Doherty is the third son in a family of six. He is born on October 16, 1955, in the Andersonstown area of Belfast and is educated at St. Theresa’s Primary School and Glen Road Christian Brothers School (CBS). The Doherty brothers are known cyclists and sportsmen in the Andersontown area. He wins an AntrimGaelic football medal at minor level in 1971.
Doherty joins Fianna Éireann in 1971 and is interned by the British Government between February 1973 and November 1975. His brothers Michael and Terence are interned between 1972 and 1974.
Doherty works as an apprentice heating engineer. His girlfriend is Geraldine Scheiss and, although they never become formally engaged, they become very close toward the end of his life. Before his arrest, she had not known that he is in the IRA.
In August 1976, while he is out to set a bomb, the van in which he is riding is chased by the Royal Ulster Constabulary (RUC). During the chase Doherty manages to leave the van and hijack a car. He later ditches the car and is found one mile away from the car. He is convicted and sentenced to 18 years for possession of firearms and explosives, with another four years for the hijack.
Doherty starts his hunger strike on May 22, 1981. While on hunger strike, he is elected as an Anti H-Block TD for the Cavan–Monaghan constituency at the 1981 Irish general election, which is held on June 11. He receives 9,121 (15.1%) first preference votes and is elected on the fourth count. The two seats gained by Anti H-Block candidates denies TaoiseachCharles Haughey the chance to form a government, and the 22nd Dáil Éireann sees a Fine Gael–Labour Party coalition government come to office, with Garret FitzGerald as Taoiseach.
Doherty dies at the age of 25 on August 2, 1981. He lasts 73 days on hunger strike, the longest of the 1981 hunger strikers, and only one day short of Terence MacSwiney. He is the shortest-serving Dáil deputy ever, serving as a TD for only two months.
Makem’s mother, Sarah Makem, is an important source of traditional Irish music, who is visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O’Boyle. His father, Peter Makem, is a fiddler who also plays the bass drum in a local pipe band named “Oliver Plunkett,” after a Roman Catholic martyr of the reign of Charles II of England. His brother and sister are folk musicians as well. Makem, from the age of eight, is member of the St. Patrick’s church choir for 15 years where he sings Gregorian chant and motets. He does not learn to read music but he makes it in his “own way.”
Makem starts to work at 14 as a clerk in a garage and later he works for a while as a barman at Mone’s Bar, a local pub, and as a local correspondent for The Armagh Observer.
Makem emigrates to the United States in 1955, carrying his few possessions and a set of bagpipes from his time in a pipe band. Arriving in Dover, New Hampshire, he works at Kidder Press, where his hand was accidentally crushed by a press in 1956. With his arm in a sling, he leaves Dover for New York City to pursue an acting career.
The Clancys and Makem are signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez are named the most promising newcomers on the American folk scene. During the 1960s, the Clancy Brothers and Tommy Makem perform sellout concerts at such venues as Carnegie Hall, and make television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performs for President John F. Kennedy. They also play in smaller venues such as the Gate of Horn in Chicago. They appear jointly in the UK Albums Chart in April 1966, when Isn’t It Grand Boys reaches number 22.
Makem leaves the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy are both booked to play a folk festival in Cleveland, Ohio, and are persuaded to do a set together. Thereafter they often perform as Makem and Clancy, recording several albums together. He once again goes solo in 1988. Throughout the 1970s and 1980s he performs both solo and with Liam Clancy on The Irish Rovers‘ various television shows, which are filming in Canada and Ireland.
In the 1980s and 1990s, Makem is a principal in a well-known Irish music venue in New York, “Tommy Makem’s Irish Pavilion.” This East 57th Street club is a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors are Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem is a regular performer, often solo and often as part of Makem and Clancy, particularly in the late fall and holiday season. The club is also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center for the Performing Arts. In addition, the after-party for Bob Dylan‘s legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 is held at the Irish Pavilion.
In 1997 Makem writes a book, Tommy Makem’s Secret Ireland, and in 1999 premiers a one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also establishes the Tommy Makem International Festival of Song in South Armagh in 2000.
Tommy Makem dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer. He continues to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy says, “He was my brother in every way.” He is buried next to his wife at New Saint Mary Cemetery in Dover.
Leading up to the attack, on April 9, 1990 four Ulster Defence Regiment (UDR) soldiers (Michael Adams, John Birch, John Bradley, Steven Smart) are killed in a similar attack when the IRA detonates a land mine under their patrol vehicle on Ballydugan Road, Downpatrick, County Down. The land mine contains over 1,000 lbs. of explosives.
On the afternoon of July 24, 1990, 37-year-old nun Catherine Dunne is driving an Austin Metro car with a passenger, Cathy McCann, a 25-year-old social worker. Some hours previously, members of the IRA take over a house close to Killylea Road, two miles outside Armagh, County Armagh, holding its occupants, a married couple and their children, at gunpoint.
A detonating wire is placed from the house to a 1,000 lb. bomb, placed in a culvert under Killylea Road. At approximately 2:00 PM, as Dunne’s car is driving to Armagh, a Royal Ulster Constabulary patrol car is traveling in the opposite direction. Dunne’s car passes by the patrol car just as the police drive over the culvert, at which point the IRA detonate the bomb. Constable William James Hanson (37), and reserve officers Joshua Cyril Willis (35) and David Sterritt (34), are all killed instantly. Their car is blown into the air and lands upside down. Dunne and McCann are both severely injured with Dunne later dying of her injuries.
Witness Paul Corr, owner of a petrol filling station nearby, says, “The ground shook beneath us and it was accompanied by a very large explosion. At first we did not see the police car. The whole place was a terrible mess. Then we saw two young girls in the [Austin Metro]. They were unconscious and looked in a pretty bad way. There was nothing we could do for the policemen. Nobody could have come out of that car alive. It was dreadful.”
The bomb leaves a 20-foot-diameter crater in the two-lane road.
TaoiseachCharles Haughey is quoted as saying, “I know all the people of Ireland join me in my condemnation of this atrocity.”
The IRA releases a message claiming responsibility for the attack, and calls Dunne a victim of “unforeseen and fluke circumstances.” The statement is rejected in advance by political and Catholic and Protestant leaders alike and politicians in Ireland and Great Britain.
Sinn Féin‘s Martin McGuinness says, “Our sorrow at these deaths is genuine and profound, but will be abused by our political opponents who will cynically exploit yesterday’s events for their own political purpose.”
Pope John Paul II sends a message to be read at Dunne’s funeral in which he condemns the “grievous injustice and futility” of the murders that leave him “deeply shocked and saddened.” He implores “the men and women who espouse violence to recognise the grievous injustice and futility of terrorism.”
Two men, Henry McCartney (26) and Tarlac Connolly (29), are charged with the killings. They are later given life sentences but are released in 2000 under the terms of the Good Friday Agreement.
Dillon comes from an area steeped in Irish traditional music. Since she was a schoolgirl she has sung and performed. She learns local folk songs from teachers and workshops held in the town. She can also play the fiddle and whistles. At the age of 14 she wins the All-Ireland Singing Trophy at Fleadh Cheoil.
In 1991 Dillon forms a band called Óige (an Irish word meaning ‘youth’) with school friends Murrough and Ruadhrai O’Kane, bringing her take on Irish traditional songs to Ireland, Scotland and further afield. During this time she also performs with big names such as De Dannan and Phil Coulter. Óige records two albums with Dillon, a studio and a live album. Inspiration is recorded in 1992 to sell at concerts in Europe. The live album, simply called Live, is recorded at a concert in Glasgow on August 15, 1993.
Dillon leaves Óige in 1995 and joins the folk supergroup Equation, replacing Kate Rusby, and signs a record deal with Warner Music Group. She leaves Equation with original band member Sam Lakeman because of musical differences and together they immediately signed a separate deal with the same label as a duo named Polar Star. In 2001, she releases her first solo album, Cara Dillon, which features traditional songs and two original Dillon/Lakeman compositions. The album is an unexpected hit in the folk world, with Dillon receiving four nominations at the 2002 BBC Radio 2 Folk Awards. Lakeman and Dillon marry in December 2002.
In 2009, Dillon releases her fourth album, the award-winning Hill of Thieves. The record marks a return to Dillon’s traditional roots with a purer production and arrangement style. The titular track “Hill of Thieves,” a Dillon\Lakeman original, is voted by BBC listeners as one of the “Top 10” original songs to have come out of Northern Ireland. In 2012, she performs two concerts with the Ulster Orchestra.
Dillon’s fifth solo album, A Thousand Hearts, is released in 2014. Prior to the album’s release, she discovers that her music enjoys a dedicated following in China, where her first album is featured in English curriculums. She has since embarked on several popular Chinese tours. As of 2017, she continues to tour regularly and work with her husband, who backs her on piano and guitar. Her most recent release is the album, Wanderer (2017).
Dillon is the sister of fellow folk singer Mary Dillon, formerly of Déanta. Dillon and Lakeman live in Frome, Somerset, England with their three children, twin sons born in 2006 and a daughter born in 2010.
The office of the Governor of Northern Ireland is established on 9 December 9, 1922 under Letters Patent to “do and execute in due manner as respects Northern Ireland all things which by virtue of the [1920] Act and our said Letters Patent of 27 April 1921 or otherwise belonged to the office of Lord Lieutenant at the time of the passing of the Irish Free State Constitution Act 1922.”
The Governor has possession of the Great Seal of Northern Ireland and is the successor to the Lord Lieutenant of Ireland in Northern Ireland, itself established on May 3, 1921. The official residence of the Governor of Northern Ireland is Hillsborough Castle in County Down. Following refurbishment of the Castle, James Hamilton, 3rd Duke of Abercorn, takes up residence in 1925. It remained the official residence until the abolition of the office of governor in 1973. Henceforth it has been the official residence of the Secretary of State for Northern Ireland.
Campbell is born into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.
Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.
Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.
Campbell becomes a Sinn FéinCouncillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County WaterfordFlying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.
Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.
Sir Joseph LarmorFRSFRSE, Irish and British physicist and mathematician who makes breakthroughs in the understanding of electricity, dynamics, thermodynamics, and the electron theory of matter, is born in Magheragall, County Antrim, on July 11, 1857. His most influential work is Aether and Matter, a theoretical physics book published in 1900.
In 1903 Larmor is appointed Lucasian Professor of Mathematics at Cambridge, a post he retains until his retirement in 1932. He never marries. He is knighted by King Edward VII in 1909.
McCracken’s father is Captain John McCracken, a Presbyterian of Scottish descent and a prominent shipowner. Her mother, Ann Joy, comes from a French ProtestantHuguenot family, which made its money in the linen trade and founded the Belfast News Letter. Her liberal and far-sighted parents send her to David Manson‘s progressive co-educational school, where ‘young ladies’ received the same education as the boys. She excels at mathematics.
As an adult, McCracken manages a successful muslin business in Belfast, which pioneers the production of patterned and checked muslin. She runs the business together with her sister and has at least one agent in Dublin.
McCracken is the sister of Henry Joy McCracken, one of the founding members of the Society of United Irishmen. In the aftermath of her brother’s defeat at the Battle of Antrim on June 7, 1798, she helps Henry Joy and some colleagues hide in the hills of south Antrim, bringing them clothes and money. She is arranging for a ship to take him to the United States when he is recognised by three Carrickfergus soldiers and arrested there on July 7, 1798.
McCracken shares her brother’s interest in reviving the oral-music tradition of Ireland and is a founding member of the Belfast Harp Society (1808–1813). She supports Edward Bunting in his collecting of traditional music, introducing him to people who can help, acting as his unofficial secretary and contributes anonymously to the second volume of his work The Ancient Music of Ireland in 1809. Bunting lives with the McCrackens for thirty-five years, before moving to Dublin 1819 and thereafter corresponds regularly with McCracken.
McCracken, like her brother, holds radical beliefs and these extend not just to the politics of the time, but to many social issues, such as poverty and slavery. She is dedicated to the poor of Belfast and from her earliest childhood she works to raise funds and provide clothes for the children of the Belfast Poorhouse, now known as Clifton House, Belfast. Following a visit from Elizabeth Fry she forms the Ladies Committee of the Belfast Charitable Society and is chair from 1832–1855. Thanks to the efforts of the committee a school, and later a nursery, is set up to educate the orphans of Belfast. She takes particular pains to find a suitable teacher, displaying a high level of dedication and compassion for her cause. The committee also inspects the homes where children of the poorhouse are apprenticed out.
McCracken leads the Women’s Abolitionary Ccmmittee in Belfast during the height of the anti-slavery movement and continues to promote the cause long after the spirit of radicalism had died in Belfast. By the 1850s, the liberality of the 1790s had largely evaporated in the aftermath of the failure of the Irish Rebellion of 1798, and the subsequent executions or exile of the leading protagonists.
At the age of 88, McCracken is to be seen at the Belfast docks, handing out anti-slavery leaflets to those boarding ships bound for the United States, where slavery is still practised. Her continued campaign long after the deaths of her counterparts serves to demonstrate the strength of radicalism that exists in certain circles of Belfast society at the close of the eighteenth century.
After her brother’s execution in Belfast, McCracken takes over the care of his illegitimate daughter, Maria, which is not universally accepted in her wider family. She lives with Maria and her family until her death at the age of 96 on July 26, 1866. She is buried in grave number 35 at Clifton Street Cemetery.
A blue plaque has been placed by the Ulster History Circle on the house at 62 Donegall Pass, Belfast, where McCracken lived for much of her later life.
Francis ‘Francie’ McPeake II, uilleann piper and singer, dies in Belfast on July 7, 1986. He is a crucial figure in preserving the great Ulster piping tradition.
McPeake is born on January 20, 1917 at 43 Malcolmson Street, Belfast, the son of Francis J. McPeake (1885–1971), piper and tram conductor, and Mary McPeake (née Loney). His father, a staunch nationalist, wins the Feis piping competition in Belfast in 1909 and represents Ireland together with a Welsh harper, John Page, at the Pan-Celtic Congress in Brussels in 1911. In July 1912 he wins first prize in the learners’ class when he attends the foundation of the Pipers’ Club in Dublin. He represents Ireland in many instances as one of relatively few pipers from Northern Ireland at the time.
McPeake continues the strong musical tradition in the family. He also plays the pipes and father and son are recorded by Peter Kennedy in 1952. They appear at the Royal Albert Hall in 1956 and later form the McPeake Trio along with his brother James, who plays the fiddle, the piano accordion, and later a harp made by McFall in Belfast. The trio comes to be known as The McPeakes. They sing in Irish and in English and are closely identified with particular songs, such as “The Jug of Punch,” “The Lament of Aughrim,” and “The Verdant Braes of Skreen,” though the one most associated with them is “Will You Go, Lassie, Go?”
The McPeakes win first prize at the international Eisteddfod in Wales in the late 1950s and acquire a strong international reputation with Bob Dylan being among their fans. The trio is later augmented by members of the next generation, recorded by Peter Kennedy again, and make several recordings, including Irish Folk (1964) and Welcome Home (1967), which is a cassette reissue of a 1962 album for the Topic Records label. Some of Kennedy’s recordings of the McPeake family are released on the compact disc Traditional Songs of Ireland (CD-SDL 411) in 1995. A fourth-generation family group follows, Clan McPeake, inheriting the commitment, much of the repertoire, and the verve of the earlier generations.
McPeakes’s gift for teaching is employed at the Francis McPeake School of Music, which is established in 1977, and he writes a well-reviewed tin whistle tutor entitled Smash the Windows, published by Appletree Press in 1981. He also forms the Clonard Traditional Music Society.
McPeake dies on July 7, 1986. The McPeake family remains closely associated with traditional music and with Belfast. The Francis McPeake International Summer School is established in 2004.
Morrow makes his full international debut for Northern Ireland in May 1990 against Uruguay. He goes on to win 39 caps for his country from then until 1999.
Morrow becomes a semi-regular with Arsenal in 1992–93. He plays most of his matches in midfield, replacing the injured Paul Davis as Arsenal reaches the League Cup and FA Cup finals. He starts the League Cup final against Sheffield Wednesday. After falling behind to a John Harkes goal, Arsenal equalises through Paul Merson, and then Merson sets up Morrow to score the winner, which is also his first for the club. In the celebrations after the match, Arsenal skipper Tony Adams attempts to pick up Morrow and parade him on his shoulders, but Adams slips, and Morrow awkwardly hits the ground. He breaks his arm and has to be rushed to hospital.
As a result, Morrow misses the rest of that season, including the 1993 FA Cup Final, where Arsenal completes the Cup Double. Before the final kicks off, he receives his League Cup winners’ medal.
Morrow is fit enough by the start of the next season but plays only 13 matches, compared to 25 the previous season. One of those is the scene of an Arsenal triumph, the club’s 1994 European Cup Winners’ Cup Final win over Parma. In an Arsenal midfield depleted of John Jensen and David Hillier, he makes his first appearance in the competition that season partnering 20-year-old Ian Selley in central midfield as Arsenal beats Parma 1–0 with an Alan Smith goal.
Morrow nearly leaves the club in March 1994, following an approach from the Premier League‘s bottom club Swindon Town, but the transfer falls through and he signs a new contract with Arsenal, where he spends three more years.
Morrow goes on to play over 20 matches the following season, including a second Cup Winners’ Cup final, which Arsenal loses to Real Zaragoza. He scores his second Arsenal goal in the League Cup once again against Sheffield Wednesday, and scores his first Arsenal league goal in a 3–1 defeat at Blackburn Rovers, who win the Premier League that season. However, he never finds favour under new Arsenal boss Bruce Rioch, who only gives the Irishman five matches in 1995–96.
After the arrival of Arsène Wenger in 1996, Morrow is told he is surplus to requirements at Highbury, and he is loaned to Queens Park Rangers (QPR) in March 1997, the deal being made permanent that summer. He plays 85 games for Arsenal in total, scoring three goals.
At QPR, Morrow is initially a regular, but the club struggles, going from contenders for promotion to the Premiership to facing relegation to the Football League Second Division. Injuries to his shoulder ligaments ruled him out for most of the 1999–2000 season, and he loses his place in the side. He later has a loan spell at Peterborough United, but it does not become permanent, and he is released on a free transfer in the summer of 2001.
Struggling to find a club in the United Kingdom, Morrow moves to the United States to play for Major League Soccer (MLS) side Dallas Burn. He spends two seasons at Dallas, who rename themselves FC Dallas in 2004, before retiring because of a persistent neck injury.
On February 3, 2004, Morrow is named as an assistant coach to FC Dallas but resigns in late May due to personal reasons. However, he returns to the club on January 27, 2005, under coach Colin Clarke. When Clarke is fired on November 7, 2006, Morrow is named interim head coach. On December 11, 2006, FC Dallas removes the ‘interim’ from his title. He is fired as coach on May 20, 2008.
On September 12, 2008, Morrow returns to Arsenal as International Partnerships – Performance Supervisor, managing Arsenal’s international partnerships, which includes the Colorado Rapids of Major League Soccer in the United States, BEC Tero of Thailand and Hoàng Anh Gia Lai of Vietnam, and assisting Arsenal’s academies in countries such as Egypt and Ghana. From 2014, he works as Arsenal’s head of youth development. He leaves Arsenal in 2019 following a coaching staff shake up.
On May 7, 2021, Morrow is appointed The FA’s head of player selection and talent strategy working across England men’s teams.