On October 23, 1914, near Ypres, Belgium, Drummer Kenny rescues wounded men on five occasions under very heavy fire. Twice previously he saves machine guns by carrying them out of action, and on numerous occasions he conveys urgent messages under very dangerous circumstances over fire-swept ground.
On March 20, 1999, Kenny’s grave receives a new headstone, arranged by The Gordon Highlanders London Association (Lt. Col. M. H. Burge). He is not otherwise commemorated. His Victoria Cross and other medals are on display at the Gordon Highlanders Museum, Aberdeen, Scotland.
Geddes is born on her maternal grandparent’s farm at Drumreilly Cottage in Leitrim, County Leitrim, on May 25, 1887. She is the eldest of four children, three girls and a boy, of William Geddes and his wife Eliza Jane Stafford. The family, who migrates to Ireland from Scotland, has mainly been farmers. Her father, a Methodist, who is born near his father’s farm at Tandragee, County Armagh, emigrates to the United States as a young man, working as a labourer for the railway construction business. This serves a useful purpose as he had worked as a site engineer at the Cavan, Leitrim and Roscommon Railway Company. When she is still an infant her parents move to their native home in Belfast, so her father can set up in business as a building contractor.
Geddes begins drawing subjects from life and nature from the age of four. She learns first how to draw from the school mistress in Ayrshire, where her father occasionally goes shooting. She begins her studies at Methodist College Belfast along with her three younger sisters. She later moves to the Belfast School of Art. She is encouraged by Rosamond Praeger, a sculptor from County Down, to continue with her studies. She is accepted as a student to study at the Belfast School of Art, Ulster University. This is where she adapts and improves her style and is introduced to a professional standard of art work.
While still studying at the Belfast School of Art, Geddes takes part in the Arts and Crafts Society of Ireland‘s fourth exhibition. For this exhibition, she contributes a glowingly coloured illustration of the book Cinderella Dressing the Ugly Sister (Dublin City Gallery), which she had created. It is at this exhibition that her work is spotted by Sarah Purser, a well established painter seeking newly trained students to introduce to stained glass artistry. Purser, who goes on to be her lifelong mentor, invites the young Geddes to join her in Dublin, working under the established stained glass artist William Orpen.
Geddes contributes a watercolour illustration of a Ballad Seller with the Belfast Art Society in 1907. She is elected as an Associate of the Belfast Art Society’s successor, the Ulster Academy of Arts, in 1933 before promotion to Honorary Academician in 1935. She shows five illustrations in the 1911 Oireachtas Exhibition. It is some twenty-one years before she returns to the Oireachtas when she exhibits three cartoons and three sketches for stained glass in 1932.
Geddes joins Purser at the acclaimed stained glass workshop called An Túr Gloine in 1910. The workshop is held in Dublin’s Metropolitan School of Art. It is here that she discovers her passion for the craftsmanship of stained glass artistry and creates her most important works.
During her early years at An Túr Gloine, Geddes’s originality shines, and important commissions come from St. Ann’s Church, Dawson Street, Dublin and the Presbyterian church in Rathgar. Dogged by illness, she returns to Belfast before 1916 and lives between there and Dublin until moving in 1925, as she has long wanted, to work in London at The Glass House, Fulham. While working at The Glass House, she instructs the Irish painter and stained glass artist Evie Hone.
Geddes’s work is considered pioneering and represents a rejection of the Late Victorian approach. She creates a new view of men in stained glass windows, portraying them with close-shaven crew cuts. The muscularity and tension of her portraiture is matched by the radical design of her constructions. Ambitious large-scale projects, as at the cathedral in Ypres, are equalled by the drama of smaller-scale work at Wallasey (Lancashire) and Wallsend (Northumberland), or war memorial windows in obscure country churches.
Despite the hardships of living in London during World War II, poverty, and ill health, Geddes designs seventeen full-scale stained glass masterpieces, sixteen of which she completes.
Geddes dies on August 10, 1955 in London of a pulmonary embolism. She is buried in CarnmoneyCemetery, County Antrim, along with her mother and sister Ethel. Even after moving to London, she claims that her native identity never wavered as she says she was always “a Belfast woman.”
Foley’s most recent work includes Cold Courage, a TV series thriller for Lionsgate, Viaplay and Luminoir shot in Europe in 2019 and The Man Who Died, a series for Elisa-Viaplay.
Foley writes, produces and directs The Riddle in 2006, starring Jones, Sir Derek Jacobi and Vanessa Redgrave. In September 2007, The Riddle becomes the world’s first feature film to be released as a DVD premiere by a national newspaper. The UK’s The Mail on Sunday buys UK DVD rights and distributes 2.6 million copies, making the film one of the most widely watched independent films in the UK.
During 2006–07, Foley writes and directs Assault of Darkness, a satirical horror film set in rural Ireland, starring Jones, Jason Barry and Nora-Jane Noone. It is released by Lionsgate in the United States on DVD in 2009. He co-creates and is a writer on Shelldon, a children’s environmental animated TV series on NBC (2010–12) and Byrdland (five seasons of animated TV series in Asia with GMM Grammy).
In 2015, Foley starts developing a new TV detective series for BBC Television, Farmoor (makers of The Fall) and Northern Ireland Screen (UK home of Game of Thrones) and, in 2016, he develops Tunnel Kings, a mini-series on World War IIPOW “escape-artists” for the Canadian Broadcasting Corporation and Dream Street, Canada. He completes pilot scripts for SOS, a new eco-thriller series by Finnish producers Luminoir, and Kvenland, set in the Dark Ages. Previously he writes the pilot for drama Dr. Feelgood for Monday TV (Denmark).
Cold Courage, described as a Nordic noir series involving Finnish characters in present-day London made by Finnish producers Luminoir for Lionsgate and Viaplay, shot in London, Dublin, Belgium and Finland in 2019. Actor John Simm tells Variety that he is attracted to the series by the quality of the writing and the fact that it is a pan-European thriller.
Foley has written books for U.S. and UK publishers. Under The Wire, a World War II POW escape drama, which he writes along with its subject, pilot William Ash, is published by Random House, London and St. Martin’s Press, New York, in 2005 and 2006. It becomes a best-seller, reaching number one on Amazon UK‘s history and biography charts. In 2018/19, a related TV series is developed as a future miniseries by CBC in Canada and Northern Ireland Screen.
Foley’s next book, Archerfield, a novel, published in 2015, covers 16,000 years of history in one square mile of Scotland.
He is born into the Cenél Conaill, a branch of the Northern Uí Néill, then Ireland’s most powerful dynasty. His place of birth is reputedly Gartan in modern day County Donegal, though there is no contemporary evidence for this.
His is the son of Fedlimid, who is said to be a great-grandson of Niall Nóigiallach, and his wife Eithne. The Irish form of his name, Colum Cille, has been taken to mean ‘Dove of the Church’. He is fostered and baptised by a priest named Cruithnechán, who lives near his birthplace. It is reputed that he undergoes schooling in bardic studies. His biographer, Adomnán (c. 624–704), states that he receives monastic training under a bishop whom he names variously as Findbarr or Finnio, who can most likely be identified as Finnian of Movilla. Otherwise little is known of his early life.
Adomnán states that Columba leaves Ireland in his forty-second year. Later tradition records that his departure is an act of penitence for instigating the battle of Cúl Dreimhne in 561, supposedly because he surreptitiously copies a Psalter lent to him by his former master, Finnian. Adomnán simply states, however, that he leaves Ireland to become a “pilgrim for Christ.” He probably also wishes to sever himself from the secular concerns arising from his family connections. Whatever the reason, he remains in Scotland for the rest of his life, returning to Ireland only on a few occasions.
His choice of Iona, an island off the Ross of Mull on the western coast of Scotland, as a monastic refuge is influenced by the contacts that his family has with the kingdom of Dál Riata and its rulers. Certainly it is under Dál Riata patronage that he subsequently founds the island monasteries of Campus Lunge (on Tiree) and Hinba, which more recent opinion takes to have been the island of Colonsay. He also founds churches in Inverness, probably following on his meeting with and likely conversion of Bridei I, king of the Picts. All of Iona’s foundations, on both sides of the Irish Sea, are under the headship of the abbot of the mother-house, and many of the abbots of the most important houses of the paruchia of Iona are of Columba’s kin-group. Although many foundations elsewhere in Scotland and in Northumbria are later attributed to him, it is doubtful whether Iona evangelises outside of Ireland, Dál Riata and Pictland. Yet there can be no doubt of his political influence. He “ordains” Áedán king of Dál Riata, and his influence and connections enable him to strengthen the alliance between the Uí Néill and Dál Riata.
One of the few, if not the only, times he leaves Scotland is toward the end of his life, when he returns to Ireland to found the monastery at Durrow.
According to traditional sources, Columba dies in Iona on Sunday, June 9, 597, and is buried by his monks in the abbey he created. However, Dr. Daniel P. McCarthy disputes this and assigns a date of 593 to Columba’s death. The Annals record the first raid made upon Iona in 795, with further raids occurring in 802, 806 and 825. Columba’s relics are finally removed in 849 and divided between Scotland and Ireland.
Colmcille is one of the three patron saints of Ireland, after Patrick and Brigid of Kildare. He is the patron saint of the city of Derry, where he founded a monastic settlement in c. 540. The Catholic Church of Saint Colmcille’s Long Tower, and the Church of Ireland St. Augustine’s Church both claim to stand at the spot of this original settlement. The Church of Ireland Cathedral, St. Columb’s Cathedral, and the largest park in the city, St. Columb’s Park, are named in his honour. The Catholic Boys’ Grammar School, St. Columb’s College, has him as Patron and namesake.
St. Columba’s National School in Drumcondra is a girls’ school named after the saint.
St. Colmcille’s Primary School and St. Colmcille’s Community School are two schools in Knocklyon, Dublin, named after him, with the former having an annual day dedicated to the saint on June 9.
The town of Swords, Dublin is reputedly founded by Colmcille in 560 AD. St. Colmcille’s Boys’ National School and St. Colmcille’s Girls’ National School, both located in the town of Swords, are also named after the Saint as is one of the local Gaelic teams, Naomh Colmcille.
The Columba Press, a religious and spiritual book company based in Dublin, is named after Colmcille.
Linda Martin, Northern Irish singer and television presenter, is born in Belfast, Northern Ireland on March 27, 1952. She is best known as the winner of the 1992 Eurovision Song Contest during which she represents Ireland with the song “Why Me?,” the first of a record three consecutive wins by Ireland. She is also known within Ireland as a member of the band Chips.
Martin is of Irish, Scottish and Italian ancestry. Her father’s family’s surname is originally Martini. Her paternal great-grandfather, Francis Martini, is born in Dublin to immigrants from Saronno, north of Milan, Italy. Two of her maternal great-grandparents, William Green and Elizabeth Nangle, have a coal-mining background and transferred to Belfast from Larkhall, Scotland.
Martin begins her musical career when she joins the band Chips in Omagh in 1969. They quickly become one of the top bands in Ireland on the live circuit, and release hit singles “Love Matters,” “Twice a Week” and “Goodbye Goodbye” during the mid-to-late 1970s. In 1972, she leaves Chips to be a vocalist with the new group Lyttle People but rejoins her former bandmates the following year.
The group appears on Opportunity Knocks in 1974 and appears a number of times on British television promoting their singles, but never scores a UK hit. With multiple entries to the Irish National finals of the Eurovision Song Contest, the band carries on into the 1980s. They score a final Irish hit in 1982 with “David’s Song (Who’ll Come With Me),” after which Martin leaves when she wins the Castlebar Song Contest with “Edge of the Universe” in 1983. From this point, she concentrates on a solo career as well as occasional live appearances with Chips until they recruit a new lead singer, Valerie Roe, in the late 1980s.
Martin participates in the National Song Contest four times as a member of Chips; however, they do not score successfully. She participates another four times in the contest as a soloist and once more as part of the group “Linda Martin and Friends.” With nine participations, she has been the most frequent entrant in the National Song Contest’s history. She wins the contest twice, going on to represent Ireland twice at the Eurovision Song Contest.
The first of these victories is in 1984 with the song “Terminal 3,” written by Johnny Logan. The song comes in second in the final, being beaten by eight points. “Terminal 3” reaches No. 7 in the Irish charts. The second victory is in 1992 when her song “Why Me?,” also written by Logan, goes on to win the final in Sweden. This becomes Ireland’s fourth victory in the Eurovision Song Contest, and the song reaches No. 1 in the Irish chart as well as becoming a hit in many European countries.
Martin is, at the time, one of only three artists to finish both first and second at Eurovision, behind Lys Assia and Gigliola Cinquetti. Since then, only Elisabeth Andreassen and Dima Bilan have achieved this, raising the number to five.
Martin is one of the hosts on the RTÉquiz showThe Lyrics Board and also serves as one of Louis Walsh‘s behind-the-scenes team on the first series of ITV‘s The X Factor. She also serves as a judge on the first, second and fourth seasons of RTÉ’s You’re a Star and on Charity You’re a Star in 2005 and 2006. While she is dismissed from later seasons, speaking on Saturday Night with Miriam on RTÉ television on July 28, 2007, she says that she is “open” to being invited back to the show. She does not rule out a return to Eurovision following Ireland’s dismal performance in the 2007 contest, finishing last with only five points.
During the interval of Eurovision 2013, the host Petra Mede presents a light-hearted history of the contest, during which she explains to viewers that Johnny Logan had won the competition three times, in 1980, 1987 and 1992. Appearing alongside Linda Martin in some vintage footage she jokes that he had won the third time disguised as a woman, saying, “I recognise a drag queen when I see one.” The joke proves controversial, particularly in the Irish media. However, on June 1, 2013, during an appearance on RTÉ’s The Saturday Night Show Martin says that she has actually benefited from all the publicity. On the same show she performs a cover of the song “Get Lucky” by Daft Punk.
Martin also appears in pantomime, in Dublin. She stars in Cinderella as the Wicked Stepmother, Snow White as the Evil Queen and Robin Hood as herself, at the Olympia Theatre. She tours Menopause The Musical with Irish entertainer Twink. While on tour, Twink describes Martin as a “cunt” during a tirade in May 2010. The two had been friends for 30 years but both say afterwards that they have no plans to speak to each other again.
The Protestant forces are taken by surprise and there is little fighting, reflected in the term “Break,” a Scottish word for rout. Victory secures eastern Ulster for the Jacobites but they fail to fully exploit their success.
While much of the Protestant population of east Ulster supports the claim of William III to thrones of Ireland, England and Scotland, the rest of Ireland, including the Lord Deputy of Ireland, Richard Talbot, 1st Earl of Tyrconnell, and the army, support James II. As a result, war breaks out in Ireland after James is deposed in the Glorious Revolution. At the start of the conflict, the Jacobites are left in control of two fortified positions at Carrickfergus and Charlemont in territory which is predominantly Williamite in sympathy. The local Williamites raise a militia and meet in a council at Hillsborough. They make an ineffective assault on Carrickfergus. However, this is easily beaten off and a local Catholic cleric named O’Hegarty reports that the Williamite are badly armed and trained.
The Jacobite commander in the north is Richard Hamilton, an experienced soldier who serves with the French military from 1671 to 1685, when he is appointed a colonel in the Irish Army. In September 1688, he and his regiment are transferred to England. When James flees into exile, he is held in the Tower of London. Released on parole by William in February, he is sent to negotiate with Talbot but drops this mission once back in Ireland. Alexander Osbourne, a Presbyterian clergyman, is sent to offer the Hillsborough council a pardon in return for surrender but they refuse, reportedly encouraged by Osbourne. On March 8, Hamilton marches north from Drogheda with 2,500 men to subdue the Williamites by force.
On March 14 Hamilton crosses the River Lagan and attacks a 3,000 strong Williamite force under Lord Mount Alexander at Dromore. Alexander’s cavalry falls back in disorder following a charge by the Jacobite dragoons. Seeing this, Hamilton orders a general advance of his infantry and the Williamite foot flee toward Dromore itself. They are overtaken in the village by the Jacobite cavalry and slaughtered, roughly 400 being killed and the rest fleeing for their lives.
Lord Mount Alexander rides to Donaghadee and takes a ship to England, while many other Protestants leave for Northern England or Scotland. Hamilton’s men capture Hillsborough, along with £1,000 and large stocks of food but fail to pursue their opponents. This allows the bulk of the militia under Rawdon and Henry Baker to reach Coleraine, then make their way to Derry, where they take part in the successful defence of the city.
O’Donnell is the youngest among six sons and three daughters of Biddy and James O’Donnell. He is greatly influenced by his upbringing in the Rosses, in northwest Donegal, one of the poorest and most remote parts of Ireland. His father, a popular local fiddler, earns a living through his smallholding, seasonal labouring in Scotland, and winter work in a local corn mill. His mother, who comes from a radical labour and nationalist political background, works in a local cooperative store. He attends Rampart national school and Roshine national school, near Burtonport, where he is a monitor for four years. In 1911 he wins a scholarship to attend St. Patrick’s College in Drumcondra, Dublin, and returns in 1913 to the Rosses, where he spends two years teaching on the islands of Inishfree. In 1915 he is appointed head of Derryhenny national school, near Dungloe, and the following year becomes principal of a national school on the island of Arranmore, where he begins to write.
O’Donnell had long been concerned by the poor conditions of the local ‘tatie-hokers’ (potato pickers) who migrate annually to Scotland. In the summer of 1918, he travels there to help organise the Scottish Farm Servants’ Union. While there he is influenced by left-wing radicals such as Willie Gallacher, later a communistMember of Parliament (MP), and Emanuel ‘Manny’ Shinwell, later Baron Shinwell. In September 1918, against a background of rising labour militancy, he leaves teaching to become a full-time organiser for the Irish Transport and General Workers’ Union (ITGWU) in the west Ulster area. The following year he organises one of Ireland’s first “soviets” when the attendants and nurses of the Monaghan District Lunatic Asylum occupy the grounds and appoint O’Donnell as governor until their demands are met.
In early 1919 O’Donnell joins the Irish Republican Army (IRA) in Monaghan, resigning from the ITGWU for full-time IRA service in late 1920. He leads the 2nd Battalion, Donegal IRA, from the summer of 1920. In December 1920 he goes “on the run” and leads a flying column in west Donegal until May 1921, when he is wounded. Regarded as insubordinate and militarily inexperienced, he is unpopular among the other senior officers of the 1st Northern Division. He, in turn, is disappointed by the lack of social radicalism among the nationalist leadership. He opposes the Anglo-Irish Treaty, is placed in command of the minority anti-treaty 1st Northern Division and is a member of the IRA executive that occupies the Four Courts in Dublin in defiance of the provisional government.
Arrested in June 1922, O’Donnell shares a prison cell with Liam Mellows and influences his radical “Notes from Mountjoy,” an important document for subsequent left-wing republicans. He spends the next two years in various prisons and internment camps. His execution is widely expected to follow those of December 8, 1922. In August 1923, he is elected as a Sinn FéinTeachta Dála (TD) for Donegal in the general election called after the end of the Irish Civil War. He goes on hunger strike for forty-one days in late 1923 and succeeds in escaping from the Curragh in March 1924. In June 1924, while on the run, he marries Lile O’Donel, a wealthy Cumann na mBan activist who had smuggled communications for republican prisoners. O’Donel, a radical and member of the Communist Party, is the daughter of Ignatius O’Donel, a prominent landowner from Mayo. They have no children but raise their nephew, Peadar Joe, as their own son after the death in New York of O’Donnell’s brother Joe.
O’Donnell begins writing seriously while in jail and remains a prolific writer, journalist, and editor until the 1960s. His first novel, Storm, set in the Irish War of Independence, is published in 1925. One of his most highly regarded books, Islanders, is published in 1928. Adrigoole, like Islanders a story of poverty and starvation in rural Ireland, is published the following year. The Knife (1930) and On the Edge of the Stream (1934) soon follow. The most significant of his later novels is probably The Big Windows (1954). Foremost among his qualities as a writer is his empathy for the people, life, and landscape of rural Ireland. But his novels have been criticised for their slow pace, excessive detail, and didactic nature. He claims his writing is incidental to his political activism. His trilogy of autobiographical non-fiction, The Gates flew Open (1932), Salud! An Irishman in Spain (1936), and There Will Be Another Day (1963), which respectively concern the Irish Civil War, his activism during the Spanish Civil War, and his role in the land annuities agitation, remain highly regarded. His other important literary achievement is with The Bell, an innovative literary and political magazine which plays a useful dissenting role in an insular and conservative period. He founds The Bell with the writer Seán Ó Faoláin in 1940 and edits it from 1946 until it ceases publication in 1954.
O’Donnell exercises an influential role in the interwar IRA, particularly through his editorship of An Phoblacht (1926–29), which he attempts to divert from militarism to socialist agitation. His ultimate aim is for a thirty-two-county socialist republic. His most successful campaign is organising small farmers against the payment of land annuities to the government in the late 1920s and early 1930s. This campaign is later adopted by Fianna Fáil and contributes to their electoral success in 1932. He is less successful in radicalising the IRA. After the failure of Saor Éire, a left-wing IRA front which provokes clerical and popular hostility against the IRA, increasing tensions between the IRA’s left-wing and the leadership lead O’Donnell, along with Frank Ryan and George Gilmore, to split from the IRA to establish the short-lived Republican Congress in 1934.
Although O’Donnell claims he was never a Communist Party member, he plays a central role in forging links between republicans and the revolutionary left both in Ireland and internationally and invariably supports the communist party line at critical junctures. After the failure of Republican Congress, he takes up the cause of the Spanish republic. His championing of unpopular causes such as communism and Spain entail a good deal of frustration. He is physically attacked at political meetings and in 1932, despite having never visited the Soviet Union, loses a high-profile libel action against the Dominican Irish Rosary, which claim he had studied in Moscow‘s Lenin College. He is banned from entering the United States for several decades, although he maintains: “My relations with all the great powers continue to be friendly.”
O’Donnell continues to support radical campaigns until his death. He is an outspoken advocate of Irish emigrants. He is prominent in the Irish Campaign for Nuclear Disarmament and serves as its president in the early 1960s. He is a leading protester against the Vietnam War and a supporter of African anti-colonial movements such as that against apartheid. In later years he is involved in the “Save the west” campaign, highlighting the problems of the west of Ireland.
After several months of ill-health following a heart attack, O’Donnell dies in Dublin, aged 93, on May 13, 1986. He leaves instructions that there are to be “no priests, no politicians and no pomp” at his funeral, and those wishes are granted. He is cremated in Glasnevin Cemetery and his ashes are buried at his wife’s home in Swinford, County Mayo. Although he once remarked that every cause he fought for was a failure, he is now regarded as one of the most influential socialist republican theorists and an important voice of dissent in twentieth-century Ireland.
(From: “O’Donnell, Peadar” by Fearghal McGarry, Dictionary of Irish Biography, http://www.dib.ie)
Hutchinson is born in Glasgow, Scotland, on February 16, 1927. His father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.
Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.
Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.
In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.
Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.
Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.
In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.
In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.
From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.
A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.
Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012. His extensive archive is in the library of Maynooth University. Its opening on May 24, 2015, is accompanied by the inauguration of an annual Pearse Hutchinson seminar and the launch of a collection of unpublished Hutchinson poems, Listening to Bach.
Some critics argue that Hutchinson’s concern with simplicity and Ireland’s place in the comparative history of human oppression too often deteriorates into banality, didacticism, and regurgitation of sentimental revivalist tropes. Even these, however, acknowledge his occasional greatness, while his champions argue that his achievement has not yet been fully recognised and absorbed.
Dickson is born on December 25, 1744, the eldest son of John Dickson, a tenant farmer of Ballycraigy, in the parish of Carnmoney, County Antrim. His mother is Jane Steel and, on the death of his uncle, William Steel, on May 13, 1747, the family adds his mother’s maiden name to their own.
In his boyhood, Dickson is educated by Robert White, a Presbyterian minister from Templepatrick and enters University of Glasgow in November 1761. Following graduation, he is apparently employed for a time in teaching, and in 1771 he is ordained as a Presbyterian minister. Until the outbreak of the American Revolutionary War, he occupies himself mainly with parochial and domestic duties. His political career begins in 1776, when he speaks and preaches against the “unnatural, impolitic and unprincipled” war with the American colonies, denouncing it as a “mad crusade.” On two government fast-days his sermons on “the advantages of national repentance” (December 13, 1776), and on “the ruinous effects of civil war” (February 27, 1778) create considerable excitement when published. Government loyalists denounce Dickson as a traitor.
Political differences are probably at the root of a secession from his congregation in 1777. The seceders form a new congregation at Kircubbin, County Down, in defiance of the authority of the general synod.
In 1771 Dickson marries Isabella Gamble, a woman of some means, who dies on July 15, 1819. They have at least eight children, but he outlives them all. One of his sons is in the Royal Navy and dies in 1798.
Dickson enters with zest into the volunteer movement of 1778, being warmly in favour of the admission of Roman Catholics to the ranks. This is resisted “through the greater part of Ulster, if not the whole.” In a sermon to the Echlinville volunteers on March 28, 1779, he advocates the enrolment of Catholics and though induced to modify his language in printing the discourse, he offends “all the Protestant and Presbyterian bigots in the country.” He is accused of being a papist at heart, “for the very substantial reason, among others, that the maiden name of the parish priest’s mother was Dickson.”
Though the contrary has been stated, Dickson is not a member of the Volunteer conventions at Dungannon in 1782 and 1783. He throws himself heart and soul into the famous election for County Down in August 1783, when the families of Hill and Stewart, compete for the county seat in Parliament. He, with his forty-shilling freeholders, fails to secure the election of Robert Stewart. But in 1790 he successfully campaigns for the election of Stewart’s son, better known as Lord Castlereagh. Castlereagh proves his gratitude by referring at a later date to Dickson’s popularity in 1790, as proof that he was “a very dangerous person to leave at liberty.”
In December 1791, Dickson joins Robert White’s son, John Campbell White, taking the “test” of the first Society of United Irishmen, organised in October in Belfast following a meeting held with Theobald Wolfe Tone, Protestant secretary of the Catholic Committee in Dublin. According to Dickson himself, he attends no further meetings of the Society but devotes himself to spreading its principles among the volunteer associations, in opposition to the “demi-patriotic” views of the Whig Club.
At a great volunteer meeting in Belfast on July 14, 1792, Dickson opposes a resolution for the gradual removal of Catholic disabilities and assists in obtaining a unanimous pledge in favour of total and immediate emancipation. Parish and county meetings are held throughout Ulster, culminating in a provincial convention at Dungannon on February 15, 1793. He is a leading spirit at many of the preliminary meetings, and, as a delegate from the Barony of Ards, he has a chief hand in the preparation of the Dungannon resolutions. Their avowed object is to strengthen the throne and give vitality to the constitution by “a complete and radical reform.” He is nominated on a committee of thirty to summon a national convention. The Irish parliament goes no further in the direction of emancipation than the Roman Catholic Relief Act 1793, which receives the royal assent on April 9, and remains unextended until 1829. While the passing of Lord Clare‘s Convention Act, still in force, makes illegal all future assemblies of delegates “purporting to represent the people, or any description of the people.”
In March and April 1798, Dickson is in Scotland arranging some family affairs. During his absence plans are made for an insurrection in Ulster, and soon after his return he agrees to take the place of Thomas Russell, who had been arrested, as adjutant-general of the United Irish forces for County Down. A few days before the county is to rise, he is himself arrested at Ballynahinch.
Dickson is conveyed to Belfast and lodged in the “black hole” and other prisons until August 12 when he is removed to a prison ship with William Tennant, Robert Hunter, Robert Simms, David Bailie Warden and Thomas Ledlie Birch, and detained there amid considerable discomfort. On March 25, 1799, Dickson, Tennant, Hunter, and Simms join the United Irish “State Prisoners” on a ship bound for Fort George, Highland prison in Scotland. This group, which includes Samuel Neilson, Arthur O’Connor, Thomas Russell, William James MacNeven, and Thomas Addis Emmet, arrives in Scotland on April 9, 1799. He spends two years there.
Unlike the more high-profile prisoners like O’Connor and MacNeven who are not released until June 1802, Tennant, Dickson, and Simms are permitted to return to Belfast in January 1802.
Dickson returns to liberty and misfortune. His wife has long been a helpless invalid, his eldest son is dead, his prospects are ruined. His congregation at Portaferry had been declared vacant on November 28, 1799. William Moreland, who had been ordained as his successor on June 16, 1800, at once offers to resign, but Dickson will not hear of this. He has thoughts of emigration but decides to stand his ground. At length, he is chosen by a seceding minority from the congregation of Keady, County Armagh, and installed minister on March 4, 1803.
Dickson’s political engagement ends with his attendance on September 9, 1811, of a Catholic meeting in Armagh, on returning from which he is cruelly beaten by Orangemen. In 1815 he resigns his charge in broken health and henceforth subsists on charity. Joseph Wright, an Episcopalian lawyer, gives him a cottage rent-free in the suburbs of Belfast, and some of his old friends make him a weekly allowance. His last appearance in the pulpit is early in 1824. He dies on December 27, 1824, having just passed his eightieth year, and is buried “in a pauper’s grave” at Clifton Street Cemetery, Belfast.
Thompson is the eldest son of William Thompson, a prosperous linen merchant, and Elizabeth Thompson (née Callwell). He has at least two older sisters and several younger brothers. His mother’s father is Robert Callwell, a printer, book-collector, partner in the Commercial Bank, Belfast, and one of the owners of the Northern Star newspaper.
After attending the Royal Belfast Academical Institution (RBAI) from 1818, Thompson is apprenticed in the linen business of William Sinclair in 1821. When his apprenticeship ends, he goes with his cousin George Langtry, later a wealthy shipowner, on a four-month tour (May–September 1826) of the Low Countries, the Rhine, Switzerland, and Italy. On his return to Belfast, he sets up his own business in linen bleaching. Despite early success, losses are incurred. As family and economic circumstances change, he increasingly concentrates on his natural history studies. By 1831 he has given up business. A self-taught naturalist, related by ties of kinship or friendship to most of the liberal and cultivated families of the “northern Athens,” he is shy and fastidious, but is persuaded in 1826 to join the Belfast Natural History Society by its founder, his friend James Lawson Drummond. He reads his first scientific paper, The Birds of the Copeland Islands, to the society on August 13, 1827. In that year he becomes a member of the Belfast Natural History Society’s council, and in 1833 he is chosen as one of the society’s vice-presidents. He is president from 1843 until his death.
Thompson becomes the most important naturalist in mid nineteenth-century Ireland. From 1827 to 1852 he contributes almost eighty papers on Irish natural history to the Magazine of Zoology and Botany and the Proceedings of the Zoological Society of London. From 1836 to 1851 he contributes to The Magazine of Natural History. Invited to travel to the Levant and the Aegean Sea in April–July 1841 with Edward Forbes, professor of natural history at the University of Edinburgh, on HMS Beacon, he observes twenty-three species of birds on migratory flights and publishes “Notice of migratory birds” in The Annals of Natural History. His authoritative observations add considerably to knowledge of the still-to-be-ascertained details of migratory patterns. Indeed, some people refuse to believe, even at that date, that birds do migrate. He publishes other papers in the same journal during 1841–43. At a meeting of the British Association for the Advancement of Science in Glasgow in 1840 his Report on the fauna of Ireland (Vertebrata) attracts favourable notice. He presents and publishes a second and final part enumerating the invertebrates at the Cork meeting of the British Association in August 1843. The two reports form the most complete catalogue of Irish fauna yet published. Thanks to an assiduous correspondence with a network of informants, as well as his own extensive observations, he adds perhaps more than 800 species to Irish fauna lists.
Thompson’s chief work, The Natural History of Ireland, becomes the standard text in Irish zoology in the nineteenth century. The first three volumes, published between 1849 and 1851, deal with birds, particularly their habits and habitats rather than physical descriptions. He is one of the first naturalists to note the effects of industrialisation and other human activities on birdlife. He leaves instructions for his manuscripts on the remaining vertebrates and all the invertebrates to be prepared for publication by Robert Patterson and James Ramsey Garrett. Robert Ball and George Dickie also assist. His notes, though detailed and comprehensive, all require checking, and are found on tiny scraps of paper, even scribbled on the flaps of old envelopes. James Thompson of Macedon, Belfast, painstakingly gums them all into blank notebooks to facilitate the work of his brother’s literary executors, who preface the posthumous publication in 1856 with a lengthy memoir of their friend.
From about 1820 to 1852 Thompson lives with his mother at 1 Donegall Square West, Belfast, commuting from Holywood House, Holywood, County Down, during the summer. His daily routine begins with research, correspondence, or writing for publications for four hours after breakfast. After a two- or three-hour exercise period and dinner, he returns to work for a further two to three hours. He is president of the Belfast Literary Society (1837–39) and also an enthusiastic patron of the visual arts in the city. He enjoys hunting, wildfowling, shooting in Scotland, and gardening, though his health deteriorates from the 1840s.
Early in 1852 Thompson travels to London to make arrangements for that year’s Belfast meeting of the British Association. On February 15 he becomes ill, having suffered a minor stroke. He dies, unmarried, at his Jermyn Street lodgings on the day he is due to return home, February 17, 1852. He is buried in Clifton Street Cemetery, Belfast. He bequeaths his collection to the Belfast Natural History Society, and in March 1852 the Society adds a memorial Thompson Room to its museum, paid for by subscription.
Thompson is a corresponding member of natural history societies in Boston and Philadelphia and has many friends. He is known to assist many other researchers in Ireland, Britain, and the Continent. One of those who thinks highly of his work is Charles Darwin, with whom he corresponds. He also helps many local people, including the poet Francis Davis, with money and practical assistance. He is much loved, and his friends are deeply saddened by his death. His niece, Sydney Mary Thompson, later known by her married surname, Christen, who is born in Belfast, is an amateur naturalist, geologist, and artist, one of the first women to achieve distinction in geology.
(From: “Thompson, William” by Andrew O’Brien and Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 