seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Film, Radio, & Television


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Birth of RTÉ Broadcaster Joe Duffy

Joseph Duffy, Irish broadcaster employed by Raidió Teilifís Éireann (RTÉ), is born in Mountjoy Square, Dublin, on January 27, 1956. One of RTÉ’s highest-earning stars, he is the current presenter of Liveline, an interview and phone-in chat show broadcast on RTÉ Radio 1.

Duffy is brought up in Ballyfermot, one of five siblings. His father is Jimmy and his mother Mabel. His father, who has problems with alcohol, dies aged 58 in 1984. His 25-year-old brother Aidan is killed in a road accident on the Maynooth Road in 1991, with Duffy first learning of the “horrific accident” on the news on RTÉ Radio. His brother Brendan is described by him as “crippled, ruined and wrecked by a savage addiction” to sniffing glue which he develops as a teenager.

Duffy attends De La Salle Boys’ primary school, St. Lorcan’s B.N.S and St. John’s De La Salle College. He enrolls at Trinity College, Dublin (TCD) in 1977 to study Social Work and is elected President of Trinity College Students’ Union in 1979, becoming President of the Union of Students in Ireland (USI) four years later.

Duffy considers resigning from RTÉ in 2007 after the broadcaster forces him to give Minister for Justice Michael McDowell a platform on Liveline to make a “party political broadcast.” He considers it “direct party-political interference” in Liveline. However, he goes ahead with the broadcast and does not resign or make any protest on air.

In October 2008, Duffy is proactive as a supporter of Irish pensioners who march on Leinster House to protest at the proposed means testing of their medical cards in the Government Budget. However, earlier that month, he is reportedly censored by the government when he attempts to continually discuss the effects of the global financial crisis in Ireland. This follows on from the outrage caused when he is held responsible by Minister for Finance Brian Lenihan Jnr for inciting widespread public fear that Irish citizens are on the verge of losing their savings. Several callers freely speak of their lack of confidence in the banking system, of how they have withdrawn their money from banks, some of which are identified, and are either carrying it around on their person, or considering keeping it “under the mattress,” or burying it in their garden. Lenihan personally calls Cathal Goan, the Director-General of RTÉ, to express his outrage at the sudden increase in potentially disastrous speculation following the show.

The extent of the Finance Minister’s concern first publicly emerges the following morning when he is interviewed by RTÉ’s economics editor George Lee. In that interview, Lenihan insists that deposits are not in any danger and says that people should not be going to banks to shift their deposit accounts “on the basis of unfounded allegations made on radio programmes.”

Rival broadcaster TV3 accuses Raidió Teilifís Éireann (RTÉ) and Duffy of waging a “dirty tricks” war against them after a late-night game show run by TV3 is berated by callers to Liveline and saying several times on air that he has been unable to get a representative from the station to reply to callers’ concerns. TV3 says a lengthy statement is sent to the Liveline office almost two hours before the September 2009 show goes on air but is ignored, despite the fact that it clarifies some of the issues. The Play TV service is discontinued by TV3 in March 2010 after 29 complaints to the Broadcasting Authority of Ireland (BAI), though TV3 says it is because of a decline in viewership.

Duffy is famous for taking up the causes of the disadvantaged on Liveline, and examples of this include Berry Fleming who lost her job in 2010, and Aubrey McCarthy, who is trying desperately to get his removal business off the ground in 2012/2013.

Duffy is frequently lampooned at length on the satirical TV programme The Savage Eye. It portrays him as a fetish garment clad sado-masochist who derives perverse pleasure by urging his call-in radio listeners in a strong working-class Dublin accent, to express excesses of degradation and misery as he “empathizes” verbally and plays with his nipple clamps. He has since questioned viewership figures for The Savage Eye on his daily radio show and has questioned whether it is “blasphemous” on his Sunday afternoon religious affairs TV show Spirit Level.

Duffy is married and is the father of triplets. He currently resides on Dublin’s Northside. His autobiography, Just Joe, is launched by Gay Byrne in Harry’s Bar in October 2011. In 2014, he makes a cameo in Mrs. Brown’s Boys D’Movie as himself. The film is negatively received but is a moderate box office success.

In 1992, Duffy wins a Jacob’s Award for his reports on RTÉ Radio 1’s The Gay Byrne Show. He is named 11th most influential person of 2009 by Village.


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Death of Ria Mooney, Stage & Screen Actress

Ria Mooney, Irish stage and screen actress, artistic director of the Abbey Theatre (1948-1963) and director of the Gaiety School of Acting, dies in Dublin on January 3, 1973. She is the first female producer at the Abbey Theatre.

Mooney is born in 1903 in Rathmines, a suburb of Dublin. She starts acting as a child, sings with the Rathmines and Rathgar Musical Society as a teenager, and studies art at the Dublin Metropolitan School of Art. She is invited to join the Abbey Theatre in 1924 and acts alongside some of the great names of the day, such as Cyril Cusack, Maire O’Neill and F. J. McCormick in numerous plays. She plays the part of Rosie Redmond in The Plough and the Stars on February 8, 1926, when the players are attacked during a riot in the theatre. She goes on to play prominent roles in the period’s most important Irish plays by Sean O’Casey, Teresa Deevy, Paul Vincent Carroll, George Shiels, Lennox Robinson, Lady Gregory and John Millington Synge.

After spells abroad and at the Gate Theatre, Mooney is put in charge of the new Peacock Theatre and the Abbey Experimental Theatre Company at the Abbey in 1937. Her memoirs allude to an affair with the poet F. R. Higgins who is on the board of the Abbey. Ria and Higgins discover they are related, as third cousins, due to a chance conversation when they are both travelling to the United States together. She is shocked at his sudden death of a heart attack on January 6, 1941.

After Higgins’ death Ernest Blythe is named managing director. Mooney leaves the Abbey in 1944 to direct the Gaiety School of Acting. In January 1948 she becomes resident producer at the Abbey. It is a difficult time for the Abbey, and she has to contend with Blythe, a demanding manager with whom she does not see eye-to-eye. An unexpected blow is the death of F. J. McCormick on April 24, 1947. On July 17, 1951, fire destroys the Abbey Theatre. The company leases the old Queen’s Theatre in September and continues in residence there until 1966. She takes the opportunity to employ younger actors, many of whom she knows from her time teaching at the Gaiety. Among them are Ronnie Masterson, Joan O’Hara, Ray McAnally, Philip O’Flynn, Angela Newman, Bill Foley and Doreen Madden. Between 1948 and 1963, seventy-five new plays are produced at the two Abbey locations, with most of these directed by Mooney, and most receive excellent reviews from the Dublin critics.

In 1947 Mooney helps with the setting up of the Radio Éireann Players.


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Death of Stage & Film Actor Peter Seamus O’Toole

Peter Seamus O’Toole, British stage and film actor of Irish descent, dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81.

O’Toole is born on August 2, 1932, in Leeds, Yorkshire, England. Some sources give his birthplace as Connemara, County Galway. Records from the General Register Office in Leeds confirm that O’Toole is born in the north England town in 1932. He is educated at the Royal Academy of Dramatic Art in London. He is a reporter for the Yorkshire Evening Post in his teens and makes his amateur stage debut at Leeds Civic Theatre. After serving two years in the Royal Navy, he acts with the Bristol Old Vic Company from 1955 to 1958 and makes his London debut as Peter Shirley in George Bernard Shaw’s Major Barbara (1956). He appears with the Shakespeare Memorial Company at Stratford-upon-Avon, Warwickshire, England, in 1960 in highly praised performances as Shylock in The Merchant of Venice and as Petruchio in The Taming of the Shrew, and he plays the lead in Hamlet for the inaugural production of the Royal National Theatre in London in 1963. A prominent film star by this point in his career, he continues to appear on stages throughout the world to great acclaim. He is named associate director of the Old Vic in 1980.

O’Toole makes his motion picture debut in Kidnapped in 1960 and two years later becomes an international star for his portrayal of T.E. Lawrence in David Lean’s epic Lawrence of Arabia (1962). In 1964 he plays Henry II of England in Becket, and he has the title role in Lord Jim (1965). He appears as Henry II again in The Lion in Winter (1968), a film notable for the witty verbal sparring matches between O’Toole and costar Katharine Hepburn. The Ruling Class (1972), a controversial black comedy that has become a cult classic, casts O’Toole as a schizophrenic English earl with a messiah complex.

Personal problems contribute to a decline in his popularity during the 1970s, but he makes a strong comeback in the early 1980s with three well-received efforts. He portrays a duplicitous and domineering movie director in The Stunt Man (1980), and his performance as the Roman commander Lucius Flavius Silva in the acclaimed television miniseries Masada (1981) is hailed as one of the finest of his career. His most popular vehicle during this period is My Favorite Year (1982), an affectionate satire on the early days of television, in which he plays Alan Swann, a faded Errol Flynn-type swashbuckling screen star with a penchant for tippling and troublemaking.

O’Toole subsequently maintains his status with fine performances in such films as the Oscar-winning The Last Emperor (1987), the cult favourite Wings of Fame (1989), and Fairy Tale: A True Story (1997), in which he portrays Sir Arthur Conan Doyle. Notable screen roles in the 21st century included King Priam in the historical epic Troy (2004), an aging romantic in Venus (2006), the voice of a haughty food critic in the animated Ratatouille (2007), and a priest in the historical drama For Greater Glory (2012). In addition, in 2008 he portrays Pope Paul III in the TV series The Tudors.

In 1992 O’Toole publishes a lively memoir, Loitering with Intent: The Child. A second volume, Loitering with Intent: The Apprentice, appears in 1996. He is nominated for an Academy Award eight times — for Lawrence of Arabia, Becket, The Lion in Winter, Goodbye, Mr. Chips (1969), The Ruling Class, The Stunt Man, My Favorite Year, and Venus — but never wins. In 2003 he is awarded an honorary Oscar. He receives an Emmy Award for his performance as Bishop Pierre Cauchon in the television miniseries Joan of Arc (1999).

O’Toole dies on December 14, 2013, at Wellington Hospital in St. John’s Wood, London, at the age of 81. His funeral is held at Golders Green Crematorium in London on December 21, 2013, where his body is cremated in a wicker coffin. His ashes are planned to be taken to Connemara, Ireland. They are kept at the residence of the President of Ireland, Áras an Uachtaráin, by President Michael D. Higgins, an old friend of O’Toole. His family has stated their intention to fulfill his wishes and take his ashes to the west of Ireland.


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Birth of Brian Cleeve, Writer of Novels & Short Stories

Brian Brendon Talbot Cleeve, writer whose published works include twenty-one novels and over a hundred short stories, is born in Southend-on-Sea, Essex, England, on November 22, 1921. He is also an award-winning television broadcaster on RTÉ One.

Cleeve is the second of three sons to Charles Edward Cleeve and his wife Josephine (née Talbot). His father, who was born in Limerick, County Limerick, is a scion of a famous and wealthy family that runs several successful Irish enterprises in the late-nineteenth and early twentieth centuries. His mother is a native of Essex. The Cleeves came from Canada originally and emigrated to Ireland in the mid-nineteenth century. As a result of labour troubles and the effects of the Irish Civil War, the Cleeve business fails, and the family moves to England.

Cleeve’s mother dies in 1924 and his maternal grandparents, Alfred and Gertrude Talbot, take over responsibility for his upbringing. At age eight, he is sent as a boarder to Selwyn House in Kent, followed at age 12 by three years at St. Edward’s School, Oxford. He is by nature a free-thinker and rejects the assumptions and prejudices that are then part of upper-middle class English life. His unwillingness to conform means that school life is very difficult for him. In the late summer of 1938, he decides not to return to St. Edward’s for his final year. Instead, he runs away to sea.

Cleeve leads an eventful life during the next fifteen years. He serves on the RMS Queen Mary as a commis waiter for several months. At age 17 he joins the Queen’s Own Cameron Highlanders as a private soldier, and, because of his age, just misses being sent to Europe as part of the British Expeditionary Force (BEF) when World War II breaks out. In 1940, he is selected for officer training, is commissioned into the Somerset Light Infantry, and sent to Kenya as a second lieutenant in the King’s African Rifles. A year later he is court-martialed as a result of his objections to the treatment by colleagues of an African prisoner. Stripped of his commission and sentenced to three years’ penal servitude, he is transferred to Wakefield Prison in West Yorkshire. There, through the intervention of Sir Alexander Paterson, he is offered parole if he agrees to work for British Intelligence. For the remainder of the war, he serves as a counterspy in neutral ports such as Lisbon and Dublin. As cover, he works as an ordinary seaman in the Merchant Navy.

In 1945, Cleeve takes an Irish passport and comes to Ireland where, in the space of three weeks, he meets and marries Veronica McAdie. A year later, they leave Ireland with baby daughter Berenice on a protracted odyssey that takes them to London, Sweden, the West Indies, and finally South Africa. In 1948, the family settles in Johannesburg where they set up their own perfume business. A second daughter, Tanga, is born to the couple there in 1953. As a result of his friendship with Fr. Trevor Huddleston, he witnesses the conditions in which the black population has to live in townships such as Sophiatown. He becomes an outspoken critic of Apartheid, and, in 1954, he is branded by the authorities as a ‘political intractable’ and ordered to leave South Africa. He returns to Ireland where he lives for the remainder of his life.

Cleeve starts writing poems in his teens, a few of which are published in his school paper, the St. Edward’s Chronicle. During the war he continues to produce poems of a spiritual or metaphysical nature, most of which are never published. In 1945, he turns to novel-writing. After his first two attempts are rejected, his third novel, The Far Hills, is published in 1952. Two further novels about South Africa follow and their unvarnished descriptions of the reality of life for the native population probably contributes to his eventual expulsion from the country.

In the mid-1950s, Cleeve begins to concentrate on the short story form. During the next 15 years over 100 of his short stories are published in magazines and periodicals across five continents. He sells nearly thirty to The Saturday Evening Post alone. In 1966, his story Foxer is honoured with a scroll at the annual Edgar Awards.

During the 1960s and 1970s, Cleeve returns to writing novels with considerable success. He produced a series of well-received mystery and spy thrillers that do not sacrifice character to plot. In 1971, he publishes Cry of Morning, his most controversial and successful novel to date. It is a panoramic depiction of the economic and social changes that affected Ireland during the 1960s as seen through the eyes of a disparate collection of well-drawn characters. He subsequently achieves even greater commercial success, especially in the United States, with a number of historical novels featuring a strong female character as protagonist.

Cleeve also writes several works of non-fiction, principally the Dictionary of Irish Writers. This is a 20-year project to provide to scholars and the general public alike a comprehensive resource on Irish writers at an affordable price. It is a labour of love that consumes a great deal of his time and is effectively subsidised by his more commercial pursuits. The last edition is published in 1985.

On December 31, 1961, Telefís Éireann is launched as the Republic of Ireland‘s first indigenous television station. Cleeve joins the station as a part-time interviewer on the current affairs programme, Broadsheet. Following appearances on two additional programmes, Telefís Éireann does not renew his contract when it expires in 1973.

Following his wife’s death in 1999, Cleeve moves to the village of Shankill, Dublin. His health deteriorates rapidly following a series of small strokes. In November 2001, he marries his second wife, Patricia Ledwidge, and she cares for him during his final months. He suddenly dies of a heart attack on March 11, 2003. His body now lies under a headstone bearing the inscription “Servant of God.”


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Birth of Grace Kelly, Award Winning Actress & Princess of Monaco

Grace Patricia Kelly, an American Academy Award winning actress, is born into an affluent Catholic family of half Irish and half German descent in Philadelphia, Pennsylvania, on November 12, 1929. After starring in several significant films in the early to mid-1950s, she becomes Princess of Monaco by marrying Prince Rainier III in April 1956.

Kelly’s father, Irish American John B. Kelly, Sr., wins three Olympic gold medals for sculling, and owns a successful brickwork contracting company that is well known on the East Coast. As Democratic nominee in the 1935 election for Mayor of Philadelphia, he loses by the closest margin in the city’s history. In later years he serves on the Fairmount Park Commission and, during World War II, is appointed by President Franklin D. Roosevelt as National Director of Physical Fitness. Her mother, Margaret Majer, has German parents. She teaches physical education at the University of Pennsylvania and is the first woman to coach women’s athletics at Penn. She also models for a time in her youth. After marrying John Kelly in 1924, she focuses on being a housewife until her four children are of school age, following which she begins actively participating in various civic organizations.

Kelly receives her elementary education in the parish of Saint Bridget’s in East Falls. While attending Ravenhill Academy, a reputable Catholic girls’ school, she models fashions at local charity events with her mother and sisters. In 1942, at the age of 12, she plays the lead in Don’t Feed the Animals, a play produced by the Old Academy Players also in East Falls. In May 1947, she graduates from Stevens School, a socially prominent private institution in nearby Chestnut Hill, where she participates in drama and dance programs. Owing to her low mathematics scores, she is rejected by Bennington College in July 1947. Despite her parents’ initial disapproval, she decides to pursue her dreams of becoming an actress.

After graduating from the American Academy of Dramatic Arts in 1949, Kelly begins appearing in New York City theatrical productions and over 40 live drama productions broadcast in early 1950s Golden Age of Television. She gains stardom from her performance in John Ford‘s adventure-romance Mogambo (1953), for which she is nominated for an Academy Award for Best Supporting Actress. She wins the Academy Award for Best Actress for her performance in the drama The Country Girl (1954). Other notable works include the western High Noon (1952), the romance-comedy High Society (1956), and three consecutive Alfred Hitchcock suspense thrillers: Dial M for Murder (1954), Rear Window (1954), and To Catch a Thief (1955). She works with some of the most prominent leading men of the era, including Gary Cooper, Clark Gable, Ray Milland, James Stewart, Bing Crosby, William Holden, Cary Grant, Alec Guinness, and Frank Sinatra.

Kelly retires from acting at age 26 to marry Rainier and begins her duties as Princess of Monaco. Hitchcock hopes that she will appear in more of his films which require an “icy blonde” lead actress, but he is unable to coax her out of retirement. The Prince and Princess have three children: Princess Caroline, Prince Albert, and Princess Stéphanie. Princess Grace retains her link to America by her dual U.S. and Monégasque citizenship. Her charity work focuses on young children and the arts, establishing the Princess Grace Foundation-USA to support local artisans in 1964. Her organization for children’s rights, World Association of Children;s Friends (AMADE), gains consultive status within UNICEF and UNESCO. Her final film contribution is in 1977 to documentary The Children of Theatre Street directed by Robert Dornhelm, where she serves as the narrator. The documentary is nominated for an Academy Award for Best Documentary Feature.

On September 13, 1982, Princess Grace suffers a small stroke while driving back to Monaco from her country home in Roc Agel. As a result, she loses control of her 1971 Rover P6 3500 and drives off the steep, winding road and down the 120-foot mountainside. Her teenage daughter Stéphanie, who is in the passenger seat, tries but fails to regain control of the car. The Princess is taken to the Monaco Hospital (later named the Princess Grace Hospital Centre) with injuries to the brain and thorax and a fractured femur. She dies the following night at 10:55 PM after Rainier decides to turn off her life support. Stéphanie suffers a slight concussion and a hairline fracture of a cervical vertebra and is unable to attend her mother’s funeral.

Princess Grace’s funeral is held at the Cathedral of Our Lady Immaculate in Monaco-Ville, on September 18, 1982. After a Requiem Mass, she is buried in the Grimaldi family vault. Over 400 people attend, including Cary Grant, Nancy Reagan, Danielle Mitterrand, the Princess of Wales, and Empress Farah of Iran.

Rainier, who does not remarry, is buried alongside her after his death in 2005.


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Birth of Joan O’Hara, Actress of Stage, Film & Television

Joan O’Hara, Irish stage, film and television actress, is born in Rosses Point, County Sligo, on October 10, 1930. She is one of Ireland’s most popular actresses and is, at the time of her death, recognisable to television viewers as Eunice Dunstan, a gossip in Fair City on RTÉ One.

O’Hara is born and raised in Rosses Point, the daughter of Major John Charles O’Hara, an officer in the British Corps of Royal Engineers and his wife, Mai (née Kirwan). One of her sisters, Mary (born 1935), is a soprano/harpist. Her brother Dermot (born 1934) now lives with his family in Canada. She attends the same Ursuline convent school as fellow actress and friend Pauline Flanagan.

O’Hara lives most of her life in Monkstown, County Dublin, with a stay in London, with her husband, the poet and architect Francis J. Barry. The couple has four children: Siubhan, Jane, Guy, and Sebastian, an author/playwright, whose works include The Steward of Christendom, and the Booker-shortlisted novels A Long Long Way and The Secret Scripture. She is also a year-round sea-swimmer.

O’Hara is a member of the renowned Abbey Players and performs in many plays in the Abbey Theatre in Dublin, including those by Seán O’Casey, Lady Gregory and W.B. Yeats. She appears as Maurya in the 1988 film The Dawning. She appears in a number of other films, including Ron Howard‘s Far and Away, Da, Footfalls, Home is the Hero and just before her death, How About You. In this her final film, she stars with Vanessa Redgrave and her friend Brenda Fricker. The strength of her performance and bravery in carrying it out is acknowledged by the cast and crew in a standing ovation.

More recently, O’Hara is best known for appearing in the popular Irish television soap opera Fair City, broadcast on RTÉ One. She joins the soap in 1994, portraying the character Eunice Dunstan until her death in 2007. Thus, she is described as both one of Ireland’s most popular actresses and as one of the finest actors of her generation on her death. She admires in particular Samuel Beckett, Federico García Lorca and Ingmar Bergman. While she takes a no-nonsense approach to her craft, famously giving the advice that when in doubt, one should relate to the fireplace, she is educated at the Abbey School of Acting and has a deep appreciation and knowledge of theoretical approaches to acting and is an admirer of the European and American avant-garde. As actor Alan Stanford said after her death, “She had the most amazing energy. She was in the truest sense one of the last of the greats.”

Joan O’Hara Barry (she keeps her maiden name as her stage name) dies in Dublin on July 23, 2007, of complications from heart disease, aged 76. Her death is announced on RTÉ News the following day.


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Death of Cyril Cusack, Irish Film & Television Actor

Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.

Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.

Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.

In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.

Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.

Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.

Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).

In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.

Cusack is a longtime friend of Attorney General of Ireland, Chief Justice of Ireland and fifth President of Ireland Cearbhall Ó Dálaigh, whom he got to know when they were students at University College Dublin in the early 1930s.

On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.

Cusack is the maternal grandfather of Irish Socialist Workers Party Teachta Dála (TD) Richard Boyd Barrett and English actor Max Irons.


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Birth of Maureen Toal, Stage & Television Actress

Maureen Toal, Irish stage and television actress whose professional career lasts for more than sixty years, is born on September 7, 1930 in Fairview, Dublin.

Toal begins performing at the Abbey Theatre in Dublin in 1946, when she is just sixteen years old. She becomes a fixture at the theatre, portraying Bessie Burgess in Seán O’Casey‘s The Plough and the Stars and the Widow Quinn in John Millington Synge‘s The Playboy of the Western World. She also appears in several one woman shows, including Baglady, which is written by Irish playwright Frank McGuinness.

Another playwright, John B. Keane, writes the role of Mame Fadden in his play, The Change in Mame Fadden, specifically for Toal. Hugh Leonard also pens characters in his plays A life and Great Big Blonde with the intention of casting Toal in the parts. She is best known to Irish television audiences for her role as Teasy McDaid on RTÉ One‘s Glenroe during the 1990s.

In 1952, Toal marries fellow Irish actor Milo O’Shea. They divorce in 1974.

The University College Dublin awards Toal an honorary doctorate in literature in 2010.

Toal dies in her sleep at her home in Sandycove, Dublin, on August 24, 2012, two weeks before her 82nd birthday. She is survived by her sons, Steven and Colm O’Shea, two sisters, one brother, and three grandchildren.


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Birth of Cavan O’Connor, “The Singing Vagabond”

Clarence Patrick O’Connor, British singer of Irish heritage known professionally as Cavan O’Connor, is born on July 1, 1899 in Carlton, Nottinghamshire, England. He is most popular in the 1930s and 1940s, when he is billed as “The Singing Vagabond” or “The Vagabond Lover.”

O’Connor is born to parents of Irish origin. His father dies when he is young, and he leaves school at an early age to work in the printing trade. He serves in World War I as a gunner and signaler in the Royal Artillery, after first being rejected by the Royal Navy when it is discovered that he had pretended to be three years older than his real age. He is wounded in the war, aged 16, while serving with the Royal Artillery. After the war he returns to Nottingham where he works in a music shop. He starts singing in clubs and at concerts, before deciding to turn professional in the early 1920s.

O’Connor wins a scholarship to the Royal College of Music in London, where he meets his wife, Rita Tate (real name Margherita Odoli), a niece of the opera singer Maggie Teyte. He makes his first recordings, as Cavan O’Connor, for the Vocalion label in 1925, including “I’m Only a Strolling Vagabond” from the operetta The Cousin from Nowhere, which becomes his signature song. Noted for his fine tenor voice, well suited for recording, he appears on many British dance band recordings in the 1920s and 1930s, and uses a wide variety of pseudonyms, including Harry Carlton, Terence O’Brien, and Allan O’Sullivan. He also joins Nigel Playfair‘s revue company at the Lyric Theatre in Hammersmith, before moving on to playing lead roles in opera productions at The Old Vic, often performing in French, Italian and Spanish.

O’Connor turns increasingly toward light entertainment, largely for financial reasons. He starts appearing in variety shows around the country, often performing Irish folk songs. Having made his first radio broadcasts for BBC Radio in 1926, he continues to feature occasionally, but makes his breakthrough when he is billed, initially anonymously, as “The Strolling Vagabond” and “The Vagabond Lover” on a series of radio programmes produced by Eric Maschwitz in 1935. This is the first British radio series based around a solo singer, and when it becomes known that he is the performer, makes him a star, “one of Britain’s highest paid radio personalities.” The series continues for over ten years. From 1946, his Sunday lunchtime radio series, The Strolling Vagabond, is heard by up to 14 million listeners.

O’Connor consistently tours and continues to broadcast regularly. During World War II he settles in Bangor, Gwynedd, north Wales, and regularly appears on the Irish Half Hour radio programmes. His most popular songs include “The World Is Mine Tonight,” written for O’Connor by Maschwitz and George Posford, “Danny Boy” and “I’ll Take You Home Again, Kathleen,” an American song widely assumed to be Irish. He records frequently for at least 15 record labels over his career, including Decca Records, at one point recording 40 songs in five days. He makes over 800 recordings in total, both under his own name and pseudonyms, and also appears in two films, Ourselves Alone (1936) and Under New Management (known in the U.S. as Honeymoon Hotel, 1946).

After the war, O’Connor returns to live in London, and tours in Australia and South Africa as well as in Don Ross‘s Thanks for the Memory tours. He retires at one point to set up an electrical goods business, but then resumes his music career in the Avonmore Trio with his wife and son, to give occasional performances and make recordings, the last in 1984.

O’Connor dies at the age of 97 in London on January 11, 1997.


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Death of Irish American Actor Gregory Peck

Actor Gregory Peck dies at his home in Los Angeles, California, from bronchopneumonia at the age of 87 on June 12, 2003.

Peck is born in La Jolla, California on April 5, 1916, to Bernice Mary (Ayres) and Gregory Pearl Peck, a chemist and pharmacist in San Diego. Through his Irish-born paternal grandmother, Catherine Ashe, Peck is related to Thomas Ashe, who takes part in the Easter Rising fewer than three weeks after Peck’s birth and dies while on hunger strike in 1917.

Peck’s parents divorce when he is five years old. An only child, he is sent to live with his grandmother. He never feels as though he has a stable childhood. His fondest memories are of his grandmother taking him to the movies every week and of his dog, which follows him everywhere.

At the age of ten Peck is sent to a Catholic military school, St. John’s Military Academy in Los Angeles. While he is a student there, his grandmother dies. At 14, he moves back to San Diego to live with his father and attends San Diego High School. After graduating he enrolls for one year at San Diego State Teacher’s College (now known as San Diego State University).

Peck studies pre-med at the University of California, Berkeley and while there is bitten by the acting bug and decides to change the focus of his studies. He enrolls in the Neighborhood Playhouse School of the Theatre in New York City and debuts on Broadway after graduation. His debut is in Emlyn Williams‘ play The Morning Star (1942). By 1943, he is in Hollywood, where he debuts in the RKO Pictures film Days of Glory (1944).

Stardom comes with Peck’s next film, The Keys of the Kingdom (1944), for which he is nominated for an Academy Award. Peck’s screen presence displays the qualities for which he becomes well known. He is tall, rugged and heroic, with a basic decency that transcends his roles. He appears in Alfred Hitchcock‘s Spellbound (1945) as an amnesia victim accused of murder. In The Yearling (1946), he is again nominated for an Academy Award and wins the Golden Globe Award. He is especially effective in westerns and appears in such varied fare as David O. Selznick‘s critically blasted Duel in the Sun (1946), the somewhat better received Yellow Sky (1948) and the acclaimed The Gunfighter (1950). He is nominated again for the Academy Award for his roles in Gentleman’s Agreement (1947), which deals with antisemitism, and Twelve O’Clock High (1949), a story of high-level stress in an Air Force bomber unit in World War II.

With a string of hits to his credit, Peck makes the decision to only work in films that interest him. He continues to appear as the heroic, larger-than-life figures in such films as Captain Horatio Hornblower R.N. (1951) and Moby Dick (1956). He works with Audrey Hepburn in her debut film, Roman Holiday (1953).

Peck finally wins the Oscar, after four nominations, for his performance as lawyer Atticus Finch in To Kill a Mockingbird (1962). In the early 1960s, he appears in two darker films than he usually makes, Cape Fear (1962) and Captain Newman, M.D. (1963), which deal with the way people live. He also gives a powerful performance as Captain Keith Mallory in The Guns of Navarone (1961), one of the biggest box-office hits of that year.

In the early 1970s, Peck produces two films, The Trial of the Catonsville Nine (1972) and The Dove (1974), when his film career stalled. He makes a comeback playing, somewhat woodenly, Robert Thorn in the horror film The Omen (1976). After that, he returns to the bigger-than-life roles he is best known for, such as MacArthur (1977) and the monstrous Nazi Dr. Josef Mengele in the huge hit The Boys from Brazil (1978). In the 1980s, he moves into television with the miniseries The Blue and the Gray (1982) and The Scarlet and the Black (1983). In 1991, he appears in the remake of his 1962 film, playing a different role, in Martin Scorsese‘s Cape Fear (1991). He is also cast as the progressive-thinking owner of a wire and cable business in Other People’s Money (1991).

In 1967, Peck receives the Academy’s Jean Hersholt Humanitarian Award. He has also been awarded the Presidential Medal of Freedom. Always politically progressive, he is active in such causes as anti-war protests, workers’ rights and civil rights. In 2003, Peck’s portrayal of Atticus Finch is named the greatest film hero of the past 100 years by the American Film Institute.

Peck dies in his sleep at his home in Los Angeles, California from bronchopneumonia at the age of 87 on June 12, 2003. He is entombed in the Cathedral of Our Lady of the Angels mausoleum in Los Angeles. His eulogy is read by Brock Peters, whose character, Tom Robinson, was defended by Peck’s Atticus Finch in To Kill a Mockingbird.