The Council of Europe currently has 47 member states, covers approximately 820 million people and operates with an annual budget of approximately half a billion euros.
The organisation is distinct from the 28-nation European Union (EU), although it is sometimes confused with it, partly because the EU has adopted the original European Flag which was created by the Council of Europe in 1955, as well as the European Anthem. No country has ever joined the EU without first belonging to the Council of Europe, which is an official United Nations Observer.
Unlike the EU, the Council of Europe cannot make binding laws, but it does have the power to enforce select international agreements reached by European states on various topics. The best known body of the Council of Europe is the European Court of Human Rights, which enforces the European Convention on Human Rights.
Patrick John Hillery, Irish politician and the sixth President of Ireland, is born in Spanish Point, County Clare on May 2, 1923. He serves two terms in the presidency and, though widely seen as a somewhat lacklustre President, is credited with bringing stability and dignity to the office. He also wins widespread admiration when it emerges that he has withstood political pressure from his own Fianna Fáil party during a political crisis in 1982.
Hillery is educated locally at Milltown MalbayNational school before later attending Rockwell College. At third level he attends University College Dublin where he qualifies with a degree in medicine. Upon his conferral in 1947 he returns to his native town where he follows in his father’s footsteps as a doctor.
Following Ireland’s successful entry into the European Economic Community in 1973, Hillery is rewarded by becoming the first Irishman to serve on the European Commission, serving until 1976 when he becomes President. In 1976 the Fine Gael–Labour Party National Coalition under Liam Cosgrave informs him that he is not being re-appointed to the Commission. He considers returning to medicine; however, fate takes a turn when Minister for DefencePaddy Donegan launches a ferocious verbal attack on President Cearbhall Ó Dálaigh, calling him “a thundering disgrace” for referring anti-terrorist legislation to the courts to test its constitutionality. When a furious President Ó Dálaigh resigns, a deeply reluctant Hillery agrees to become the Fianna Fáil candidate for the presidency. Fine Gael and Labour decide it is unwise to put up a candidate in light of the row over Ó Dálaigh’s resignation. As a result, Hillery is elected unopposed, becoming President of Ireland on December 3, 1976.
When Hillery’s term of office ends in September 1983, he indicates that he does not intend to seek a second term, but he changes his mind when all three political parties plead with him to reconsider. He is returned for a further seven years without an electoral contest. After leaving office in 1990, he retires from politics.
Hillery’s two terms as president, from 1976 to 1990, end before the 1998 Good Friday Agreement, which sets terms for an end to violence in Northern Ireland. But he acts at crucial moments as an emollient influence on the republic’s policies toward the north and sets a tone that helps pave the way for eventual peace.
Patrick Hillery dies on April 12, 2008, in his Dublin home following a short illness. His family agrees to a full state funeral for the former president. He is buried at St. Fintan’s Cemetery, Sutton, Dublin. In the graveside oration, TánaisteBrian Cowen says Hillery was “A humble man of simple tastes, he has been variously described as honourable, decent, intelligent, courteous, warm and engaging. He was all of those things and more.”
Bacon is born in Dublin on October 28, 1909. He is best known for his depictions of popes, crucifixions and portraits of close friends. His abstracted figures are typically isolated in geometrical cage like spaces, set against flat, nondescript backgrounds. Bacon says that he sees images “in series,” and his work typically focuses on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on a single motif, beginning with the 1930s Pablo Picasso-informed Furies, moving on to the 1940s male heads isolated in rooms or geometric structures, the 1950s screaming popes, and the mid-to-late 1950s animals and lone figures, the 1960s portraits of friends, the nihilistic 1970s self-portraits, and the cooler more technical 1980s late works.
Bacon takes up painting in his late 30s, having drifted as an interior decorator, bon vivant and gambler. He says that his artistic career was delayed because he spent too long looking for subject matter that could sustain his interest. His breakthrough comes with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, which seals his reputation as a uniquely bleak chronicler of the human condition. From the mid-1960s he mainly produces portraits of friends and drinking companions, either as single or triptych panels. Following the 1971 suicide of his lover, George Dyer, his art becomes more sombre, inward-looking and preoccupied with the passage of time and death. The climax of this later period is marked by masterpieces, including Study for Self-Portrait (1982) and Study for a Self-Portrait—Triptych, 1985–86.
Despite his bleak existentialist outlook, solidified in the public mind through his articulate and vivid series of interviews with David Sylvester, Bacon in person is highly engaging and charismatic, articulate, well-read and unapologetically gay. He is a prolific artist, but nonetheless spends many of the evenings of his middle age eating, drinking and gambling in London‘s Soho with like-minded friends such as Lucian Freud, John Deakin, Muriel Belcher, Henrietta Moraes, Daniel Farson, Tom Baker, and Jeffrey Bernard.
After Dyer’s suicide he largely distances himself from this circle, and while his social life is still active and his passion for gambling and drinking continues, he settles into a platonic and somewhat fatherly relationship with his eventual heir, John Edwards. The art critic Robert Hughes describes him as “the most implacable, lyric artist in late 20th-century England, perhaps in all the world” and along with Willem de Kooning as “the most important painter of the disquieting human figure in the 50’s of the 20th century.” Bacon is the subject of two Tate retrospectives and a major showing in 1971 at the Grand Palais.
While on holiday in Madrid in 1992, Francis Bacon is admitted to the Handmaids of Maria, a private clinic, where he is cared for by Sister Mercedes. His chronic asthma, which has plagued him all his life, has developed into a respiratory condition and he is unable to talk or breathe very well. He dies of a heart attack on April 28, 1992, after attempts to resuscitate him fail.
Bacon bequeaths his estate, then valued at £11 million, to John Edwards and Brian Clark, executors. In 1998 the director of the Hugh Lane Gallery in Dublin secures the donation of the contents of Bacon’s chaotic studio at 7 Reece Mews, South Kensington. The contents of his studio are moved and reconstructed in the gallery. Most of his works remain in the Hugh Lane in Dublin today.
Since his death his reputation and market value have grown steadily, and his work is among the most acclaimed, expensive and sought-after. In the late 1990s a number of major works, previously assumed destroyed, including early 1950s popes and 1960s portraits, reemerge to set record prices at auction. In 2013 his Three Studies of Lucian Freud sets the world record as the most expensive piece of art sold at auction.
The Roman Catholic Church considers ordination of women to be invalid and asserts that a person attempting the sacrament of ordination upon a woman incurs excommunication. The bishop had contacted her to offer ordination following her appearance on RTÉ’s The Late Late Show, during which she tells the presenter, Gay Byrne, that had she not been a singer, she would have wished to have been a Catholic priest. After her ordination, she indicates that she wishes to be called Mother Bernadette Mary.
In a July 2007 interview with Christianity Today, O’Connor states that she considers herself a Christian and that she believes in core Christian concepts about the Trinity and Jesus Christ. She says, “I think God saves everybody whether they want to be saved or not. So, when we die, we’re all going home… I don’t think God judges anybody. He loves everybody equally.” In an October 2002 interview, she credits her Christian faith in giving her the strength to live through, and then overcome the effects of, her child abuse.
On March 26, 2010, O’Connor appears on CNN‘s Anderson Cooper 360° to speak out about the Catholic sexual abuse scandal in Ireland. Two days later she has an opinion piece published in the Sunday edition of The Washington Post in which she writes about the scandal and her time in a Magdalene asylum as a teenager. Writing for the Sunday Independent she labels the Vatican as “a nest of devils” and calls for the establishment of an “alternative church,” opining that “Christ is being murdered by liars” in the Vatican. Shortly after the election of Pope Francis she describes the office of the Pope as an “anti-Christian office.”
Asked whether from her point of view, it is therefore irrelevant who is elected to be Pope, O’Connor replies, “Genuinely I don’t mean disrespect to Catholic people because I believe in Jesus Christ, I believe in the Holy Spirit, all of those, but I also believe in all of them, I don’t think it cares if you call it Fred or Daisy, you know? Religion is a smokescreen; it has everybody talking to the wall. There is a Holy Spirit who can’t intervene on our behalf unless we ask it. Religion has us talking to the wall. The Christ character tells us himself: you must only talk directly to the Father; you don’t need intermediaries. We all thought we did, and that’s OK, we’re not bad people, but let’s wake up… God was there before religion; it’s there [today] despite religion; it’ll be there when religion is gone.”
On April 11, 2000, Catherine Nevin (née Scully), in a dramatic end to the two-month trial, is found guilty by a jury at the Central Criminal Court of all four charges against her arising out of the 1996 shooting death of her husband, Tom Nevin, at Jack White’s Inn, a pub owned by the couple in County Wicklow. The jury also finds her guilty on three charges of soliciting others to kill him after five days of deliberation, then the longest period of deliberation in the history of the Republic of Ireland. She is subsequentlty dubbed the “Black Widow” by the press. She is the subject of significant coverage by the tabloid press and Justice Mella Carroll orders a ban on the press commenting on Nevin’s appearance or demeanour during the trial.
Catherine Scully meets Tom Nevin in Dublin in 1970 and they are married in Rome in 1976. Within ten years, they own two houses and manage a pub in Finglas, Dublin. In 1986 they open Jack White’s Inn near Brittas Bay in County Wicklow.
On March 19, 1996, Tom Nevin is killed with a shot from a nine pellet shotgun while counting the day’s takings in Jack White’s Inn. According to Catherine Nevin, she is awakened by someone pressing her face into a pillow. She claims it was a man shouting profanities and holding a knife in his left hand. IR£13,000 is taken from the pub, and the Nevins’ car is stolen. It is later found abandoned in Dublin.
After her conviction, Nevin serves her sentence at the Dóchas Centre, Dublin. She loses an appeal in 2003 and, in 2010, also loses an application to have her conviction declared a miscarriage of justice.
Catherine Nevin is diagnosed with a brain tumor in 2016 and given only months to live by doctors at Dublin’s Mater Private Hospital. She receives compassionate release in late 2017 and dies on February 19, 2018. She denies any involvement in her husband’s murder to the very end.
Mulhare, one of three brothers, is born at 22 Quaker Road, Cork, County Cork, in what is then known as the Irish Free State, to John and Catherine Mulhare. As a child, he receives his education at St. Nessan’s Christian Brothers School, and later North Monastery. As a young adult, he begins schooling at the National University of Ireland in medicine, but eventually decides upon a career in theatre. After acting in various Irish venues including the Gate Theatre in Dublin, he moves to London, where he works with Orson Welles and John Gielgud.
His best-known stage role is as Professor Higgins in the original Broadway production of My Fair Lady, having taken over the role from Rex Harrison in 1957.
Mulhare’s first television appearance is in 1956 in a production of The Adventures of Robin Hood. He is a guest panelist in 1958 on the CBS television game show What’s My Line? By 1965, he is back in Hollywood appearing in films and television shows. He earns a role in the films Von Ryan’s Express in 1965, Our Man Flint in 1966, and Caprice in 1967. He guest-stars in television programs, including the Twelve O’Clock High episode “Siren Voices” as Luftwaffe Colonel Kurt Halland. He also guest-stars in “Experiment In Terra,” an episode of the original Battlestar Galactica series. In The Ghost & Mrs. Muir, a supernatural sitcom that runs from 1968 to 1970, he stars as Captain Daniel Gregg, and again is something of a successor to Rex Harrison, who had originated the role of “The Ghost” in the original 1947 film. In the mid-1980s, Mulhare hosts the television series Secrets & Mysteries, also called Secrets of the Unknown, a magazine show that examines historical mysteries and the paranormal. His most famous role is probably as Devon Miles in the Knight Rider series.
Edward Mulhare dies of lung cancer on May 24, 1997, age 74, at his home in Van Nuys, California. He had been battling the cancer for five months prior to his death. He is buried in St. Joseph’s Cemetery, Tory Top Road, Cork. Team Knight Rider dedicates an episode titled “K.R.O.” to Mulhare’s memory which is broadcast on October 27, 1997.
James Kennedy, a Northern Irish songwriter and lyricist, dies in Cheltenham, Gloucestershire, England on April 6, 1984. In a career spanning more than fifty years, he writes some 2,000 songs, of which over 200 become worldwide hits and about 50 are all-time popular music classics. Until the duo of John Lennon and Paul McCartney, Kennedy has more hits in the United States than any other Irish or British songwriter.
Kennedy is born near Omagh, County Tyrone, Northern Ireland. His father, Joseph Hamilton Kennedy, is a policeman in the Royal Irish Constabulary, which exists before the partition of Ireland. While growing up in Coagh, Kennedy writes several songs and poems. He is inspired by local surroundings such as the view of the Ballinderry river, the local Springhill house and the plentiful chestnut trees on his family’s property, as evidenced in his poem Chestnut Trees. Kennedy later moves to Portstewart, a seaside resort.
While awaiting a Colonial Service posting to the colony of Nigeria, Kennedy embarks on a career in songwriting. His first success comes in 1930 with The Barmaid’s Song, sung by Gracie Fields. Fellow lyricist Harry Castling introduces him to Bert Feldman, a music publisher based in London‘s “Tin Pan Alley,” for whom Kennedy starts to work. In the early 1930s he writes a number of successful songs, including Oh, Donna Clara (1930), My Song Goes Round the World (1931), and The Teddy Bears’ Picnic (1933), in which he provides new lyrics to John Walter Bratton‘s tune from 1907.
In 1934, Feldman turns down Kennedy’s song Isle of Capri, but it becomes a major hit for a new publisher, Peter Maurice. He writes several more successful songs for Maurice, including Red Sails in the Sunset (1935), inspired by beautiful summer evenings in Portstewart, Northern Ireland, Harbor Lights (1937) and South of the Border (1939), inspired by a holiday picture postcard he receives from Tijuana, Mexico, and written with composer Michael Carr. Kennedy and Carr also collaborate on several West End theatre shows in the 1930s, including London Rhapsody (1937). My Prayer, with original music by Georges Boulanger, has English lyrics penned by Kennedy in 1939. It is originally written by Boulanger with the title Avant de Mourir in 1926.
During the early stages of World War II, while serving in the British Army‘s Royal Artillery, where he rises to the rank of Captain, Kennedy writes the wartime hit, We’re Going to Hang out the Washing on the Siegfried Line. His hits also include Cokey Cokey (1945), and the English lyrics to Lili Marlene. After the end of the war, his songs include Apple Blossom Wedding (1947), Istanbul (Not Constantinople) (1953), and Love Is Like a Violin (1960). In the 1960s he writes the song The Banks of the Erne, for recording by his friend from the war years, Theo Hyde, also known as Ray Warren.
Jimmy Kennedy dies in Cheltenham on April 6, 1984, at the age of 81, and was interred in Taunton, Somerset. In 1997 he is posthumously inducted into the Songwriter’s Hall of Fame.
Kenny is one of the founding members of the Irish Women’s Liberation Movement. Although the group has no formal structure of officials, she is often seen as the “ringleader” of the group. In March 1971, as part of an action by the IWLM, she walks out of Haddington Road church after the Archbishop of Dublin‘s pastoral is read out from the pulpit, confirming that “any contraceptive act is always wrong,” saying “this is Church dictatorship.” In a follow-up letter to The Irish Times she explains her actions by saying Ian Paisley was right, “Home Rule is Rome Rule.”
In 1973, Kenny is allegedly “disturbed in the arms of a former cabinet minister of President Obote of Uganda during a party,” which leads poet James Fenton to coin the euphemism “Ugandan discussions” to mean sexual intercourse. The phrase is first used by the magazine Private Eye on March 9, 1973, but has been widely used since then and is included by the BBC in a list of “The 10 most scandalous euphemisms” in 2013.
Coveney is interested in yachting throughout most of his adult life. His yacht Golden Apple of The Sun, designed by Cork-based designer Ron Holland, is a successful competitor in the Admiral’s Cup in the 1970s. A later 50-foot yacht, Golden Apple, is used by the family for the “Sail Chernobyl” project. The family sails around the world to raise €650,000 for Chernobyl Children’s Project International, a charity which offers assistance to children affected by the 1986 Chernobyl disaster.
In March 1998 it becomes publicly known that the Moriarty Tribunal has questioned Coveney about whether he had a secret offshore account with Ansbacher Bank, a bank which had become notorious for facilitating tax evasion. Ten days later, on March 13, 1998, Coveney visits his solicitor to change his will. The following day, he dies in a fall from a seaside cliff while out walking alone. His son, Simon Coveney, insists that his father had never held an Ansbacher account. It later emerges that Hugh Coveney had $175,000 on deposit in the secret Cayman Islands-based bank. The account was closed in 1979.
Simon Coveney is later elected to succeed his father in the resulting by-election on November 3, 1998.
The Birmingham Six – Paddy Joe Hill, Hugh Callaghan, Richard McIlkenny, Gerry Hunter, Billy Power and Johnny Walker – are released from jail on March 14, 1991, after their convictions for the murder of 21 people in two pubs are quashed by the Court of Appeal.
The Birmingham pub bombings take place on November 21, 1974, and are attributed to the Provisional Irish Republican Army. Explosive devices are placed in two central Birmingham pubs – the Mulberry Bush at the foot of the Rotunda and the Tavern in the Town, a basement pub in New Street. Up until this point, the resulting explosions collectively are the most injurious attacks in Great Britain since World War II. Ten people at the Mulberry Bush and eleven at the Tavern in the Town are killed and 182 people are injured. A third device, outside a bank in Hagley Road, fails to detonate.
Five of the six are taken into custody on the evening of November 21. The men agree to be taken to Morecambe police station for forensic tests. The following morning, after the forensic tests and questioning at the hands of the Morecambe police, the men are transferred to the custody of West Midlands Serious Crime Squad police unit. Hugh Callaghan is taken into custody on the evening of November 22.
On May 12, 1975, the six men are charged with murder and conspiracy to cause explosions. The trial begins on June 9, 1975, at the Crown Court sitting at Lancaster Castle. After legal arguments the statements made in November are deemed admissible as evidence. The unreliability of these statements is later established. Forensic scientist Dr. Frank Skuse uses positive Griess test results to claim that Hill and Power had handled explosives. Callaghan, Hunter, McIlkenny and Walker all had tested negative. The jury finds the six men guilty of murder. On August 15, 1975, they are each sentenced to 21 life sentences.
In March 1976 their first application for leave to appeal is dismissed by the Court of Appeal. Their second full appeal, in 1991, is allowed. New evidence of police fabrication and suppression of evidence, the successful attacks on both the confessions and the 1975 forensic evidence causes the Crown to decide not to resist the appeals. The Court of Appeal states that “in the light of the fresh scientific evidence, which at least throws grave doubt on Dr. Skuse’s evidence, if it does not destroy it altogether, these convictions are both unsafe and unsatisfactory.” On March 14, 1991, the six walk free.
In 2001, a decade after their release, the six men are awarded compensation ranging from £840,000 to £1.2 million.
The success of the appeals and other miscarriages of justice cause the Home Secretary to set up a Royal Commission on Criminal Justice in 1991. The commission reports in 1993 and leads to the Criminal Appeal Act 1995 which establishes the Criminal Cases Review Commission in 1997. Superintendent George Reade and two other police officers are charged with perjury and conspiracy to pervert the course of justice but are never prosecuted. During the inquest into the bombings in 2016, Hill states that he knows the identities of three of the bombers who are still “free men” in Ireland.
seamus dubhghaill 