Bob Crowley, scenic and costume theatre designer and theatre director, is born in Cork, County Cork on June 10, 1952. He is the brother of director John Crowley.
Crowley has received multiple Tony Award nominations, and has won seven times, for designing the Broadway productions of Carousel (1994), Aida (2000), The History Boys (2006), Mary Poppins (2007), The Coast of Utopia (2007), Once (2012) and An American in Paris (2015). He receives three other Tony Award nominations in 2015, two for his costumes on The Audience and An American in Paris and one for his scenic designs for Skylight. He is a recipient of the Laurence Olivier Award for Best Set Design and a three-time recipient of the Drama Desk Award for Outstanding Set Design.
John Sheahan, musician and composer and the last surviving member of the definitive five-member line-up of The Dubliners, is born in Dublin on May 19, 1939. He joins The Dubliners in 1964 and plays with them until 2012 when The Dubliners’ name is retired following the death of founding member Barney McKenna.
Sheahan goes to school at the local Christian Brothers in Marino, Dublin, where he receives his first musical education, learning the tin whistle. When he is about twelve years old he begins to take an active interest in music and soon he transfers the musical knowledge gained on the whistle to a fiddle he finds lying around at home. Enthusiastically supported and encouraged by his parents, he attends the Municipal School of Music in Dublin where he studies classical violin for more than five years.
During this time he continues to maintain his interest in Irish traditional music, which sometimes leads him to improvise on the classics by putting in a few embellishments. His improvisions ultimately lead to the development of his unique style, gaining him a number of awards at various féiseanna. His interest in American bluegrass fiddle music must also have influenced his style, as can be heard in tunes like Flop Eared Mule, recorded with The Dubliners in 1968, 1969 and 1983.
Sheahan plays with a number of bands around the country until he meets The Dubliners in the early 1960s. At that time, the group is formed by Ronnie Drew, Barney McKenna, Ciarán Bourke and Luke Kelly. He joins the band in 1964, together with Bobby Lynch. Both musicians have been playing during the interval at concerts and usually stay on stage for the second half of the show. When Luke Kelly moves to England in 1964, Lynch is taken on as his temporary replacement. When Kelly returns in 1965, Lynch leaves the band and Sheahan stays. He is the only member of the Dubliners to have had a formal musical education.
After 50 years of playing and after the death of founding member Barney McKenna, in the fall of 2012 Sheahan announces the retirement of The Dubliners by the end of the 50th anniversary tour. The last formation of the band features Sheahan, Seán Cannon, Eamonn Campbell, Patsy Watchorn and Gerry O’Connor. He is a steady member of the band for 48 years and the high standards of his playing strongly contribute to forge the Dubliners’ sound.
O’Grady is born on March 22, 1846, at Castletown, County Cork, the son of Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and Susanna Doe. After a rather severe education at Tipperary Grammar School, O’Grady follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady proves too unconventional of mind to settle into a career in the church and earns much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran‘s General history of Ireland sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: Heroic Period (1878–81) and Early Bardic Literature of Ireland (1879), he realizes that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people have made the Tudors into kings of Ireland in order to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, he works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator. It is here he becomes involved with Ellen Cuffe, Countess of Desart and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. O’Grady contributes to James Larkin‘s The Irish Worker paper.
O’Grady’s works are an influence on William Butler Yeats and George Russell and this leads to him being known as the “Father of the Celtic Revival.” Being as much proud of his family’s Unionism and Protestantism as of his Gaelic Irish ancestry, identities that are increasingly seen as antithetical in the late 1800s, he is described by Augusta, Lady Gregory as a “fenian unionist.”
Advised to move away from Ireland for the sake of his health, O’Grady passes his later years living with his eldest son, a clergyman in England, and dies on the Isle of Wight on May 18, 1928.
O’Grady’s eldest son, Hugh Art O’Grady, is for a time editor of the Cork Free Press before he enlists in World War I early in 1915. He becomes better known as Dr. Hugh O’Grady, later Professor of the Transvaal University College, Pretoria, who writes the biography of his father in 1929.
Growing up in London, he excels on stage at the National Youth Theatre, before being accepted at the Bristol Old Vic Theatre School, which he attends for three years. Despite his traditional actor training at the Bristol Old Vic, he is considered to be a method actor, known for his constant devotion to and research of his roles. He often remains completely in character for the duration of the shooting schedules of his films, even to the point of adversely affecting his health. He is one of the most selective actors in the film industry, having starred in only five films since 1998, with as many as five years between roles. Protective of his private life, he rarely gives interviews and makes very few public appearances.
In 2008, while receiving the Academy Award for Best Actor for There Will Be Blood from Helen Mirren, who presented the award, Day-Lewis kneels before her and she taps him on each shoulder with the Oscar statuette, to which he quips, “That’s the closest I’ll come to ever getting a knighthood.” In November 2014, Day-Lewis is formally knighted by Prince William, Duke of Cambridge at Buckingham Palace for services to drama.
Ellison comes from a clerical family, his father Humphrey Eakins Ellison having been Dean of Ferns, County Wexford. He gains a sizarship of classics at Trinity College, Dublin in 1883, becomes a Scholar of the House in 1886 and graduates in 1887 with junior moderatorships in classics and experimental science. In 1890 he takes Holy Orders and moves to England, where he becomes the Curate of Tudhoe and Monkwearmouth. In 1894 he takes his MA and BD degrees and in the following year wins the Elrington Theological Prize.
In 1899 he returns to Ireland to become secretary of the Sunday School Society, a post which he holds for three years before accepting the incumbency of Monart, Enniscorthy, moving in 1908 to become Rector of Fethard-on-Sea with Tintern in Wexford. Ellison develops an interest in astronomy, having been introduced to practical optics by Dr. N. Alcock of Dublin and sets up his first observatory at Wexford. He becomes highly adept at making lenses and mirrors and writes several books and articles on the subject, including major contributions to the Amateur Telescope Making series, the Journal of the British Astronomical Association, and the weekly newspaper The English Mechanic. His book The Amateur’s Telescope (1920) is still considered a standard for telescope-makers and a forerunner of the more extensive series on the same topic by Albert Graham Ingalls.
On September 2, 1918 Ellison is appointed Director of the Armagh Observatory. He finds the Observatory in a state of disrepair and sets about repairing the instruments and the observatory dome. On January 3, 1919 he deeds a telescope of his own to the observatory, an 18-inch reflecting telescope, which is still there.
Ellison is a highly regarded planetary and binary star observer. Working with his son Mervyn, he makes many measurements of binary stars using the observatory’s 10-inch Grubbrefracting telescope and even discovers a new one close to Beta Lyrae, and according to Patrick Moore, is one of the few people to have observed an eclipse of Saturn’s moon Iapetus by Saturn’s outermost ring on February 28, 1919.
In 1934 Ellison becomes Canon and Prebendary of Ballymore, Armagh Cathedral. He dies on December 31, 1936, having held the office of Director of the observatory for nearly twenty years.
From 1932, Alexander teaches mathematics in Winchester and marries Enid Constance Crichton Neate on December 22, 1934. In 1938 he leaves teaching and becomes head of research at the John Lewis Partnership.
In February 1940 Alexander arrives at Bletchley Park, the British codebreaking centre during the World War II. He joins Hut 6, the section tasked with breaking German Army and Air Force Enigma messages. In 1941, he transfers to Hut 8, the corresponding hut working on Naval Enigma. He becomes deputy head of Hut 8 under Alan Turing and formally becomes the head of Hut 8 in November 1942. In October 1944, Alexander is transferred to work on the Japanese JN-25 code.
In mid-1946, Alexander joins GCHQ, which is the post-war successor organisation to the Government Code and Cypher School (GC&CS) at Bletchley Park. By 1949, he has been promoted to the head of “Section H” (cryptanalysis), a post he retains until his retirement in 1971.
Alexander is twice a winner of the British Chess Championship, in 1938 and 1956. He represents England in the Chess Olympiad six times, in 1933, 1935, 1937, 1939, 1954 and 1958. At the 1939 Olympiad in Buenos Aires, Argentina, Alexander has to leave part-way through the event, along with the rest of the English team, due to the declaration of World War II, as he is required at home for codebreaking duties. He is also the non-playing captain of England from 1964 to 1970. He is awarded the International Master title in 1950 and the International Master for Correspondence Chess title in 1970. He wins the Hastings International Chess Congress 1946/47 with the score 7½/9, a point ahead of Savielly Tartakower. His best tournament result may have been first equal Hastings 1953/54, where he goes undefeated and beats Soviet grandmasters David Bronstein and Alexander Tolush in individual games. He is also the chess columnist of The Sunday Times in the 1960s and 1970s.
Many knowledgeable chess people believe that Alexander had Grandmaster potential, had he been able to develop his chess abilities further. Many top players peak in their late twenties and early thirties, but for Alexander this stretch coincided with World War II, when high-level competitive opportunities were unavailable. After this, his professional responsibilities as a senior cryptanalyst limited his top-class appearances. He defeats Mikhail Botvinnik in one game of a team radio match against the Soviet Union in 1946, at a time when Botvinnik is probably the world’s top player. Alexander makes important theoretical contributions to the Dutch Defence and Petrov’s Defence.
Alexander Gordon “Alex” Higgins, Northern Irish professional snooker player, who is remembered as one of the most iconic figures in the game, is born in Belfast on March 18, 1949. He is nicknamed “Hurricane Higgins” because of his fast play.
Higgins starts playing snooker at the age of eleven, often in the Jampot club in his native Sandy Row area of south Belfast and later in the YMCA in the nearby city centre. At age fourteen and weighing seven and a half stone (47.6 kg), he leaves for England and a career as a jockey. However, he never makes the grade because, in his youth, he drinks a lot of Guinness and eats a lot of chocolate, making him too heavy to ride competitively. He returns to Belfast and by 1965, at the age of sixteen, he has compiled his first maximum break. In 1968 he wins the All-Ireland and Northern Ireland Amateur Snooker Championships.
Higgins turns professional at the age of 22, winning the World Snooker Championship at his first attempt in 1972, against John Spencer winning 37–32. Higgins is then the youngest ever winner of the title, a record retained until Stephen Hendry‘s 1990 victory at the age of 21. In April 1976, Higgins reaches the final again and faces Ray Reardon. Higgins leads 11–9, but Reardon makes four centuries and seven breaks over 60 to pull away and win the title for the fifth time with the score of 27–16. Higgins is also the runner-up to Cliff Thorburn in 1980, losing 18–16, after being 9–5 up. Higgins wins the world title for a second time in 1982 after beating Reardon 18–15 (with a 135 total clearance in the final frame). It was an emotional as well as professional victory for him. Higgins would have been ranked No. 1 in the world rankings for the 1982-1983 season had he not forfeited ranking points following disciplinary action.
Throughout his career, Higgins wins 20 other titles, one of the most notable being the 1983 UK Championship. In the final he trails Steve Davis 0–7 before producing a famous comeback to win 16–15. He also wins the Masters twice, in 1978 and in 1981, beating Cliff Thorburn and Terry Griffiths in the finals respectively. Another notable victory is his final professional triumph in the 1989 Irish Masters at the age of 40 when he defeats a young Stephen Hendry, which becomes known as “The Hurricane’s Last Hurrah.”
Higgins comes to be known as the “People’s Champion” because of his popularity, and is often credited with having brought the game of snooker to a wider audience, contributing to its peak in popularity in the 1980s. He has a reputation as an unpredictable and difficult character. He is a heavy smoker, struggles with drinking and gambling, and admits to using cocaine and marijuana.
First diagnosed with throat cancer in 1998, Higgins is found dead in bed in his flat on July 24, 2010. The cause of death is a combination of malnutrition, pneumonia, and a bronchial condition. Higgins’ funeral service is held in Belfast on August 2, 2010. He is cremated and his ashes are interred in Carnmoney Cemetery in Newtownabbey, County Antrim.
Clayton is the oldest child of Brian and Jo Clayton. His father is a pilot with the Royal Air Force, who moves into civil aviation, and his mother is a former airline flight attendant. When he is 4 years old his father works in Kenya as a pilot with East African Airways. Clayton regards this as the happiest period of his childhood. In 1965 the family moves to Malahide, County Dublin, where Clayton’s brother Sebastian is born. The Clayton family becomes friends with the Evans family, including their son, David, who later becomes a fellow U2 band-member with Clayton.
When he is eight years old Clayton is sent to the private junior boarding Castle Park School in Dalkey, Dublin, which he did not enjoy because he is not particularly sports orientated. At age 13 he enters the private St. Columba’s College secondary school in Rathfarnham, Dublin. Here he makes friends with other pupils who are enthusiastic about pop/rock music. It is here in the school band where Clayton plays the bass guitar for the first time.
Clayton later changes school to Mount Temple Comprehensive School in Dublin, where he meets future bandmates, Paul Hewson (aka “Bono“) and Larry Mullen Jr., and is reunited with his childhood friend David Evans (aka “The Edge”). In September 1976, Mullen puts an advert onto the school’s bulletin board seeking other musicians to form a band. The original band is a five-piece band known as “Feedback,” consisting of Bono, The Edge, Mullen, Dik Evans, and Clayton. The name is subsequently changed to “The Hype,” but changes to “U2” soon after Dik Evans leaves the band. Clayton stands in as the nearest thing that the band has to a manager in its early life, handing over the duties to Paul McGuinness in May 1978.
In 1981, around the time of U2’s second, spiritually charged October album, a rift is created in the band between Clayton and McGuinness, and the three other band members. Bono, The Edge, and Mullen have joined a Christian group, and are questioning the compatibility of rock music with their spirituality. However, Clayton, with his more ambiguous religious views, is less concerned, and so is more of an outsider, until Bono’s wedding to Alison Hewson (née Stewart), in which Clayton is the best man.
Clayton makes international headlines in August 1989 when he is arrested in Dublin for carrying a small amount of marijuana. He avoids conviction by making a large donation to charity. Clayton also has alcohol problems, which come to a head on November 26, 1993, when he is so hung over that he is unable to play that night’s show in Sydney, the dress rehearsal for their Zoo TV concert film. Bass duties are fulfilled by Clayton’s technician Stuart Morgan. After that incident, however, Clayton gives up alcohol.
In 1995, after the Zoo TV Tour and Zooropa album, Clayton heads to New York City with bandmate Mullen to receive formal training in the bass as until then Clayton has been entirely self-taught. Bono says of Clayton’s early bass playing, “Adam used to pretend he could play bass. He came round and started using words like ‘action’ and ‘fret’ and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he’s talking about. And then one day, we discovered he wasn’t playing the right notes. That’s what’s wrong, y’know?”
In 2011 Clayton becomes an ambassador for the Dublin-based St. Patrick’s Hospital‘s Mental Health Service “Walk in My Shoes” facility.
Joseph Tomelty, Irish character actor and playwright, is born at Portaferry, County Down, on March 5, 1911. He works in film, television, radio, and on the stage, starring in Sam Thompson‘s 1960 play Over the Bridge.
Tomelty is the eldest of seven children. His father is known as “Rollickin’ James” for his skill on the fiddle. He leaves his local primary school at the age of 12 and is apprenticed to the trade of housepainter, his father’s trade. He moves to Belfast and attends classes at Belfast Technical College.
Tomelty first acts with St. Peter’s Players and with others in 1937 and 1938 takes part in discussions which lead to the formation of the Northern Ireland Players on a more professional basis. Radio plays Barnum is Right and Elopement are broadcast in December 1938 and February 1939 respectively. The Northern Ireland Players choose the stage version of Barnum is Right for their first major commercial venture at the Empire Theatre in June 1939.
In 1940 the Northern Ireland Players join forces with the Ulster Theatre and the Jewish Institute Dramatic Society to form the Group Theatre. In 1942 Tomelty becomes its general manager remaining in the post until 1951. His play, Idolatry at Innishargie, enjoys a short run at the Group Theatre in 1942, but The End House, a controversial political play, does not even appear there. The play deals with what he describes as “the inhumanity that resulted from the Special Powers Act.” It is however performed at the Abbey Theatre in Dublin in 1944.
Meanwhile, his career as a character actor rapidly develops and a successful stage and film career is underway. In 1948 he is commissioned by the BBC in Belfast to write the weekly radio comedy drama series The McCooeys. This radio series lasts for seven years with Tomelty writing 6,000 word scripts for each episode. He continues to write plays, including his masterpiece, and a modern Irish theatre classic, All Souls’ Night in 1948.
In 1954 Tomelty is injured in an automobile accident while filming Bhowani Junction in England and, while he recovers, he is never as productive again. He dies in Belfast on June 7, 1995.
seamus dubhghaill 