Pim is born in Dublin on September 21, 1909, to a Quaker father and English mother. She is a twin, but her brother dies. She is sent to the French School in Bray, County Wicklow, before being sent to Lausanne, Switzerland to finishing school. She then goes on to Girton College, Cambridge to study modern languages, intending to graduate with a degree in French and Italian. Her mother’s ill health and ultimate death in 1940, causes her to return to Ireland to look after her and she remains there taking care of her father, who dies in 1958, and an older incapacitated brother, Tom.
But these are good years for Pim with time to write, and during the 1950s and early 1960s she writes no fewer than seven novels, mostly crime fiction in a lighthearted style. During this time, she is a member of Irish PEN. She is also an avid amateur horticulturalist and writes for the magazine My Garden. Her more serious undertaking is a biography of the Irish plant collector Augustine Henry, The Wood and the Trees: A Biography of Augustine Henry (Macdonald, London). Her brother Tom dies in an accident in 1964 leaving Pim with no further responsibilities. This allows her to spend significant time researching through Henry’s papers. The book is published in 1966.
When Pim has completed the biography, she focuses on philanthropy. She dedicates her time to the Friends Historical Society and is particularly interested in helping out in the traveller community. She supports a young group of children and their grandfather. They bring her considerable joy. The Royal Horticultural Society of Ireland awards her the Society’s Medal of Honour and makes her an honorary life member for her services to the study of horticulture.
In Pim’s later years increasing deafness makes socialising difficult for her, but she still keeps up with the world of books, the theatre and painting. She reads The Irish Times from cover to cover every day, and her reading includes the Bible, Marcel Proust (in French) and the stories of Roddy Doyle.
Pim’s deafness finally forces her to move into sheltered housing in Dublin where she dies on December 16, 1995.
Reid is born on April 4, 1818, in Ballyroney, a hamlet near Katesbridge, County Down, in present day Northern Ireland, the son of the Rev. Thomas Mayne Reid, a Presbyterian minister and later a senior clerk of the General Assembly of the Presbyterian Church in Ireland, and his wife, a daughter of the Rev. Samuel Rutherford. He is educated at the Royal Belfast Academical Institution. He rebels against his father’s plans for him and decides not to pursue a career in the church. He briefly runs a school at Ballyroney before emigrating to the United States in 1839. Arriving in New Orleans, Louisiana, he finds a job as a corn factor’s clerk in the corn market. After six months he leaves because he refuses to whip slaves. Travelling across America, he works as a teacher, a clerk and an Indian-fighter, and anonymously publishes his first poem in August 1843. Later that year he meets Edgar Allan Poe in Philadelphia and the two become close friends. Poe later admits that Reid was “a colossal but most picturesque liar,” but was impressed by his brilliant story-telling abilities.
With the outbreak of the Mexican-American War in 1846 Reid enlists in the 1st New York Infantry Regiment and is commissioned second lieutenant. Contributing a series of reports from the front under the pseudonym ‘Ecolier,’ he performs with great bravery in the Battle of Chapultepac on September 13, 1847. Wounded during the battle, he is promoted to first lieutenant three days later. Following his discharge from the army in 1848 he claims to have reached the rank of captain, but this is another of his inventions.
Reid’s first play, Love’s Martyr, is staged at the Walnut Street Theatre, Philadelphia, for five nights in October 1848, and the following year he publishes an embellished account of his experiences in Mexico entitled War Life. All of his works are published under the name ‘Captain Mayne Reid.’ In July 1849 he sails to England with a group of Hungarian radicals but decides against accompanying them to the Continent. Returning briefly to Ireland, he settles in London in 1850 and writes a novel, The Rifle Rangers. It is an immediate success and is followed quickly by The Scalp Hunters (1851), The Desert Home (1852), and The Boy Hunters (1853). While in England in 1851 he meets and falls in love with a 13-year-old girl, Elizabeth Hyde, daughter of his publisher, G. W. Hyde, an English aristocrat. When he discovers her age, he tells her that she is “getting old enough to have a lover, and you must have me.” Two years later he continues with his suit, and this time is successful as they marry in 1853. He is immensely proud of his young bride and later writes a semi-autobiographical novel The Child Wife (1868), based on their relationship.
Establishing a reputation as one of the most popular novelists of his generation, Reid does much to enhance the romantic image of the American West. His internationally successful books include The White Chief (1855), Bush Boys (1856), Oceola (1859), and The Headless Horseman (1865), and his novel about miscegenation, The Quadroon (1856), is later plagiarised by Dion Boucicault for The Octoroon (1859). A champion croquet player, he writes a treatise on the subject in 1863.
Disaster strikes in November 1866 when Reid is declared bankrupt. He had squandered all his money on the construction of “The Ranche,” a Mexican-style hacienda in England. To raise money, he returns to the United States and embarks on a successful lecturing tour. Settling at Newport, Rhode Island, he writes another novel, The Helpless Hand (1868), which is a huge success and alleviates some of his difficulties. His wife hates America, however, and after he is briefly hospitalised in 1870, they decide to return to England.
Ill health, artistic doubts, and financial insecurity plagued Reid’s final years. Diagnosed with acute depression, he is unable to recapture his earlier audience and, despite a pension from the U.S. government, he struggles for money. He dies at Ross-on-Wye in Herefordshire on October 22, 1883, and is buried at Kensal Green Cemetery in London.
Although not regarded as an important novelist, Reid none the less has a significant influence on subsequent writers. The young Vladimir Nabokov is deeply impressed by his adventure stories, and one of his own first works is a poetic recreation of The Headless Horseman in French alexandrine. Both Robert Louis Stevenson and Arthur Conan Doyle are admirers, and politicians as diverse as Theodore Roosevelt and Leon Trotsky also make reference to his varied output. In total, Reid publishes over sixty novels, which are printed in ten languages.
Ahern and her books have won numerous awards, including the Irish Book Award for Popular Fiction for The Year I Met You (2014). She publishes several novels and contributes a number of short stories to various anthologies.
Before starting her writing and producing career, Ahern obtains a degree in journalism and media communications from Griffith College Dublin, but withdraws from a master’s degree course to pursue her writing career.
In 2002, when Ahern is twenty-one, she writes her first novel, PS, I Love You. Published in 2004, it is the number 1 bestseller in Ireland (for 19 weeks), the United Kingdom, United States, Germany and the Netherlands. It is sold in over forty countries. The book is adapted as a motion picture directed by Richard LaGravenese and starring Hilary Swank and Gerard Butler. It is released in the United States on December 21, 2007.
Ahern’s second book, Where Rainbows End (known as Love, Rosie in the United States), also reaches number 1 in Ireland and the United Kingdom and wins the German Corine Literature Prize in 2005. It is adapted as a motion picture titled Love, Rosie which is released in 2014, directed by Christian Ditter and starring Lily Collins and Sam Claflin.
Ahern has contributed to charity books with the royalties from short stories such as Irish Girls are Back in Town and Ladies’ Night.
Ahern’s book The Gift is published just before Christmas 2008 in the United Kingdom. Her following book, The Book of Tomorrow, is published on October 1, 2009. In 2016, she releases Flawed, her first book for young adults, and Lyrebird.
Ahern is nominated for Best Newcomer 2004/5 at the British Book Awards for her debut novel PS, I Love You. She wins the 2005 Irish Post Award for Literature and a 2005 Corine Literature Prize for her second book Where Rainbows End, which is voted for by German readers. In 2006, she is long listed for the International IMPAC Dublin Literary Award for PS, I Love You. Cosmopolitan US honours her with a Fun Fearless Fiction Award 2007 for If You Could See Me Now. Irish Tatler awards her Writer of the Year at the Woman of the Year awards in 2009. Her fifth novel, Thanks for the Memories, is nominated for Most Popular Book in the British Book Awards 2008. She is voted Author of Year in the UK Glamour Awards in 2008.
Ahern marries David Keoghan in 2010. They have three children, two daughters and a son. As of 2015, they reside in Malahide in County Dublin. She had COVID-19 in early 2022, describing it as “kind of mild. I was lucky.”
Janet McNeill, prolific Irish novelist and playwright, is born on September 14, 1907, in Dublin. Author of more than 20 children’s books, as well as adult novels, plays, and two opera libretti, she is best known for her children’s comic fantasy series My Friend Specs McCann.
McNeill is born to Rev. William McNeill, a minister at Adelaide Road Presbyterian Church, and Jeannie Patterson (Hogg) McNeill. In 1913, the family moves to Birkenhead, Merseyside, England, where her father becomes minister at Trinity Road Church. She attends public school in Birkenhead and studies classics at the University of St. Andrews in St. Andrews, Scotland, completing a MA degree in 1929. While at university, she is involved in writing and acting with the College Players. In 1924, the family returns to Ireland due to her father’s failing health, and Rev. McNeill becomes the minister of a village church in Rostrevor, County Down, Northern Ireland, while Janet joins the Belfast Telegraph as a secretary.
In 1933, McNeill marries Robert Alexander, the chief engineer in the Belfast city surveyor’s department, and the couple settles in Lisburn, where they raise their four sons. One son is the zoologist Professor Robert McNeill Alexander, CBE, FRS. Though she plans to write her first novel early on, she finds it impossible to write seriously until the children grow up, saying, “It was four years before I had a baby and twenty-five before I produced the book.”
In 1946, McNeill wins a prize in a BBC competition for her play Gospel Truth. She begins writing radio dramas, which are broadcast by the BBC. She suffers an intracerebral hemorrhage in 1953. During her recovery, she begins writing novels both for adults and children, producing a large body of work between 1955 and 1964. Her popular children’s character, Specs McCann, who debuts in a 1955 book and makes several reappearances, also inspires a newspaper cartoon strip by Rowel Friers, a Belfast artist and friend of hers.
Her 1944 novel The Maiden Dinosaur is her first to be published in the United States, twenty-two years later. She also has three writing credits on television with series and plays. Several of her plays are staged at the Ulster Group Theatre.
In 1964, McNeill’s husband retires, and the couple moves to Bristol, South West England. She writes one more novel after she leaves Northern Ireland but continues to write children’s books for another decade. During this time, she writes her only children’s play, published as Switch On, Switch Off, and other plays (1968), which presents different moral themes in scenes set in “domestic and workplace settings in contemporary England.” Her children’s book The Battle of St. George Without is televised by the BBC in 1969.
In her adult fiction, McNeill focuses on the lifestyle and social mores of Belfast and Ulster in the mid-twentieth century. Her characters are primarily “menopausal, middle-aged, middle-class Protestants.” She depicts the “dreary, Ulster religiosity” of ministers and laymen alike, and the class conventions and sexual repression of middle-aged, upper-middle-class women. The theme of suppressing self-identity and goals, both by wives in deference to their husbands and parents on behalf of their children, pervades her adult novels.
McNeill has a number of health problems and dies in Bristol in October 1994.
Educated at home in the upper-class style and by herself, Martin becomes fluent in Irish, English, French and a number of other languages. According to Maria Edgeworth, who meets her during her tour of Connemara in 1833, she is courted in 1834 by Count Adolphe de Werdinsky, whom she had met in London earlier in the year. She refuses to marry and de Werdinsky feigns a suicide attempt at Ballynahinch.
Martin publishes her first novel, St. Etienne, a Tale of the Vendean War, in 1845.
In 1847, Martin marries a cousin, Colonel Arthur Gonne Bell. He takes the name of Martin on marriage, by Royal Licence. In the same year, her father dies of famine fever contracted while visiting his tenants in the Clifdenworkhouse.
On the death of her father, Martin inherits a heavily encumbered estate of 200,000 acres. In the following two years, her remaining fortune is destroyed in the famine as she attempts to alleviate its effects on her tenants. Penniless, she emigrates with her husband to Belgium. There she contributes to a number of periodicals, notably Encyclopaedie Des Gens Du Monde.
In 1850, Martin’s autobiographical novel, Julia Howard: A Romance, is published. Martin and her husband sail to the United States in 1850, but she dies at the Union Place Hotel in New York City on November 7, 1950, ten days after arrival due to complications of premature childbirth in which the baby does not survive.
Martin’s husband returns to England. He arranges for the posthumous publication of her novel, Deed, not Words (1857). In 1883, he is killed in a railway accident.
Geraldine Dorothy Cummins, spiritualist medium, novelist and playwright, dies in Cork, County Cork, on August 24, 1969. She begins her career as a creative writer, but increasingly concentrates on mediumship and “channelled” writings, mostly about the lives of Jesus and Saint Paul, though she also publishes on a range of other topics. Her novels and plays typically document Irish life in a naturalist manner, often exploring the pathos of everyday life.
Cummins is born in Cork, on January 24, 1890, the daughter of the physician Ashley Cummins, professor of medicine at the National University of Ireland and sister to Mary Hearn and Iris Cummins. In her youth she is an athlete, becoming a member of the Irish Women’s International Hockey Team. She is also active as a suffragette. Her desire to follow her father in a medical career is vetoed by her mother, so she begins a literary career as a journalist and creative writer. From 1913 to 1917 she writes three plays for the Abbey Theatre in collaboration with Suzanne R. Day, the most successful of which is the comedy Fox and Geese (1917). She publishes the novel The Land they Loved in 1919, a naturalistic study of working class Irish life.
As she concentrates on mediumship, Cummins’s literary work tails off. However, she continues to publish creative literature in her later years. Her solo-written play, Till Yesterday Comes Again, is produced by the Chanticleer Theatre, London, in 1938. She also publishes another novel, Fires of Beltane (1936) and a short-story collection Variety Show (1959).
Literary critic Alexander G. Gonzalez says that Cummins work tries to encompass the full range of Irish social life, from the aristocracy to the lower classes. In this respect she is influenced by Somerville and Ross. Gonzalez considers her short story The Tragedy of Eight Pence to be the “finest” of her writings, the tale of a “happily married woman trying to shield her ill husband from the knowledge that his death will leave her penniless.”
Cummins begins to work as a medium following prompting from Hester Dowden and E. B. Gibbes. She receives alleged messages from her spirit-guide “Astor” and is an exponent of automatic writing. Her books are based on these communications. In 1928 she publishes The Scripts of Cleophas, which provides channelled material on early Christian history complementing Acts of the Apostles and St. Paul’s writings, supposed to have been communicated by the spirit of Cleophas, one of Paul’s followers. This is later supplemented by Paul in Athens (1930) and The Great Days of Ephesus (1933).
Cummins’s next work describes human progress through spiritual enlightenment. The Road to Immortality (1932) provides a glowing vision of the afterlife. Its contents are purportedly communicated from the “other side” by the psychologist and psychic researcher Frederic W. H. Myers. Unseen Adventures (1951) is a spiritual autobiography. She also publishes several books of spiritually-derived knowledge about details of the life of Jesus.
During World War II Cummins allegedly works as a British agent, using her personal contacts to identify pro-Nazi factions within the Irish Republican movement. She also employs her psychic activities to support the Allied cause, sending channelled messages from sympathetic spirits to Allied leaders to support the war effort. This includes information from Theodore Roosevelt, Arthur Balfour and Sara Roosevelt, Franklin D. Roosevelt‘s mother.
In the 1940s and 50s Cummins works with psychiatrists to develop a model for using spiritualism to treat mental illness, ideas she explores in Perceptive Healing (1945) and Healing the Mind (1957). She collaborates with a psychiatrist who uses the pseudonym R. Connell on both books. Their method is for her to “read” an object associated with the patient and thus identify either childhood traumas or experiences of ancestors which have created the problem. This includes treating a patient who is concerned about his homosexual desires by discovering that this derives from the fact that his Huguenot ancestors were humiliated by Catholics in the 18th century.
Cummins’s biography of writer and spiritualist Edith Somerville is published in 1952. She also writes The Fate of Colonel Fawcett (1955) which offers her psychic insights into the disappearance of the explorer Percy Fawcett in Brazil in 1925. She claims she had received psychic messages from Fawcett in 1936. He was still alive at that time, informing her that he had found relics of Atlantis in the jungle, but was ill. In 1948 she has a message from Fawcett’s spirit reporting his death. Her last book is an account of her conversations with the spirit of Winifred Coombe Tennant, Swan on a Black Sea; a Study in Automatic Writing; the Cummins-Willett Scripts (1965).
The automatic writing and alleged channeled material from Cummins have been examined and have been described by some psychical researchers to be the product of her own subconscious. For example, Harry Price, who studies various mental mediums including Cummins, writes that “there is no question that most of the automatic writing which has been published is the product of the subconscious.” Paranormal researcher Hilary Evans notes that unlike most spiritualists, Cummins does not accept the phenomena at face value and questions the source of the material.
According to the psychical researcher Eric Dingwall information published in Cummins’ scripts allegedly from Winifred Coombe Tennant are discovered to be erroneous. Biographer Rodger Anderson writes that although spiritualists consider Cummins completely honest “some suspected that she occasionally augmented her store of knowledge about deceased persons by normal means if by doing so she could bring comfort to the bereaved.”
Cummins’ book The Fate of Colonel Fawcett (1955), contains her automatist scripts allegedly from the spirit of Colonel Fawcett. Spiritualists claim the scripts are evidence for survival. However, the psychical researcher Simeon Edmunds notes that before his disappearance Fawcett had written articles for The Occult Review. Cummins also contributes articles to the same review and Edmunds suggests it is likely she had read the work of Fawcett. Edmunds concludes the scripts are a case of subliminal memory and unconscious dramatization.
Other researchers such as Mary Rose Barrington have suspected fraud as Cummins had long standing connections with friends and families of the deceased that she claimed to have contacted and could have easily obtained information by natural means. The classical scholar E. R. Dodds writes that Cummins worked as a cataloguer at the National Library of Ireland and could have taken information from various books that would appear in her automatic writings about ancient history. Her writings were heavily influenced by literature and religious texts. Dodds also studies her book Swan on a Black Sea which was supposed to be an account of spirit conversation but writes there is evidence suggestive of fraud as Cummins had received some of the information by natural means.
Dowling is born on June 3, 1846, in Clonmel, County Tipperary, the only son of David Jeremiah Dowling, schoolmaster, and Margaret Dowling. His father dies when he is nine years old. He is educated in Clonmel, Waterford, and St. Munchin’s College in Corbally, Limerick, before entering the shipping office of his uncle William Downey in Waterford at the age of eighteen. He distinguishes himself in the Waterford Literary and Debating Society and contributes to local newspapers, including the Waterford Citizen and The Waterford Chronicle. In 1870, he joins the staff of The Nation and moves to Dublin. On the outbreak of the Franco–Prussian War, he edits for Alexander Martin Sullivan a war-sheet, The Daily Summary, and subsequently becomes editor and contributor successively to the humorous but short-lived Zozimus and Ireland’s Eye.
Dowling settles in London in 1874, joining the staff of the Illustrated Sporting and Dramatic News, and founds Yorick in 1876, a comic paper with cartoons by Harry Furniss which lasts six months. In 1879, he publishes the first and most successful of his many novels, The Mystery of Killard, a strange tale of a deaf-mute fisherman in County Clare, which is hailed as one of the most striking romances of the year. Though his later novels are intensely realistic, exciting, and clever, they never achieve the same high standard. According to Furniss, who thought Dowling would be a great author, he “drifted into the quicksand of Bohemianism…He sank a wreck, with a rich cargo of genius that was never delivered to the world.” Other writers later mention his unfulfilled promise. Among his other novels of Irish interest are Sweet Inisfail (1882) and Old Corcoran’s Money (1892). A dramatisation of Below Bridge (1895) is staged on April 6, 1896, at the Novelty Theatre, London.
Dowling contributes poetry, short stories, and essays to several magazines, including Belgravia, London Society, and Saturday Journal, and is a frequent contributor to Tinsley’s Magazine, writing its leading serials (1880–82), which are later published as the novels Under St. Paul’s (1881) and The Duke’s Sweetheart (1881). His collections of essays include On Babies and Ladders (1873), which some critics believe to be his best work, Ignorant Essays (1887), Indolent Essays (1889), full of wit and original thought, and descriptive essays London Town (1880). He also edits the Poems (1891) of John Francis O’Donnell. He writes both under his own name and under various pseudonyms, including Peter Mendaciorum, Marcus Fall and Emmanuel Kink. A selection of his letters is published as Some Old Letters (Oct. – Nov. 1919) and More Old Letters (Jan. – Feb. 1920).
According to his daughter, Dowling works erratically, often continuously for several days and nights. An invalid during his later years, he composes his works on a sofa, invariably wearing a cap and with a soup-plate full of pipes beside him, which he enjoys in turn. A mild, kind, and gentle personality, he is an effective raconteur and a witty conversationalist. His cousin, Edmund Downey, who publishes many of his works, is introduced to the publishing world by Dowling. He is an applicant to the British charity for authors, the Royal Literary Fund, and leaves his family ill provided for.
Dowling dies on July 28, 1898, at his home at 2 Foulser Road, Tooting, South London, and is buried in Mortlake Cemetery, London. He is married and has three children, although his wife’s name and the date of their marriage are not known.
(From: “Dowling, Richard” by Helen Andrews, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Edward Maturin, novelist and poet, is born in Dublin on June 18, 1812. He is naturalised as an American and works as a professor of Greek. His fiction and poetry generally deal with historical themes, while his work as a Gothic novelist often has an Irish background.
The Maturin family is descended from a Huguenot clergyman who fled to Ireland after the revocation of the Edict of Nantes. Edward’s father, Reverend Charles Robert Maturin, is curate of St. Peter’s Church, Dublin, and well known as a preacher, as well as a poet and Gothic novelist. Born the second son, Edward enters Trinity College Dublin at the age of fifteen and graduates at twenty. Immediately afterward he emigrates to the United States in 1832 with letters of introduction from the poet Thomas Moore and other Irish writers. Having studied law under Charles O’Conor, he is called to the bar but later becomes professor of Greek at South Carolina College and applies for American naturalisation in 1837. He marries Harriet Lord Gailiard in 1842 and has three children by her. In 1848, he returns to New York, where for upward of thirty years he fills professorships in Greek, Latin and belles-lettres. His mastery of Greek is such that he is selected in 1850 by the American Bible Union as one of their revisers and works on the gospel of St. Mark.
All of Maturin’s work is written in the United States and for the most part concentrates on historical themes or Irish fantasy. His first book contains the interconnected stories of Sejanus and Other Roman Tales (1839) and is dedicated to Washington Irving. They concern incidents during the reigns of the Roman emperors from Tiberius to Nero. Self-consciously literary, the dialogue is written in an imitation of Shakespearean English. This is followed by the two-volume romance, Montezuma, the Last of the Aztecs (1845) and then two works on Spanish themes. The long series of “Spanish Ballads” that originally appears in The United States Magazine and Democratic Review during 1845 are eventually collected with his other poems in Lyrics of Spain and Erin (1850). They are followed by the romance Benjamin, the Jew of Grenada (1847), a story of the fall of the Moslem empire in Spain.
After his move to New York, Maturin’s prose work becomes more Gothic. It includes The Irish Chieftain, or The Isles of Life and Death (1848) which is later to be dismissed as “a wild story without foundation in history … melodramatic, sentimental, extravagant,” and the two-volume Eva, or the Isles of Life and Death (1848). His later Bianca, a tale of Erin and Italy (1852) is set in more modern times but is equally condemned as “an outlandish story, full of murders, characters – mostly illegitimate – with terrible secrets, a duel between brothers, banshees, mysterious lady-prophetesses, fee-faw-fum.” A final offering is his four-act play Viola (1858).
Maturin dies in New York City on May 25, 1881.
(Pictured: “Montezuma: The Last of the Aztecs” by Edward Maturin, Paine & Burgess, New York, 1845)
O’Faolain does not begin school until she is eight years old as her mother, Irish writer and teacher Eileen Gould, has little time for nuns. Following her schooling, she completes an arts degree at University College Dublin (UCD) and then further studies at the Sapienza University of Rome and the Sorbonne in Paris. A formidable student and strikingly beautiful, she makes a strong impression on those who meet her.
In search of love, literature and freedom from 1950s Ireland, the young O’Faolain remains abroad working variously as a translator, language teacher, editor and writer in London. She makes lifelong friends who speak highly of her generosity, loyalty and kindness. As well as maintaining a strong interest in politics throughout her life, she attains a black belt in karate and attends karate classes until her early 70s.
In her 2013 memoir, O’Faolain recounts a number of her adult loves before she meets and marries Lauro Martines in Florence in 1957. The couple lives in Florence for a year while Martines completes a travelling fellowship from Harvard University. They then move to Portland, Oregon, where their son Lucien is born in 1959. While in the United States, she teaches French at Reed College in Portland. The family returns to live in Florence from 1962-66 while her husband carries out research. When he is offered a professorship at the University of California, Los Angeles in 1966, they move back to the United States. However, not keen to live full-time in the United States, they purchase a house in Hampstead in 1970 and later in central London where she spends a good deal of time. From the 1990s onwards, she and Lauro spend more and more time in London, and they visit Ireland more during these years. Lucian, a painter and picture repairer, lives in London.
O’Faolain’s novels include No Country for Young Men, which is nominated for the Booker Prize in 1980, Women in the Wall (1975), The Obedient Wife (1982) and The Judas Cloth (1992) which is set in 19th-century Italy. Her first collection of short stories, We Might See Sights and Other Stories, is published in 1968, followed by Man in the Cellar (1974), Melancholy Baby (1978) and Daughters of Passion (1982). And with her husband, she edits Not in God’s Image: Women in History from the Greeks to the Victorians (1973).
O’Faolain’s writings are suffused with themes of clerical intrigue, women’s role in society, power, faith and sexuality. She says once that she is more detached from her characters than her father was. “He was fond of his characters whereas I was more impatient of mine… The fact that he often forgave their foolishness showed that he was fond of Ireland itself, where he lived for the most of his life. I instead left it and found I was happier elsewhere.”
As a writer, O’Faolain is not particularly well-known in Ireland. Following the publication of her memoir in 2013, she is asked by The Irish Times journalist Arminta Wallace if it bothers her that her name does not often figure in lists of famous Irish writers, perhaps because she did not live here. She replies, “Not only do I not live here but when my last book came out someone wrote an article naming me as a ‘forgotten writer’… which was not a cheerful read. It wasn’t in any way offensive, but it wasn’t very comforting…I suppose I didn’t write enough. You mustn’t let too many years go by between books – and I did that.”
O’Faolain dies at the age of 88 in London on October 27, 2020, following a long illness. Her papers, which include manuscripts of her writing and a significant correspondence between her and her father, are donated to UCD in 2018. At the time, archivists expect them to be available to researchers by 2022.
O’Brien is the youngest child of “a strict, religious family.” From 1941 to 1946 she is educated by the Sisters of Mercy, a circumstance that contributes to a “suffocating” childhood. “I rebelled against the coercive and stifling religion into which I was born and bred. It was very frightening and all pervasive. I’m glad it has gone.” She is fond of a nun as she deeply misses her mum and tries to identify the nun with her mother.
In 1950, O’Brien is awarded a licence as a pharmacist. In Ireland, she reads such writers as Leo Tolstoy, William Makepeace Thackeray, and F. Scott Fitzgerald. In 1954, she marries, against her parents’ wishes, the Irish writer Ernest Gébler and the couple moves to London. They have two sons, but the marriage is dissolved in 1964. Gébler dies in 1998.
In London, O’Brien purchases Introducing James Joyce, with an introduction written by T. S. Eliot. When she learns that James Joyce‘s A Portrait of the Artist as a Young Man is autobiographical, it makes her realise where she might turn, should she decide to write herself. In London she starts work as a reader for Hutchinson, where on the basis of her reports she is commissioned, for £50, to write a novel. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II.
This novel is the first part of a trilogy of novels which includes The Lonely Girl (1962) and Girls in Their Married Bliss (1964). Shortly after their publication, these books are banned and, in some cases burned, in her native country due to their frank portrayals of the sex lives of their characters. Her novel A Pagan Place (1970) is about her repressive childhood. Her parents are vehemently against all things related to literature and her mother strongly disapproves of her daughter’s career as a writer.
O’Brien is a panel member for the first edition of the BBC‘s Question Time in 1979. In 2017, she becomes the sole surviving member.
Other works include a biography of James Joyce, published in 1999, and one of the poet Lord Byron, Byron in Love (2009). House of Splendid Isolation (1994), her novel about a terrorist who goes on the run, marks a new phase in her writing career. Down by the River (1996) concerns an under-age rape victim who seeks an abortion in England, the “Miss X case.” In the Forest (2002) deals with the real-life case of Brendan O’Donnell, who abducts and murders a woman, her three-year-old son, and a priest, in rural Ireland.
seamus dubhghaill 