Goan is an Irish language speaker. He studies Celtic studies at University College Dublin (UCD). He joins RTÉ in 1979 as an archivist with RTÉ Radio. He becomes a producer and senior producer on RTÉ Radio. In 1988, he moves to RTÉ Television and works on Today Tonight. Remaining in current affairs, he becomes editor of Cúrsaí, an Irish language television programme about arts and current affairs. He becomes Editor of Irish Language Programming in 1990.
Four years after being appointed Editor, Goan is approached to become “Ceannasaí” of the new Teilifís na Gaeilge. From August 1994, he manages the commencement of the new television channel. After a successful launch of the channel, where award-winning programming is produced during his tenure, he returns to RTÉ in 2000. He is appointed Director of Television and becomes a member of the RTÉ Executive Board.
Bob Collins retires as Director-General of RTÉ in 2003 to pursue a career elsewhere. It is announced in July 2003 that Goan will fill this position. He becomes the Director-General in October 2003. In 2008, he has a salary of €280,000, but it is reduced by €35,000. In 2006, he is announced as member of the board of National Concert Hall and serves there until May 2011. After the broadcast of a news item on nude pictures of TaoiseachBrian Cowen, Minister Michael Kennedy calls for Goan to “consider his position” as Director-General of RTÉ. He also receives criticism from Minister Éamon Ó Cuív in February 2010, when Sunday Mass is reduced to being broadcast just once a month on RTÉ Raidió na Gaeltachta.
Goan announces in July 2010 that he intends to step down at the end of his seven-year term. His resignation is accepted by the RTÉ Board.
As a teacher, Dignam has over twenty years of experience working with students and researchers at all levels. At IADT, he serves as the Head of the Department of Film & Media, Chair of Film & Television, and Irish Course Director on the Erasmus+ Joint Master of Art in Cinematography.
In 2021, Dignam becomes IADT’s Programme Director of FilmEU, the European University for Film and Media Arts. FilmEU represents a pioneering approach to arts and culture education, uniting eight higher education institutions from across Europe. FilmEU has grown into a transformative initiative that enhances the academic landscape for film and media while addressing critical societal issues such as sustainability, inclusion, and digital transformation.
Dignam and his partner, Hugh Walsh, are one of the first couples to enter into civil partnership in Ireland, and the first to do so after the mandatory three-month wait (six previous couples are granted exemptions on compassionate grounds).
Linda Martin, Northern Irish singer and television presenter, is born in Belfast, Northern Ireland on March 27, 1952. She is best known as the winner of the 1992 Eurovision Song Contest during which she represents Ireland with the song “Why Me?,” the first of a record three consecutive wins by Ireland. She is also known within Ireland as a member of the band Chips.
Martin is of Irish, Scottish and Italian ancestry. Her father’s family’s surname is originally Martini. Her paternal great-grandfather, Francis Martini, is born in Dublin to immigrants from Saronno, north of Milan, Italy. Two of her maternal great-grandparents, William Green and Elizabeth Nangle, have a coal-mining background and transferred to Belfast from Larkhall, Scotland.
Martin begins her musical career when she joins the band Chips in Omagh in 1969. They quickly become one of the top bands in Ireland on the live circuit, and release hit singles “Love Matters,” “Twice a Week” and “Goodbye Goodbye” during the mid-to-late 1970s. In 1972, she leaves Chips to be a vocalist with the new group Lyttle People but rejoins her former bandmates the following year.
The group appears on Opportunity Knocks in 1974 and appears a number of times on British television promoting their singles, but never scores a UK hit. With multiple entries to the Irish National finals of the Eurovision Song Contest, the band carries on into the 1980s. They score a final Irish hit in 1982 with “David’s Song (Who’ll Come With Me),” after which Martin leaves when she wins the Castlebar Song Contest with “Edge of the Universe” in 1983. From this point, she concentrates on a solo career as well as occasional live appearances with Chips until they recruit a new lead singer, Valerie Roe, in the late 1980s.
Martin participates in the National Song Contest four times as a member of Chips; however, they do not score successfully. She participates another four times in the contest as a soloist and once more as part of the group “Linda Martin and Friends.” With nine participations, she has been the most frequent entrant in the National Song Contest’s history. She wins the contest twice, going on to represent Ireland twice at the Eurovision Song Contest.
The first of these victories is in 1984 with the song “Terminal 3,” written by Johnny Logan. The song comes in second in the final, being beaten by eight points. “Terminal 3” reaches No. 7 in the Irish charts. The second victory is in 1992 when her song “Why Me?,” also written by Logan, goes on to win the final in Sweden. This becomes Ireland’s fourth victory in the Eurovision Song Contest, and the song reaches No. 1 in the Irish chart as well as becoming a hit in many European countries.
Martin is, at the time, one of only three artists to finish both first and second at Eurovision, behind Lys Assia and Gigliola Cinquetti. Since then, only Elisabeth Andreassen and Dima Bilan have achieved this, raising the number to five.
Martin is one of the hosts on the RTÉquiz showThe Lyrics Board and also serves as one of Louis Walsh‘s behind-the-scenes team on the first series of ITV‘s The X Factor. She also serves as a judge on the first, second and fourth seasons of RTÉ’s You’re a Star and on Charity You’re a Star in 2005 and 2006. While she is dismissed from later seasons, speaking on Saturday Night with Miriam on RTÉ television on July 28, 2007, she says that she is “open” to being invited back to the show. She does not rule out a return to Eurovision following Ireland’s dismal performance in the 2007 contest, finishing last with only five points.
During the interval of Eurovision 2013, the host Petra Mede presents a light-hearted history of the contest, during which she explains to viewers that Johnny Logan had won the competition three times, in 1980, 1987 and 1992. Appearing alongside Linda Martin in some vintage footage she jokes that he had won the third time disguised as a woman, saying, “I recognise a drag queen when I see one.” The joke proves controversial, particularly in the Irish media. However, on June 1, 2013, during an appearance on RTÉ’s The Saturday Night Show Martin says that she has actually benefited from all the publicity. On the same show she performs a cover of the song “Get Lucky” by Daft Punk.
Martin also appears in pantomime, in Dublin. She stars in Cinderella as the Wicked Stepmother, Snow White as the Evil Queen and Robin Hood as herself, at the Olympia Theatre. She tours Menopause The Musical with Irish entertainer Twink. While on tour, Twink describes Martin as a “cunt” during a tirade in May 2010. The two had been friends for 30 years but both say afterwards that they have no plans to speak to each other again.
O’Faolain describes her early life as growing up in a Catholic country which, in her view, fears sexuality and forbids her even information about her body. In her writings she often discusses her frustration at the sexism and rigidity of roles in Catholic Ireland that expect her to marry and have children, neither of which she does.
O’Faolain becomes internationally well known for her two volumes of memoir, Are You Somebody? and Almost There; a novel, My Dream of You; and a history with commentary, The Story of Chicago May. The first three are all featured on The New York Times Best Seller list. Her posthumous novel Best Love, Rosie is published in 2009.
O’Faolain’s formative years coincide with the emergence of the women’s movement, and her ability to expose misogyny in all its forms is formidable, forensic and unremitting. However, her feminism stems from a fundamental belief in social justice. Unlike most commentators, who maintain a detached, lofty tone, she places herself at the centre of things, a high-risk strategy that works because of her broad range of erudition, worn lightly, her courage and a truthfulness that sometimes borders on the self-destructive.
O’Faolain is engaged at least once but never marries. In Are You Somebody? she speaks candidly about her fifteen-year relationship with the journalist Nell McCafferty, who publishes her own memoir, Nell. From 2002 until her death, she lives much of the time with Brooklyn-based attorney John Low-Beer and his daughter Anna. They are registered as domestic partners in 2003.
O’Faolain splits her time between Ireland and New York City. She is diagnosed with metastaticcancer and is interviewed on the Marian Finucane radio show on RTÉ Radio 1 on April 12, 2008, in relation to her terminal illness. She tells Finucane, “I don’t want more time. As soon as I heard I was going to die, the goodness went from life.”
In a last attempt to grasp as much of life as she can, O’Faolain holidays with family members in Sicily and visits Berlin with a group of friends to hear music and see art. She previously tended to avoid Berlin because, through contact with Jewish friends and lovers, she associated it with the Holocaust. She dies at the Blackrock Hospice, Dublin, on May 9, 2008.
O’Faolain wins a Jacob’s Award in 1985 for her work as the producer of the RTÉ One television programme Plain Tales. In 2006, she wins the Prix Femina étranger, a French literary award, for The Story of Chicago May.
O’Faolain is the subject of a film documentary, Nuala: A Life and Death (2011), directed by Patrick Farrelly and Kate O’Callaghan, and produced and narrated by Marian Finucane. Hugo Hamilton‘s novel Every Single Minute (2014) is based on his experiences when accompanying O’Faolain to Berlin shortly before her death.
Hutchinson is born in Glasgow, Scotland, on February 16, 1927. His father, Harry Hutchinson, a Scottish printer whose own father had left Dublin to find work in Scotland, is Sinn Féin treasurer in Glasgow and is interned in Frongoch internment camp in 1919–21. His mother, Cathleen Sara, is born in Cowcaddens, Glasgow, of emigrant parents from County Donegal. She is a friend of Constance Markievicz. In response to a letter from Cathleen, Éamon de Valera finds work in Dublin for Harry as a clerk in the Labour Exchange, and later he holds a post in Stationery Office.
Hutchinson is five years old when the family moves to Dublin and is the last to be enrolled in St. Enda’s School before it closes. He then goes to school at Synge Street CBS where he learns Irish and Latin. One of his close friends there is the poet and literary critic John Jordan. In 1948 he attends University College Dublin (UCD) where he spends a year and a half, learning Spanish and Italian.
Having published some poems in The Bell in 1945, Hutchinson’s poetic development is greatly influenced by a 1950 holiday in Spain and Portugal. A short stop en route at Vigo brings him into contact for the first time with the culture of Galicia. Later, in Andalusia, he is entranced by the landscape and by the works of the Spanish poets Federico García Lorca, Emilio Prados and Luis Cernuda.
In 1951 Hutchinson leaves Ireland again, determined to live in Spain. Unable to get work in Madrid, as he had hoped, he travels instead to Geneva, where he gets a job as a translator with the International Labour Organization, which brings him into contact with Catalan exiles, speaking a language then largely suppressed in Spain. An invitation by a Dutch friend leads to a visit to the Netherlands, in preparation for which he teaches himself the Dutch language.
Hutchinson returns to Ireland in 1953 and becomes interested in the Irish language poetry of writers such as Piaras Feiritéar and Aonghus Fionn Ó Dálaigh and publishes a number of poems in Irish in the magazine Comhar in 1954. The same year he travels again to Spain, this time to Barcelona, where he learns the Catalan and Galician languages, and gets to know Catalan poets such as Salvador Espriu and Carles Riba. With the British poet P. J. Kavanagh, he organises a reading of Catalan poetry in the British Institute.
Hutchinson goes home to Ireland in 1957 but returns to Barcelona in 1961 and continues to support Catalan poets. An invitation by the publisher Joan Gili to translate some poems by Josep Carner leads to the publication of his first book, a collection of thirty of Carner’s poems in Catalan and English, in 1962. A project to publish his translation of Espriu’s La Pell de brau (The Bull-skin), falls through some years later. Some of the poems from this project are included in the collection Done into English.
In 1963, Hutchinson’s first collection of original poems in English, Tongue Without Hands, is published by Dolmen Press in Ireland. In 1967, having spent nearly ten years altogether in Spain, he returns to Ireland, making a living as a poet and journalist writing in both Irish and English. In 1968, a collection of poems in Irish, Faoistin Bhacach (A Lame Confession), is published. Expansions, a collection in English, follows in 1969. Friend Songs (1970) is a new collection of translations, this time of medieval poems originally written in Galician-Portuguese. In 1972 Watching the Morning Grow, a new collection of original poems in English, comes out, followed in 1975 by another, The Frost Is All Over.
In October 1971, Hutchinson takes up the Gregory Fellowship in Poetry at the University of Leeds, on the recommendation of Professor A. Norman Jeffares. There is some controversy around the appointment following accusations, later retracted, that Jeffares had been guilty of bias in the selection because of their joint Irish heritage. He holds tenure at the University for three years, and during that time contributes to the University’s influential poetry magazine Poetry & Audience.
From 1977 to 1978 Hutchinsonn compiles and presents Oró Domhnaigh, a weekly radio programme of Irish poetry, music and folklore for Ireland’s national network, RTÉ. He also contributes a weekly column on the Irish language to the station’s magazine RTÉ Guide for over ten years. A collaboration with Melita Cataldi of Old Irish lyrics into Italian is published in 1981. Another collection in English, Climbing the Light (1985), which also includes translations from Irish, Italian and Galician, is followed in 1989 by his last Irish collection, Le Cead na Gréine (By Leave of the Sun). The Soul that Kissed the Body (1990) is a selection of his Irish poems translated into English. His most recent English collection is Barnsley Main Seam (1995). His Collected Poems is published in 2002 to mark his 75th birthday. This is followed in 2003 by Done into English, a selection of many of the translated works he produced over the years.
A co-editor and founder of the literary journal Cyphers, Hutchinson receives the Butler Award for Irish writing in 1969. He is a member of Aosdána, the state-supported association of artists, from which he receives a cnuas (stipend) to allow him to continue writing. He describes this as “a miracle and a godsend” as he is fifty-four when invited to become a member and is at the end of his tether. A two-day symposium of events is held at Trinity College Dublin, to celebrate his 80th birthday in 2007, with readings from his works by writers including Macdara Woods, Eiléan Ní Chuilleanáin, Paul Durcan and Sujata Bhatt. His most recent collection, At Least for a While (2008), is shortlisted for the Poetry Now Award.
Hutchinson lives in Rathgar, Dublin, and dies of pneumonia in Dublin on January 14, 2012. His extensive archive is in the library of Maynooth University. Its opening on May 24, 2015, is accompanied by the inauguration of an annual Pearse Hutchinson seminar and the launch of a collection of unpublished Hutchinson poems, Listening to Bach.
Some critics argue that Hutchinson’s concern with simplicity and Ireland’s place in the comparative history of human oppression too often deteriorates into banality, didacticism, and regurgitation of sentimental revivalist tropes. Even these, however, acknowledge his occasional greatness, while his champions argue that his achievement has not yet been fully recognised and absorbed.
McGurk first joins RTÉ in 1972, as a news reporter, moving on to present Last House and First House on television. In 1972 he wins a Jacob’s Award for his RTÉ Radio documentaries on Ireland’s islands. For 20 years he is the presenter of RTÉ Sport‘s rugby coverage, most notable of the Six Nations Championship and Internationals with the panel of George Hook and Brent Pope. He also spends time in the 1980s and 1990s in the UK, working for BBC Radio 4‘s Start of the Week as a presenter on the regional ITV station for the North West of England, Granada Television. On his return to Ireland, he presents the Sunday Show on RTE Radio 1. He also guest presents Tonight with Vincent Browne, on TV3. He presents a drive-time radio show on 4FM when it launches in 2009.
Until 2019, McGurk is a columnist with The Sunday Business Post. He then writes for The Currency until 2020.
McGurk writes the script for the TV film Dear Sarah based on the letters from Sarah Conlon, campaigning for the release of her husband (Giuseppe Conlon), son (Gerry Conlon) and sister Anne Maguire, caught up in the Guildford Four miscarriage of justice.
Among his poems is “Big Ned” about a farmer from Brockagh, County Tyrone.
While working for 4FM, the Director of the National Women’s Council of Ireland, Susan McKay, speaks out against an “uncouth and objectionable” interview McGurk conducts with her. The National Women’s Council has since refrained from giving interviews to 4FM.
From 1983 to 1996 McGurk is married to the broadcaster Miriam O’Callaghan, with whom he has four daughters. In 2003 he marries PR consultant Caroline Kennedy.
On December 5, 2017, the Irish Revenue Commissioners list of tax defaulters reveal that McGurk had made a settlement of €76,000 with the Revenue for the underpayment of income tax.
Katy Ellen French, Irish socialite, model, writer, television personality and charity worker, dies on December 6, 2007, in Navan, County Meath, after collapsing at a friend’s house on December 2. According to the BBC, “in the space of less than two years, she had become one of Ireland’s best-known models and socialites.” Her cause of death is given as hypoxic ischemic brain injury caused by cocaine and ephedrine.
French studies psychology and marketing before working for the Assets Modelling Agency and later writing articles for several Dublin magazines and newspapers. She represents Sony Ericsson and Suzuki among many other brands, becoming more famous in 2007 as a result of her fiancé, restaurateur Marcus Sweeney, ending their relationship in a very public fashion after she is photographed for a lingerie shoot for the Sunday Independent in his restaurant in January of that year. As a result of this publicity, her image appears more regularly in daily Irish tabloid newspapers, and she makes numerous television appearances on shows such as RTÉ‘s The Podge and Rodge Show in April 2007 and Tubridy Tonight a week before her death.
French is known for deliberately courting controversy to promote her career. On Tubridy Tonight she speaks of her appearance on Celebrities Go Wild as well as her relationship break up with Sweeney. Mention is also made of her birthday party which she is to celebrate the following week, having missed her birthday due to Celebrities Go Wild. Host Ryan Tubridy is invited to the event. Footage is shown of the charity single “Down in the Bog” which is to be released as a Christmas single. She works for several Irish charities including Our Lady’s Children’s Hospital, Crumlin and GOAL in Calcutta, India. She writes a column for Social & Personal magazine.
In an interview with Hot Press‘s Jason O’Toole, French says that she would consider having an abortion if she became pregnant during the peak of her career, a controversial statement in Ireland where abortion is at that time effectively illegal, and that she loves fur despite being a “massive animal lover.” She also airs her religious beliefs, being a member of the Church of England as well as a practising Catholic and speaks highly of Islam and her Muslim friends saying, “When you read the Koran, you realise that Islam is a beautiful religion.” In the same interview she is asked if she has ever used cocaine and denies ever having done so. In November 2007, she tells an Irish tabloid that she has used cocaine but has stopped. A week before she dies, she celebrates her 24th birthday with celebrity and media friends.
French dies on the evening of December 6, 2007, in Our Lady’s Hospital, Navan, County Meath, having collapsed at a house in Kilmessan, County Meath, in the early hours of Sunday, December 2. There is widespread speculation in the media that her death is the result of a drug overdose. A postmortem finds she has suffered brain damage, and that traces of cocaine are found in her body. A senior Garda states, “We strongly suspect that drugs contributed to her death. This was a previously healthy person being brought to hospital in a collapsed state.” In 2010 two people are charged with supplying cocaine to French and in failing to get medical assistance in a timely fashion. She is buried in her hometown of Enniskerry, County Wicklow, on December 10. TaoiseachBertie Ahern‘s aide de camp, Captain Michael Tracey, attends her funeral.
On November 13, 2012, two friends of French, Kieron Ducie and Ann Corcoran, plead guilty to possession of cocaine with intent to supply on the weekend of French’s death. Trim Circuit Court is told that a second charge against the pair is not being pursued, that they had intentionally or recklessly engaged in behaviour relating to the supply of cocaine to French and failed to get medical assistance in a timely fashion. In July 2013 the pair are sentenced to a 2-1⁄2 year suspended sentence and three-year good behaviour bond, and a two-year suspended sentence and two-year good behaviour bond respectively. At the verdict, French’s cause of death is given as hypoxic ischemic brain injury caused by cocaine and ephedrine.
On November 24, 1972, the Fianna Fáil government fires the RTÉ Authority after it broadcast a recorded radio interview on November 19 by Kevin O’Kelly with Seán Mac Stíofáin, then Chief of Staff of the Provisional Irish Republican Army, on the RTÉ This Week radio programme. Mac Stíofáin is arrested on the same day, charged with IRA membership, and the interview is used as evidence against him. He is sentenced to six months imprisonment on November 25 by the Special Criminal Court in Dublin.
The announcement of dismissal comes shortly before 10:00 p.m. in a statement from Gerry Collins, Minister for Posts and Telegraphs. It is an abrupt but not unexpected climax to a week of conflict and speculation after the broadcast of the Mac Stíofáin interview.
Collins reads the announcement on RTÉ but does not make any further comments. He also announces the appointment of the new Authority. The Taoiseach, Jack Lynch, who is in London for his meeting with British Prime MinisterEdward Heath, is kept fully informed of developments during the day.
Lynch says at the London airport before his departure for Dublin that the dismissal is an exercise in democracy. The action is taken because the Government sees the need for “protecting our community.”
Lynch speaks to reporters just after midnight after arriving at the airport from his dinner with the Prime Minister at 10 Downing Street. He says that the Cabinet had decided its course of action in regard to RTÉ on Tuesday, November 21, and that he had been in touch by phone throughout the day with his colleagues in Dublin.
The RTÉ Authority, the Taoiseach says, is controlled by Acts of Parliament and is subject to the democratic process.
It is the obligation of the Government to ensure that their terms of reference are adhered to. The Authority breached a directive given under the Broadcasting Act, ordering them “not to project people who put forward violent means for achieving their purpose.”
In the opinion of the Government, the interview with Mac Stíofáin is a breach of that directive. When Lynch is asked by a reporter how the Government knew that the RTÉ interview with Mac Stíofáin was taking place, he says that they have their own way of knowing things.
The comments of the members of the dismissed Authority reflect indignation, hurt and relief.
Phyllis O’Kelly, widow of the late Seán T. O’Kelly, former President of Ireland, says that it was “a strange thing to happen.” She does not accept that the station was deliberately trying to outwit the Government. The interviewer, Kevin O’Kelly, had listed various people that he wished to interview, and they seemed all right to her.
The Authority’s letter to the Minister makes it abundantly clear that the Authority appreciates his right to issue the direction. It also makes clear its anxiety to abide by that direction.
Liam Redmond, Irish character actor known for his stage, film and television roles, dies in Dublin on October 28, 1989, following a lengthy illness.
Redmond is born in Limerick, County Limerick, on July 27, 1913, one of four children born to cabinet-maker Thomas and Eileen Redmond. Educated at the Christian Brothers schools in Dublin, he later attends University College Dublin (UCD) and initially reads medicine before moving into drama.
While Director of the Dramatic Society, Redmond meets and marries the society’s secretary, Barbara MacDonagh, sister of Donagh MacDonagh and daughter of 1916 Easter Rising leader Thomas MacDonagh and Muriel Gifford. They have four children.
Redmond is invited to join the Abbey Theatre in 1935 as a producer by William Butler Yeats, the Irish poet. Yeats writes his play Death of Cú Chulainn for Redmond to star as Cú Chulainn, hero of one of Ireland’s foundational myths.
Redmond makes his acting debut at the Abbey Theatre in 1935 in Seán O’Casey‘s The Silver Tassie. His first stage appearance is in 1939 in New York City in The White Steed. After returning to Britain at the outbreak of World War II he is a regular on the London stage. He is one of the founders of the Writers’, Artists’, Actors’ and Musicians’ Association (WAAMA), a precursor of the Irish Actors’ Equity Association. His insistence that “part-time professionals” – usually civil servants who act on the side – should be paid a higher rate than professional actors for both rehearsal time and performance, effectively wiping out this class, raising the wages and fees of working actors.
Lee is married to Mary Lee (née Kitson) and they have two children, Alison and Harry, and live in Cabinteely. He famously travels to work at RTÉ using a Segway, once giving it a test ride live on Tubridy Tonight.
Lee joins the civil service as an executive officer in the Central Statistics Office (CSO). Two years later he enters University College Dublin where he studies economics under academics such as Brendan Walsh and Peter Neary.
Prior to his move into broadcasting, Lee lectures at NUI Galway and then works as a journalist with The Sunday Business Post. He is also a Senior Economist at Riada Stockbrokers. He also works as Treasury Economist with FTI and as a research economist with the Central Bank of Ireland.
From 1992 to 2009 Lee worked at RTÉ, the public broadcasting service of Ireland. He is appointed Economics Editor with RTÉ in 1996. He is named Irish Journalist of the Year, along with Charlie Bird, in 1998 after they uncover a major tax evasion and overcharging scandal at National Irish Bank. He has devised, researched and presented several television series, including Moneybox, More to Do, Winds of Change, and Beyond the Berlin Wall. He is thought of as an “economics guru.” He leaves RTÉ in the late 1990s to work for BCP Stockbrokers. He leaves the job and returns to his RTÉ post the next day.
Before embarking on his political career, Lee films a four-part series based on the fall of the Berlin Wall in 2008. It is aired on RTÉ One in November 2009.
Lee is parodied in the 1990s comedy Bull Island, where he is seen “menacingly staring down the lens of a camera,” and is also featured on RTÉ 2fm‘s Nob Nation.
On May 5, 2009, on RTÉ News at One on RTÉ Radio 1, Lee announces that he is resigning as Economic Editor with RTÉ and announces his intention to seek the Fine Gael nomination for the Dublin Southby-election in 2009. He takes a year’s unpaid leave from RTÉ in May 2009. On May 6, 2009, he is chosen as the Fine Gael candidate for the by-election. He is the only candidate for the nomination.
Lee is elected on the first count to represent Dublin South on June 6, 2009. He receives over 53% of the 1st preference vote. In total he receives 27,768 1st preference votes. When elected, he is referred to as a “Celebrity TD.” His RTÉ position is filled by Europe editor Sean Whelan, but only as correspondent. Instead, David Murphy is promoted to Business Editor.
Lee highlights the failure of EMPG, the holding company for U.S. publisher Houghton Mifflin Harcourt, and the potential impact on the Irish taxpayers of the loans given by Anglo Irish Bank to the investors in EMPG on January 13, 2010. He sees this as another example for the urgent need of an investigation into the Irish banking crisis.
On February 8, 2010, Lee announces his resignation from Fine Gael and from Dáil Éireann, due to having “virtually no influence or input” into shaping Fine Gael’s economic policies at a time of economic upheaval. It emerges that on February 2, he met with the Fine Gael leader Enda Kenny and told him of his intention to resign. Kenny then offered Lee the frontbench position as spokesman on economic planning. Speaking to reporters outside Leinster House soon after his announcement, Lee says it would have been dishonest of him to accept the position. “I had absolutely no input for nine months. I think I had to be honest with myself and honest with the electorate about that and not pretend.” Asked if his resignation is a vote of no confidence in Kenny, he says there are “certainly lots of large mutterings at the moment in relation to the leader’s position.” He says he had “minimal involvement” with Fine Gael finance spokesman Richard Bruton.
Kenny notes Lee had been appointed chair of the party’s committee on economic policy and also its forum. “I had anticipated a very important role for [George Lee] in the coming period with Fine Gael.” Kenny’s spokesman later dismisses the proposition that the resignation had implications for his leadership. He cited the public endorsement of Kenny by 20 Dáil deputies over the course of the weekend. Former Fine Gael leader Michael Noonan says he is surprised at the decision. “I thought that George Lee was fitting in well,” adding that he believes he would have been a cabinet member in a Fine Gael-led government.
Lee is criticised after his resignation by Senator Eoghan Harris, who is speaking on the Lunchtime programme of Newstalk Radio. Harris suggests financial considerations and long working hours of politicians are the reasons for Lee’s resignation. Fine Gael TDBrian Hayes, who is Lee’s campaign manager in the Dublin South by-election, says that in discussions with Lee, the latter had complained about “a major reduction in his income” since leaving RTÉ to become a Dáil backbencher. Lee denies that financial considerations had anything to do with his decision to quit politics.
RTÉ receives a letter from Lee confirming his intentions to return after his leave of absence. The Sunday Tribune says on February 14, 2010, that he will have to wait for three months before returning to RTÉ. Exactly a year after leaving RTÉ, he returns to the broadcaster on May 5, 2010. He works as an advisor on the RTÉ business desk. He presents Mind Your Business on RTÉ Radio 1 on Saturday Mornings as a summer replacement for The Business.
When John Murray moves to present his own programme, Lee takes over The Business slot on September 4, 2010, on Saturday mornings on RTÉ Radio 1. In addition to the radio edition, he has presented a televised version on RTÉ One, also titled The Business.
Lee has been Environment Correspondent for RTÉ since June 27, 2019.
seamus dubhghaill 