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Birth of Conor McPherson, Playwright, Screenwriter & Director

Conor McPherson, Irish playwright, screenwriter and director of stage and film, is born in Dublin on August 6, 1971. In recognition of his contribution to world theatre, he is awarded a Doctor of Literature, Honoris Causa, in June 2013 by the University College Dublin (UCD).

McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).

The Weir opens at the Royal Court Theatre before transferring to the West End and Broadway. It wins the Laurence Olivier Award for Best New Play for 1999.

McPherson’s 2001 play, Port Authority, tells of three interwoven lives. The play is first produced by the Gate Theatre of Dublin but premiers at the New Ambassadors Theatre in London in February 2001, before moving to the Gate Theatre in April of that year. The production is directed by McPherson himself. New York‘s Atlantic Theater Company stages a production of the play in the spring of 2008, starring Brian d’Arcy James, and Tony Award winners John Gallagher, Jr. and Jim Norton. The New York Times critic Ben Brantley says, “I found myself holding on to what these actors had to say as if I were a five-year-old at bedtime being introduced to The Arabian Nights.”

McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.

McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.

In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.

McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.

In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”

The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.

The Night Alive transfers to the Atlantic Theatre New York, where it is awarded the New York Drama Critics’ Circle Award for Best Play 2014, and also receives Best Play nominations from the Drama Desk and Lucille Lortell Awards.

McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.

The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.

He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television Awards The Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.

In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.


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Birth of George Campbell, Artist & Writer

George Campbell, Irish artist and writer, is born on July 29, 1917, in Arklow, County Wicklow. Although he grows up in Belfast, Northern Ireland, he spends much of his adult life living and painting in Spain and Dublin.

Campbell is the son of Matthew Arthur Campbell (1866-1925), caterer, and Gretta Campbell (née Bowen) (1880-1981). He attends boarding school at Masonic Orphan Boys’ School at Clonskeagh, Dublin, before moving to Belfast to live with his widowed mother and family.

Campbell is working in an aircraft factory at the time of the Belfast Blitz, and begins to paint, taking the bomb-damage as his subject. He is one of the founders of the Irish Exhibition of Living Art in 1943. In the same year, along with his brother Arthur (1909-94), he publishes a sixteen page book entitled Ulster in Black and White, that includes drawings from the two brothers and their close contemporaries Maurice Wilks and Patricia Webb. Owing to the success of the original publication, the brothers then publish Now in Ulster (1944), an anthology of short stories, essays and poetry by young Belfast writers.

Campbell holds a joint exhibition at the William Mol Gallery, Belfast, with his brother Arthur in 1944. In the same year he also shows with Gerard Dillon at the Portadown gallery of John Lamb. In 1946 he shows with the Victor Waddington Gallery in Dublin, where he is to return on a number of occasions. The Council for the Encouragement of Art and Music hosts a solo exhibition in 1949 where he is to show twice more, in 1952 and 1960. He wins £500 at the first Council for the Encouragement of Music and the Arts (CEMA) Open Painting Competition at the Ulster Museum in 1962. Campbell also shows in one-man exhibitions with the Arts Council of Northern Ireland in 1966 and 1972.

After the war Campbell becomes increasingly interested in Spain. In 1946 he comes to know Spaniards who had settled in Dublin, and when in London paints visiting Spanish dancers in their traditional costume. He first visits Spain in 1951, encouraged by his friendship with Gerard Dillon and “an interest in bohemian characters.” He lives there for six months almost every year throughout much of the following twenty-five years.

Campbell makes stained glass windows for the Cathedral of Our Lady Assumed into Heaven and St Nicholas in Galway. He also plays flamenco guitar. A member of the Royal Hibernian Academy, he wins the Douglas Hyde Gold Medal in 1966 and the Oireachtas Prize for Landscape in 1969. The Spanish government makes him a Knight Commander of Spain in 1978.

Campbell dies in Dublin on May 18, 1979, and is buried at St. Kevin’s Cemetery in Glendalough, County Wicklow. He is survived by his wife Margaret, his mother, and two brothers, Arthur and Stanley. After his death the Arts Council of Northern Ireland and An Chomhairle Ealáion join with the Instituto Cervantes to initiate the George Campbell Memorial Travel Award. In May 2017, Arklow Municipal District Council unveils two plaques at St. Patrick’s Terrace, Arklow, marking Campbell’s birthplace and the centennial of his birth.

Campbell’s work forms part of many private and public art collections, including Queen’s University Belfast, Ulster Museum, Irish Museum of Modern Art, Hugh Lane Gallery, The National Self-Portrait Collection of Ireland, and Municipal Museum of Antequera, Málaga.

(Pictured: “Three Nuns” by George Campbell)


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Birth of Liam Redmond, Stage, Film & Television Character Actor

Liam Redmond, Irish character actor known for his stage, film and television roles, is born in Limerick, County Limerick, on July 27, 1913.

Redmond is one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin and initially reads medicine before moving into drama.

While Director of the Dramatic Society Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.

Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.

Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.

Redmond stars in Broadway, among other plays starring in Paul Vincent Carroll‘s The White Steed in 1939, playing Canon McCooey in The Wayward Saint in 1955, winning the George Jean Nathan Award for Dramatic Criticism for his performance, and starring in 1968 in Joe Orton‘s Loot and Brian Friel‘s The Loves of Cass Maguire.

Redmond works in television and film throughout the 1950s to the 1980s and is regularly seen in television series such as The Avengers, Daniel Boone, The Saint and Z-Cars. He is often called upon as a character actor in various military, religious and judicial roles in films such as I See a Dark Stranger (1946), Captain Boycott (1947), High Treason (1951), The Cruel Sea (1953), The Playboy of the Western World (1962), Kid Galahad (1962), The Luck of Ginger Coffey (1964), Tobruk (1967), The Ghost and Mr. Chicken (1966) and Barry Lyndon (1975). His performance as the kindly occult expert in the cult horror film Night of the Demon (1957) is a favourite of fans of the film.

Redmond retires to Dublin and dies at age 76, after a long period of ill health, on October 28, 1989. His wife Barbara predeceases him in 1987.


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Éamon de Valera Visits Butte, Montana During His American Tour

President Éamon de Valera visits Butte, Montana, on July 25, 1919, during his American Tour of 1919-20. Montana Lieutenant Governor W. W. McDowell meets his train and rides with de Valera through the streets to where de Valera then addresses over 10,000 people who have come out to hear him. The next day, de Valera addresses a joint session of the Montana State Legislature.

De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.

After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen-month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.

Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15, The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”

De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.

The next stage of de Valera’s American odyssey begins on October 1, 1919, in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.

The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.

After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.

It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.

The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran Fenian John Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.

The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.

De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.

(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)


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Birth of John Philpot Curran, Orator, Politician, Lawyer & Judge

John Philpot Curran, Irish orator, politician, wit, lawyer and judge, who holds the office of Master of the Rolls in Ireland, is born in Newmarket, County Cork, on July 24, 1750.

Curran is the eldest of five children of James Curran, seneschal of the Newmarket manor court, and Sarah, née Philpot. The Curran family are said to have originally been named Curwen, their ancestor having come from Cumberland as a soldier under Oliver Cromwell during the Cromwellian conquest of Ireland, originally settling in County Londonderry.

Curran is educated at Midleton College, County Cork, before studing law at Trinity College Dublin. He continues his legal studies at King’s Inns and the Middle Temple. He is called to the Irish Bar in 1775. Upon his first trial, his nerves get the better of him and he cannot proceed. His short stature, boyish features, shrill voice and a stutter are said to have impacted his career, and earn him the nickname “Stuttering Jack Curran.”

However, Curran can speak passionately in court on subjects close to his heart. He eventually overcomes his nerves and gets rid of his speech impediment by constantly reciting Shakespeare and Bolingbroke in front of a mirror, becoming a noted orator and wit. His championing of popular Irish causes such as Catholic emancipation make him one of the most popular lawyers in Ireland. He is also fluent in the Irish language which is still the language of the majority at the time. He writes a large amount of humorous and romantic poetry.

The case which cements Curran’s popularity is that of Father Neale and St. Leger St. Leger, 1st Viscount Doneraile at the County Cork Assizes in 1780. Having a passion for lost causes, he represents the priest and wins over the jury by setting aside the issue of religion.

A liberal Protestant whose politics are similar to Henry Grattan, Curran employs all his eloquence to oppose the illiberal policy of the Government, and also the Union with Britain. He stands as Member of Parliament (MP) for Kilbeggan in 1783. He subsequently represents Rathcormack (1790-98) and Banagher from 1800 until the Act of Union in 1801, which bitterly disappoints him, forcing him to contemplate emigrating to the United States.

In 1798, Ireland rebels against the British House of Commons and lack of reforms on Catholic emancipation. The British defeat the Irish rebels in numerous battles and soon establish their control over the country by 1799. Many of the Irish ring leaders are charged with treason and are facing death sentences. Curran plays an important role in court defending the leaders of the United Irishmen.

Curran’s youngest daughter Sarah‘s romance with United Irishmen leader Robert Emmet scandalises Curran, who had tried to split them up. He is arrested and agrees to pass their correspondence on to Standish O’Grady, 1st Viscount Guillamore, the Attorney-General for Ireland. In the circumstances he cannot defend Emmet. He is suspected of involvement in Emmet’s Rebellion, but is completely exonerated. However, his friend Arthur Wolfe, 1st Viscount Kilwarden, is killed by the rebels, and he loses any faith in the beliefs of the United Irishmen. Emmet is found guilty of rebelling against the Crown and the union between Great Britain and Ireland and is hanged in 1803. Curran disowns Sarah, who dies of tuberculosis five years later.

Curran is appointed Master of the Rolls in Ireland in 1806, following William Pitt the Younger‘s replacement by a more liberal cabinet.

Curran retires in 1814 and spends his last three years in London. He dies in his home in Brompton on October 14, 1817. In 1837, his remains are transferred from Paddington Cemetery, London to Glasnevin Cemetery in Dublin, where they are laid in an 8-foot-high classical-style sarcophagus. In 1845 a white marble memorial to him, with a carved bust by Christopher Moore, is placed near the west door of St. Patrick’s Cathedral, Dublin.


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Death of James Butler, 1st Duke of Ormonde

James Butler, 12th Earl and 1st Duke of Ormond, dies on July 21, 1688, at the Kingston Lacy estate near Wimborne Minster, Dorset, England. An Anglo-Irish Protestant, he is the leading agent of English royal authority in Ireland during much of the period from the beginning of the English Civil War (1642–51) to the Glorious Revolution (1688–89).

Butler is born at Clerkenwell, London on October 19, 1610, into the prominent Butler family, the eldest child of Thomas Butler and his wife Elizabeth Poyntz. He grows up in England and succeeds to the earldom of Ormonde in 1633. That same year he begins his active career in Ireland by offering his services to Lord Deputy of Ireland Thomas Wentworth, later Earl of Strafford. Upon the outbreak of the Irish Rebellion of 1641 in Ireland, he is appointed a lieutenant general in the English army. He defeats the rebels of the Catholic Confederacy at Kilrush, Munster on April 15, 1642, and at New Ross, Leinster on March 18, 1643. Those triumphs, however, do not prevent the confederates from overrunning most of the country.

Butlers’s attempts to conclude a peace are blocked by a Catholic faction that advocates complete independence for Ireland. The situation deteriorates further, and in July 1647, he departs from Ireland, leaving the Protestant cause in the hands of the parliamentarians, who had defeated King Charles I in the First English Civil War (1642–46).

Returning to Ireland in September 1648, Butler concludes a peace with the confederacy in January 1649. He then rallies Protestant royalists and Catholic confederates in support of Charles II, son and successor of Charles I. For several months most of Ireland is under his control. But the parliamentarian general Oliver Cromwell lands at Dublin in August 1649 and swiftly conquers the country for Parliament. Butler flees to France and becomes one of Charles II’s closest advisers at his court-in-exile in Paris.

When Charles II returns to England in the Restoration of 1660, Butler, who had urged constitutional rather than military rule, is made commissioner for the treasury and the navy. Appointed Lord Lieutenant of Ireland in 1662, he makes vigorous attempts to encourage Irish commerce and industry. Nevertheless, his enemies at court persuade Charles to dismiss him in 1669. He is restored to royal favour in 1677 and is again appointed Lord Lieutenant of Ireland. Although he is created a duke in the English peerage in 1682, he is recalled from Ireland in 1684 as a result of new intrigues at Charles’s court and because of the determination of James, Duke of York, to strengthen his supporters in Ireland.

Butler dies on July 21, 1688, at the Kingston Lacy estate, Dorset. He is buried in Westminster Abbey on August 4, 1688. His eldest son, Thomas, 6th Earl of Ossory, predeceases him, but Ossory’s eldest son James succeeds as 2nd Duke of Ormonde (1665–1745).

(Pictured: “James Butler, 1st Duke of Ormond,” oil on canvas by William Wissing, National Portrait Gallery)


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Birth of Thomas Butler, 6th Earl of Ossory

Vice Admiral Thomas Butler, 6th Earl of Ossory, KG, PC, PC (Ire), Irish soldier and politician, is born on July 8, 1634, at Kilkenny Castle. He is the eldest son of James Butler, 1st Duke of Ormond, and Elizabeth Preston. He predeceases his father and therefore never becomes duke.

When Butler is born, his father is then the 12th Earl of Ormond but is raised to marquess and duke. His family, the Butler dynasty, is Old English and descends from Theobald Walter, who had been appointed Chief Butler of Ireland by King Henry II in 1177. His mother is a second cousin once removed of his father as she is a granddaughter of Black Tom, 10th Earl of Ormond. Her father, however, is Scottish, Richard Preston, 1st Earl of Desmond, a favourite of James I. Both parents are Protestants. They married on Christmas Day 1629.

Butler is one of ten siblings, eight brothers and two sisters, but five of the sons die in childhood. As the eldest living son, he is the heir apparent and is styled with the corresponding courtesy title, which at first is Viscount Thurles but changed to Earl of Ossory when his father becomes marquess in 1642. His early years are spent in Ireland until 1647 when he accompanies his father to England. In 1648 his father renews his support for the royalist cause and he and his son have to flee to France, arriving in Caen in February 1648. Lady Ormond also moves to Caen, where she arrives on June 23, 1648, with his siblings.

Butler is an accomplished athlete and a good scholar. Having come to London in 1652 he is rightly suspected of sympathising with the exiled royalists, and in 1655 is jailed by Oliver Cromwell. After his release about a year later he goes into exile to the Netherlands where Charles II has his exile court at the time.

On November 17, 1659, while in exile, Butler marries Emilia van Nassau, the second daughter of Louis of Nassau, Lord of De Lek and Beverweerd. They have eleven children, including two sons: James (1665–1745), who becomes the 2nd Duke of Ormonde in 1688; Charles (1671–1758), who becomes the de jure 3rd Duke of Ormonde following his elder brother’s attainder in 1715; Elizabeth (died 1717), who marries William Stanley, 9th Earl of Derby in 1673; Amelia (died 1760), who inherits the estates of her brother Charles and never marries; and Henrietta (died 1724), who marries Henry de Nassau d’Auverquerque, 1st Earl of Grantham.

Butler accompanies Charles II back to England in 1660. In 1661 he becomes a member of both the English and the Irish houses of commons, representing in the former Bristol and Dublin University in the latter.

In 1662 Butler is called to the Irish House of Lords under a writ of acceleration as the Earl of Ossory. His father holds the title “5th Earl of Ossory” as one of his subsidiary titles. The acceleration makes Thomas Butler the 6th Earl of Ossory. This is the only substantive title he ever holds, as he predeceases his father and therefore never succeeds to his father’s titles. His eldest son, however, would later become the 2nd Duke of Ormond and the 7th Earl of Ossory.

Butler holds several military appointments: lieutenant-general of the army in Ireland (appointed in 1665); created an English peer as Lord Butler (in 1666); Lord of the Bedchamber to Charles II (appointed in 1660), a post he holds until his death.

In 1665 a fortunate accident allows Butler to take part in the Battle of Lowestoft against the Dutch, and in May 1672, being now in command of a ship, he fights against the same enemies in the Battle of Solebay, serving with great distinction on both occasions. He is partly responsible for this latter struggle, as on March 12, 1672, before war is declared, he attacks the Dutch Smyrna fleet, an action which he greatly regrets later in life. While visiting France in 1672 he rejects the liberal offers made by Louis XIV to induce him to enter the service of France and returning to England he adds to his high reputation by his conduct during the Battle of Texel in August 1673. From 1677 until 1679, he serves alongside his father as a Lord of the Admiralty.

Butler is intimate with William, Prince of Orange, and in 1677 he joins the allied army in the Netherlands, commanding the British contingent and winning great fame at the siege of Mons in 1678. He acts as deputy for his father, who is Lord Lieutenant of Ireland, and in parliament he defends Ormond’s Irish administration with great vigour. In 1680 he is appointed governor of English Tangier, but his death prevents him from taking up his new duties.

Butler dies on July 30, 1680, at Arlington House in London. He is buried provisionally in Westminster Abbey on July 31, 1680. The ceremony of burial is performed belatedly on November 13, 1680. Some say Butler’s body is later taken to Ireland and reburied in the family vault in St. Canice’s Cathedral, Kilkenny. James, his eldest son, succeeds him as the 7th Earl of Ossory and in 1688 becomes the 2nd Duke of Ormond.

One of Butler’s most intimate friends is John Evelyn, who eulogises him in his Diary.

(Pictured: “Thomas Butler, Earl of Ossory” by Peter Lely, painting, circa 1678, National Portrait Gallery)


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Death of Francis Browne, Irish Jesuit & Photographer

Francis Patrick Mary Browne, distinguished Irish Jesuit and a prolific photographer, dies in Dublin on July 7, 1960. His best-known photographs are those of the RMS Titanic and its passengers and crew taken shortly before its sinking in 1912. He is decorated as a military chaplain during World War I.

Browne is born to a wealthy family in 1880 at Buxton House, Cork, County Cork, the youngest of the eight children of James and Brigid (née Hegarty) Browne. His mother is the niece of William Hegarty, Lord Mayor of Cork, and a cousin of Sir Daniel Hegarty, the first Lord Mayor of Cork. She dies of puerperal fever eight days after his birth. After the death of his father in a swimming accident at Crosshaven on September 2, 1889, he is raised and supported by his uncle, Robert Browne, Bishop of Cloyne, who buys him his first camera shortly before the younger man embarks on a tour of Europe in 1897.

Browne spends his formative years at Bower Convent, Athlone (1888–91), Belvedere College (1891–92), Christian Brothers College, Cork (1892–1893), St. Vincent’s Castleknock College (1893–97), graduating in 1897. He goes on the aforementioned tour of Europe, where he begins taking photographs.

Upon his return to Ireland, Browne joins the Jesuits and spends two years in the novitiate at St. Stanislaus College, Tullabeg, County Offaly. He attends the Royal University of Ireland, Dublin, where he is a classmate of James Joyce, who features him as Mr. Browne the Jesuit in Finnegans Wake. In 1909, he visits Rome with his uncle and brother, a bishop and priest respectively, during which they have a private audience with Pope Pius X with the Pope allowing Browne to take his photograph. He studies theology at the Milltown Institute of Theology and Philosophy in Dublin from 1911 to 1916.

In April 1912 Browne receives a present from his uncle: a ticket for the maiden voyage of RMS Titanic from Southampton, England, to Queenstown, Ireland, via Cherbourg, France. He travels to Southampton via Liverpool and London, boarding the RMS Titanic on the afternoon of April 10, 1912. He is booked in cabin A-37 on the Promenade Deck. He takes dozens of photographs of life aboard RMS Titanic on that day and the next morning. He captures the last known images of many crew and passengers, including captain Edward J. Smith, gymnasium manager T. W. McCawley, engineer William Parr, Major Archibald Butt, writer Jacques Futrelle and numerous third-class passengers whose names are unknown.

During his voyage on the RMS Titanic, Browne is befriended by an American millionaire couple who are seated at his table in the liner’s first-class dining saloon. They offer to pay his way to New York and back in return for him spending the voyage to New York in their company. He telegraphs his superior, requesting permission, but the reply is an unambiguous “GET OFF THAT SHIP – PROVINCIAL.”

Browne leaves the RMS Titanic when she docks in Queenstown and returns to Dublin to continue his theological studies. When the news of the ship’s sinking reaches him, he realises that his photos would be of great interest, and he negotiates their sale to various newspapers and news cartels. They appear in publications around the world. The Eastman Kodak Company subsequently gives him free film for life, and he often contributes to The Kodak Magazine. It is unknown what type of camera he used to shoot the famous photos aboard RMS Titanic.

After his ordination on July 31, 1915, Browne completes his theological studies. In 1916, he is sent to Europe to join the Irish Guards as a chaplain. He serves with the Guards until the spring of 1920, including service at the Battle of the Somme and at Locre, Wytschaete, Messines Ridge, Paschendaele, Ypres, Amiens and Arras in Flanders.

Browne is wounded five times during the war, once severely in a gas attack. He is awarded the Military Cross (MC) on June 4, 1917 “for distinguished service in the field”. He is awarded a bar to his MC on February 18, 1918. He is also awarded the Croix de Guerre by France.

Browne takes many photographs during his time in Europe. One, which he calls “Watch on the Rhine,” is considered a classic image of World War I. He assembles a collection of his war photographs in an album named after his most famous photograph and distributes copies to his colleagues in the Guards.

After the war, Browne returns to Dublin, where, in 1922, he is appointed superior of Gardiner Street Church in Dublin. Ill health dogs him, however, and in 1924 it is thought that he would recover more quickly in warmer climes. He is sent on an extended visit to Australia. He takes his camera along, photographing life aboard ship and in Cape Town, South Africa, where he breaks his voyage.

On his way back to Ireland, Browne visits Ceylon, Aden, Suez, Saloniki, Naples, Toulon, Gibraltar, Algeciras, and Lisbon, taking photographs of local life and events at every stop. It is estimated that he takes more than 42,000 photographs during his life.

Browne resumes office as the Superior of Saint Francis Xavier Church, Dublin, upon his return. In 1929 he is appointed to the Retreats and Mission staff of the Irish Jesuits. His work entails preaching at missions and religious retreats all over Ireland. As most of this work is necessarily performed on evenings and Sundays, he has considerable time to indulge in his hobby during the daytime. He takes photographs of many parishes and towns in Ireland, and also photographs in London and East Anglia during his ecclesiastical travels to England.

Browne dies in Dublin on July 7, 1960, and is buried in the Jesuit plot in Glasnevin Cemetery in Dublin. His negatives lay forgotten for 25 years after his death. They are found by chance in 1985 when Father Edward E. O’Donnell discovers them in a large metal trunk, once belonging to Browne, in the Irish Jesuit archives. “When the trunk was opened in 1985, people compared him to the greats like Henri Cartier-Bresson and Robert Doisneau, but his work predated theirs by decades,” archivist David Davison later recalls.

O’Donnell brings the negatives to the attention of several publishers. The RMS Titanic photographs are published in 1997 as Father Browne’s Titanic Album with text by E. E. O’Donnell (Fr. Eddie O’Donnell). In all, at least 25 volumes of Browne’s photographs have now been published. The features editor of The Sunday Times of London calls this “the photographic equivalent to the discovery of the Dead Sea Scrolls.” Many of these books have become best-sellers, the latest being the Centenary Edition of Father Browne’s Titanic Album in 2012 by Messenger Publications, Dublin.

The Irish province of the Jesuits, the owner of the negatives pursuant to Browne’s will, engage photographic restoration specialists David and Edwin Davison to preserve and catalogue the fragile and unstable negatives. The Davisons make copies of every negative and are in the process of transferring every usable image to a digital format for future generations. The Davisons later acquire the rights to the photographs and still own the rights as Davison & Associates.


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Bridie Gallagher’s “The Boys From The County Armagh” Tops the Irish Charts

Bridget “Bridie” Gallagher, Irish singer affectionately known as “The Girl from Donegal,” reaches No. 1 in the Irish Singles Chart with “The Boys From The County Armagh” on July 2, 1957. She is widely regarded as “Ireland’s first international pop star.”

Gallagher is born on September 7, 1924 in Creeslough, County Donegal. She starts her singing in the Creeslough Hall with a local Céilí band started by Bill Gallagher. The Creeslough Hall is owned by Jim McCaffrey and Bridie makes many more visits to the Creeslough Hall in her home town throughout her long and successful career. Her talent is soon spotted in the 1950s by Billy Livingstone who is a talent scout for Decca Records. She goes to Belfast, which becomes her base, where she marries Robert (Bob) Livingstone (no relation to Billy Livingstone) and has two boys, Jim and Peter. Peter dies in a motor accident in 1976 and Jim later goes on to tour with her.

Gallagher shoots to fame in 1956 with her recording of “A Mother’s Love’s A Blessing” and achieves international acclaim with her legendary rendition of “The Boys From County Armagh.” During her career, which spans over six decades, she appears in many leading venues across the globe. She also makes songs such as “The Homes of Donegal” famous.

Gallagher holds the record for the largest number of people in attendance in the Royal Albert Hall in London, with over 7,500 people, a record that is never equaled as it goes on to become an all-seater venue. She becomes world-famous and travels all over the world, United States, Canada, Europe, Australia and is known as “The Girl from Donegal.” She plays in many of the world’s best known theatres, including London’s Royal Albert Hall, Sydney Opera House and Carnegie Hall in New York City. She sings mainly ballads or as they later became known as Country and Irish. One of her best known songs is “The Boys From The County Armagh,” which sells over 250,000 copies, the biggest-selling Irish single at that time.

Bridie also records “Cottage by the Lee,” written by Irish songwriter, Dick Farrelly. Farrelly achieved worldwide fame with his classic song “The Isle of Innisfree“, which is originally a worldwide hit for Bing Crosby and is chosen by movie director John Ford as the main theme music for his film The Quiet Man.

Gallagher lives in Belfast for most of her life. She is honoured by the people of Creeslough on July 10, 2000 with an event to celebrate her career. Members of her family from Creeslough and Donegal attend the event along with her two sisters and their families who travel from Glasgow to be there along with an estimated crowd of 2,500 fans. A plaque paying tribute to her is unveiled. The following day she is honoured by Donegal County Council when they hold a Civic Reception for her. “Bridie blazed the trail for many artists who followed after her and I’m sure that many of them looked upon her as a role model as they started their careers in the music world,” council chairman Charlie Bennett says at the ceremony.

Gallagher dies at her home in Belfast on January 9, 2012 at the age of 87. Her burial takes place in her native Creeslough.


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Execution of Oliver Plunkett, Catholic Archbishop of Armagh

Oliver Plunkett (Irish: Oilibhéar Pluincéid), Catholic Archbishop of Armagh and Primate of All Ireland who is the last victim of the Popish Plot, is executed in Tyburn, London, England, on July 1, 1681. He is beatified in 1920 and canonised in 1975, thus becoming the first new Irish saint in almost seven hundred years.

Plunkett is born on November 1, 1625 (earlier biographers give his date of birth as November 1, 1629, but 1625 has been the consensus since the 1930s) in Loughcrew, County Meath, to well-to-do parents with Hiberno-Norman ancestors. A grandson of James Plunket, 8th Baron Killeen (c. 1542-1595), he is related by birth to a number of landed families, such as the recently ennobled Earls of Roscommon, as well as the long-established Earls of Fingall, Lords Louth, and Lords Dunsany. Until his sixteenth year, his education is entrusted to his cousin Patrick Plunkett, Abbot of St. Mary’s, Dublin, and brother of Luke Plunket, 1st Earl of Fingall, who later becomes successively Bishop of Ardagh and of Meath.

As an aspirant to the priesthood, Plunkett sets out for Rome in 1647, under the care of Father Pierfrancesco Scarampi of the Roman Oratory. At this time the Irish Confederate Wars are raging in Ireland. These are essentially conflicts between native Irish Catholics, English and Irish Anglicans and Nonconformists. Scarampi is the Papal envoy to the Catholic movement known as the Confederation of Ireland. Many of Plunkett’s relatives are involved in this organisation.

Plunkett is admitted to the Pontifical Irish College in Rome and proves to be an able pupil. He is ordained a priest in 1654 and deputed by the Irish bishops to act as their representative in Rome. Meanwhile, the Cromwellian conquest of Ireland (1649–53) had defeated the Catholic cause in Ireland. In the aftermath the public practice of Catholicism is banned, and Catholic clergy are executed. As a result, it is impossible for Plunkett to return to Ireland for many years. He petitions to remain in Rome and, in 1657, becomes a professor of theology. Throughout the period of the Commonwealth and the first years of Charles II‘s reign, he successfully pleads the cause of the Irish Catholic Church and also serves as theological professor at the College of Propaganda Fide. At the Congregation of Propaganda Fide on July 9, 1669, he is appointed Archbishop of Armagh, the Irish primatial see, and is consecrated on November 30 at Ghent by the Bishop of Ghent, Eugeen-Albert, count d’Allamont. He eventually sets foot on Irish soil again on March 7, 1670, as the Stuart Restoration of 1660 had begun on a basis of toleration. The pallium is granted him in the Consistory of July 28, 1670.

After arriving back in Ireland, Plunkett tackles drunkenness among the clergy, writing, “Let us remove this defect from an Irish priest, and he will be a saint.” The Penal Laws had been relaxed in line with the Declaration of Breda in 1660 and he is able to establish a Jesuit College in Drogheda in 1670. A year later 150 students attend the college, no fewer than 40 of whom are Protestant, making this college the first integrated school in Ireland. His ministry is a successful one and he is said to have confirmed 48,000 Catholics over a four-year period. The government in Dublin, especially under the Lord Lieutenant of Ireland, James Butler, 1st Duke of Ormond (the Protestant son of Catholic parents), extend a generous measure of toleration to the Catholic hierarchy until the mid-1670s.

On the enactment of the Test Act in 1673, to which Plunkett does not agree for doctrinal reasons, the college is closed and demolished. He goes into hiding, travelling only in disguise, and refuses a government edict to register at a seaport to await passage into exile. For the next few years, he is largely left in peace since the Dublin government, except when put under pressure from the English government in London, prefer to leave the Catholic bishops alone.

In 1678 the so-called Popish Plot, concocted in England by clergyman Titus Oates, leads to further anti-Catholic action. Archbishop of Dublin Peter Talbot is arrested, and Plunkett again goes into hiding. Despite being on the run and with a price on his head, he refuses to leave his flock. He is arrested in Dublin on December 6, 1679, and imprisoned in Dublin Castle, where he gives absolution to the dying Talbot. He is tried at Dundalk for conspiring against the state by allegedly plotting to bring 20,000 French soldiers into the country, and for levying a tax on his clergy to support 70,000 men for rebellion. Though this is unproven, some in government circles are worried about the possibility that a repetition of the Irish Rebellion of 1641 is being planned and, in any case, this is a convenient excuse for proceeding against Plunkett.

Plunkett is found guilty of high treason in June 1681 “for promoting the Roman faith,” and is condemned to death. Numerous pleas for mercy are made but Charles II, although himself a reputed crypto-Catholic, thinks it too politically dangerous to spare Plunkett.

Plunkett is hanged, drawn and quartered at Tyburn on July 1, 1681, the last Catholic martyr to die in England. His body is initially buried in two tin boxes, next to five Jesuits who had died previously, in the courtyard of St. Giles in the Fields church. The remains are exhumed in 1683 and moved to the Benedictine monastery at Lamspringe, near Hildesheim in Germany. The head is brought to Rome, and from there to Armagh, and eventually to Drogheda where since June 29, 1921, it has rested in St. Peter’s Roman Catholic Church. Most of the body is brought to Downside Abbey, England, where the major part is located today, with some parts remaining at Lamspringe. On the occasion of his canonization in 1975 his casket is opened, and some parts of his body given to the St. Peter’s Church in Drogheda.