seamus dubhghaill

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Category Archives: Film, Radio, & Television


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Death of David Hammond, Singer, Folklorist & Television Producer

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, dies in Belfast, Northern Ireland, following a long illness, on August 25, 2008.

Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)


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Birth of Mícheál Ó Muircheartaigh, Gaelic Games Commentator

Mícheál Ó Muircheartaigh, an Irish Gaelic games commentator for the Irish national radio and television, RTÉ, is born in Doonshean just outside Dingle, County Kerry, on August 20, 1930. In a career that spans six decades he comes to be regarded as the “voice of Gaelic games.” He has been described as a national treasure. His prolific career earns him a place in Guinness World Records.

Ó Muircheartaigh grows up on the family farm and is educated locally in Dingle. In September 1945, he begins studying at Coláiste Íosagáin in Ballyvourney in the County Cork Gaeltacht where he trains to be a teacher. It is at this all-Irish language school that his name changes from Michael Moriarty to the Irish version Mícheál Ó Muircheartaigh. He says that Irish is his stronger language. In September 1948, he begins the final year of his teacher training at St. Patrick’s College of Education in Drumcondra, Dublin.

In early March 1949, Ó Muircheartaigh, along with ten other students from the college, and several from other colleges, do a test commentary on a hurling match at Croke Park. Each student has to commentate for five minutes in Irish and the most successful is to be selected for further commentary work. Up to this point, he has never seen a game of hurling before in his life. He is the one selected and his first assignment is to provide an all-Irish commentary on the 1949 Railway Cup final on Saint Patrick’s Day.

Ó Muircheartaigh graduates from St. Patrick’s College a little later and also completes a Bachelor of Arts degree from University College Dublin (UCD) in 1952. He also completes a Higher Diploma in Education in 1953. He teaches economics, accountancy and Irish in both primary and secondary schools throughout Dublin, the majority of which are run by the Christian Brothers. He continues teaching up until the 1980s, when he becomes a full-time broadcaster with RTÉ.

For the early part of his broadcasting career, Ó Muircheartaigh commentates on Minor GAA matches, in the Irish language. He also replaces the legendary Michael O’Hehir when he is not available to commentate. Eventually when O’Hehir is forced to retire in the mid-1980s Ó Muircheartaigh takes over as the station’s premier radio commentator. He develops his own inimitable style of commentary, and his accent is unmistakably that of a native Irish speaker. He is a true lover of Gaelic Athletic Association, and it is reflected in the enthusiasm he brings to matches. His unusual turn of phrase makes him a much-loved broadcaster and often imitated character. He becomes particularly famous in Ireland for his unusual turns of phrase in the heat of the moment while commentating. Towards the end of his life, he commentates on RTÉ Radio 1. In 2004, he publishes his autobiography, From Dún Sion to Croke Park.

On March 5, 1988, Ó Muircheartaigh presents the Saturday Live show on RTÉ 1. In 1990, he holds an impromptu interview with Britain’s Prince Edward, after his greyhound had won at the English Greyhound Derby qualifier when he was commentating.

Ó Muircheartaigh’s commentaries for RTÉ Radio 1’s Sunday Sport show win him a Jacob’s Award in 1992. He is also the Parade Grand Marshal for the 2007 St. Patrick’s Festival, having been given the honour by the chairman of the festival in recognition and appreciation of his unique contribution to Irish culture. He is the Parade Grand Marshal for the 2011 St. Patrick’s Parade in Toronto, Ontario, Canada, also in recognition and appreciation of his unique contribution to Irish culture.

On September 16, 2010, Ó Muircheartaigh announces his retirement from broadcasting. The last All-Ireland he commentates on is the 2010 All-Ireland Senior Football Championship Final on September 19, 2010.

On October 29, 2010, it is announced that the 2nd International Rules test at Croke Park would be Ó Muircheartaigh’s final broadcast as commentator on RTÉ Radio 1. The following day he commentates his final commentary alongside RTÉ’s pundit and former Meath footballer Bernard Flynn.

Ó Muircheartaigh is contracted to officiate at the 2011–2012 Volvo Ocean Race finish in Galway where he commentates on the finish to the round-the-world race, giving it a uniquely Irish conclusion. Sailing is his longtime hobby.

Ó Muircheartaigh writes a weekly sports column for Foinse, the Irish-language newspaper free with the Irish Independent each Wednesday. He is invited to read out a piece in Irish and in English at an event called “Laochra” in Croke Park on April 24, 2016, to commemorate the 100th anniversary of the Easter Rising.

In 2007, Ó Muircheartaigh is awarded the UCD Foundation Day Medal. His nephew by marriage, John McGuire, has presented several programmes on RTÉ.

Ó Muircheartaigh dies in hospital in Dublin at the age of 93 on June 25, 2024.

Ó Muircheartaigh is awarded an honorary doctorate by NUI Galway in 1999 for his lifetime service to broadcasting. Shortly after his 90th birthday, he is awarded the only GAA GPA All Stars Award of 2020. No further All Stars can be awarded as competition is suspended due to the COVID-19 pandemic and only completed that December.


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Birth of Eamon Dunphy, Media Personality & Journalist

Eamon Martin Dunphy, Irish media personality, journalist, broadcaster, author, sports pundit and former professional footballer, is born in Dublin on August 3, 1945.

Dunphy grows up in Drumcondra, Dublin, in what he describes as “a one-room tenement flat [with] no electricity, no hot water.” He attends Saint Patrick’s National School, Drumcondra. In 1958, he gets a one-year government scholarship to Sandymount High School but has to work as a messenger at the tweed clothing shop Kevin and Howlin.

A promising footballer, Dunphy leaves Dublin while still a teenager to join Manchester United as an apprentice. He does not break into the first team at United, and subsequently leaves to play for York City, Millwall, Charlton Athletic, Reading and Shamrock Rovers. It is at Millwall that he makes the most impact. He is considered an intelligent and skillful player in the side’s midfield. He is a member of “The Class of ’71,” the Millwall side that fails by just one point to gain promotion to the Football League First Division.

Dunphy plays 23 times for the Republic of Ireland and is Millwall’s most capped international footballer with 22 caps, until surpassed by David Forde and Shane Ferguson. He makes his Ireland debut on November 10, 1965, in the playoff at the Parc des Princes in Paris for the 1966 FIFA World Cup which Spain wins 1–0, thanks to a José Ufarte goal. He goes on to become, in his own words, “a good player, not a great player.”

Dunphy accompanies Johnny Giles back to Ireland to join Shamrock Rovers in 1977. Giles wants to make the club Ireland’s first full-time professional club and hopes to make Rovers into a force in European football by developing talented young players at home who would otherwise go to clubs in England. Dunphy is originally intended to be in charge of youth development. However, despite an FAI Cup winners medal in 1978, his only medal in senior football, and two appearances in the UEFA Cup Winners’ Cup, he becomes disillusioned with the Irish game and drops out of football altogether to concentrate on a career in journalism.

After retiring from the game, Dunphy first begins writing on football for the Sunday Tribune and then contributes regular columns on both football and current events for the Sunday Independent. He currently writes a column on football for the Irish Daily Star. He coins the term “Official Ireland” to refer to the establishment. He also works for Ireland on Sunday (now the Irish Daily Mail), The Sunday Press (now defunct), and the Irish Examiner.

Since the 1980s, Dunphy has written a number of books. His first and most widely praised book is Only a Game? The Diary of a Professional Footballer, which is an autobiographical account of his days playing for Millwall. Written in diary form, it records events from the dressing room of his 1973–74 season, which begins well for him at Millwall but subsequently ends in disillusionment: after being substituted in an October 27, 1973, home loss to eventual league winners Middlesbrough, he does not play another game all season, the club finishing mid-table.

In 1985, rock band U2 and manager Paul McGuinness commission Dunphy to write the story of their origins, formation, early years and the time leading up to their highly successful album The Joshua Tree. His book Unforgettable Fire – Past, Present, and Future – The Definitive Biography of U2 is published in 1988. It receives some favourable reviews, but critics close to the band speak of many inaccuracies. A verbal war erupts in the press during which he calls lead singer Bono a “pompous git.”

Dunphy also writes a biography of long-serving Manchester United manager Matt Busby and in 2002 ghost writes the autobiography of Republic of Ireland and Manchester United player Roy Keane.

Since the mid-1980s, Dunphy has regularly appeared as an analyst during football coverage on Raidió Teilifís Éireann (RTÉ). Since RTÉ acquired the rights to show English football, he has been a regular contributor to Premier Soccer Saturday. He also contributes to analysis of UEFA Champions League games and, in international football, RTÉ’s coverage of FIFA World Cups, UEFA European Football Championships and qualifying matches involving the Republic of Ireland national football team.

In 2001, Dunphy becomes the first male host of the quiz show The Weakest Link, which airs on TV3, for just one series. In 2003, he is hired again by TV3 to host their new Friday night chat show, entitled The Dunphy Show. Pitted head-to-head with RTÉ’s long-running flagship programme, The Late Late Show, Dunphy’s show loses what is a highly publicised “ratings war,” and is cancelled before its original run concludes.

Dunphy is the first presenter of a made-for-mobile television show on the 3 mobile network in Ireland. His rants and “Spoofer of the Week” are watched by thousands of 3 Mobile customers. The shows are awarded “Best Entertainment Show” at Ireland’s Digital Media Awards. He admits he never uses a mobile himself but enjoys filming for a mobile audience from his living room in Ranelagh.

In July 2018, Dunphy announces that he is leaving RTÉ after 40 years with the broadcaster, and that he intends to focus on his podcast The Stand with Eamon Dunphy.

Dunphy has also has a prominent radio career with several stations, including Today FM, Newstalk and RTÉ Radio 1. He is the original host in 1997 of the popular current affairs show The Last Word on Today FM. In September 2004, he takes over The Breakfast Show slot on the Dublin radio station Newstalk 106 from David McWilliams. The show tries to court controversy and listeners in equal measure. He fails to attract the large listenership predicted, with only a few additional thousand tuning in. He announces in June 2006 his intention to leave Newstalk 106, citing an inability to sustain the demands of an early morning schedule. After his departure from Newstalk 106, he confirms he is suffering from a viral illness from which he later recovers.

In July 2006, RTÉ announces that Dunphy will present a new weekly programme as part of the new RTÉ Radio 1 autumn schedule.

Dunphy rejoins Newstalk but leaves again in 2011 “due to interference from management and a push to put a more positive spin on the news.” On his last show he accuses his boss, Denis O’Brien, of “hating journalism.” He quits after Sam Smyth is sacked from Today FM (also owned by O’Brien) and says management at Newstalk is trying to remove “dissenting voices” like Constantin Gurdgiev from the airwaves.

Dunphy is a daily Mass-goer until he is preparing for marriage to his first wife, Sandra from Salford, when he is 21. He is Catholic and she is Protestant. The priest instructing them for marriage disapproves strongly of the mixed couple, saying that he should not marry her because she is “not a proper person.” Dunphy’s observance is already weakening but he quits his daily Mass-going at this point. He and Sandra have two children, a boy and a girl, and he is now a grandfather. His first marriage ends, and he moves to Castletownshend in County Cork for two years in the early 1990s. He lives with another partner, Inge, before meeting his second wife, RTÉ commissioning editor Jane Gogan, in the Horseshoe Bar in Dublin in 1992. They marry at the Unitarian Church on St. Stephen’s Green on September 24, 2009.

In an interview with An Phoblacht, Dunphy, who had previously written highly critical articles on the Provisional IRA and Sinn Féin, states that he is now a Sinn Féin supporter and declares he had voted for them in the 2011 Irish general election. He describes their representatives as “incredibly hard-working and incredibly intelligent.”

Dunphy publishes his autobiography entitled The Rocky Road in October 2013.

Today, Dunphy generally resides at his home near Ranelagh in Dublin. He also owns a holiday home in Deauville, France.

(Pictured: Éamon Dunphy at the Sinn Féin Summer School, 2013)


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Birth of Arlene Foster, Northern Ireland Politician & Broadcaster

Arlene Isobel Foster (née Kelly), Baroness Foster of Aghadrumsee, DBE, PC, British broadcaster and politician from Northern Ireland, is born in Enniskillen, County Fermanagh, Northern Ireland, on July 17, 1970. She serves as First Minister of Northern Ireland from 2016 to 2017 and 2020 to 2021 and leader of the Democratic Unionist Party (DUP) from 2015 to 2021, the first woman to hold either position. She is a Member of the House of Lords, having previously been a Member of the Legislative Assembly (MLA) for Fermanagh and South Tyrone from 2003 to 2021.

Foster is raised in the townland of Dernawilt, on the outskirts of Aghadrumsee. When she is nine, her family moves to the Castlebalfour Estate, a housing estate in nearby Lisnaskea, following a nighttime attempt by the Provisional Irish Republican Army (IRA) to kill her father, a Royal Ulster Constabulary (RUC) reservist, who is shot and severely injured at their family farm.

As a teenager, Foster is on a school bus that is bombed by the IRA, the vehicle targeted because its driver is a soldier in the Ulster Defence Regiment (UDR). A girl sitting near her is seriously injured. She is a pupil at Enniskillen Collegiate Grammar School in Enniskillen from 1982 to 1989, and attends Queen’s University Belfast (QUB), where she graduates with an LLB degree. Her political career begins at QUB when she joins the Queen’s Unionist Association, part of the Ulster Unionist Party (UUP). She serves as the association’s chair from 1992 to 1993.

After leaving QUB Foster remains active in the UUP, chairing its youth wing, the UYUC, in 1995. In 1996, she becomes an Honorary Secretary of the UUP’s ruling body, the Ulster Unionist Council, a position which she holds until her resignation from the UUP on December 18, 2003. She is a councillor on Fermanagh District Council representing Enniskillen from 2005 to 2010.

Foster serves in the Northern Ireland Executive as Minister of the Environment from 2007 to 2008, Minister for Enterprise and Investment from 2008 to 2015 and Minister for Finance and Personnel from 2015 to 2016. In December 2015, she is elected unopposed to succeed Peter Robinson as leader of the DUP. In January 2016, she becomes First Minister of Northern Ireland and shares power with Martin McGuinness.

McGuinness resigns as deputy First Minister in January 2017 amid the Renewable Heat Incentive scandal, which involves a green energy scheme that Foster set up during her time as Minister for Enterprise and Investment. The scheme is set to cost the taxpayer £490 million and there are allegations of corruption surrounding her role in implementing the scheme. McGuinness asks her to step aside as First Minister while her involvement in the scheme is investigated, but she refuses to step aside or resign and says that the voices calling for her resignation are those of “misogynists and male chauvinists.” Under the terms of the Northern Ireland power-sharing agreement, the First and deputy First Ministers are equal and, therefore, she cannot remain in her post as First Minister and is subsequently removed from office. McGuinness’s resignation causes a 2017 snap assembly election to be held, in which the DUP loses ten seats. After no party receives an outright majority in the 2017 United Kingdom general election, the DUP enters into an agreement with the Conservative Party to support Prime Minister Theresa May‘s government. In January 2020, she becomes First Minister of Northern Ireland again after the Executive is reinstated under the terms of the New Decade, New Approach agreement.

On April 28, 2021, after more than twenty DUP MLAs and four DUP MPs sign a letter “…voicing no confidence in her leadership,” Foster announces that she will resign as party leader and as First Minister. She is succeeded by Edwin Poots as DUP leader on May 28, 2021. She leaves office as First Minister on June 14, 2021, and is succeeded by Paul Givan as First Minister on June 17, 2021. She resigns from the Northern Ireland Assembly in October 2021 and becomes a presenter on GB News.

In May 2024, it is confirmed that Foster will be appointed chairperson of Intertrade UK, a new body to promote trade within the UK which is announced as part of the UK government package to restore devolution.

Foster and her husband, Brian, have three children. They live on the outskirts of Brookeborough, a village in the east of County Fermanagh. In 2008, she is recognised as Assembly member of the year at the Women in Public Life Awards.

(Pictured: Official portrait of Baroness Foster of Aghadrumsee, January 30, 2024)


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Birth of Actress Jennifer Gibney

Jennifer Ann O’Carroll (née Gibney), Irish actress, is born on July 7, 1964, in Dublin. She is best known for playing Cathy Brown in the BBC television sitcom, Mrs. Brown’s Boys and its adaptions. She also appears as contestant on the twelfth series of Strictly Come Dancing in 2014.

Gibney works as a civil servant in the Irish tax office for seven years and then joins the Bank of Ireland. She studies for a drama degree while at the bank and joins the company’s amateur dramatics group. She trains to be an actress at Dublin Oscar Theatre School.

Gibney’s first professional acting role comes in 1996, with a minor part in Some Mother’s Son, a film starring Helen Mirren. In 1999, she appears in the film Agnes Browne as Winnie the Mackerel. In 2007, she appears in Prosperity as Linda.

Gibney’s most prominent role is her portrayal of Cathy Brown, the daughter of Agnes Brown, played by her real-life husband, Brendan O’Carroll, a part she begins playing in the 1990’s in the original Mrs. Browne, and subsequently the BBC sitcom Mrs. Brown’s Boys since 2011. She also appears as Cathy in the film adaption Mrs. Brown’s Boys D’Movie and the talk show All Round to Mrs. Brown’s between 2017 and 2020. She and O’Carroll reprise their roles as the characters in the Netflix film A Madea Homecoming (2022).

In 2014, Gibney takes part in the twelfth series of Strictly Come Dancing. She is partnered with Irish professional Tristan MacManus. She and MacManus are the second couple to be eliminated in week three of the competition after dancing to ABBA‘s “Mamma Mia” on Movie Week. She competes in the bottom two against Blue star Simon Webbe and his partner Kristina Rihanoff.

Gibney has been married to Brendan O’Carroll since 2005 and has three stepchildren, Fiona and Danny, who also appear in Mrs. Brown’s Boys, and Eric.


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Birth of Pauline Flanagan, Stage & Television Actress

Pauline Flanagan, Irish-born actress who has a long career on stage, is born in Sligo, County Sligo, on June 29, 1925. She is best known in the United States for her role as Annie Colleary, on the television soap opera Ryan’s Hope in 1979 and again in 1981. She later returns to the show as Sister Mary Joel.

Flanagan is born to Patrick and Elizabeth (née Mulligan) Flanagan, who are strongly nationalist and republican, and support the Republican Anti-Treaty during the Irish Civil War, both serving as Lord Mayor of Sligo. Her paternal family, originally from County Fermanagh, are driven out by anti‐Catholic pogroms and resettle in Sligo, where her parents manage a retail business. She is good friends with fellow Irish actresses Joan O’Hara and Paddy Croft. She spends much of the early 1950s touring with Anew McMaster, where she meets Harold Pinter at the Gate’s Pinter Festival.

Flanagan appears in many Broadway plays, making her debut in 1957 in the first Main Stem production of Dylan Thomas‘s Under Milk Wood. She stars as Mrs. Grose in the 1976 Broadway revival of the William Archibald play The Innocents. She also appears on Broadway in Brian Friel‘s play Philadelphia, Here I Come! in 1994.

Flanagan also acts in Off-Broadway productions on several occasions with the Irish Repertory Theatre, including Harold Prince‘s Grandchild of Kings (1992), Seán O’Casey‘s Juno and the Paycock (1995). and Hugh Leonard‘s A Life (2001). For her performance in Grandchild of Kings, she receives the 1992 Outer Critics Circle Awards nomination for Best Actress. Other Off-Broadway work includes Yeats! A Celebration by William Butler Yeats.

Flanagan appears as Myra White in Hugh Leonard’s play Summer (1974), both in the original production at the Olney Theatre Center in Olney, Maryland, and at the Olympia Theatre in the Dublin Theatre Festival.

Flanagan is nominated for the 1982 Drama Desk Award for Outstanding Featured Actress in a Play for Medea in which she performs on Broadway in 1982.

In 1997, Flanagan wins the Barclays Theatre Awards for Best Actress in a Supporting Role for her role in Jennifer Johnston‘s The Desert Lullaby: A Play in Two Acts, at the Lyric Theatre, Belfast. The Barclays Theatre Awards are for outstanding regional theatre (including opera and dance) in the United Kingdom.

In 2001, Flanagan wins a Laurence Olivier Award for Best Actress in a Supporting Role, for her performance in Frank McGuinness‘s Dolly West’s Kitchen at The Old Vic in Waterloo, London.

A resident of Glen Rock, New Jersey, Flanagan dies at The Valley Hospital in Ridgewood, New Jersey, on June 28, 2003, one day before her 78th birthday, of heart failure following a battle with lung cancer. She is survived by her husband, George Vogel (whom she married in 1958), a sister, Maura McNally, and her daughters Melissa Brown and Jane Holtzen.


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Birth of Patrick Bedford, Stage & Television Actor

Patrick Alexander Bedford, Irish stage and television actor, is born in Dublin on May 30, 1932.

Bedford begins his career in the 1950s at the Gate Theatre in Dublin then under the direction of Hilton Edwards and Micheál Mac Liammóir, including productions of Anton Chekhov, George Bernard Shaw and William Shakespeare. He later works on the stage and in television in England. In London, he appears on stage and television in Edgar Wallace Mysteries and in several plays adapted for television.

Bedford is in the original stage production of Brian Friel‘s Philadelphia, Here I Come! at the Gaiety Theatre in Dublin in September 1964, in the London West End transfer at the Criterion Theatre, and in the Broadway New York City transfer. His performance earns him a 1965 Tony Award for Best Actor in a Play nomination, along with Donal Donnelly, and an Outer Critics Circle Award.

Bedford is a key figure in episode four, “A Death in England,” of the ABC Weekend TV sci-fi drama Undermind on UK television in 1965. He has a small part in Orson Welles‘s film Chimes at Midnight (1965) and a starring role with Sandy Dennis in the 1967 film Up the Down Staircase about life in a New York City high school and is in The Next Man (1976).

Bedford then mainly works in theatre in the United States, on both coasts, but mainly in New York City both on and off Broadway. He is in the premiere of Tennessee Williams‘s last play Small Craft Warnings at the New Theatre in New York in 1972. Other stage appearances include Brian Friel’s The Mundy Scheme in New York in 1969 and as John Adams in the nationwide tour of the musical 1776. He appears in over 200 stage productions throughout his career.

Bedford dies at the age of 67 on November 20, 1999, in Manhattan, New York City, of cancer six weeks after entering the hospital.


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Birth of Brendan Gleeson, Actor & Film Director

Brendan Gleeson, Irish actor and film director, is born in Dublin on March 29, 1955. He is the recipient of three Irish Film & Television Academy (IFTA) Awards, two British Independent Film Awards (BIFA), and a Primetime Emmy Award and has been nominated twice for a BAFTA Award, five times for a Golden Globe Award and once for an Academy Award. In 2020, he is listed at number 18 on The Irish Times list of Ireland’s greatest film actors. He is the father of actors Domhnall Gleeson and Brian Gleeson.

Gleeson is the son of Frank and Pat Gleeson. He has described himself as having been an avid reader as a child. He receives his second-level education at St. Joseph’s CBS in Fairview, Dublin, where he is a member of the school drama group. He receives his Bachelor of Arts at University College Dublin (UCD), majoring in English and Irish. After training as an actor, he works for several years as a secondary school teacher of Irish and English at the now defunct Catholic Belcamp College in north County Dublin. He works simultaneously as an actor while teaching, doing semi-professional and professional productions in Dublin and surrounding areas. He leaves the teaching profession to commit full-time to acting in 1991. In an NPR interview to promote Calvary in 2014, he states he was molested as a child by a Christian Brother in primary school but was in “no way traumatised by the incident.”

As a member of the Dublin-based Passion Machine Theatre company, Gleeson appears in several of the theatre company’s early and highly successful plays such as Brownbread (1987), written by Roddy Doyle and directed by Paul Mercier, Wasters (1985) and Home (1988), written and directed by Paul Mercier. He also writes three plays for Passion Machine: The Birdtable (1987) and Breaking Up (1988), both of which he directs, and Babies and Bathwater (1994) in which he acts. Among his other Dublin theatre work are Patrick Süskind‘s one-man play The Double Bass and John B. Keane‘s The Year of the Hiker.

Gleeson starts his film career at the age of 34. He first comes to prominence in Ireland for his role as Michael Collins in The Treaty, a television film broadcast on RTÉ One, and for which he wins a Jacob’s Award in 1992. He acts in such films as Braveheart, I Went Down, Michael Collins, Gangs of New York, Cold Mountain, 28 Days Later, Troy, Kingdom of Heaven, Lake Placid, A.I. Artificial Intelligence, Mission: Impossible 2, and The Village. He wins critical acclaim for his performance as Irish gangster Martin Cahill in John Boorman‘s 1998 film The General.

In 2003, Gleeson is the voice of Hugh the Miller in an episode of the Channel 4 animated series Wilde Stories. While he portrays Irish statesman Michael Collins in The Treaty, he later portrays Collins’ close collaborator Liam Tobin in the film Michael Collins with Liam Neeson taking the role of Collins. He later goes on to portray Winston Churchill in Into the Storm, winning a Primetime Emmy Award for his performance. He plays Barty Crouch, Jr. impersonating Hogwarts professor Alastor “Mad-Eye” Moody in the fourth, and Alastor Moody himself in fifth and seventh Harry Potter films. His son Domhnall plays Bill Weasley in the seventh and eighth films.

Gleeson provides the voice of Abbot Cellach in The Secret of Kells, an animated film co-directed by Tomm Moore and Nora Twomey of Cartoon Saloon, which premieres in February 2009 at the Jameson Dublin International Film Festival. He stars in the short film Six Shooter in 2006, written and directed by Martin McDonagh, which wins an Academy Award for Best Live Action Short Film. In 2008, he stars in the comedy crime film In Bruges, also written and directed by McDonagh. The film, and his performance, enjoy huge critical acclaim, earning him several award nominations, including his first Golden Globe nomination. In the movie, he plays a mentor-like figure for Colin Farrell‘s hitman. In his review of In Bruges, Roger Ebert describes the elder Gleeson as having a “noble shambles of a face and the heft of a boxer gone to seed.”

In July 2012, Gleeson starts filming The Grand Seduction, with Taylor Kitsch, a remake of Jean-François Pouliot‘s French-Canadian La Grande Séduction (2003) directed by Don McKellar. The film is released in 2013. In 2016, he appears in the video game adaptation Assassin’s Creed and Ben Affleck‘s crime drama Live by Night. In 2017, he finishes Psychic, a short in which he directs and stars. From 2017 to 2019 he stars in the crime series Mr. Mercedes. He receives a Golden Globe Award nomination for his performance as Donald Trump in the Showtime series The Comey Rule (2020). In 2022, he reunites with Martin McDonagh in the tragic comedy The Banshees of Inisherin starring opposite Colin Farrell. For his performance as Colm Doherty, he receives numerous awards nominations, including the Academy Award, Golden Globe, and Critics’ Choice Movie Award for Best Supporting Actor. He receives an Emmy Award nomination for Stephen Frears‘s Sundance TV series State of the Union (2022).

Gleeson is a fiddle and mandolin player, with an interest in Irish folklore. He plays the fiddle during his roles in Cold Mountain, Michael Collins, The Grand Seduction, and The Banshees of Inisherin, and also features on Altan‘s 2009 live album. In the Coen brothers‘ The Ballad of Buster Scruggs (2018), he sings “The Unfortunate Rake.” He also makes a contribution in 2019 to the album by Irish folk group Dervish with a version of “Rocky Road to Dublin.”

Gleeson has been married to Mary Weldon since 1982. They have four sons: Domhnall, Fergus, Brían, and Rory. Domhnall and Brían are also actors. He speaks fluent Irish and is an advocate of the promotion of the Irish language. He is a fan of the English football club Aston Villa, as is his son Domhnall.


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Death of Dave Allen, Comedian, Satirist & Actor

David Edward Tynan O’Mahony, comedian, satirist and actor professionally known as Dave Allen, dies from emphysema in Kensington, London, on March 10, 2005.

Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.

After initially attending Beaumont convent school, Allen goes to Firhouse national school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.

Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.

Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.

While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.

Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”

On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.

Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.

Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).

In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.

In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.

After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.

A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.

(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)


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Death of Micheál Mac Liammóir, Actor & Playwright

Micheál Mac Liammóir, British-born Irish actor, playwright, impresario, writer, poet and painter, dies in Dublin on March 6, 1978. He co-founds the Gate Theatre with his partner Hilton Edwards and is one of the most recognizable figures in the arts in twentieth-century Ireland.

Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.

As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.

While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.

Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.

In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.

Mac Liammóir writes and performs a one-man show, The Importance of Being Oscar, based on the life and work of Oscar Wilde. The Telefís Éireann production wins him a Jacob’s Award in December 1964. It is later filmed by the BBC with Mac Liammóir reprising the role.

Mac Liammóir narrates the 1963 film Tom Jones and is the Irish storyteller in 30 Is a Dangerous Age, Cynthia (1968) which stars Dudley Moore.

In 1969 Mac Liammóir has a supporting role in John Huston‘s The Kremlin Letter. In 1970 he performs the role of narrator on the cult album Peace on Earth by the Northern Irish showband, The Freshmen and in 1971 he plays an elocution teacher in Curtis Harrington‘s What’s the Matter with Helen?.

Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.

Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.

Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.