seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Nancy Wynne-Jones, Welsh & Irish Artist

Nancy Wynne-Jones HRHA, a Welsh and Irish artist, dies in County Wicklow on November 9, 2006.

Mary Esperance (“Nancy”) Wynne-Jones is born on December 10, 1922, in Penmaenucha, Wales, to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, StalbridgeDorset. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.

Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra. After the start of World War II, she continues in Aberystwyth. She goes on to study the violin and composition at the Royal Academy of MusicLondon (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.

After the war, Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London, from 1951 to 1952 and the Chelsea School of Art from 1952 to 1955. She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.

Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show in 1957 at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C. (1959) and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.

In 1962, Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Gallery, run by John and Patrick Taylor. She is elected an honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well-known in Irish art circles as an eminent Irish landscape artist.

Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however, it is the death of her mentor Peter Lanyon which devastates her. She meets the sculptor Conor Fallon through their mutual friend, Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by her. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972, she moves with her family to Kinsale, County Cork. It is in the area around here that a number of her paintings are created. Later she paints the mountain visible from her Wicklow home after the family moves in the late 1980s. She moves to Ballard House, near Rathdrum, County Wicklow in 1987.

Wynne-Jones dies on November 9, 2006, and is buried in Ballinatone (Church of Ireland), Rathdrum.


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Death of Jennifer Guinness, 1986 Kidnapping Victim

Mary Jennifer Guinness, English-born Irish socialite, member of the Guinness family and victim of a notorious 1986 kidnapping that lasts eight days, passes away peacefully at home on January 23, 2016, after a long battle with cancer. She is surrounded by her family, son Ian and daughters Gillian and Tania and long-term partner Alex Booth.

Guinness is born in England on August 22, 1937. On April 9, 1959, she marries merchant banker John Henry Guinness, a member of the Guinness brewing dynasty and chairman of Guinness Mahon. She is predeceased by her husband, who dies two years after the kidnapping in 1988.

“She had been sick for a long time. We will remember her as a most loving mother,” her son Ian says.

Guinness had been an enthusiastic sailor and member of Howth Yacht Club. “It is with great sadness that the Commodore and Officers of Howth Yacht Club have to inform members of the passing of esteemed member Jennifer Guinness,” a posting on the club website says.

Guinness, at the age of 48, makes headlines around the world after she is abducted from her luxury home in Howth, Dublin on April 8, 1986, by three masked gunmen armed with an Uzi submachine gun. They pistol-whip her husband and demand a £2.m ransom from him.

She is held for eight days in five various locations and is forced into the boot of a car and a cardboard box during her ordeal. She is also chained to a tree and a bed and at one point, even handcuffed to one of her captors. She is eventually rescued by Garda Síochána from a house on Waterloo Road in Ballsbridge following an all-night standoff with the kidnappers.

It does not take long for her kidnappers to be brought to justice. The following June, John “The Colonel” Cunningham is sentenced to seventeen years in prison, alongside his brother Michael Cunningham, who gets fourteen years. The notorious brothers, who have strong links with the gang led by Martin “The General” Cahill, are behind a string of armed robberies in the 1970s.

Michael Cunningham, who is released from prison in 1995, dies of a heart attack in January 2016. His brother escapes from the Shelton Abbey Prison in 1995 but is tracked down in Holland in 2000 where he serves four years in prison on drug charges before being extradited to Ireland in 2004 to serve out the rest of his sentence. He is released in 2007 and moves to Spain.

After her kidnap ordeal, Guinness says that she never gave in to despair during her eight-day ordeal. “I had no doubt at all, most of the time, that my life was in danger,” she says during a news conference, “but I couldn’t afford to allow myself to lose hope.”

When asked what kept her going during her captivity, Guinness says, “A certain amount of anger, a lot of determination and just a conviction that they weren’t going to get to me.” She draws laughter from reporters when she says, “I kept saying, ‘You’ve got the wrong branch of the family. John’s a banker, but two million is not our style of life.'”

Investigating Gardai praise her courage. Superintendent Frank Hanlon says she was “a considerable asset toward the ending of this incident through her advice to all parties.”

(From: “Jennifer Guinness – victim of a notorious 1986 kidnapping that lasted eight days – has died” by Jerome Reilly, Irish Independent, http://www.independent.ie, January 23, 2016)


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Death of Florence Stoney, First Female Radiologist in the UK

Florence Ada Stoney, Irish physician who is the first female radiologist in the United Kingdom, dies of vertebral cancer in Bournemouth, Dorset, England, on October 7, 1932. During World War I she serves abroad as head of the X-ray department and of staff in makeshift hospitals.

Stoney is born in Dublin on February 4, 1870, to George and Margaret Sophia Stoney. Her father is a mathematical physicist who later serves as Secretary of Queen’s University of Ireland and is an advocate for women’s right to higher education in Ireland. His efforts are considered to be among the principal reasons that women can qualify for a medical license. Of weak health as a child, she is at first privately educated in the home but then attends the Royal College for Science of Ireland with her sister Edith. In 1883, the Stoney family moves to London in order to provide higher education for the daughters since this is unavailable for women in Ireland at the time. She attends the London School of Medicine for Women where she is a distinguished student with great academic achievements in subjects such as anatomy and physiology. She obtains her MBBS with honours in 1895 and a Doctor of Medicine in 1898, going on to specialise in radiology.

Stoney works as an ENT clinical assistant at the Royal Free Hospital as well as spending six years as a demonstrator in anatomy at the London School of Medicine for Women.

After this she spends a short amount of time in the Victoria Hospital for Sick Children in Kingston upon Hull and then goes on to establish an X-ray department in the Elizabeth Garret Anderson Hospital for Women in London in 1902. At the hospital she carries out a variety of work but mainly deals with X-rays, often developing the radiographic plates at her own house. She is the first female radiologist to work in the United Kingdom at a time when knowledge on radiology and the equipment involved is still in its developmental stages. She is forced to work in poor conditions with badly ventilated rooms and a lack of space for X-ray work. She is given no assistance and has to do the majority of the work on her own. Furthermore, she is excluded as a member of the medical staff and from the X-ray department committee. In 1906 she sets up a practice in Harley Street.

Stoney leaves the hospital at the start of the war. She has 13 years of experience in her field when World War I breaks out in August 1914. She and her sister Edith, a medical physicist, volunteer to assist the British Red Cross, but both are refused by surgeon Frederick Treves since they were women. Despite the refusal, Stoney prepares an X-ray installation and helps to organise a unit of women volunteers alongside Mrs. St. Clair Stobart, Women’s Imperial Service League and the Belgian Red Cross to aid the Belgian soldiers in Antwerp. The team converts an abandoned music hall into a makeshift hospital where she manages the surgical unit as head of the medical staff and radiologist. The hospital comes under fire and after enduring ongoing shellfire for 18 hours, the hospital is evacuated. The team walks to Holland, where they manage to cross the Scheldt River on buses carrying ammunition, twenty minutes before the bridge is blown up. She and her unit earn the 1914 Star for bravery.

Stoney continues working in a hospital near Cherbourg in France, mainly dealing with cases relating to compound fractures and locating bullet fragments in wounds. During this time, she becomes experienced in recognizing dead bone and discovers that removing it will speed up recovery.

In March 1915, the Cherbourg hospital is no longer needed, and Stoney moves back London. She begins full-time work at the 1,000-bed Fulham Military Hospital. She is one of the first female physicians granted to serve as a full-time worker under the British War Office and goes on to receive the Order of the British Empire in June 1919. She works as the Head of the X-ray and Electrical Department and remains there until 1918.

In her later years, Stoney suffers from ill health, largely attributed to her over-exposure to radiation in her work. It is reported that she has X-ray dermatitis of her left hand, a painful skin condition associated in modern times with radiation therapy as a treatment for cancer. She moves to the south coastal town of Bournemouth in England where she is on the staff of two hospitals, practicing radiology part-time. She occupies the position of Honorary Medical Officer to the Electrical Department of the Royal Victoria and West Hants Hospital in Bournemouth. She is the founder and president of the Wessex branch of the British Institute of Radiology. She serves as the consulting actinotherapist at the Victoria Cripples Home. During retirement she pens a number of articles in contribution to the medical literature of the time. She publishes research on topics such as fibroids, goitre, Graves’ disease, soldier’s heart, rickets and osteomalacia.

Stoney retires from all of her hospital positions in 1928 at the age of 58. She, along with her older sister Edith, travel in retirement. One trip is to India, where she writes her final scientific paper, the subject of which is osteomalacia (bone softening), in particular in relation to pelvic deformities in childbirth. She studies and investigates this topic overseas, and specifically the association between UV exposure, vitamin D and skeletal development. In India, she also uses her expertise to advise on the use of UV light in hospitals.

Stoney dies at the age of 62, on October 7, 1932. She is suffering from a long and painful illness, vertebral cancer, again largely attributed to her work in the presence of high levels of radiation. Her funeral takes place on October 11 at Golders Green Crematorium, London. The British Journal of Radiology publishes her official obituary which spans five pages, containing many warm personal testimonials. After her sister’s death, Edith Stoney continues to travel and research.


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Death of Grace Henry, Landscape Artist

Grace Henry HRHA, Scottish landscape artist who spends a large part of her career painting in Ireland, dies in Dublin on August 11, 1953.

Henry is born Emily Grace Mitchell at Kirktown St. Fergus, near Peterhead, Aberdeenshire, Scotland, on February 10, 1868. She is the ninth of ten children of the Rev. John Mitchell and Jane Mitchell (née Gardner). Lord Byron is a cousin of her maternal grandmother. She is educated at home, spending time at the family’s home in Piccadilly, where she experiences London society. After the death of her father, and the reduced circumstances she finds herself in, she leaves home in 1895 to pursue a career as an artist. The first record of her work being exhibited is with the Aberdeen Artists Society in 1896 and 1898. These paintings have not been traced since. In 1899, she leaves Scotland for the continent, visiting Holland and Belgium, studying at the Blanc‐Guerrins Academy in Brussels. She goes on to attend the Delacluze Academy in Paris. While in Paris, she meets Paul Henry, an Irish artist. The couple marries in September 1903 in London.

The Henrys live at a few different residences outside London until 1910. A small number of her works are known from this time, such as The Girl in White, which is in the collections of the Hugh Lane Gallery. This piece shows the influence of fellow artist James Abbott McNeill Whistler, whom she meets in Paris through her husband. The couple travels to Achill Island for the first time in 1910, intending to stay two-weeks, but going on to live there until 1919. During this time, she paints numerous night scenes, including Achill Cottages (Hugh Lane Gallery). One of her well-known works is Top of the Hill, on display in the Limerick City Gallery of Art, which shows a group of island women. The period spent on the island places a strain on the Henrys marriage, as she is not as happy living there.

The couple returns to Dublin in 1919 and are founding members of the Society of Dublin Painters in 1920 alongside Letitia Marion Hamilton, Mary Swanzy, and Jack Butler Yeats. The Society offers an outlet for younger Irish artists to exhibit. Five of Henry’s works are featured at the Irish Exhibition in Paris in 1922, and at a similar exhibition in Brussels in 1930.

Around 1920, Henry has a romantic association with Stephen Gwynn who is an important political, cultural and literary figure from the lost world of late-nineteenth and early-twentieth century Ireland. During this period, she travels with Gwynn in France and Italy and later paints a number of portraits of him. Invariably, during this time, the Henrys’ marriage continues to have problems, with the couple breaking up in 1924. Her affair with Gwynn, who she depicts in two known oil paintings including The Orange Man (Limerick City Gallery of Art) and Portrait of a Man, which depicts a much more distinguished Gwynn in later life, contribute to the breakup. The couple legally separates in 1930.

Henry develops her own style through the 1920s and 1930s, spending time in France and Italy. From 1924 to 1925, she studies with André Lhote, a cubist painter who also works with Mainie Jellett, Evie Hone, and Mary Swanzy. She goes on to display little of his influence in her work. She paints in Venice and in the environs of the Italian lakes, painting with the fauvist style, with free brushwork and vibrant colours. She also experiments with expressionism, which can be seen in Spring in Winter. Upon the outbreak of World War II, she returns to Ireland. She does not have a permanent residence during this period, instead stayed with friends or living in hotels. She also experiences periods of melancholy during these later years, though she continues to exhibit. Her work is regularly displayed at the Royal Hibernian Academy (RHA), and she has solo shows at the Waddington and Dawson galleries. She is made an honorary member of the RHA in 1949.

Henry dies in Dublin on August 11, 1953, and is buried at Mount Jerome Cemetery. During her career, and for a number of years after her death, she is largely overshadowed by her husband, sometimes being referred to as “Mrs. Paul Henry.” She is even omitted from Paul Henry’s two-volume autobiography. Her body of work is re-examined in the 1970s, which leads to wider public recognition and her inclusion in a number of exhibitions such as The Paintings of Paul and Grace Henry at the Hugh Lane Gallery in 1991. She is deemed to be a much bolder painter than her husband, incorporating more elements of the modernist movement, as evident in The Long Grey Road of Disting (1915). Her popularity has been growing since her rediscovery.

(Pictured: “Road to Destiny,” oil on board by Grace Henry)


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Birth of Irish Composer John McLachlan

Irish composer John McLachlan is born in Dublin on March 5, 1964.

McLachlan is the son of the writer Leland Bardwell, and studies at the Dublin Institute of Technology (DIT) Conservatory of Music and Drama (1982–86), the Royal Irish Academy of Music (1989–97), and Trinity College Dublin (BA 1988). He studies composition with William York, Robert Hanson and Kevin Volans. He holds a Ph.D. in musicology from Trinity College (1999) for a study of the relationship between analysis and compositional technique in the post-war avant-garde.

McLachlan writes numerous articles for The Journal of Music in Ireland (2000–10). He is executive director of the Association of Irish Composers (1998–2012), and in 2007 he is elected to Aosdána.

McLachlan is the featured composer in the RTÉ National Symphony Orchestra‘s “Horizons” series in 2003 and 2008. He also represents Ireland at international festivals, including the ISCM World Music Days in Slovenia in 2003 and Croatia in 2005. In 2006, his work Grand Action is commissioned as a test-piece for the AXA Dublin International Piano Competition.

McLachlan’s musical aesthetic is largely shaped by a desire to impart a sense of narrative and expectation to his music without recourse to pastiche rhetorical devices. A critic writes of a recording of McLachlan’s piano piece Nine: “The style of each little piece sends one’s imagination and musical memory reeling, some of them evoking French Impressionism, some jazzy in feel, some reminiscent of the miniatures for piano of Webern, and none of them in any way, shape or form derivative.” Much of his music is structured in contrasting and suddenly changing block-like sections of homogeneous material. The material within these sections is propelled by a rigorous focus on subtle rhythmic and melodic permutations, which result in both surface opacity and gradually increasing tension.

McLachlan’s works have been performed in the United States, Peru, Japan, South Africa, Britain, France, Italy, Germany, Holland, Switzerland, Finland, Denmark, Portugal, Spain, Romania, Moldova, Slovenia, Croatia, and around Ireland, with broadcasts in several of these countries. Performers who have played his music include the National Symphony Orchestra of Ireland, Opera Theatre Company, the National Chamber Choir, Concorde, Sequenza, Traject, Archaeus, the Pro Arte Orchestra, Antipodes, Ensemble Nordlys, The Fidelio Trio, The ConTempo Quartet and Trio Arbós as well as many prominent soloists including Ian Pace, John Feeley, Mary Dullea, Darragh Morgan, Satoko Inoue and David Adams.

McLachlan is also known as a broadcaster and writer on contemporary music, with many published articles.

McLachlan now lives in Inishowen, County Donegal.


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Birth of George Germain, 1st Viscount Sackville

George Germain, 1st Viscount Sackville, a British soldier and politician who is Secretary of State for the Colonies in Lord North‘s cabinet during the American Revolutionary War, is born on January 26, 1716. He is styled The Honourable George Sackville until 1720, Lord George Sackville from 1720 to 1770, and Lord George Germain from 1770 to 1782.

Sackville is the third son of Lionel Sackville, 1st Duke of Dorset, and his wife Elizabeth, daughter of Lieutenant-General Walter Philip Colyear. Between 1730 and 1737 and again from 1750 to 1755, his father holds the post of Lord Lieutenant of Ireland. He is educated at Westminster School in London and graduates from Trinity College Dublin in 1737. While in Dublin he befriends the celebrated writer, Jonathan Swift. He also encounters John Ligonier, 1st Earl Ligonier, who later assists his career in the military.

Sackville then enters the army. He is elected Grandmaster of the Grand Lodge of Ireland in 1751, serving in this post for two years. He marries Diana Sambrooke, daughter of John Sambrooke and Elizabeth Forester, on September 3, 1754. They have two sons and three daughters.

Sackville starts as a captain in the 7th Horse (later the 6th Dragoon Guards). In 1740, he transfers to the Gloucestershire Regiment as a lieutenant colonel. The regiment is sent to Germany to participate in the War of the Austrian Succession. In 1743 he is advanced to brevet colonel. He sees his first battle, leading the charge of the infantry of Prince William, Duke of Cumberland, in the Battle of Fontenoy in 1745. He is wounded, captured and taken to the tent of Louis XV. When he is released and returned home, it is to duty in Scotland as the Colonel of the 20th Foot Regiment.

In 1747 and 1748, Sackville again joins the Duke of Cumberland. He becomes colonel of the 7th Irish horse and serves in Holland. There is a break in his military career between wars (1750-1755) when he serves as first secretary to his father.

During the Seven Years’ War, Sackville returns to active military service. In 1755, he is promoted to major general and returns to active service to oversee ordnance. In 1758, he is given a fourth regiment and joins Charles Spencer, 3rd Duke of Marlborough, as a lieutenant general. He is sworn of the Privy Council of the United Kingdom in January 1758.

In June 1758 Sackville is second in command of a British expedition led by Marlborough which attempts an amphibious Raid on St. Malo. While it fails to take the town as instructed, the raid is still considered to be largely successful as a diversion. Follow-up raids are considered against Le Havre, Caen and other targets in Normandy, but no further landings are attempted, and the force returns home. Later in 1758 they join the allied forces of Duke Ferdinand of Brunswick in Germany. When Marlborough dies, Sackville becomes Commander of the British contingent of the army, although still under the overall command of the Duke of Brunswick.

In the Battle of Minden on August 1, 1759, British and Hanoverian infantry of the centre make an advance on the French cavalry and artillery in that sector. As the disrupted French begin to fall back on Minden, Ferdinand calls for a British cavalry charge to complete the victory, but Sackville withholds permission for their advance repeatedly. For this action, he is cashiered and sent home. John Manners, Marquess of Granby, replaces him as commander of the British contingent for the remainder of the war.

Sackville refuses to accept responsibility for refusing to obey orders. Back in England, he demands a court-martial and makes it a large enough issue that he obtains his demand in 1760. The court finds him guilty, and the verdict not only upholds his discharge, but rules that he is “…unfit to serve His Majesty in any military Capacity whatever.” The king has his name struck from the Privy Council rolls.

Sackville is a Member of Parliament at intervals from 1733. He serves terms in both the Dublin and the Westminster bodies, sometimes simultaneously, but does not take sides in political wrangles. Between 1750 and 1755 he serves as Chief Secretary for Ireland, during his father’s second term as Lord Lieutenant of Ireland.

On November 10, 1775, Sackville is appointed Secretary of State for the Colonies replacing William Legge, 2nd Earl of Dartmouth in the post. He becomes a target for the opposition and is eventually persuaded to step down in exchange for a peerage, and in February 1782 he is made Baron Bolebrooke, in the County of Sussex, and Viscount Sackville, of Drayton in the County of Northamptonshire. His political career ends with the fall of the North government in March 1782.

The controversy over Sackville’s handling of the war continues. Some members are opposed to his taking a seat in the House of Lords, an almost unprecedented incident. In spite of this he is admitted to the Lords, where he is staunchly defended by Edward Thurlow, 1st Baron Thurlow, and his declining health soon makes the issue irrelevant. He retires to his country home at Stoneland Lodge and dies there on August 26, 1785. He maintains to his dying day that he had not been a coward at Minden. Following his death, a defence of his reputation, The character of the late Viscount Sackville, is written by Richard Cumberland.

(Pictured: “George Germain,” 1766 painting by George Romney (1734-1802))


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Birth of Nancy Wynne-Jones, Welsh & Irish Landscape Artist

Nancy Wynne-Jones HRHA, Welsh and Irish artist, is born Mary Esperance Wynne-Jones on December 10, 1922, in Penmaenucha, Dolgellau, Wales.

Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.

Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor, and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.

After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.

Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.

In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.

Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.

Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.

(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)


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Paintings Again Stolen from Russborough House

russborough-house-theft-2001A pair of paintings valued at more than £3,000,000 are stolen by an armed gang from Russborough House in County Wicklow on June 26, 2001. The stolen paintings are Thomas Gainsborough‘s Madame Baccelli, the more valuable of the pair, and Bernardo Belotto‘s Scene of Florence.

Three masked men burst their way into the house after ramming the front door with a Mitsubishi at midday. After grabbing the paintings the men set fire to their getaway vehicle and attempt to hijack a car at gunpoint but its driver refuses to give it up. They are last seen running from the scene.

Chief Superintendent Sean Feely says that there were people in the house at the time of the robbery but no one was hurt. He adds that, because they are so well known, the paintings will be near impossible to sell. Raymond Keaveney, the Director of the National Gallery of Ireland, describes the theft as “an outrage.”

The robbery is a case of history repeating itself for Russborough House, twenty miles from Dublin, which has been the scene of two previous major art thefts.

In 1974, an Irish Republican Army (IRA) gang which includes Dr. Rose Dugdale, the British heiress, steal 19 paintings, valued at IR£8 million, from Russborough House which, at the time, is the home of the late Sir Alfred Beit, a member of the De Beers diamond family, and his wife. The couple are bound and gagged during the raid. The paintings are later found in County Cork. Dugdale and the others involved are ultimately jailed.

In 1986, a 13-strong gang headed by Martin Cahill, the Dublin crime chief who is later shot dead by the IRA, steals 18 works including some of those taken and recovered in the earlier raid. The paintings taken on this occasion include those by Johannes Vermeer, Gabriël Metsu, Francisco Goya, Thomas Gainsborough and Peter Paul Rubens. All but three of the paintings are recovered over a period of years at a number of locations, including London, Belgium, Holland and Turkey, after apparent unsuccessful attempts to sell them. The Gainsborough painting stolen on June 26 was also taken in the 1986 raid.

The Beit collection is made over to the Irish nation and many of the works are still on display at Russborough House.

(Pictured: The Mitsubishi used to ram the entrance of Russborough House sits near the front steps. The thieves torch this car before fleeing in another car. Note the gas can to the right of the car.)


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Death of William III, King of England, Scotland & Ireland

Kneller, Godfrey, 1646-1723; King William III (1650-1702)

William III, also widely known as William of Orange, dies at Kensington Palace on March 8, 1702, following a fall from his horse when it stumbles on a molehill. Upon his death, Anne accedes to the throne of Britain and Ireland.

William is sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Gelderland and Overijssel in the Dutch Republic from 1672 and King of England, Ireland and Scotland from 1689 until his death in 1702. As King of Scotland, he is known as William II. He is sometimes informally known in Northern Ireland and Scotland as “King Billy.”

William is born on November 4, 1650, at Binnenhof, The Hague, Dutch Republic. He inherits the Principality of Orange from his father, William II, who dies a week before William’s birth. His mother, Mary, is the daughter of King Charles I of England. In 1677, William marries his fifteen-year-old first cousin, Mary, the daughter of his maternal uncle James, Duke of York.

A Protestant, William participates in several wars against the powerful Catholic King of France, Louis XIV, in coalition with Protestant and Catholic powers in Europe. Many Protestants herald him as a champion of their faith. In 1685, William’s Catholic uncle and father-in-law, James, becomes king of England, Scotland and Ireland. James’s reign is unpopular with the Protestant majority in Britain. William, supported by a group of influential British political and religious leaders, invades England in what becomes known as the Glorious Revolution. On November 5, 1688, he lands at the southern English port of Brixham. James is deposed and William and his wife become joint sovereigns in his place.

William’s reputation as a staunch Protestant enables him to take power in Britain when many are fearful of a revival of Catholicism under James. William’s victory at the Battle of the Boyne in 1690 is still commemorated by loyalists in Northern Ireland and Scotland.

William and Mary reign together until Mary’s death from smallpox on December 28, 1694, after which William rules as sole monarch. Despite his conversion to Anglicanism, his popularity plummets during his reign as a sole monarch. His reign in Britain marks the beginning of the transition from the personal rule of the House of Stuart to the more Parliament-centred rule of the House of Hanover.

On March 8, 1702, William dies of pneumonia, a complication from a broken collarbone following a fall from his horse, Sorrel. The horse had been confiscated from Sir John Fenwick, one of the Jacobites who had conspired against William. Because his horse had stumbled into a mole’s burrow, many Jacobites toast “the little gentleman in the black velvet waistcoat.” Years later, Winston Churchill, in his A History of the English-Speaking Peoples, states that the fall “opened the door to a troop of lurking foes.” William is buried in Westminster Abbey alongside his wife. His sister-in-law, Anne, becomes queen regnant of England, Scotland and Ireland.

William’s death means that he would remain the only member of the Dutch House of Orange to reign over England.


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Birth of Thomas Talbot, Canadian Soldier & Politician

thomas-talbot

Thomas Talbot, Irish-born Canadian soldier and politician, is born at Malahide Castle near Dublin on July 19, 1771. He is the fourth son of Richard Talbot and his wife Margaret Talbot, 1st Baroness Talbot of Malahide. Richard Talbot, 2nd Baron Talbot of Malahide and Sir John Talbot are his elder brothers.

Talbot receives a commission in the army as ensign before he is twelve years old, and is appointed at sixteen to aid his relative, the Lord Lieutenant of Ireland. He sees active service in Holland and at Gibraltar.

Talbot immigrates to Canada in 1791, where he becomes personal secretary to John Graves Simcoe, Lieutenant Governor of Upper Canada. After returning to England, Talbot convinces the government to allow him to implement a land settlement scheme along the shore of Lake Erie. His petition for 5,000 acres is granted in 1803. On May 21, 1803 he lands at a spot which has since been called Port Talbot and builds a log cabin. Nearby, he adds a sawmill, a cooper shop, a blacksmith shop, and a poultry house along with a barn. When settlers begin to arrive in 1809, Talbot adds a gristmill as well.

Here Talbot rules as an absolute, if erratic, potentate, doling out strips of land to people of his choosing, a group that emphatically does not include supporters of the American Revolution, liberals or anyone insufficiently respectful. For every settler he places on 50 acres of land, he receives an additional 200 acres for himself. One of the conditions attached to the free grant of 50 acres is the right to purchase an additional 150 acres at $3 each, and the promise of a road in front of each farm within three and a half years. The other condition is the building of a small house and the clearing and sowing of 10 acres of land.

The result of the road-making provision is that the settlement becomes noted for its good roads, especially for that named Talbot Road. By the late 1820s Talbot has organized the construction of a 300 mile long road linking the Detroit River and Lake Ontario as part of grand settlement enterprise in the south western peninsula. By 1820, all of the land originally allotted to Talbot has been taken up. From 1814 to 1837 he settles 50,000 people on 650,000 acres of land in the Thames River area. Many, if not most of the settlers, are American. He places about 20,000 immigrants on the Talbot settlement by 1826.

Because Talbot has done his work so well, the government places the southwestern part of the province under his charge. This affords him the opportunity of extending the Talbot road from the Long Point region to the Detroit River. In 1823, he decides to name the port after his friend Baron Edward Smith-Stanley, 14th Earl of Derby, whose son, Frederick Arthur Stanley eventually becomes Governor General of Canada and donates to the hockey world the elusive trophy, which still bears his name.

Talbot’s administration is regarded as despotic. He is infamous for registering settlers’ names on the local settlement map in pencil and if displeased is alleged to erase their entry. However, his insistence on provision of good roads, maintenance of the roads by the settlers, and the removal of Crown and clergy reserves from main roads quickly results in the Talbot Settlement becoming the most prosperous part of the province. Eventually, however, he begins to make political demands on the settlers, after which his power is reduced by the provincial government. His abuse of power is a contributing factor in the Upper Canada Rebellion of 1837.

Talbot dies in the home of George Macbeth at London, Ontario on February 5, 1853 and is interred in the cemetery of St. Peters Anglican Church near Tyrconnell, Ontario in Elgin County. Talbot’s home in Port Talbot, called Malahide, is demolished in 1997 generating much public outcry from heritage preservationists. Talbotville, a community in Southwold, Ontario, and the city of St. Thomas, Ontario are named after him, as well as Colonel Talbot Road and Talbot Street in both London and St. Thomas.