Murray is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he had co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.
Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).
It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.
Colum was born on December 8, 1881, in Columcille, County Longford, the first of eight children born to Patrick and Susan Columb. In 1892, the family moves to Glasthule, near Dublin and he attends the local national school. He starts writing after he finishes school and meets a number of the leading Irish writers of the time, including W. B. Yeats, Lady Gregory and Æ. He also joins the Gaelic League and is a member of the first board of the Abbey Theatre. He becomes a regular user of the National Library of Ireland, where he meets James Joyce and the two become lifelong friends.
Influenced by the literary activity of the Celtic revival centered in Dublin at the turn of the century, Colum publishes the collection of poetry Wild Earth (1907). He co-founds The Irish Review in 1911, then three years later settles permanently in the United States. His varied literary output includes volumes of poetry including Dramatic Legends (1922) and Creatures (1927), plays such as Broken Soil (first performed 1903) and The Land (1905), novels, anthologies of folklore and children’s books. The reminiscence Our Friend James Joyce (1959) is written with his wife Mary (Maguire), a well-known literary critic.
The Colums spent the years from 1930 to 1933 living in Paris and Nice, where Padraic renews his friendship with James Joyce and becomes involved in the transcription of Finnegans Wake. After their time in France, the couple moves to New York City, where they do some teaching at Columbia University and City College of New York. He is a prolific author and publishes a total of 61 books, not counting his plays. While in New York, he writes the screenplay for the 1954 stop-motion animated film Hansel and Gretel: An Opera Fantasy. It is his only screenplay.
Mary dies in 1957, and Colum completes Our Friend James Joyce, which they had worked on together. It is published in 1958. He divides his later years between the United States and Ireland. In 1961 the Catholic Library Association awards him the Regina Medal.
Mahony is born to Martin Mahony and Mary Reynolds. He is educated at the JesuitClongowes Wood College, in County Kildare, and later in the Abbey of Saint-Acheul, a similar school in Amiens, France and then at Rue de Sèvres, Paris, and later in Rome. He begins teaching at the Jesuit school of Clongowes as master of rhetoric but is soon after expelled. He then goes to London and becomes a leading contributor to Fraser’s Magazine, under the signature of “Father Prout” (the original Father Prout, whom Mahony knew in his youth, born in 1757, was parish priest of Watergrasshill, County Cork). At one point he is director of this magazine.
Mahony is witty and learned in many languages. One form which his humour takes is the professed discovery of the originals in Latin, Greek, or mediaeval French of popular modern poems and songs. Many of these jeux d’esprit are collected as Reliques of Father Prout. He pretends that these poems had been found in Fr. Prout’s trunk after his death. He wittily describes himself as “an Irish potato seasoned with Attic salt.” Later he acts as foreign correspondent to various newspapers, and during the last eight years of his life his articles form a main attraction of The Globe.
In his native Cork Mahoney is best remembered for his poem “The Bells of Shandon” and his penname is synonymous with the city and the Church of St. Anne, Shandon.
Mahony spends the last two years of his life in a monastery and dies on May 18, 1866, in Paris reconciled to the Church.
The Reliques of Father Prout originally appear in two volumes in 1836 with illustrations by Maclise. They are reissued in Henry George Bohn‘s Bohn’s Libraries in 1860. Another volume, Final Reliques, is edited by Douglas Jerrold and published in 1876. The Works of Father Prout, edited by Charles Kent, is published in 1881. Facts and Figures from Italy (1847) is made from his Rome letters to London’s The Daily News.
Beckett is born on Good Friday, April 13, 1906, in Foxrock, Dublin. His father, William Frank Beckett, works in the construction business and his mother, Maria Jones Roe, is a nurse. Beckett attends Earlsfort House School in Dublin and then, at age 14, he goes to Portora Royal School, the same school attended by Oscar Wilde. He receives his bachelor’s degree from Trinity College, Dublin in 1927. In his youth he periodically experiences severe depression keeping him in bed until mid-day. This experience later influences his writing.
In 1928, Beckett finds a welcome home in Paris where he meets and becomes a devoted student of James Joyce. In 1931, he embarks on a restless sojourn through Great Britain, France and Germany. He writes poems and stories and does odd jobs to support himself. On his journey, he comes across many individuals who inspire some of his most interesting characters.
In 1937, Beckett settles in Paris. Shortly thereafter, he is stabbed by a pimp after refusing his solicitations. While recovering in the hospital, he meets Suzanne Dechevaux-Dumesnuil, a piano student in Paris. The two become life-long companions and eventually marry. After meeting with his attacker, Beckett drops the charges, partly to avoid the publicity.
During World War II, Beckett’s Irish citizenship allows him to remain in Paris as a citizen of a neutral country. He fights in the resistance movement until 1942 when members of his group are arrested by the Gestapo. He and Suzanne flee to the unoccupied zone until the end of the war.
After the war, Beckett is awarded the Croix de Guerre for bravery during his time in the French resistance. He settles in Paris and begins his most prolific period as a writer. In five years, he writes Eleutheria, Waiting for Godot, Endgame, the novels Molloy, Malone Dies, The Unnamable, and Mercier et Camier, two books of short stories, and a book of criticism.
Beckett’s first publication, Molloy, enjoys modest sales, but more importantly praise from French critics. Soon, Waiting for Godot, achieves quick success at the small Theatre de Babylone putting Beckett in the international spotlight. The play runs for 400 performances and enjoys critical praise.
Beckett writes in both French and English, but his most well-known works, written between World War II and the 1960s, are written in French. Early on he realizes his writing has to be subjective and come from his own thoughts and experiences. His works are filled with allusions to other writers such as Dante Alighieri, René Descartes, and James Joyce. Beckett’s plays are not written along traditional lines with conventional plot and time and place references. Instead, he focuses on essential elements of the human condition in dark humorous ways. This style of writing has been called “Theater of the Absurd” by Martin Esslin, referring to poet Albert Camus’ concept of “the absurd.” The plays focus on human despair and the will to survive in a hopeless world that offers no help in understanding.
The 1960s are a period of change for Beckett. He finds great success with his plays across the world. Invitations come to attend rehearsals and performances which lead to a career as a theater director. In 1961, he secretly marries Suzanne Dechevaux-Dumesnuil who takes care of his business affairs. A commission from the BBC in 1956 leads to offers to write for radio and cinema through the 1960s.
Beckett continues to write throughout the 1970s and 1980s, mostly in a small house outside Paris. There he can give total dedication to his art of evading publicity. In 1969, he is awarded the Nobel Prize in Literature, though he declines accepting it personally to avoid making a speech at the ceremonies. However, he should not be considered a recluse. He often times meets with other artists, scholars and admirers to talk about his work.
By the late 1980s, Beckett is in failing health and is moved to a small nursing home. His wife Suzanne dies on July 17, 1989. His life is confined to a small room where he receives visitors and writes. Suffering from emphysema and possibly Parkinson’s disease, he dies on December 22, 1989.
Wilde is born on October 16, 1854, at 21 Westland Row, Dublin (now home of the Oscar Wilde Centre, Trinity College), the second of three children born to Anglo-Irish Sir William Wilde and Jane Wilde, two years behind his brother William. His parents are successful Anglo-Irish intellectuals in Dublin. He learns to speak fluent French and German. At university, he reads Greats. He demonstrates himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He becomes associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, he moves to London into fashionable cultural and social circles.
As a spokesman for aestheticism, Wilde tries his hand at various literary activities: he publishes a book of poems, lectures in the United States and Canada on the new “English Renaissance in Art” and interior decoration, and then returns to London where he works prolifically as a journalist. Known for his biting wit, flamboyant dress and glittering conversational skill, he becomes one of the best-known personalities of his day.
At the turn of the 1890s, Wilde refines his ideas about the supremacy of art in a series of dialogues and essays, and incorporates themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). The opportunity to construct aesthetic details precisely, and combine them with larger social themes, draw him to write drama. He writes Salome (1891) in French while in Paris, but it is refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Unperturbed, he produces four society comedies in the early 1890s, which make him one of the most successful playwrights of late-Victorian London.
At the height of his fame and success, while The Importance of Being Earnest (1895) is still being performed in London, Wilde has John Douglas, 9th Marquess of Queensberry prosecuted for criminal libel. The Marquess is the father of Wilde’s lover, Lord Alfred Douglas. The libel trial unearths evidence that causes him to drop his charges and leads to his own arrest and trial for gross indecency with men. After two more trials he is convicted and sentenced to two years of hard labour, the maximum penalty, and is jailed from 1895 to 1897. During his last year in prison, he writes De Profundis, published posthumously in 1905, a long letter which discusses his spiritual journey through his trials, forming a dark counterpoint to his earlier philosophy of pleasure. On his release, he leaves immediately for France, never to return to Ireland or Britain. There he writes his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
By November 25, 1900, Wilde has developed meningitis, then called “cerebral meningitis”. On November 29, he is conditionally baptised into the Catholic Church by Fr. Cuthbert Dunne, a Passionist priest from Dublin. He dies of meningitis on November 30, 1900. Different opinions are given as to the cause of the disease. Richard Ellmann claims it is syphilitic. Merlin Holland, Wilde’s grandson, believes this to be a misconception, noting that Wilde’s meningitis followed a surgical intervention, perhaps a mastoidectomy. Wilde’s physicians, Dr. Paul Cleiss and A’Court Tucker, report that the condition stems from an old suppuration of the right ear treated for several years and makes no allusion to syphilis.
Wilde is initially buried in the Cimetière parisien de Bagneux outside Paris. In 1909 his remains are disinterred and transferred to Père Lachaise Cemetery, inside the city. In 2011, the tomb is cleaned of the many lipstick marks left there by admirers and a glass barrier is installed to prevent further marks or damage.
In 2017, Wilde is among an estimated 50,000 men who are pardoned for homosexual acts that are no longer considered offences under the Policing and Crime Act 2017. The Act is known informally as the Alan Turing law.
Osborne is born in Limerick, County Limerick. He leaves Ireland for Brussels at the age of eighteen, where he is appointed music instructor for the eldest son of the Dutch king, William of Orange, and becomes friends with Charles de Bériot. With de Bériot he is later to compose more than thirty duos for violin and piano, which enjoy great popularity.
In 1843, Osborne settles permanently in London, although he maintains a home in Paris until 1848, when he encourages a nervous Chopin during the latter’s tour of England in 1848. In London he holds directorships of the Royal Philharmonic Society and the Royal Academy of Music and conducts the Amateur Musical Society from 1852.
Osborne’s compositions are mostly on a small scale and include 83 original piano works, 178 transcriptions and fantasias for piano solo, 24 piano duos, 44 vocal works and 55 chamber music pieces. His unpublished works include two operas and some orchestral overtures, all now lost. Berlioz observes that Osborne’s songs and trios are “lofty in style and spacious in design.” One of his most popular compositions is a piano piece entitled La Pluie de perles (Shower of Pearls), which goes through many editions. Some of his piano music is written to display his own virtuosity, while others are conceived as salon music for domestic entertainment.
George Alexander Osborne dies on November 17, 1893 at his home in Regent’s Park, London, at the age of 87.
Margaret Brown (née Tobin), an American socialite and philanthropist posthumously known as “The Unsinkable Molly Brown”, dies in New York City on October 26, 1932. She is best remembered for unsuccessfully encouraging the crew in Lifeboat No. 6 to return to the debris field of the 1912 sinking of RMS Titanic to look for survivors. During her lifetime, her friends called her “Maggie”, but even by her death, obituaries refer to her as the “Unsinkable Mrs. Brown.” The reference is further reinforced by a 1960 Broadway musical based on her life and its 1964 film adaptation which are both entitled The Unsinkable Molly Brown.
Tobin is born in a hospital near the Mississippi River in Hannibal, Missouri, on what is now known as Denkler’s alley. Her parents are Irish Catholic immigrants. At age 18, she relocates to Leadville, Colorado, with her siblings Daniel Tobin, Mary Ann Collins Landrigan and Mary Ann’s husband John Landrigan. Margaret and her brother Daniel share a two-room log cabin and she finds a job in a department store.
In Leadville, she meets and marries James Joseph “J.J.” Brown (1854–1922), an enterprising, self-educated man, in Leadville’s Annunciation Church on September 1, 1886. They have two children.
The Brown family acquires great wealth when in 1893 J.J.’s mining engineering efforts prove instrumental in the production of a substantial ore seam at the Little Jonny Mine of his employers, Ibex Mining Company, and he is awarded 12,500 shares of stock and a seat on the board. In Leadville, Margaret helps by working in soup kitchens to assist miners’ families.
In 1894, the Browns purchase a $30,000 Victorian mansion in Denver and in 1897 they build a summer house, Avoca Lodge in Southwest Denver near Bear Creek, which gives the family more social opportunities. Margaret becomes a charter member of the Denver Woman’s Club, whose mission is the improvement of women’s lives by continuing education and philanthropy. After 23 years of marriage, Margaret and J.J. privately sign a separation agreement in 1909. Although they never reconcile, they continue to communicate and care for each other throughout their lives.
Brown spends the first months of 1912 traveling in Egypt as part of the John Jacob Astor IV party, until she receives word from Denver that her eldest grandchild, Lawrence Palmer Brown Jr., is seriously ill. She immediately books passage on the first available liner leaving for New York, the RMS Titanic. Originally her daughter Helen is supposed to accompany her, but she decides to stay on in Paris, where she is studying at the Sorbonne.
The RMS Titanic sinks in the early morning hours of April 15, 1912, after striking an iceberg. Brown helps others board the lifeboats but is finally persuaded to leave the ship in Lifeboat No. 6. Brown is later called “The Unsinkable Molly Brown” by authors because she helps in the ship’s evacuation, taking an oar herself in her lifeboat and urging that the lifeboat go back and save more people. After several attempts to urge QuartermasterRobert Hichens to turn back, she threatens to throw him overboard. Sources vary as to whether the boat goes back and if they find anyone alive. Brown’s efforts seal her place in history, regardless.
Upon being rescued by the RMS Carpathia, Brown proceeds to organize a survivors’ committee with other first-class survivors. The committee works to secure basic necessities for the second- and third-class survivors and even provides informal counseling.
During the last years of her life, Brown is an actress. She dies in her sleep on October 26, 1932, at the Barbizon Hotel in New York City, New York. Subsequent autopsy reveals a brain tumor. She is buried on October 31 alongside her husband in the Cemetery of the Holy Rood in Westbury, New York, following a small ceremony attended only by family members. There is no eulogy.
Goulet’s involvement in Breton nationalism leads to accusations that he had orchestrated the destruction of the Monument to the Breton-Angevin Federation at Pontivy on December 18, 1938, by Gwenn ha du, the nationalist terrorist group. He is detained, but then released.
In 1939, he is sent to Strasbourg to study the art of sabotage. He participates in the beginning of World War II fighting for France, and is captured by the Germans on June 11, 1940, while blowing up a bridge on the Aisne with friends from a French corps.
Later in the war, Goulet joins the assault section of Bagadou Stourm, Breton nationalist stormtroopers allied to the Germans. He also collaborates with the pro-Nazi nationalist newspaper L’Heure Bretonne. In 1941 in Paris, he becomes head of Bagadou Stourm and the “Youth Organizations” of the Breton National Party. The promotion of Bagadou Stourm officers is named “Patrick Pearse” to commemorate the 25th anniversary of the 1916 Easter Rising against British rule in Ireland.
After the liberation of France, Goulet travels with his wife and children to Ireland, and is sentenced to death as a Collaborationist by a French court in his absence. He acquires Irish citizenship in 1952 and becomes an art professor.
Goulet is commissioned to create public works commemorating the Irish Republican Army (IRA) and other republicans, including the Custom House Memorial (Dublin), the East Mayo Brigade IRA Memorial, the Republican Memorial (Crossmaglen), and the Ballyseedy Memorial (Kerry). He exhibits regularly at the Royal Hibernian Academy (RHA), eventually becoming the RHA Professor of Sculpture. He is also made a member of Aosdána in 1982.
Towards the end of the 1960s, Goulet claims to have taken the reins of the Breton Liberation Front (Front de Libération de la Bretagne, or FLB) and to have been behind all their attacks.
In 1969 Goulet becomes secretary general and chair of the Comité National de la Bretagne Libre and publishes the communiques of the FLB. In 1968, the head of police in Bray congratulate him on organising the previous day’s attack on the CRS barracks in Saint-Brieuc.
Goulet died at Bray, County Wicklow, on August 22, 1999, two days after his 85th birthday.
(Pictured: Custom House Memorial in Dublin by Yann Renard-Goulet, 1957)
After the failure of the Young Ireland Rebellion of 1848, O’Leary attempts to rescue the Young Ireland leaders from Clonmel Gaol, and is himself imprisoned for a week from September 8, 1849. He takes part in a further attempted uprising in Cashel on September 16, 1849, but this proves abortive.
On September 16, 1865, O’Leary is arrested and later tried on charges of high treason, eventually reduced to “treason felony.” He is sentenced to twenty years of penal servitude, of which five years are spent in English prisons, prior to his release and exile in January 1871. During his exile, he lives mainly in Paris, also visiting the United States, remains active in the IRB and its associated organisations, and writes many letters to newspapers and journals.
On the expiration of his 20-year prison term and therefore of the conditions associated with his release in 1885, O’Leary returns to Ireland. He and his sister, the poetEllen O’Leary, both become important figures within Dublin cultural and nationalist circles, which include William Butler Yeats, Maud Gonne, Rose Kavanagh, Rosa Mulholland, George Sigerson, and Katharine Tynan. He also functions as an elder statesman of the separatist movement, being active in the Young Ireland Society, and acts as president of the Irish Transvaal Committee, which supports the Boer side in the Second Boer War.
John O’Leary dies at his residence in Dublin on the evening of March 16, 1907. He is referred to famously by W.B. Yeats in his poem September 1913: “Romantic Ireland’s dead and gone/It’s with O’Leary in the grave.”
(Pictured: Painting of John O’Leary, a favorite subject of John Butler Yeats (1904). The National Gallery of Ireland owns three oil portraits of O’Leary.)
Local laws have to be adjusted, ergo the ‘Light Locomotives (Ireland) Bill’ is passed on March 27, 1903. Kildare and other local councils draw attention to their areas, while Queen’s County (now County Laois) declares that every facility will be given and the roads placed at the disposal of motorists during the proposed race. Eventually Kildare is chosen, partly on the grounds that the straightness of the roads will be a safety benefit. As a compliment to Ireland the British team chooses to race in Shamrock green which thus becomes known as British racing green, although the winning Napier of 1902 had been painted Olive green.
There is considerable public concern about safety after the 1901 Paris-Bordeaux Rally, in which at least eight people had been killed, and severe crashes during the May 24, 1903 Paris-Madrid race where more than 200 cars competed over a distance of 800 miles but which had to be halted at Bordeaux because there had been so many fatalities. To allay these fears, the 1903 race is held over a closed course which is carefully prepared for the event, and is marshaled by 7,000 police officers assisted by troops and club stewards, with strict instructions to keep spectators off the roads and away from corners. The route consists of two loops that comprise a figure of eight, the first being a 52-mile loop that includes Kilcullen, the Curragh, Kildare, Monasterevin, Ballydavis (Port Laoise), Stradbally and Athy, followed by a 40-mile loop through Castledermot, Carlow, and Athy again. The race starts at the Ballyshannon cross-roads near Calverstown.
The official timekeeper of the race is T. H. Woolen of the Automobile Club of Great Britain and Ireland. Ninety one chronographs for timing the race are supplied by the Anglo-Swiss firm Stauffer Son & Co. of La Chaux-de-Fonds and London. Competitors are started at seven-minute intervals and have to follow bicycles through the “control zones” in each town. The 328-mile race is won by the famous Belgian Camille Jenatzy, driving a Mercedes in German colours.
seamus dubhghaill 