offers “Irish music by P. Killoran and J. Morrison, celebrated violinists,” giving 507 West 133d Street in west Harlem as the contact address. He soon launches his own career as a soloist and bandleader. A publicity photo of his quartet c. 1928 includes button accordionist D. Casey, tenor banjo player Richard Curran and second fiddler Denis Murphy. By the next year, he is performing on a weekly radio program sponsored by the Pride of Erin Ballrooms, located at the corner of Bedford and Atlantic Avenues in Brooklyn. He also tries another side occupation as his 1931 naturalization petition lists his occupation as “Music store owner.”
At the Pride of Erin, and later at the Sligo Ballroom at 125th Street and St. Nicholas Avenue in Harlem, Killoran’s “Irish Orchestra” provides music for Irish dancing, while Jack Healy, another Ballymote native, leads a group for “American” dancing. Healy, as a singer and tenor saxophone player, also performs and records with Killoran’s group, the membership of which over the course of the 1930s includes fiddler Paddy Sweeney, another Sligo native, fiddle and clarinet player Paul Ryan, Ryan’s brother Jim on the C Melody saxophone, pianists Eileen O’Shea, Edmund Tucker and Jim McGinn, drummer Mickey Murphy, button accordionists Tommy Flanagan and William McElligott and tenor banjo/tenor guitar player Michael “Whitey” Andrews.
Killoran’s band is variously billed as his “Pride of Erin Orchestra,” “Radio Dance Orchestra,” “Sligo Ballroom Orchestra,” “Lakes of Sligo Orchestra” and “Irish Barn Dance Boys.” The group is a popular choice for county association functions, particularly those of Sligo and Roscommon. In 1932, he leads a band that accompanies CardinalWilliam Henry O’Connell of Boston to the Eucharistic Congress in Ireland and briefly bills his group as the “Pride of Erin Eucharistic Congress Orchestra.” He regularly performs at Irish beach resorts on the Rockaway peninsula and in East Durham in the Catskill Mountains.
Uniquely among the major New York Irish musicians of the pre-World War II era, Killoran continues his musical career through the 1950s. He issues new recordings, including duets with flute player Mike Flynn and some fiddle-and-viola sides with Paul Ryan, and leads an active dance band. Age and illness eventually force him to retire, and in 1962 he turns over leadership of the band, a fixture at the City Center Ballroom, to button accordionist Joe Madden, father of Cherish the Ladies flute player Joanie Madden.
In 1956, Killoran is a co-founder of the Dublin Recording Company, later better known simply as Dublin Records, which is organized to record new Irish discs in New York.
Killoran is a founding member of the Emerald Irish Musicians Benevolent Society, a group that stages “Night of Shamrocks” concerts to raise money for the benefit of sick and deceased Irish musicians in New York. He is also a member of the Irish Musicians Association of America, and a New York branch of that organization, which later merges with Comhaltas Ceoltóirí Eireann, is named for him.
In addition to the 1932 trip to the Eucharistic Congress, Killoran returns to Ireland at least twice. In 1949, he plays on a Radio Éireann program hosted by piper and folklorist Séamus Ennis. Some selections from that broadcast are recorded on a private disc and are later released on CD. On a 1960 visit, he visits Sligo and Clare and performs at a concert in County Longford.
Killoran is married twice. His first wife, Anna Gorman, a native of County Roscommon, dies in 1935. His second wife is Betty (Bridget) Hayes, an immigrant from Shanaway West, County Clare, who survives him. He dies in New York City on April 24, 1965.
A “Paddy Killoran Traditional Festival” is celebrated in the third week of June in Ballymote, where a monument in Killoran’s honor is erected in 2012.
Quinlan receives America’s highest military decoration, the Medal of Honor, on February 18, 1891, for his actions at the Battle of Savage’s Station in Henrico County, Virginia, the fourth of the Seven Days Battles (Peninsula Campaign). His citation states he “led his regiment on the enemy’s battery, silenced the guns, held the position against overwhelming numbers, and covered the retreat of the Second Army Corps.”
James Joseph Quinlan dies on August 29, 1906, in Queens, New York and is buried at Calvary Cemetery, Woodside, Queens County, New York City.
After moving to Houston in 1994, Devlin tends bar in Irish pubs and music venues for a number of years before starting his first band. From his perspective behind the bar, he realizes there is a local demand for Irish rock music that nobody is fulfilling. In 1996, to this end he forms a band called On the Dole. Although the band does well for several years, opening for legendary Irish touring acts like The Wolfe Tones and The Saw Doctors, eventually he decides it is time to clear the decks and start again.
In 2003, while hosting a weekly open mic at an Irish pub, Devlin meets bassist and singer Chad Smalley, son of Nobel laureateRichard Smalley and a veteran of the Houston music scene who had recently returned from New York and is looking for a new project. The two of them soon begin singing and performing together every week, developing a tight vocal harmony style.
In July 2004, Devlin and Smalley form Blaggards, along with violinist Turi Hoiseth and drummer Brian Vogel. Hoiseth and Vogel have since left the band, leaving Devlin and Smalley as the only original members.
The song “Big Strong Man” from Blaggards’ first album Standards (2005) appears in the 2010 British film The Kid, directed by Nick Moran.
“Big Strong Man” and “Drunken Sailor” (also from Standards) are both featured in episode 86 of the CBS series The Good Wife, aired on March 24, 2013.
Blaggards’ second album, Live in Texas, is released in 2010. It is a recording of a live performance at Houston’s Continental Club on June 13, 2009. The band’s latest album, Blagmatic, is released on July 14, 2021.
Blaggards, with Arizona-based fiddle player Heide Riggs and drummer Kevin “Turbo” Newton in the current lineup, continue to maintain a rigorous schedule, playing constantly throughout Texas and touring nationally several times a year. Beginning in 2010 (excluding the COVID years), the band does a 10-day Ireland tour every year in the early fall.
