On April 19, 2003, Bono, the lead singer of the Irish rock band U2, surpasses competition from British Prime MinisterTony Blair and French PresidentJacques Chirac to become Europe’s greatest hero. Already laden down with similar honours, he is picked by online voters from a list of 36 other Europeans compiled by the prestigious Time magazine.
Bono’s work for the starving starts with Band Aid in 1984 but develops over the years into a crusade lobbying world leaders and trying to reduce Third World debt.
“There are potentially another ten Afghanistans in Africa, and it is cheaper by a factor of 100 to prevent the fires from happening than to put them out. Look, I know how absurd it is to have a rock star talk about debt relief or HIV/AIDS in Africa. But if not me, who?” Bono says.
Caoimhe Butterly, a 24-year-old from Dublin, is also nominated by Time editors for her role as a peace activist, which resulted in her being shot at by Israeli troops. “I don’t really think the concept of heroes is helpful, but if my inclusion helps highlight the cause of people struggling against oppression, then it’s of some good,” Butterly says. She expects to go to Iraq in the near future “to further the struggle against oppression.”
The third Irish person on the list is 58-year-old Christina Noble whose torrid childhood leads her to work on behalf of impoverished street children in Asia. She survives tuberculosis, hunger, homelessness, beatings, molestation by relatives, institutionalisation and a gang rape. She starts her foundation‘s work in Vietnam in 1989 and Mongolia in 1997.
In Vietnam, where she is known fondly as Mama Tina, her foundation has 50 projects providing education, food and clean water for children. “We’re tools. We help a little. You don’t need brains or brawn to do that. You just need the heart of a survivor,” Noble says.
Myers grows up in England. His father, an Irish GP, dies when he is 15 and away at Ratcliffe College, a Catholicboarding school. His father’s early death creates financial difficulties, though he manages to stay at the school with the help of both the school and the Local Education Authority (LEA). He moves to Ireland to go to university, and graduates from University College Dublin (UCD) in 1969.
Myers subsequently works as a journalist for Irish broadcaster RTÉ, and reports from Northern Ireland during the height of the Troubles. He later works for three of Ireland’s major newspapers, The Irish Times, the Irish Independent, and the Irish edition of The Sunday Times. In 2000, a collection of his An Irishman’s Diary columns is published, with a second volume following in 2007. He is also a presenter of the Challenging Times television quiz show on RTÉ during the 1990s.
In 2001, Myers publishes Banks of Green Willow, a novel, which is met with negative reviews. In 2006, he publishes Watching the Door, about his time as a journalist in Northern Ireland during the 1970s. The book receives positive reviews in The Times, The Guardian, and the New Statesman, while The Independent publishes a more mixed review that wonders whether there is “an element of hyperbole” in Myers’ account.
Myers is a regular contributor to radio programmes on News Talk 106, particularly Lunchtime with Eamon Keane and The Right Hook. He regularly appears on The Last Word on Today FM. He is also a member of the Film Classification Appeals Board, formerly known as the Censorship Board.
In 2005, Myers attracts considerable criticism for his column, An Irishman’s Diary, in which he refers to children of unmarried mothers as “bastards.” Former Minister of StateNuala Fennell describes the column as “particularly sad.” She says the word “bastard” is an example of pejorative language that is totally unacceptable. Myers issues an unconditional apology two days later. The Irish Times editor, Geraldine Kennedy, also apologises for having agreed to publish the article.
In July 2008, Myers writes an article arguing that providing aid to Africa only results in increasing its population, and its problems. This produces strong reactions, with the Immigrant Council of Ireland making an official complaint to the Garda Síochána alleging incitement to hatred. Hans Zomer of Dóchas, an association of NGOs, and another complainant, take a complaint to the Press Council on the grounds that it breaches four principles of the Council’s Code of Practice: accuracy, fairness and honesty, respect for rights, and incitement to hatred.
At the end of July 2017, Myers contributes an article entitled “Sorry, ladies – equal pay has to be earned” to the Irish edition of The Sunday Times about the BBC gender-pay-gap controversy. He further alleges that Claudia Winkleman and Vanessa Feltz are higher paid than other female presenters because they are Jewish. The editor of the Irish edition, Frank Fitzgibbon, issues a statement saying in part “This newspaper abhors anti-Semitism and did not intend to cause offence to Jewish people.” Martin Ivens, editor of The Sunday Times, says the article should not have been published. Ivens and Fitzgibbon apologise for publishing it. After complaints from readers and the Campaign Against Antisemitism, the article is removed from the website. The newspaper announces that Myers will not write for The Sunday Times again. Myers is defended by the chair of the Jewish Representative Council of Ireland, Maurice Cohen, who states, “Branding Kevin Myers as either an antisemite or a Holocaust denier is an absolute distortion of the facts.”
Myers is married to Rachel Nolan and lives in County Kildare. He is the brother-in-law of TV presenter, producer and UK Big Brother housemate Anna Nolan.
Clarke is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English. Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, he says, “I load myself down with chains and try to wriggle free.”
Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.
Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verses plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.
Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.
Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.
In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.
In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.
Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by CouncillorBernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.
Mitchel is born in Camnish, near Dungiven, County Derry on November 3, 1815, the son of a Presbyterian minister. At the age of four, he is sent to a classical school, run by an old minister named Moor, nicknamed “Gospel Moor” by the students. He reads books from a very early age. When a little over five years old, he is introduced to Latin grammar by his teacher and makes quick progress. In 1830, not yet 15 years old, he enters Trinity College, Dublin and obtains a law degree in 1834. In the spring of 1836 he meets Jane Verner, the only daughter of Captain James Verner. Though both families are opposed to the relationship, they become engaged in the autumn and are married on February 3, 1837, by the Rev. David Babington in Drumcree Church, the parish church of Drumcree.
Mitchel works in a law office in Banbridge, County Down, where he eventually comes into conflict with the local Orange Order. He meets Thomas Davis and Charles Gavan Duffy during visits to Dublin. He joins the Young Ireland movement and begins to write for The Nation. Deeply affected by the misery and death caused by the Great Famine, he becomes convinced that nothing will ever come of the constitutional efforts to gain Irish freedom. He then forms his own paper, United Irishmen, to advocate passive resistance by Ireland’s starving masses.
In May 1848, the British tire of Mitchel’s open defiance. Ever the legal innovators in Ireland, they invent a crime especially for the Young Irelanders – felony-treason. They arrest him for violating this new law and close down his paper. A rigged jury convicts him, and he is deported first to Bermuda and then to Australia. However, in June 1853, he escapes to the United States.
Mitchel works as a journalist in New York City and then moves to the South. When the American Civil War erupts, he is a strong supporter of the Southern cause, seeing parallels with the position of the Irish. His family fully backs his commitment to the Southern cause. He loses two sons in the war, one at the Battle of Gettysburg in 1863 and another at the Battle of Fort Sumter in 1864, and another son loses an arm. His outspoken support of the Confederacy causes him to be jailed for a time at Fort Monroe, where one of his fellow prisoners is Confederate PresidentJefferson Davis.
In 1874, the British allow Mitchel to return to Ireland and in 1875 he is elected in a by-election to be a member of the Parliament of the United Kingdom representing the Tipperary constituency. However, his election is invalidated on the grounds that he is a convicted felon. He contests the seat again in the resulting by-election and is again elected, this time with an increased vote.
Unfortunately, Mitchel, one of the staunchest enemies to English rule of Ireland in history, dies eight days later in Newry on March 20, 1875, and is buried there. Thirty-eight years later, his grandson, John Purroy Mitchel, is elected Mayor of New York City.
Downey’s offbeat reports of the 1994 FIFA World Cup for The Irish News are subsequently compiled for his first book, Just One Big Party. He spends six years as a BBC news producer in Derry and Belfast, before joining the Derry News as editor in 2001. During his period as editor (2001–2004), the Derry News wins two Newspaper Society awards for Fastest Circulation Growth in the United Kingdom.
Since 2004, Downey has published six comic novels set in the criminal underbelly of post-ceasefire Ireland. His books have been described as “a superb blend of comedy, political dirty tricks, grisly murder and bizarre twists.”
A former deputy-president of the Union of Students in Ireland, Downey is one of the organisers of a student occupation of government offices in Dublin on Budget Day 1988 in protest against education cutbacks.
In 2006, Downey helps establish the new Northern Ireland literary review Verbal and edits the publication for its first six issues.
A lifelong political anorak, in 2007, Downey works as an election pundit for TV3 (Ireland), alongside the Irish comedian Brendan O’Carroll. In 2010, he wins a contest to predict the winners of Northern Ireland’s 18 Westminster constituencies, missing out on just one, Naomi Long, who surprisingly beat First MinisterPeter Robinson in Belfast East. He donates his prize, a framed Ian Knox cartoon, to Long by way of apology.
Downey’s 2010 comedy-thriller The American Envoy is the first novel issued by an Irish publishing house as a Kindlee-book, simultaneously with its paperback release.
In June 2011, Downey is appointed Director of Media for Culture Company 2013, the body tasked with delivering Derry’s UK City of Culture year.
Downey is married to Una McNally, and they have two children.
Jellett marries his cousin on his mother’s side, Dorothea Charlotte Morris Morgan, daughter of James Morgan, on July 7, 1855. The marriage produces seven children. His son, William Morgan Jellett, is a member of the Parliament of the United Kingdom and is the father of the celebrated artist Mainie Jellett, and of Dorothea Jellett, director of the orchestra of the Gaiety Theatre, Dublin. Another son Henry Holmes Jellett is a civil engineer in British India. His daughter Harriette Mary Jellett is the wife of the noted Irish physicistGeorge Francis FitzGerald. Another daughter Eva Jellett is the first woman to graduate with a degree in medicine from Trinity and goes on to practice as a doctor in India.
Jellett graduates B.A. in mathematics in 1837, M.A. 1843, B.D. 1866, and D.D. 1881. He is ordained a priest in 1846. In 1848 he is elected to the chair of natural philosophy at TCD, and in 1868 he receives the appointment of commissioner of Irish national education.
In 1851 Jellett is awarded the Cunningham Medal of the Royal Irish Academy for his work on the “Calculus of Variations.” The society later elects him their president, a position he holds from 1869 to 1874.
In 1870, on the death of Dr. Thomas Luby, Jellett is co-opted a Senior Fellow, and thus a member of the Board of TCD. William Ewart Gladstone‘s government in February 1881 appoints him provost of Trinity. In the same year he is awarded a Royal Medal by the Royal Society.
After the disestablishment of the Church of Ireland by the Irish Church Act 1869, Jellett takes an active part in the deliberations of the general synod and in every work calculated to advance its interests. He is an able mathematician and writes A Treatise of the Calculus of Variations (1850), and A Treatise on the Theory of Friction (1872), as well as several papers on pure and applied mathematics, articles in the Transactions of the Royal Irish Academy. He also writes some theological essays, sermons, and religious treatises, of which the principals are An Examination of some of the Moral Difficulties of the Old Testament (1867), and The Efficacy of Prayer (1878).
Jellett dies of blood poisoning at the provost’s house, TCD, on February 19, 1888, and is buried in Mount Jerome Cemetery on February 23. The funeral procession is the largest that ever left Trinity.
(Pictured: “John Hewitt Jellett,” oil on canvas by Sarah Purser)
Hutchinson’s father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.
Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.
Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.
In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.
Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.
Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.
In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.
In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.
From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.
A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.
Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012.
Gallagher is commissioned to write essays for The Irish Times, the Irish Medical Times and various journals. She takes up writing screenplays and stage plays. The result is a prolific list of productions which have been staged around the world as well as broadcast by RTÉ and the BBC.
Gallagher varies work from plays to speech therapy, as well as working with prisoners, and this leads her to be a visiting lecturer at universities across the globe. She is deeply involved in the organisations of her craft, leading her to being a member of Irish PEN, both on its committee and as vice president, on the Irish Writers’ Union committee as well as a council member of the Society of Irish Playwrights. Over the years she wins a number of awards including the Arts Council and European Script Fund Awards, the MHA TV Script Award, and the EU Theatre Award.
Gallagher’s husband is Gerhardt Gallagher. They live in Dublin and have three children, Mia, Donnacha, and Etain. In 2012 she is diagnosed with cancer and kidney disease. She dies on January 15, 2018.
Gill is born on October 25, 1858, in Ballygraigue, Nenagh, County Tipperary, the first of four sons of Robert Gill, a civil engineer who is assistant county surveyor, and Mary (née Clampett), daughter of a woolen merchant, James Clampett of Mount Kennett, County Limerick. He attends St. Joseph’s CBS Nenagh, St. John’s College, Kilkenny, and Trinity College Dublin becoming a journalist, firstly as editor of the Catholic World magazine of New York, and an associate editor of the North American Review (1883–85). He marries Annie Fennell of Dublin in 1882 and they have two sons, Donat and Roy, and a daughter Finola.
Gill is a friend and political ally of Charles Stewart Parnell. After the death of Parnell, he remains with the Irish Parliamentary Party. He works with Horace Plunkett in developing the Irish co-operative movement. He is member and honorary secretary to the 1895 Recess Committee which leads to the formation of both the Department of Agriculture and Technical Instruction (DATI), forerunner of the Irish Department of Agriculture, and the Vocational Education Committee (VEC). His key work for the Recess Committee is research into the state aid to agriculture in France and Denmark. In February 1900, he is appointed Secretary of the new Department of Agriculture and Technical Instruction in Ireland. In 1907, he is appointed Chairman of the Departmental Committee on Irish Forestry. He also serves on a number of governmental committees concerning agriculture and agricultural production. He is President of the Irish Technical Instruction Association from 1925 to 1929.
A raconteur with, in the words of R. A. Anderson, ‘a queer charm about him,’ Gill moves in Dublin literary circles, and in his retirement, he makes a translation of Louis Paul-Dubois’ Le drame irlandais et l’Irlande nouvelle (1927), published posthumously as The Irish struggle and its results (1934).
(Pictured: “Portrait of T.P. Gill, Journalist, Secretary, Department of Agriculture and Technical Instruction,” oil on canvas by Sarah Purser, 1898, National Gallery of Ireland)
Gobnait Ní Bhruadair, Irish republican and lifelong radical, dies in Sneem, County Kerry, on January 16, 1955. She campaigns passionately for causes as diverse as the reform of nursing, protection and promotion of the Irish language and the freedom of Ireland from British rule.
Ní Bhruadair is born the Hon. Albinia Lucy Brodrick on December 17, 1861, at 23 Chester Square, Belgrave, London, the fifth daughter of William Brodrick, 8th Viscount Midleton (1830–1907), and his wife, Augusta Mary (née Freemantle), daughter of Thomas Fremantle, 1st Baron Cottesloe. She spends her early childhood in London until the family moves to their country estate in Peper Harow, Surrey in 1870. Educated privately, she travels extensively across the continent and speaks fluent German, Italian and French, and has a reading knowledge of Latin.
The polar opposite of Ní Bhruadair, her brother is consistent in his low opinion of the Irish and holds imperialist views that warmly embrace much of the jingoism associated with social Darwinism. The young Albinia Lucy Brodrick conforms to her familial political views on Ireland, if her authorship of the pro-Unionist song “Irishmen stand” is an indicator. However, by the start of the twentieth century she becomes a regular visitor to her father’s estate in County Cork. There she begins to educate herself about Ireland and begins to reject the views about Ireland that she had been raised on. In 1902 she writes about the need to develop Irish industry and around the same time she begins to develop an interest in the Gaelic revival. She begins to pay regular visits to the Gaeltacht where she becomes fluent in Irish and is horrified at the abject poverty of the people.
From this point on, Ní Bhruadair’s affinity with Ireland and Irish culture grows intensely. Upon her father’s death in 1907 she becomes financially independent and in 1908 purchases a home near West Cove, Caherdaniel, County Kerry. The same year she establishes an agricultural cooperative there to develop local industry. She organises classes educating people on diet, encourages vegetarianism and, during the smallpox epidemic of 1910, nurses the local people. Determined to establish a hospital for local poor people, she travels to the United States to raise funds.
There Ní Bhruadair takes the opportunity to study American nursing, meets leading Irish Americans and becomes more politicised to Ireland’s cause. Upon her return to Kerry, she establishes a hospital in Caherdaniel later in 1910. She renames the area Ballincoona (Baile an Chúnaimh, ‘the home of help’), but it is unsuccessful and eventually closes for lack of money. She writes on health matters for The Englishwoman and Fortnightly, among other journals, is a member of the council of the National Council of Trained Nurses and gives evidence to the royal commission on venereal disease in 1914.
Along with Dr. Kathleen Lynn she works with the Irish White Cross to distribute food to the dependents of IRA volunteers. By the end of the Irish War of Independence she has become hardened by the suffering she has seen and is by now implacably opposed to British rule in Ireland. She becomes one of the most vociferous voices against the Anglo-Irish Treaty of December 6, 1921. She becomes a firebrand speaker at meetings in the staunchly republican West Kerry area. In April 1923 she is shot by Irish Free State troops and arrested. She is subsequently imprisoned in the North Dublin Union, where she follows the example of other republicans and goes on hunger strike. She is released two weeks later. Following the formation of Fianna Fáil by Éamon de Valera in 1926, she continues to support the more hardline Sinn Féin.
In October 1926 Ní Bhruadair represents Munster at the party’s Ardfheis. She owns the party’s semi-official organ, Irish Freedom, from 1926–37, where she frequently contributes articles and in its later years acts as editor. Her home becomes the target of the Free State government forces in 1929 following an upsurge in violence from anti-Treaty republicans against the government. She and her close friend Mary MacSwiney leave Cumann na mBan following the decision by its members at their 1933 convention to pursue social radicalism. The two then establish an all-women’s nationalist movement named Mná na Poblachta, which fails to attract many new members.
Ní Bhruadair continues to speak Irish and regularly attends Conradh na Gaeilge branch meetings in Tralee. Although sympathetic to Catholicism, she remains a member of the AnglicanChurch of Ireland, and regularly plays the harmonium at Sneem’s Church of Ireland services. Described by a biographer as “a woman of frugal habits and decided opinions, she was in many ways difficult and eccentric.” She dies on January 16, 1955, and is buried in the Church of Ireland graveyard in Sneem, County Kerry.
In her will Ní Bhruadair leaves most of her wealth (£17,000) to republicans “as they were in the years 1919 to 1921.” The vagueness of her bequest leads to legal wrangles for decades. Finally, in February 1979, Justice Seán Gannon rules that the bequest is void for remoteness, as it is impossible to determine which republican faction meets her criteria.
seamus dubhghaill 