O’Connor is the eldest of five children and brother of singer Sinéad O’Connor. He is from the Glenageary area of south Dublin. His parents are Sean O’Connor, a structural engineer who later turns barrister, and Marie O’Connor.
O’Connor’s novel Cowboys and Indians (1991) is on the shortlist for the Whitbread Book Award.
On February 10, 1985, O’Connor’s mother is killed in a car accident. The mother of his character Sweeney in The Salesman (1998) dies in the same manner.
In 2002, O’Connor writes the novel Star of the Sea, which The Economist lists as one of the top books of 2003. His 2010 novel Ghost Light is loosely based on the life of the actress Maire O’Neill, born Mary “Molly” Allgood, and her relationship with the Irish playwrightJohn Millington Synge. It is published by Harvill Secker of London in 2010.
In 2014, O’Connor is announced as the inaugural Frank McCourt Chair in Creative Writing at the University of Limerick, where he teaches on the MA in Creative Writing.
O’Connor is a regular contributor to Drivetime, an evening news and current affairs programme on RTÉ Radio 1.
O’Connor’s Shadowplay, published in 2019, is shortlisted for the2019 Costa Book Award in the Novel category.
O’Connor is married to television and film writer Anne-Marie Casey. They have two sons. He and his family have lived in London and Dublin, and occasionally reside in New York City.
Sinéad Marie Bernadette O’Connor, Irish singer-songwriter dubbed the first superstar of the 1990s by Rolling Stone magazine, is born on December 8, 1966, in Dublin. During her career she attracts publicity not only for her voice, which is alternately searing and soothing, but also for her controversial actions and statements.
O’Connor’s parents divorce when she is eight years old, and she and her siblings are sent to live with their abusive mother, who beats the children on a regular basis. Eventually, she leaves to live with her father and stepmother, but the child, who habitually shoplifts, proves to be too troublesome for the couple, and they send her to reform school. Although she hates the reform school, it is there that she makes her first contacts with the music world. A teacher introduces her to the drummer of a local band, In Tua Nua, and for a brief period she works with the band and even cowrites one of their hit singles. After a year and a half at the reform school, she is transferred to a boarding school in Waterford, but it proves unbearable. She eventually returns to Dublin, where she attempts to start her own music career.
In Dublin O’Connor eventually joins the pub rock band Ton Ton Macoute. In 1985, while singing with the group, she attracts the attention of the London-based record label Ensign Records, which asks her for a demo tape. Soon afterward she signs a contract with the label and begins work on her debut album, The Lion and the Cobra, which is released in 1987 to critical praise. She follows the album with the largely autobiographical I Do Not Want What I Haven’t Got (1990). The album is propelled to the top of the U.S. pop charts on the strength of the number one single “Nothing Compares 2 U”—a transcendent cover of a 1985 Prince song.
In the following year O’Connor attracts attention not only for her singing but also for a series of controversial statements, actions, and appearances, including refusing to appear on NBC’s Saturday Night Live because of objections to the week’s guest host, boycotting the 1991 Grammy Awards ceremony and declining to sing there, and refusing to allow the U.S. national anthem to be played before one of her performances. She also attracts criticism for her public support of the Irish Republican Army (IRA) and for tearing up a picture of Pope John Paul II on Saturday Night Live in 1992. Nevertheless, she wins the Grammy Award for Best Alternative Music Album in 1991 for “I Do Not Want What I Haven’t Got” and continues to be highly regarded for her musical abilities.
In 1992 O’Connor releases an album of torch songs, Am I Not Your Girl?, which receives only minor publicity, and she releases a fourth album, Universal Mother, in 1994. Soon afterward she takes a hiatus from public life, spending time with her children and attending therapy in order to work through problems that linger from her harsh childhood. Her struggles with mental health continue throughout her life.
In 2018 O’Connor announces that she has converted to Islam and changes her name to Shuhadāʾ Sadaqat, although she states that she will continue to perform as Sinéad O’Connor. Her memoir, Rememberings (2021), receives broad critical praise, and she is the subject of the documentary Nothing Compares (2022).
(From: “Sinéad O’Connor,” written and fact checked by The Editors of Encyclopedia Britannica, http://www.britannica.com, last updated September 30, 2024)
O’Flynn is acknowledged as Ireland’s foremost exponent of the uilleann pipes and brings the music of the instrument to a worldwide audience. In 2007, he is named TG4 Musician of the Year at the Gradam Ceoil TG4, considered to be the foremost recognition given to traditional Irish musicians.
O’Flynn is born to musical parents. His father, Liam, is a teacher and fiddle player. His mother, Maisie (née Scanlan), who comes from a family of musicians from County Clare, plays and teaches piano. From an early age, he shows musical talent, and is encouraged to pursue his interest in the uilleann pipes by the piper Tom Armstrong. At the age of 11, he begins taking classes with Leo Rowsome. He is also influenced by Willie Clancy and Séamus Ennis. In the 1960s, he begins to receive recognition of his talent, winning prizes at the Oireachtas na Gaeilge and the Fleadh Cheoil. During his early years, he is sometimes billed as Liam Óg Ó Flynn.
In 1972, O’Flynn co-founds the Irish traditional music group Planxty, alongside Christy Moore, Andy Irvine and Dónal Lunny and remains a member throughout the band’s various incarnations. While Seán Ó Riada and The Chieftains had reinvigorated Irish traditional instrumental music in an ensemble format during the 1960s, Planxty builds on that foundation and takes it one step further. They bring a punch and vitality to acoustic music that draws heavily on O’Flynn’s piping virtuosity.
As O’Flynn grows in his skill as a musician and as he begins to meet pipers like Willie Clancy and Séamus Ennis, he becomes acutely aware of his position in the tradition of piping. His subsequent close friendship with Ennis, which starts as a master/pupil relationship, teaches him that there is much more to being a piper than playing tunes. He notes, “Seamus Ennis gave me much more than a bag of notes.”
“When I’m playing, I’m certainly lost within it. The only way to describe it, is that it’s like looking inwards. I think when a performer engages with the audience, and vice versa, it’s like a spell is cast and a terrific passage of feelings moves from the musician to the audience and back again.”
Following the break-up of Planxty in 1983, O’Flynn finds work as a session musician with such prominent artists as The Everly Brothers, Enya, Kate Bush, Nigel Kennedy, Rita Connolly, and Mark Knopfler. He also works on film scores, including Kidnapped (1979) and A River Runs Through It (1992). He is adventurous enough to work with avant-garde composer John Cage, but his most natural alliance is with neo-romantic composer Shaun Davey.
The Bothy Band are natural successors to the original Planxty, and one of its members, Matt Molloy, who subsequently joins The Chieftains, plays with The Chieftains’ fiddler Seán Keane on O’Flynn’s album, The Piper’s Call, which is performed in the 1999 BBC Proms season at the Royal Albert Hall. He also works on projects with Seamus Heaney, mixing poetry with music.
O’Flynn’s name is mentioned in Christy Moore’s song “Lisdoonvarna.”
O’Flynn dies in a Dublin hospital on March 14, 2018, following a long illness. His cremated remains rest at Newlands Cross Cemetery and Crematorium in Dublin.
The Liam O’Flynn Award is awarded each year by the Arts Council and the National Concert Hall to recognise individual creativity in Traditional Irish music. Awardees include Úna Monaghan, Barry Kerr, Jack Talty, Louise Mulcahy and Strange Boy (aka Jordan Kelly).
Prior to becoming Stiff Little Fingers, Jake Burns (vocals and guitar), Henry Cluney (guitar), Gordon Blair (bass), and Brian Faloon (drums), are playing in a rock music cover band, Highway Star (named after the Deep Purple song), in Belfast. Upon the departure of Blair, McMordie takes over on bass. Cluney has by this time discovered punk, and introduces the rest of the band to it. They decide that Highway Star is not a punk enough name, and after a brief flirtation with the name “The Fast,” decide to call themselves Stiff Little Fingers, after The Vibrators‘ song, which appears on the album Pure Mania.
Stiff Little Fingers is formed in 1977 at the height of the Troubles in Northern Ireland, which informs much of their songwriting. They are the first punk band in Belfast to release a record – the “Suspect Device” single comes out on their own independent label, Rigid Digits. Their album Inflammable Material, released in partnership with Rough Trade Records, becomes the first independent LP to enter the UK top 20.
In the face of low sales and concert attendances, Stiff Little Fingers disbands in 1983. McMordie joins a group of Reading musicians in the newly formed dance-punk band, Friction Groove. They secure a deal with Warner label, Atlantic Records, and go on to record an album, The Black Box, in Berlin and Brussels, from which the first single, “Time Bomb,” charts very briefly.
Around 1986 McMordie provides, along with other Friction Groove members, the core band behind Sinéad O’Connor, who had just arrived in London from Dublin. He is later sacked.
Between 1992 and 1994, McMordie is executive producer for the Peace Together Irish concert events. Since 1994 he has been the tour manager for American artist Richard Hall, AKA Moby, with whose band he has sometimes played bass. He has also been used as the live bassist for Belfast singer-songwriter Dan Donnelly, having played in Dan’s live band at the Beautiful Days music festival in Devon in 2006.
In 2006, it is announced that McMordie is rejoining Stiff Little Fingers for their current tour, and subsequently he rejoins the band on a permanent basis. As of 2021, he is still playing bass with Stiff Little Fingers.
Besides being a live musician, McMordie runs Alistair McMordie Tour Management.
One of Ó Ceallaigh’s classmates in school is Sinéad O’Connor. He once tells an interviewer, “She told me she wanted to become famous and I tried to talk her out of it.”
Ó Ceallaigh graduates from University College Dublin (UCD) with a degree in philosophy. After receiving his degree, he travels the world, doing a variety of jobs, including waiter, newspaper editor, freelance journalist and volunteer for clinical trials. He moves to Bucharest, Romania, so that he can live cheaply and pursue his desire to write.
Ó Ceallaigh has spent much of his adult life in Eastern Europe, starting in Russia in the early 1990s. Since 1995 he has lived mostly in Bucharest, Romania. He has also lived for a while in the United States.
Ó Ceallaigh has published over 40 short stories, as well as essays and criticism. His work has appeared in Granta, The Irish Times and the Los Angeles Review of Books and has been translated into more than a dozen languages. In 2010, he edits Sharp Sticks, Driven Nails, an anthology of new short stories by twenty-two Irish and international writers, for The Stinging Fly Press. He translates Mihail Sebastian‘s autobiographical novel For Two Thousand Years. It tells the story of the author’s early years as a Jew in Romania during the 1920s. It is published in 2016.
Ó Ceallaigh has written an unpublished novel but reduces it to a long short story and believes “if you’ve got something to say and you can say it with less, that’s the way to go.”
The first story in Ó Ceallaigh’s third collection, Trouble, involves a security guard and the theft of sum of money from a gangster. He uses time he spent as a security guard in Dublin to form the basis of this fiction.
Ó Ceallaigh eschews the prevailing style of Irish short story writing in that his works are rarely set in Ireland, and instead are set in a variety of locations across the world, predominately in Romania. His stories generally feature solitary men, with women playing more incidental roles. He acknowledges being influenced in his writing style by Charles Bukowski, Anton Chekhov, Fyodor Dostoyevsky, Ernest Hemingway, Jack Kerouac, and Ivan Turgenev.
Ó Ceallaigh wins the Hennessy Award for his first published work in 1998. He wins the Rooney Prize for Irish Literature and the Glen Dimplex New Writers’ Award for his collection Notes from a Turkish Whorehouse in 2006. His second collection, The Pleasant Light of Day, is shortlisted for the Frank O’Connor International Short Story Award. He is the first Irish writer to receive this honour.
In 1965, Lunny enrolls at Dublin‘s National College of Art & Design where he studies Basic Design and Graphic Design. He also develops an interest in metalwork leading him to become a skilled gold-and-silversmith, although he only practises the craft for a short time before devoting his energies fully to music. During his time in Dublin, he plays in a band called The Parnell Folk, with Mick Moloney, Sean Corcoran, Johnny Morrissey and Dan Maher.
When Moving Hearts breaks up in 1985, Lunny diversifies and becomes a producer. He is closely involved in the establishment of a new Irish record label, Mulligan Records (acquired in 2008 by Compass Records), and produces and plays on many of its early releases.
Lunny is the producer and music director of the soundtrack of Bringing It All Back Home, a BBC Television documentary series charting the influence of Irish music throughout the world. He produces albums for Paul Brady, Elvis Costello, Indigo Girls, Sinéad O’Connor, Clannad, Maurice Lennon, Baaba Maal, and Five Guys Named Moe. He appears on the compilation albums The Gathering (1981) and Common Ground (1996). In 1994, he produces Irish Australian singer/songwriter Mairéid Sullivan’s first recording, Dancer.
Lunny pushes new boundaries with his band Coolfin (1998) which includes uilleann piper John McSherry. He appears at the 2000 Cambridge Folk Festival, and the album that commemorates it. In 2001 he collaborates with Frank Harte on the album My Name is Napoleon Bonaparte. He produces the album Human Child (2007) by FaeroeseEivør Pálsdóttir, which is published in two versions, one English and one Faeroese.
As an arranger, Lunny works for The Waterboys, Fairground Attraction and Eddi Reader. Journey (2000) is a retrospective album. During 2003–2005, he is part of the reunited Planxty concert tour. He also produces Jimmy MacCarthy‘s album entitled Hey-Ho Believe, which is released on November 12, 2010.
Lunny is the brother of musician and producer Manus Lunny. He has a son, Shane, whose mother is singer Sinéad O’Connor.
(Pictured: Dónal Lunny at the Craiceann Bodhrán Festival 2016, Inis Oirr)
Phil Coulter, musician, songwriter and record producer, is born in Derry, County Londonderry, Northern Ireland on February 19, 1942. He is one of the most eclectic and accomplished arranger/musicians to emerge from Ireland during the 1960s.
Coulter spends his secondary school years at St. Columb’s College. He later studies music and French at the Queen’s University Belfast. During his time at Queen’s he takes up songwriting, composing the hit Foolin’ Time for the Capitol Showband. His talents are swiftly captured by leading entrepreneur Phil Solomon. Initially working with such showbands as the Cadets and Pacific, he continues to compose for the Capitol Showband and even pens their 1965 Eurovision Song Contest entry, Walking the Streets in the Rain. In the meantime, Coulter works on Solomon’s other acts, including Twinkle, who enjoys a major UK hit with the Coulter-arranged Terry. He also contributes to Them’s song catalogue, with the driving I Can Only Give You Everything.
After leaving the Solomon stable in 1967, Coulter, now based in London, forms a partnership with Bill Martin, which becomes one of the most successful of its era. The duo is particularly known for their ability to produce instantly memorable pop hits, and achieve international fame after penning Sandie Shaw’s 1967 Eurovision Song Contest winner, Puppet on a String. They barely miss repeating that feat the following year with Cliff Richard’s stomping Congratulations.
Coulter subsequently leads his own country to victory in the contest by arranging Dana’s 1970 winner, All Kinds of Everything. That same year, Coulter/Martin are commissioned to write Back Home, the official song for the England national football team, which proves a lengthy UK number 1. As well as his pop outings, which include writing My Boy and an album’s worth of material for Richard Harris, he maintains his connection with the Irish folk scene, via his work with another of Solomon’s acts, The Dubliners. He also produces three albums for the groundbreaking Planxty and works with The Fureys.
After his partnership with Martin ends in the late 1970s, Coulter specializes in orchestral recordings, which prove hugely successful in Irish communities. Albums such as Classic Tranquillity and Sea Of Tranquillity (both 1984), Words And Music (1989), American Tranquillity (1994), Celtic Horizons (1996), and collaborations with flautist James Galway and Roma Downey, also enjoy major international success, and Coulter is a regular fixture in the upper regions of the U.S. New Age album chart.
Coulter’s production credits during the 1990s include work for Sinéad O’Connor and Boyzone. His lengthy career, as producer, arranger, songwriter and performer, is all the more remarkable for encompassing such contrasting musical areas from folk and orchestral to straightforward Tin Pan Alley pop.
Despite his successes, Coulter suffers several family tragedies. His son is born with Down syndrome and dies at the age of three. The song Scorn Not His Simplicity is written in his memory. His brother also dies tragically in a drowning incident in Ireland, which briefly causes him to retreat from the music business. He records the anthemic Home From The Sea with the Lifeboat Chorus as a tribute.
The Roman Catholic Church considers ordination of women to be invalid and asserts that a person attempting the sacrament of ordination upon a woman incurs excommunication. The bishop had contacted her to offer ordination following her appearance on RTÉ’s The Late Late Show, during which she tells the presenter, Gay Byrne, that had she not been a singer, she would have wished to have been a Catholic priest. After her ordination, she indicates that she wishes to be called Mother Bernadette Mary.
In a July 2007 interview with Christianity Today, O’Connor states that she considers herself a Christian and that she believes in core Christian concepts about the Trinity and Jesus Christ. She says, “I think God saves everybody whether they want to be saved or not. So, when we die, we’re all going home… I don’t think God judges anybody. He loves everybody equally.” In an October 2002 interview, she credits her Christian faith in giving her the strength to live through, and then overcome the effects of, her child abuse.
On March 26, 2010, O’Connor appears on CNN‘s Anderson Cooper 360° to speak out about the Catholic sexual abuse scandal in Ireland. Two days later she has an opinion piece published in the Sunday edition of The Washington Post in which she writes about the scandal and her time in a Magdalene asylum as a teenager. Writing for the Sunday Independent she labels the Vatican as “a nest of devils” and calls for the establishment of an “alternative church,” opining that “Christ is being murdered by liars” in the Vatican. Shortly after the election of Pope Francis she describes the office of the Pope as an “anti-Christian office.”
Asked whether from her point of view, it is therefore irrelevant who is elected to be Pope, O’Connor replies, “Genuinely I don’t mean disrespect to Catholic people because I believe in Jesus Christ, I believe in the Holy Spirit, all of those, but I also believe in all of them, I don’t think it cares if you call it Fred or Daisy, you know? Religion is a smokescreen; it has everybody talking to the wall. There is a Holy Spirit who can’t intervene on our behalf unless we ask it. Religion has us talking to the wall. The Christ character tells us himself: you must only talk directly to the Father; you don’t need intermediaries. We all thought we did, and that’s OK, we’re not bad people, but let’s wake up… God was there before religion; it’s there [today] despite religion; it’ll be there when religion is gone.”
Gavin Friday, born Fionán Martin Hanvey, Irish singer and songwriter, composer, actor and painter, is born in Dublin on October 8, 1959.
Friday grows up in Ballygall, a neighbourhood located on Dublin’s Northside between Finglas and Glasnevin where he went to school. When he is fourteen years old and living on Cedarwood Road, he meets Bono and Guggi at a party to which he has not been invited. Bono says, “We caught him trying to steal something of the house. Classic teenage stuff… but we became friends.”
Friday is a founding member of the post-punk group Virgin Prunes and has recorded several solo albums and soundtracks. In 1986, after the demise of The Virgin Prunes, he devotes himself to painting for a while, sharing a studio with Bono, Guggi and Charlie Whisker. This results in the exhibition Four Artists – Many Wednesdays (1988) at Dublin’s Hendricks Gallery. Friday, Guggi and Whisker show paintings, while Bono opts to exhibit photos taken in Ethiopia. Friday’s part of the show is entitled I didn’t come up the Liffey in a bubble, an expression often used by his father.
His main collaborator between 1987 and 2005 is multi-instrumentalist, Maurice Seezer. They sign to Island Records in 1988 and release three albums together, before parting with the company in 1996. After that Friday and Seezer compose the score for the Jim Sheridan films The Boxer and In America which is nominated for Best Original Film Score in the 2004 Ivor Novello Awards.
Friday has maintained a close friendship with U2‘s Bono since childhood, and they collaborate on the soundtrack for the Jim Sheridan’s film In the Name of the Father, including the title track, “Billy Boola” and “You Made Me the Thief of Your Heart”, which is sung by Sinéad O’Connor and nominated for a Golden Globe Award for Best Original Song. In 2003 they write “Time Enough for Tears,” the original theme tune for Sheridan’s film In America, as sung by Andrea Corr. The song is nominated for a Golden Globe Award for Best Original Song.
In 2009 Friday and Macken work on Bryars’ fourth studio album. On April 6, 2010, Rubyworks Records announces the signing of Gavin Friday and that a new album is on its way. The new CD is titled catholic and is released in Ireland on Good Friday, April 22, 2011.
seamus dubhghaill 